Music News

Lil Yachty: Photos From the Billboard Cover Shoot

Someone has sparked a blunt in the planetarium.

It may be a school night, but no one has come to the Liberty Science Center in Jersey City, N.J., to learn. Instead, the hundreds of fans packed into the domed theater on Jan. 26 have come to hear Lil Yachty’s latest album as he intended: straight through — and with an open mind. Or, as Yachty says with a mischievous smile: “I hope y’all took some sh-t.”

For the next 57 minutes and 16 seconds, graphics of exploding spaceships, green giraffes and a quiet road through Joshua Tree National Park accompany Yachty’s sonically divergent — and at this point, unreleased — fifth album, Let’s Start Here. For a psychedelic rock project that plays like one long song, the visual aids not only help attendees embrace the bizarre, but also function as a road map for Yachty’s far-out trip, signaling that there is, in fact, a tracklist.

It’s a night the artist has arguably been waiting for his whole career — to finally release an album he feels proud of. An album that was, he says, made “from scratch” with all live instrumentation. An album that opens with a nearly seven-minute opus, “the BLACK seminole.,” that he claims he had to fight most of his collaborative team to keep as one, not two songs. An album that, unlike his others, has few features and is instead rich with co-writers like Mac DeMarco, Nick Hakim, Alex G and members of MGMT, Unknown Mortal Orchestra and Chairlift. An album he believes will finally earn him the respect and recognition he has always sought.

“I did what I really wanted to do, which was create a body of work that reflected me,” says a soft-spoken Yachty the day before his listening event. “My idea was for this album to be a journey: Press play and fall into a void.”

Sitting in a Brooklyn studio in East Williamsburg not far from where he made most of Let’s Start Here in neighboring Greenpoint, it’s clear he has been waiting to talk about this project in depth for some time. Yachty is an open book, willing to answer anything — and share any opinion. (Especially on the slice of pizza he has been brought, which he declares “tastes like ass.”) Perhaps his most controversial take at the moment? “F-ck any of the albums I dropped before this one.”

Nikki Sixx Says ‘This Isn’t a Final Tour’ For Motley Crue… See You in 2031!

If Nikki Sixx is still thumping out “Girl, Girls, Girls” at 73, “Kickstart My Heart” might take on a whole new meaning. In a recently resurfaced video from an interview with Brazil’s A Rádio Rock from December (according to Blabbermouth) the 64-year-0old Mötley Crüe bassist said he could imagine a scenario where the Crüe celebrate their 50th anniversary in 2031.

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Describing drummer Tommy Lee’s 60th birthday party in Mexico a few months earlier — where the guys, their wives and some friends chilled out without talking business at all — Sixx said there was talk of keeping the train rolling a bit longer.

“Me and Tommy and [singer] Vince [Neil] had this conversation. I said, I go,’ What are you guys doing for the next eight years?,’” he said he asked them. “And everybody’s laughing: ‘I don’t know.’ I said, ‘Why don’t we just keep going? Let’s just take it to 50.” The group was formed in 1981 and 2031 will mark their half-century anniversary.

Sixx then put a finer point on it. “So this isn’t a final tour,” he said. “What does that look like? I have no idea. I’m just telling you, you have the band saying, ‘We’re having a blast. Why stop?’”

Keep in mind, back in 2014, the Crüe signed a Cessation of Touring agreement and swore that their final show would be a Dec. 2015 gig at the Staples Center in Los Angeles. But just a few years later it seemed like they’d pulled the plug too early and after a few pandemic delays, they hit the road last year with Def Leppard, Poison and Joan Jett for the wildly successful The Stadium Tour, which earned a cool $173.5 million. They are currently on a world tour with Leppard slated to run through July, followed by North American stadium dates through mid-August.

All the original members will be in their 70s if they keep on rocking into 2031 — except for newly recruited guitarist John 5, who will be a spritely 61; recently departed guitarist Mick Mars, who left the band last year due to decadeslong, painful battle against a spinal condition, would be 80 at that point. 

Check out the interview below

RM Says ‘Nothing Lasts Forever,’ But He Believes ‘BTS Will Make It’

RM‘s impending mandatory military service in the South Korean army has gotten the BTS singer/rapper, 28, thinking about his journey so far with the K-pop supergroup, as well as its future once all seven members have finished their 18-month stints.

“After 10 years as a member of BTS, I didn’t know who I was and I wanted to know,” he told Spanish news agency EFE in a recent interview. “I started out as a teenage rapper, then BTS came along and it was all very intense. Now that the group is inactive, I’ve gone back to thinking about the beginnings and the real reasons why I joined BTS.”

