Music News

Clarence ‘Fuzzy’ Haskins, Parliament-Funkadelic Original Member, Dies at 81

Clarence “Fuzzy” Haskins, an original member of Parliament-Funkadelic, has died. He was 81.

P-Funk frontman/producer George Clinton announced the singer and Rock and Roll Hall of Fame inductee’s death through social media on Friday (March 17). A cause of death was not provided.

“We are saddened to announce the passing of an original Parliament Funkadelic member Clarence Eugene ‘Fuzzy’ Haskins (born June 8, 1941-March 17th, 2023),” Clinton wrote on Instagram alongside photos of Haskins. He added in a Facebook post, “Give up the Fuzz, Fly on.”

Former Parliament-Funkadelic member Bootsy Collins also paid tribute to his former bandmate on Twitter.

“Prayer’s going out to Clarence ‘Fuzzys’ Haskins family & friends. We lost his frequency today 3-17- 23,” Collins wrote on Friday. “He was an original Parliament/Funkadelic inducted in the RHOF. We will miss u my friend, bandmate & Soul brother! Thx u for ur guidance in my pup year’s. Bootsy baby!!”

Born in 1941 in West Virginia, Haskins was a member of the Gel-Airs before joining group originally known as the Parliaments, first formed in the 1960s as a doo-wop quintet with Clinton, Calvin Simon, Grady Thomas and Ray Davis. The group that later became known as Parliament-Funkadelic.

Haskins is credited for his contributions to P-Funk tracks like “I Got a Thing” and “I Wanna Know If It’s Good to You,” according to a post about Haskins on Clinton’s website.

“He was a good drummer as well, as he proved on ‘Can You Get to That,’ which he also co-wrote,” Clinton’s site says. “Some of Fuzzy’s best vocals appeared on Funkadelic’s 1972 LP America Eats Its Young, most notably on ‘Ms Lucifers Love.’ But singing wasn’t the only thing that Fuzzy brought to P-Funk. He was known, during live P-Funk shows, to don skin-tight bodysuits and gyrate against the microphone pole as he whipped the crowd into a frenzy, especially when they performed ‘Standing on the Verge of Getting it On.’”

Haskins remained a full-time member of P-Funk through the late 1970s. He released his first solo album, A Whole Nother Thang, in 1976 through Westbound Records. The set featured collaborations with Bernie Worrell, Donald Austin and Collins. Haskins dropped his second solo album, Radio Active, in 1978.

Haskins briefly rejoined Parliament-Funkadelic for the group’s P-Funk Live Earth Tour in 1977 before leaving the group again for good. “By this time, he claimed he was through with singing all the ole dirty songs and began studying the Lord’s Word,” Clinton’s site says.

In 1981, Haskins joined former P-Funk members Simon, Davis and Thomas to release the Connections & Disconnections album under the Funkadelic name, which prompted a lawsuit by Clinton. In his later years, Haskins became a preacher and recorded gospel music.

Along with other members of Parliament-Funkadelic, Haskins was inducted by Prince into the Rock and Roll Hall of Fame in 1997.

“Funk is a force that tore the roof off the sucker that is modern music,” Prince said in their Rock Hall introduction.

Clinton and the other members of Parliament-Funkadelic received a lifetime achievement award from the Recording Academy in 2019.

Here Are Some of the Best Fan Reactions to Taylor Swift’s Eras Tour Opening Night

Taylor Swift fans are celebrating the opening night of the pop superstar’s highly-anticipated Eras tour.

During the career-spanning concert at Glendale, Ariz.’s State Farm Stadium on Friday (March 17), Swift performed a whopping 44 songs from her 10 studio albums. The stadium trek marks Swift’s first proper tour in five years, thanks primarily to the COVID-19 pandemic.

“Now THAT is how you put on a show, taylor swift you are insane,” one fan tweeted alongside a photo collage of Swift’s numerous outfit changes during the show.

The 3-hour-and-15-minute show found Swift traveling through each of her eras one by one, showcasing the four original studio albums — Lover, Folklore, Evermore and Midnights — she’s recorded since her 2018 Reputation tour. The singer also performed her beloved hits, including “You Belong With Me” and “Shake It Off.” Read Billboard‘s “13 Best Moments” from the tour’s opening night here.

Swifties took to social media before, during and after the Eras tour launch on Friday, sharing dazzling photos and majestic videos of the concert’s impressive production. “The aesthetics of #TSTheErasTour are INSANE,” a fan wrote on Twitter alongside snapshots of the spectacular set-pieces. Another Swiftie added, “That was the show that just kept giving oh my GOD.”

Some attendees even wondered if the experience was real or a figment of their imagination. “Good morning i think last night i was at a taylor swift concert, was i? #TSTheErasTour,” they tweeted.

The Eras tour continues on Saturday (March 18) with a second show in Glendale, Ariz., which has temporarily been renamed Swift City in honor of the artist’s arrival. Support on the trek features a rotating cast of opening acts, including Paramore, beabadoobee, Phoebe Bridgers, girl in red, Muna, Haim, Gayle, Gracie Abrams and Owenn.

See some of the best fan reactions to the opening night of Swift’s Eras tour below.

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Rodolfo ‘Fito’ Olivares, Cumbia Artist, Dies at 75

Mexican singer and saxophonist Rodolfo “Fito” Olivares has died. He was 75 years old.

Olivares passed away at his home in Houston on Friday (March 17), according to his wife, Griselda Olivares, The Associated Press reports. He was diagnosed with cancer in 2022.

Born in Tamaulipas, Mexico in 1947, Olivares spent the last 50 years as a musician making back-to-back hits that soundtracked households from weddings to quinceañeras and multigenerational households in Latin America and the U.S.

He was best known for his saxophone-powered cumbia anthems such as “Juana La Cubana,” “El Colesterol,” “Aguita de Melón,” “Cumbia de la Cobra” and “La Gallina.” Olivares got his start in music as a teenager playing with and writing music for groups such as Duet Estrella, Tam and Tex. He later formed his own band called Fito Olivares y su Grupo La Pura Sabrosura in Houston in 1980.

With his band, he scored 10 entries on Billboard‘s Hot Latin Songs chart, including one top 10. “El Colesterol” peaked at No. 4 on the tally (dated Dec. 24, 1994). Fito Olivares y su Grupo also entered seven titles in the Top Latin Albums chart.

Mexican norteño singer Ramón Ayala took to social media to honor Olivares with a heartfelt post.

“It is with great lament that I am finding out about your passing, my dear colleague, but more than anything my friend The King of Cumbia. Thank you for your music, your dedication and professionalism onstage. La Pura Sabrosura as your unique rhythm with your saxophone, with which you’re now serenading God. From king to king, rest in peace my brother. Light to your soul and your eternal rest.”

In the comments, fans reacted to the news with comments such as “only good memories thanks to his music” and “childhood memories, in all parties and in all homes we’d listen to cumbia by Fito Olivares.”

See Ayala’s tribute below.

Feid & Eladio Carrion Take Over Billboard’s The Stage at 2023 SXSW: Best Moments

One of Feid‘s first-ever performances in the U.S. was at a South by Southwest (SXSW) festival about five years ago. “I went to different bars, tents, and venues asking people to let us perform,” he previously told Billboard. “I played everywhere we could and now being part of Billboard’s stage is awesome and it’s beautiful.”

Fast forward to 2023, the Colombian singer-songwriter — alongside Puerto Rican trap star Eladio Carrión and Austin-based DJ Gabby Got It — now headlined “Billboard Presents THE STAGE at SXSW,” which took place Friday (March 17) at the Moody Amphitheater at Waterloo Park in Austin.

Billboard officially returned to South by Southwest with three nights of star-studded concerts. Electronic music titans Kx5 (Kaskade and deadmau5) will close the event on Saturday (March 18).

Check out the best moments from Feid & Carrión’s show below.