And while the group’s members are all currently pursuing solo projects as they are in the midst of, or preparing for, their military obligation, the septet’s leader says he’s trying to keep a positive attitude.

“When you are famous, staying on top is very difficult,” he said about the rigors of maintaining the group’s global success. “But I think BTS will make it. It will come together again when we finish our military service, and we will look for new synergies between us to enter a second phase. But, in any case, nothing lasts forever.”

And while the latter comment seemed touched by a tinge of harsh pop reality, RM said the pause in BTS action “can be beneficial” to him as an artists because “some great work is born in personally chaotic moments.”

The good news for ARMY is that not long after releasing his solo album Indigo in late 2022, he headed to Spain recently for the first time looking for inspiration for his second solo effort. Though BTS did not make it there after their 2020 world tour was canceled due to the global pandemic, RM said he was excited to visit the country’s famed museums and check out works by painters Goya, Velazquez and Picasso.

At present, Jin is the only member of BTS currently in the military, but RM said the break to focus on solo work has allowed him to reflect on his place in the group and the larger music world. “After 10 years as a member of BTS, I didn’t know who I was and I wanted to know,” he said. “I started out as a teenage rapper, then BTS came along and it was all very intense. Now that the group is inactive, I’ve gone back to thinking about the beginnings and the real reasons why I joined BTS.”

The interview also included the tantalizing prospect of a superstar collaboration with an artist that RM said all the members of BTS like and respect very much. Asked if he’d be up for getting in the studio with Spanish superstar Rosalía, RM said, “if she wants to, I do too.”

RM recently released the third video from Indigo, for the track “Closer,” which followed on the heels of visuals for “Still Life” and “Wildflower.”

TWICE to Launch Roblox’s First ‘Persistent Fan Hub’: Exclusive

While TWICE is gearing up for the release of their highly anticipated new EP Ready to Be this week, the K-pop girl group will first open their own dedicated world in Roblox.

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Billboard can exclusively share that on Tuesday (March 8), TWICE is introducing an immersive virtual world, TWICE Square, on Roblox as the first-ever persistent fan hub on the global gaming platform with millions of users worldwide. Built by metaverse-focused brand agency Karta, the initiative marks the first-of-its-kind for TWICE’s different label partners of JYP Entertainment, Imperial, Republic Records, and Universal Music Group.

Decorated in TWICE’s signature colors through the years, TWICE Square allows the group’s dedicated fanbase — known affectionately as ONCE — to connect with other fans virtually and even the group itself. Visitors to the space can leave notes on display for the TWICE members, take selfies to share on social media, and age-verified users can utilize a voice chat function.

Roblox

TWICE Square also launches with two mini-games: “SET ME FREE” is an escape room (named after the forthcoming lead single from Ready to Be), as well as a trivia challenge (where ONCEs will test their knowledge in a race against the clock with a twist).

Fans can also buy, collect and trade items, including plushies and 20 avatar clothing items based around the real-life looks and styles of members Nayeon, Jihyo, Momo, Jeongyeon, Sana, Dahyun, Mina, Chaeyoung, and Tzuyu. Emotes inspired by TWICE’s most popular dance moves are also available.

While music activations are familiar to Roblox, an ever-evolving and constantly updating fan community world like TWICE Square is a changeup from what typically has been one-time events or concerts that create new metaverse worlds that are rarely returned to again.

“We’re already seeing that many Roblox users are creating experiences dedicated to their favorite musicians,” says Karibi Dagogo-Jack, Head of Music Partnerships at Roblox. “TWICE is a natural fit given the group’s passionate fan base and their commitment to innovation…Roblox is excited to empower this behavior in our community and enable full expression, fan connections, and immersion in TWICE Square. I’m particularly keen to see how TWICE Square unveils new ways for fans to experience the group’s creativity, communicate with the group, and build friendships with other ONCE.”

Roblox

For Glenn Mendlinger, president of Imperial, building with Roblox was a straightforward way to connect to the fandom he’s seen support TWICE to three top 10 albums on the Billboard 200 and on the gaming platform itself.

“When it comes to community, Roblox has tremendous levels of fan engagement, and we knew that TWICE fans were already very active on Roblox — including a fan-made TWICE group with tens of thousands of members,” Mendlinger says. “The logical next step was to build out a first-of-its-kind experience connecting them and TWICE in an official custom-built world and environment. Leaning into the core tenant of connection and creativity on Roblox, it was all about meeting fans where they already are, then crafting the optimal experience.”

With the launch this week, Mendlinger says he and his teams will monitor fans’ reactions as Imperial hopes to create more “persistent spaces” in Roblox for their artists roster, which includes TWICE’s label mates like Stray Kids and ITZY.

“What marks a successful partnership here with TWICE and Roblox really comes down to fan reception and building a deeper community,” says Mendlinger. “At its core, we want to provide fans with a meaningful experience; a place where they can bond with other fans over their shared love for TWICE. Success is when the fans are happy, friendships are made, and we see fans continuously spending time and coming back to the experience.”

TWICE Square is said to be rolling out new features all year, along with visits from the girls themselves.

“TWICE plans to keep the experience updated with new content,” Roblox’s Dagogo-Jack adds. “The group will also be dropping into the experience. They’re hoping that their fans treat the space as a hangout and an information source for all things TWICE…we’re so enthusiastic about what TWICE has built — and plans to build — on Roblox.”

TWICE’s Ready to Be drops Friday, featuring the English single “Moonlight Sunrise,” which the group performed atBillboard’s 2023 Women in Music, and and the new single “Set Me Free” coming out in both English and Korean versions. Watch the latest music video teaser of “Set Me Free” below:

Ariana Grande, Collaborative Queen: New Weeknd Duet Is Just Her Latest Hit Team-Up

Of Ariana Grande’s 72 Billboard Hot 100 hits, nearly half (32) are collaborations. In fact, more than half of her top 10-charting hits — 10 of 19 — are collabs.

Her latest hit team-up is The Weeknd‘s “Die for You” remix, which debuts at No. 1 on the Hot 100 this week — Grande’s fourth collab to top the chart.

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All this to say, Grande is clearly a collaborative queen. On the new Billboard Pop Shop Podcast, Katie & Keith are talking about why Ari and The Weeknd are a potent combination, why she came out of musical retirement for this remix, and what dream duets we’d love to see her tackle next.

Also on the show, we’ve got chart news on how Karol G makes history atop the Billboard 200, scoring not only her first No. 1 album, but the first No. 1 all-Spanish-language album by a woman.

Plus, the Oscars are this Sunday! Will Rihanna become a first-time winner? Could Lady Gaga take home her second win? Will Austin Butler win best actor for playing Elvis Presley? And what are we going to be watching out for during the show?

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s senior director of charts Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

A Timeline of Dolly Parton’s Good Deeds

Dolly Parton is not only talented, but she’s also charitable.

As the coronavirus began to spread worldwide in April 2020, the icon donated $1 million to the disease’s research at Vanderbilt University, which helped fund Moderna’s COVID-19 vaccine. Data released this week shows that Moderna’s vaccine is 94.5% effective against coronavirus, marking the second vaccine with a high success rate.

But her coronavirus efforts are hardly the first time Parton has used her success for good. Beyond her support for the Black and LGBTQ+ communities, plus generous donations to the Barbara Davis Center for Childhood Diabetes, Save the Music Foundation, the Boot Campaign and more, see below for a timeline of the country star’s biggest philanthropic efforts.

Harry Styles Officially Revives the ‘Banana Song,’ a Longtime Inside Joke With Fans

In 2021, Harry Styles unveiled the “Banana Song” onstage in Nashville, Tenn., warping the lyrics to “Watermelon Sugar” to shout out a fan in the audience dressed as, you guess it, a banana.

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The sweet moment turned into a hilarious inside joke among Styles’ fans, affectionately known as Harries, who since then, often go to his shows dressed as various produce to catch the Grammy winner’s attention.

On Tuesday (Mar. 7), it worked. While performing at Mt Smart Stadium in Auckland, New Zealand, Styles broke out into the “Banana Song” once again after spotting a few fans dressed as the yellow fruit. “She’s dressed as a banana / She’s dressed as a banana / Aye, aye aye,” he’s seen singing joyfully in a viral video posted by a fan to TikTok. Styles then sees a few more banana-dressed attendees and sings, “There’s two more bananas / Aye, aye, aye / One, two, three, four bananas / I can see a fifth banana.”

The “Banana Song” soon got an extended remix, thanks to some veggies in the audience. “There’s two people dressed up as peas / There’s two people dressed up as peas,” he sings, pointing to fans. “Is there anyone dressed as an aubergine? / Is there anyone dressed as an aubergine? / No, no, no, there’s not, there’s not an aubergine.”

Styles has just recently wrapped his Love on Tour dates in Australia and New Zealand, and will be heading to Asia in the next few weeks, stopping in Thailand, the Philippines, South Korea, Japan and more.

Watch the 2023 edition of the “Banana Song” below.

John Mellencamp Performs & Tells Farmers to ‘Keep Slugging’ at ‘Farmers for Climate Action’ Rally in D.C.