A Packed House: Rain or Shine

From chilly days to severe thunderstorms, the weather in Austin has been a bit wonky but in true Billboard fashion, the show must go on — and fans showed up no matter what. Doors opened at 7 p.m. local time but just hours before, a long line of eager fans wrapped around the Moody. In honor of Feid’s show, which just so happens to fall on St. Patrick’s Day, the majority of fans dressed in green (his signature color) and rocked the white Ferxxo sunnies. A lot of fans also brought homemade posters and their county’s flag. The Moody was at capacity with nearly 5,000 concert-goers in attendance and a couple more watching the show from a parking garage afar.

A Mini Reggaetón Carnival

As some fans made their way to the pit, others took advantage of the fun activations found in the outdoor venue. Think of a mini carnival with food, drinks, free candy, cute photo spots, and even a fun slide. Notably was Austin’s own Gabby Got It (real name: Gabriela Alma Lopez-Bucio), who kept the crowd entertained and on their feet with her reggatón-heavy DJ set including bangers from Wisin y Yandel, Karol G, and many more.

Eladio Brought the Heat to Austin

It was 50 degrees outside but Carrión made sure to turn up the heat with his 45-minute set that kicked off with “Flores en Anonimo” and continued with his trap hits “Sin Frenos,” “Tata” and “Kemba Walker,” to name a few. “Hace un frío cabron!” (it’s cold as f—), he expressed at one point but nonetheless, the Boricua act removed one of his shirts and continued to perform some of his most commercial bangers like “Mi Error,” “Me Gustas Natural” and “No Te Deseo el Mal.” Carrión then wrapped his SXSW performance with tracks “Ele Uve,” “North Carolina” and “Biza.”

Feid Fulfilled His SXSW Dream

Rocking his go-to outfit (shorts, sneakers, a sweater and glasses), Feid hopped on stage at 9:35 p.m. and kicked off his hour-long set with “Castigo,” followed by “Chimbita” and “Belixe.” He then greeted his faithful crowd and let them he was living a dream. “Austin, how are you, mor? This is a special night because five years ago we performed at SXSW and now we’re here,” he gushed. Joined by two DJs and an energetic guitarist on stage, the Colombian act performed hits such as “Mojando Asientos,” “Friki” and “Normal,” before gifting fans with a streak of bangers that went viral on TikTok: “Ultra-Solo,” “Yandel 150,” “Hey Mor,” “Chorrito Pa’ Las Animas” and “Feliz Cumpleaños, Ferxxo,” to name a few. Though he often hopped from one side of the stage to the other, there were a few times Feid would bust out with the social media dance challenges. “¡Que chimba esta noche!” he expressed, which translates to “what an amazing night!”

Anuel & Yailin Welcome Their Baby & More Uplifting Moments in Latin Music (March 18)

From career milestones and new music releases to major announcements and more, Billboard editors highlight the latest news buzz in Latin music every week. Here’s what happened in the Latin music world this week.

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Maná and Alejandro Fernández for a Good Cause

Alejandro Fernández and Maná have joined forces to support the victims of the recent flooding in Northern California’s Pajaro Valley. Partnering with Live Nation, the Mexican acts will be donating a portion of the proceeds from their forthcoming Bay Area shows to the Community Bridges organization.

“At the heart of Maná is the belief that our music can be a vehicle for social good,” said lead singer Fher Olvera in a press statement. “When we heard about the devastating storms and saw our people in Pajaro suffering, we knew we had to help.”

“My heart breaks thinking of the people of Pajaro who are displaced by these storms,” added Fernández. “I’m honored that my music and concerts can be a catalyst to bring comfort and aid to this hardworking Latino community.”

Maná will be performing on March 17 at the SAP Center and on March 18 at the Oakland Arena; Fernández will be performing at the SAP Center on Sept. 9.

For donations and more information, click here.