America’s farmers came to Washington, D.C., more than 40 years ago to save their farms. On Tuesday (March 7), a new generation of farmers, ranchers, farmworkers and activists came to the nation’s capital to save the planet.

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John Mellencamp, co-founder of Farm Aid, sang Tuesday for those gathered before they marched up Pennsylvania Avenue to the U.S. Capitol building, calling for Congress to take action on climate change in the forthcoming Farm Bill.

“Here’s all I can say – keep slugging,” said Mellencamp, recalling how he and Willie Nelson and Neil Young formed Farm Aid in 1985 to support family farmers — a commitment they have sustained for four decades, joined by Farm Aid board members Dave Matthews and Margo Price.

“We’ve been slugging since 1985 and let’s keep slugging,” said Mellencamp. “Let’s try to improve the quality of the food that we eat, the air that we breathe and the people that we are.”

Taking the stage midday at Freedom Park, Mellencamp looked at the crowd before him and remarked: “The faces are much younger than they used to be. And I think that’s great that there are younger people trying to improve the planet and the food that we eat. So it’s up to you guys to lead the way.”

With that, Mellencamp played a spare, acoustic rendition of “Rain on the Scarecrow,” his harrowing 1985 song about the farm foreclosure crisis that led to the creation of Farm Aid.

Rain on the scarecrow / blood on the plow 
This land fed a nation / this land made me proud
And son, I’m just sorry there’s no legacy for you now

Farm Aid’s own legacy is the rising awareness, since the mid-1980s, of the importance of a national system of agriculture that values family farmers, good food, soil and water, and strong communities.

In recent years, there also has been an increasing awareness that industrial agriculture practiced on large corporate farms is contributing to the climate crisis. In a report in August 2021, the National Resources Defense Council stated that industrial agriculture is a “significant source” of carbon in the atmosphere. 

The farmers and activists in D.C. championed what is known as regenerative farming, agriculture methods that can hold carbon in the soil, enhance biodiversity and help mitigate climate change.

Farm Aid, with its annual concerts each September, may be the highest-profile organization drawing attention to the state of American agriculture — and Willie Nelson is certainly the nation’s best-known champion of family farmers. But this week’s gathering dramatically demonstrated that the breadth and scope of the nation’s farm movement transcends Farm Aid.

The Rally for Resistance: Farmers for Climate Action was organized under the umbrella of the National Sustainable Agriculture Coalition and involved some 2 dozen activist organizations and more than 30 delegations of farmers from across the country who converged on Washington to make their voices heard.

On Wednesday, participants in the rally are slated to lobby individual lawmakers on Capitol Hill.

Plans for this rally were revealed at the Farm Aid festival in Raleigh, N.C., in September and exclusively reported by Billboard. The spark for the gathering is the current debate over the contents of the Farm Bill, the multi-part, multibillion-dollar legislation that is passed by Congress about every five years and has a massive influence on how the nation’s food is grown. The most recent Farm Bill was passed in 2018 and expires this year.

In September, Farm Aid joined more than 150 organizations in co-signing a letter asking President Biden “to weigh in on the next Farm Bill and demand that Congress build even further on the administration’s actions to date to reduce economic inequality; bridge the nation’s racial divides; end hunger; confront the climate crisis; improve nutrition and food safety; and protect and support farmers, workers, and communities,” wrote Farm Aid communications director Jennifer Fahy.

The evening before Mellencamp’s performance, supporters gathered at Luther Place Memorial Church on Logan Circle, a site of social activism since it was built in 1873. Philip Barker, a Black farmer and longtime activist from North Carolina, summed up the focus of the days of action: farmer-led climate solutions, racial justice in the Farm Bill, and “communities over corporations.”

Sessions during the rally began with land acknowledgements, statements recognizing that the land upon which the nation’s capital was built was taken from indigenous people. Other speakers addressed the particular hardships that BIPOC farmers have experienced through decades of U.S. farm policy. And still others called for immigration reform as a way to address the chronic shortage of labor on America’s farms. Throughout, the voices and crowd chants in Spanish testified to the changing demographics of the nation’s farms.

This gathering in Washington had particular resonance for David Senter, founder of the American Agriculture Movement. In 1979, Senter was one of the organizers of the Tractorcade protest that drew thousands of farmers to the capital. They traveled by tractor, traveling across the U.S. at 15 miles an hour — ”we came in on every East/West interstate, 100 miles a day,” recalls Senter — to lobby Congress for a new Farm Bill to increase crop prices and to have greater influence in agriculture policy. (One farmer at Tuesday’s rally returned with the tractor he’d driven to D.C. in 1979).

Senter then returned to Washington in 1987 to accompany Willie Nelson and John Mellencamp when the two artists testified before the Senate Agriculture Committee about the family farm foreclosure crisis. 

Senter was one of the featured speakers Tuesday at the rally in Freedom Park. Since his earlier trips, have the stakes become higher? “We continue to lose family farmers and the farms become larger and larger,” replied Senter. “But we have to figure out how to make place for the next generation of farmers, the young farmers that want to grow food for this country and the world, so that they can survive.

That “absolutely does” include addressing the climate issue, said Senter. “Because we live in an extreme climate situation. I mean, you have floods, tornadoes, wildfires, droughts. It’s just unbelievable the climate extremes we’re experiencing and, of course, farmers, they deal with that every day, trying to produce food. So it’s very important that we get involved with that.”

When Willie Nelson and his fellow artists formed Farm Aid in 1985, he recruited Carolyn Mugar to run the organization. “The earliest Farm Aid files are all stained with spaghetti sauce since I did that work at my kitchen table,” she recalled Tuesday. Then she set off across the country, speaking to farmers at their kitchen tables. (Mugar was recognized for her work on Billboard’s Women in Music list in 2020, the 35th anniversary of Farm Aid).

“What in the Farm Bill can people get behind? Really, the very bottom line of everything is farm viability,” said Mugar. “A farmer cannot really even start getting into regenerative agriculture [to address climate change] if that farm is not financially viable.

“And that means that we’ve really got to look at how farming should be taking place in this country. And do we really want to continue corporate concentrated farming, where the land is toxic and ruined, into the future? Or do we want to support farmers who are trying to keep, maintain and build the soil?”

In dealing with the nation’s lawmakers, said Mugar, “we’ve got to get smarter about what we demand.”

Jimmy Fallon Says He’s Working on a Holiday Album

It may only be March, but Jimmy Fallon is already in the holiday spirit.

The late night host sat down with E! News this week, where he revealed that he has a festive-themed album on the way this year. “I’ve been working on one for a couple of years. It’s silly, there’s comedy songs, there’s traditional songs on there, there’s a couple of duets. It should be a good mix,” he explained.

Watch the video here.

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Fallon is no stranger to getting in the Christmas spirit, and has often performed holiday songs on The Tonight Show with his famous friends. Back in 2021, he released a  pandemic-era holiday song “It Was A… (Masked Christmas)” alongside pop powerhouses Ariana Grande and Megan Thee Stallion.

“I didn’t want to do a Mariah Carey, ‘All I Want for Christmas Is You’ type of song, which is what everybody tries to do,” Fallon told Billboard‘s Pop Shop Podcast of the track. “I’m like, ‘Guys, she’s done it. She’s done it well. She nailed it. You can move away. No one’s going to top that song. She’s the queen. Let her have it. Think of a new idea.’”

Last year, Fallon teamed up with Dolly Parton for “Almost Too Early for Christmas,” a duet that ponders when is truly the right time to get into the holiday spirit.

Jamie Lee Curtis Asks: ‘Why Are There No Matinees’ for Concerts? ‘I Want to Hear Coldplay at 1 p.m.’

When Jamie Lee Curtis stopped by the Today show on Tuesday morning (March 7), she took a moment to advocate for early-bird concerts.

The topic came up when the Oscar nominee and noted early riser explained that she was planning to skip an Academy Awards dinner later this week due to it starting at 7:30 p.m. “What time would the dinner have had to have been for you to actually say yes?” anchor Savannah Guthrie asked, to which she confidently replied, “5.”

Eventually, the conversation turned to Curtis’ complaint about the late starting time for concerts and other live music events. “Why are there no matinees? I’m curious,” she said. “I would love to go see Coldplay. I would love it. The problem is, I’m not going to see Coldplay if they start their show at 9 and there’s an opening act. I want to hear Coldplay at 1 p.m.”

Of course, while most of the live-music circuit operates on a nighttime schedule, daytime concerts aren’t entirely unheard of. For example, after announcing their 25th-anniversary reunion tour across the U.K. last month, S Club 7 added a matinee show at London’s O2 arena on Oct. 28 when their back-to-back Friday and Saturday night shows at the famous venue sold out due to demand.

As for Curtis’ favorite band, Coldplay served as the musical guest on Saturday Night Live last month alongside host Pedro Pascal. During the episode, Chris Martin & co. performed “The Astronaut” and a choir-backed rendition of their 2005 song “Fix You,” though it’s safe to say Curtis was probably in bed by the time they took to the stage after midnight ET at Studio 8H.