Alejandro Fernández and MANÁ

Alejandro Fernández and MANÁ

Caro de Luna

Karol G Takes Over La Isla del Encanto

Over the previous weekend, Karol G had three historic concerts at the Estadio Hiram Bithorn in Puerto Rico, where she not only performed songs from her historic Billboard No. 1 album Mañana Será Bonito, but she also had star-studded guests including Romeo Santos, Sean Paul, Feid, Mariah Angeliq, Justin Quiles, Eladio Carrión and many more. “I felt at home and both I and my country will always be grateful for that unconditional love!!!” the Colombian superstar expressed on Instagram.

… and So Will Romeo Santos

On the heels of being one of Karol’s surprise guests — where they performed “X Si Volvemos” and a couple of Aventura tracks together — Santos announced he, too, will have two concerts at the Puerto Rican stadium on May 20 and May 21. Marking the first time Santos will headline a concert at the Hiram Bithorn, the shows will take place prior to kicking off his four-day U.S. stadium trek with stops in Los Angeles (June 3), New York (June 9), Miami (June 16) and Houston (June 24). The tour is in support of Formula, Vol. 3, which peaked at No. 2 on Billboard‘s Top Latin Albums chart (dated Sept. 17).

For more information, visit www.PRTicket.com.

Romeo Santos

Romeo Santos

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A Fito Páez Series

Honoring a remarkable 30-year trajectory, Netflix unveiled this week the first look and release date of the Fito Páez biographical series El Amor Después Del Amor. Produced by Juan Pablo Kolodziej and Mariano Chihade of Mandarina Contenidos, the eight-episode series chronicles the Argentine rock star’s life, from his dramatic and humble beginning to his rise to fame in the 1980s, as well as his legacy in Latin American music.

El Amor Después Del Amor will arrive April 26 on Netflix. Watch the first trailer below and revisit some of his greatest hits that Billboard Español compiled for this 60th birthday (also this week on March 14) here.

Anuel & Yailin Are Parents

This week, Anuel AA and Yailin La Mas Viral welcomed their baby girl, Cattleya (named after orchids found in Latin America). In a sweet post that shows the Puerto Rican rapper and Dominican newcomer at the hospital holding their newborn, Yailin wrote: “From the moment you arrived, our lives were forever changed. You are a blessing, a gift from God who has filled us with love and hope.”

In February, Anuel revealed that he and his wife called it quits, but assured during an Instagram Live that no matter what, he was going to be responsible for his baby. “I’m going to take care of her, and she’s going to be mine,” he added. “She’s going to live like a queen because her dad is a king.”

Jackson Browne Mourns ‘Genius’ Instrumentalist David Lindley: ‘No One Ever Played Like Him’

Following the death of notable Los Angeles multi-instrumentalist David Lindley at age 78 on March 3, his long-time collaborator Jackson Browne shared his thoughts in a heartbreaking statement shared with Billboard.

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The talented musician — whose guitar and fiddle skills made him a go-to collaborator for icons like Browne, Dolly PartonBob DylanBruce SpringsteenRod Stewart and others — had been ill for a number of months, according to the Los Angeles Times. A cause of death was not provided.

Read Browne’s full tribute to Lindley below in his own words, as he recalls the history of their wonderful personal and professional relationship, and the qualities he’ll always remember of his late friend.

David Lindley, the guitarist, lap steel and fiddle player who gave his personality and his inspiration to so many of my songs, passed away on March 3rd. The outpouring of love, and the widespread recognition of his mastery has been very moving. I want to join in the resounding chorus of appreciation for his gifts, but nothing I write seems quite good enough. Words have never been enough to describe what David Lindley brought to a song.

I played with David for the first time in a dressing room at the Troubadour in 1969. My friend Jimmy Fadden of the Nitty Gritty Dirt Band had brought him to say hello, and pointed out that David had his fiddle with him, saying he would probably sit in if I asked him to. I already knew him from the band Kaleidoscope, whose first album, Side Trips, was one of my favorite records.

We started to play my song These Days, and my world changed. His playing was so emotional, and immediate – it cast a spell over me and everyone there. It didn’t matter that he had never heard the song before. What he was playing made it more emotional and more real than it had ever sounded in the years I had played it alone.

David was in England playing with Terry Reid when I made my first album. When he came back, I tried putting together a touring band with him, but it wasn’t as good as with just the two of us. I decided we would tour that way, as a duo, despite having a single on the charts that required drums, bass, and congas to play properly. We didn’t even play it. We played a lot of songs I had written up until then, some old songs we both knew, and songs friends had written. Eventually I did have a band with him, and it was a rich and varied musical environment. We co-headlined a national tour with Bonnie Raitt. That was the band on my third album, Late For The Sky.

David is a very large part of me – who I became, and who I remain. No one ever played like him. In my later bands, after David left to form El Rayo – X,  we would play the songs’ structure, more or less based on what he had played, but it was, and still is today, up to the players to summon their own Lindley nature. Good luck! It’s a very good thing to go for. He didn’t play the same thing each time. He was always exploring, always hearing something new. Always in the moment.

David’s musical interests were so far ranging, and his genius so evident, he attracted and played with many of the great artists of our day. Ry Cooder, Linda Ronstadt, Graham Nash and David Crosby, Warren Zevon, Bonnie Raitt, James Taylor, Bruce Springsteen. But it was his band, El Rayo – X, that became the rich and fertile environment that gave him free rein to develop and mix his influences, and create the unique synthesis that will now and forever be known as David Lindley.

With Henry Kaiser, David continued the exploration of world music that he had begun in Kaleidoscope. I’m grateful to Henry for posting his Requiem For David Lindley, and for all the other posts and clips on the internet that attest to the many different cultures David navigated, weaving them into one world. 

My own world is shattered by David’s passing. He was my friend and my teacher. It was with great pleasure and certainty that I revisited our special connection over the years. I guess I thought that he would always be around.

I’ve been struggling to write something and post it for the past two weeks. It was hard to begin, and it’s hard to conclude, I guess, because I don’t want to let him go. David was kind to everyone, and so funny. Incapable of uttering a dishonest word, or playing a dishonest note. There will be tribute concerts, and a documentary about him, for sure. There will be ways for us to continue to celebrate his life. And we all know there will never be another David Lindley.

Emilia, Big One & Callejero Fino’s ‘En La Intimidad’ Adds Third Week at No. 1 on Billboard Argentina Hot 100 Chart

Emilia, Big One and Callejero Fino’s “En La Intimidad” leads the Billboard Argentina Hot 100 chart for a third week, out of its five-week run, dating to its debut at No. 9, as it tops the March 11-dated ranking.

Karol G and Shakira’s “TQG” holds at No. 2 for a second week, while Luck Ra’s “Ya No Vuelvas,” featuring La K’Onga and Ke Personajes, rebounds 7-3 in its 20th week. Plus, TINI’s “Cupido” dips 3-4, and BM’s “M. A. (Mejores Amigos)” remains at No. 5 for a fourth week.

The week’s Hot Shot Debut goes to Ecko, Callejero Fino and El Perro’s “Te Escapas de Mis Brazos,” at No. 14. It’s the highest start for Ecko, while El Perro claims his first entry.

Elsewhere on the chart, Gorillaz score their first entry on the chart as “Tormenta,” with Bad Bunny, opens at No. 43. The song belongs to Gorillaz’s latest album Cracker Island. Benito, meanwhile, adds his 56th entry, extending his record for most career entries overall.

Ke Personajes secure their seventh entry with “Pobre Corazón” at No. 54. Plus, Marshmello and Manuel Turizo’s “El Merengue” opens at No. 60, while DJ Tao and La T y la M’s “Turreo Sessions #16” bows at No. 65.

Maluma and Marc Anthony’s “La Fórmula” takes the week’s Greatest Gainer honors as the song rallies 93-69.

Lastly, Lali captures her 16th career entry with “Comprame Un Brishito” at No. 83.

Niall Horan Hangs Out With President Joe Biden at the White House for St. Patrick’s Day

Niall Horan brought his Irish heritage to the White House for a performance on St. Patrick’s Day (March 17), and took to Instagram to document a sweet moment with President Joe Biden.

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In a video the duo jointly shared to social media, the “This Town” singer smiles into the camera and wishes his fans a happy St. Patrick’s Day, before panning the camera over to Biden, who is dressed in a suit with a green tie. The President then puts his arm around Horan and says, “I’m glad he’s here.”

“Couldn’t celebrate St. Patrick’s Day alone,” Horan captioned the post.

White House press secretary Karine Jean-Pierre teased the singer’s holiday performance a day prior, tweeting, “It doesn’t get better than this!”

“I think I speak for all the music lovers in the Biden-Harris Administration when I say we cannot wait to welcome @NiallOfficial to the White House tomorrow for a special performance to celebrate St. Patrick’s Day!” she said.

Horan retweeted the post, writing, “It’s an honour to be invited and represent my country. Looking forward to performing and celebrating St. Patrick’s Day at the White House tomorrow.”

Horan is just months away from releasing his third solo album, The Show, which arrives on June 9. “This album is a piece of work I’m so proud of and now it’s time to pass it over to you to go and make it your own,” Horan wrote on Instagram in a post that featured the cover, in which he is depicted leaning on his elbows in a window and staring up at the title. “Thank you so much for being there for me all this time and I can’t wait to share the next couple of years of this new era with you. I’ve missed you all so much. It’s good to be back.”

Shawn Mendes Denies Sabrina Carpenter Dating Rumors

Despite photos of the two seen spending time together, Shawn Mendes is clearing up rumors that he’s dating fellow pop star Sabrina Carpenter.

“We are not dating but I think we should talk about Tommy Hilfiger probably more than Sabrina,” the “In My Blood” singer told RTL Boulevard during an interview about his recent Tommy X Shawn Classics Reborn mens and womenswear capsule collection, according to Pop Crave.

Dating rumors first sparked last month, when the pair were photographed walking down the street in Los Angeles, side-by-side with Mendes’ hands tucked into the pockets of his jean jacket and Carpenter wearing an oversize black sweatsuit — but they follow rumors from gossip Instagram account deuxmoi that they’ve been quietly dating.

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Mendes previously dated Camila Cabello for two-plus years before they announced their breakup in late 2021, while Carpenter was previously linked to High School Musical: The Musical: The Series star Joshua Bassett. 

Grammy Winner Jody Watley Gets Into ‘The Groove’ With New SiriusXM Show

Jody Watley, the Grammy Award-winning artist whose hits résumé includes the R&B/pop singles “Looking for a New Love” and “Real Love,” is celebrating Women’s History Month with the launch of her new SiriusXM show. Airing on The Groove channel and sporting the tagline “Wattage Vibes Rooted in the Music,” The Jody Watley Show featured Emmy Award-winning actress Sheryl Lee Ralph of Abbott Elementary on its first two-hour episode. 

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“I am so excited to be coming to SiriusXM,” said Watley in a release announcing The Jody Watley Show’s March 12 debut. Moving forward, the monthly show will continue to air on the second Sunday of each month. Added Watley, “I look forward to bringing the ‘Wattage’ and my own style to listeners, fully packed with the best of classic to contemporary R&B music and engaging conversations with surprise guests.”

A former dancer on television’s iconic dance show Soul Train and the female vocalist of the R&B trio Shalamar (“Uptown Festival [Part 1],” “The Second Time Around,” “Make That Move”), Watley began pursuing a solo career in the mid-’80s. The singer-songwriter scored her first No. 1 R&B/No. 2 pop single with “Looking for a New Love” in 1987. Then Watley logged three successive No. 3 R&B singles that same year, “Still a Thrill,” “Don’t You Want Me” and “Some Kind of Lover,” on her way to winning the 1987 Grammy for best new artist. In addition to No. 1 R&B/No. 2 pop single “Real Love,” Watley’s other hits include “Friends” with Eric B. & Rakim, “Everything” and “I Want You.”

The next episode of The Jody Watley Show is set to air on April 9 (6 p.m. ET / 3 p.m. PT) on The Groove (channel 50). Subscribers can also tune in via the SiriusXM app on smartphones and other connected devices as well as online.