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k.d. lang Recounts the Night Seymour Stein Signed Her – After Falling Asleep at Her Concert

k.d. lang was a buzzy singer-songwriter with just one independently released album under her belt (credited alongside her band The Reclines) when Sire Records founder Seymour Stein scouted her at a nightclub in her native Canada in 1985. Lang was snapped up by Stein that same night and went on to enjoy a run of successful albums with Sire, including 1987’s Angel With a Lariat (with The Reclines), 1988’s Shadowlands, 1989’s Absolute Torch and Twang (with The Reclines) and 1992’s RIAA double-platinum smash Ingénue, featuring the indelible hit single “Constant Craving,” for which lang earned the Grammy for best pop vocal performance, female the following year.

In remembrance of the man who launched her career, Lang penned a brief tribute to the late executive, who died April 2 at age 80, for Billboard. In it, she humorously recounts the night an apparently sleep-deprived Stein signed her — and changed her life forever.

When I began to perform my music in Canadian clubs almost 40 years ago, there was initial interest from a few record labels, but I remember being excited when I heard that Seymour Stein was going to fly up to see me. We made sure to reserve the best table in the club for him, but as showtime arrived there was no sign of him. Eventually, we went onstage to play.

A few songs into the set, a very rumpled-looking guy arrived at the reserved table, slumped into a chair, put his head on the table and fell asleep. I thought, “Well, I guess I’m not getting signed tonight!”

After the show, Seymour came backstage to meet me, and said he wanted to sign me to Sire.

That’s why I’ve always said that even when Seymour’s asleep, he still has the best ears in the business!

In all these years, I have not encountered anyone who has recognized, signed and supported more great artists than Seymour Stein.

Cardi B Says Offset Encouraged Her to Take ‘No Makeup, No Filter’ Selfie

Cardi B was looking flawless and fresh-faced on her Instagram Stories on Thursday (April 6), thanks to a little encouragement from her husband Offset.

The “I Like It” rapper took her Stories to share a selfie video, in which she’s seen posing without makeup on, with her jaw tattoo of her son’s name on full display. “My hubby said take a video like this. No makeup, no filter. Period,” she said in the clip.

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Watch her post before it disappears here.

“We’ve been through a lot with each other,” Offset previously told Billboard of keeping his relationship strong with Cardi, whom he’s been married to since 2017. “Some people in Hollywood live through Hollywood, but we live through each other and keep our stuff at home good. We go through ups and downs at home but have a great support system. Everybody listens to each other and have each other’s back. At the end of the day, our mission is to be successful and take care of the family.”

He also added that no matter what he has going on, he will always make time to hang out with his wife and the couple’s two kids, four-year-old daughter Kulture and one-year-old son Wave. “I got to be with my baby. I can’t go too long without her,” the rapper says of Cardi. “If I have to travel and jump on a jet just to get back home, I will. We got the kids at home. That’s why we’re always together. We have to make sure they’re good, because we don’t want to be the parents who are always missing from their kids. We work and come right back home, because it’s really important.”

Niall Horan Sends His Unreleased Music to One Direction For Feedback

One Direction may not be working together as a band anymore, but that doesn’t mean they aren’t still collaborating behind the scenes. In a recent interview, Niall Horan revealed he typically sends his solo music to one or more of his four former bandmates to get feedback pre-release.

“Not every time, but if I feel like I need an opinion, I always send it out,” the “Slow Hands” singer revealed in a Thursday (April 6) video for Esquire.

“This time I sent it to Louis, and he gave me his honest opinion on it, which is always handy,” Horan continued, referencing his upcoming album The Show. “We’ve released enough songs over the years, so we know what’s decent and what’s not. All the 1D boys and artists alike, I’ll always try and send it around and get everybody’s opinion.”

Seven years after One Direction split up for good in 2016, recent months have seen a welcome uptick in the ex bandmates showing support for one another publicly. While accepting album of the year for Harry’s House at the BRIT Awards in February, Harry Styles said he “wouldn’t be here without” Horan, Liam Payne, Zayn Malik and Louis Tomlinson. And in October, Tomlinson praised Horan for joining the judge’s panel on The Voice.

At another point in the new interview, Horan took a moment to show some love for Lizzo, who appeared as a guest on Jimmy Kimmel Live! when the “Heaven” artist subbed in as a guest host. “She’s, as we all know, one of the best personalities we have in music,” Horan told the publication.

Watch Niall Horan talk about getting advice from his One Direction bandmates in the video above.

Which Latin Artist Are You Most Excited to See at Coachella? Vote!

The first weekend of Coachella is just around the corner. As festival-goers make their own schedules of artists or sets they’d want to catch at the event, we want to know which Latin artist you are most excited to see this year.

There’s a handful of Latin, or Spanish-language, artists who will be performing at the 2023 edition, which is slated to run on two consecutive weekends, from April 14 to 16 and then again from April 21 to 23. Bad Bunny will make history as the first Latin artist to ever headline Coachella when he closes out the main stage on Friday, April 14.

Becky G, who last year joined Karol G on her set to perform their hit song “MAMIII,” will make her grand return to the desert delivering her own set this time around. Spanish star Rosalía — who performed at Coachella in 2019 — will take the stage on Saturday. The iconic Argentine rock band Los Fabulosos Cadillacs and Puerto Rican artist Eladio Carrión are also confirmed for that day. Meanwhile, Kali Uchis will perform on Sunday.

Emerging artists Conexión Divina and DannyLux will represent the face of a new generation of Mexican music. For DannyLux it’s a homecoming, since he grew up in the Coachella Valley area. He’ll be performing on Friday. “I’m both excited and nervous,” the 19-year-old singer-songwriter tells Billboard. “I’m literally from here. It’s so sick to think that I’ll be performing at the same place where so many other huge artists are performing.”

So, which Latin artist are you most excited to see this year at Coachella? Vote in the poll below:

Randy Rainbow Cannot Believe We’re All Talking About Trump Again: ‘It Never Ends’

After Donald Trump made headlines once again last week, people online were shocked that beleaguered former President was still making waves three years after losing the 2020 election. Chief amongst those left surprised was viral internet sensation Randy Rainbow.

In a new interview with The Los Angeles Times, published on Wednesday (April 5), Rainbow talked about his latest parody video “Grumpy Trumpy Felon From Jamaica In Queens,” where the singer roasted Trump to the tune of the Andrews Sisters’ “Boogie Woogie Bugle Boy” after the former president’s indictment by a Manhattan grand jury. As Rainbow tells it, he was torn between surprise and resignation when it came time for him to once again make fun of Trump.

“To some extent it’s bizarre and to some extent it makes complete sense,” he said. “As long as there are stories and this kind of circus, they’re going to keep putting him in the news. Because people like keeping up with this ridiculous saga … this might not be popular to say out loud, but this is entertaining as [expletive] hell. We want to see how it will end, and it never ends!”

As for the song parody itself, Rainbow said that he found himself struggling with nailing the classic jazz track for his parody. “Musically, the song is trickier than I thought. It’s not just all about the politics,” he said. “It was a bit of a vocal lesson figuring out how to sing it. It took me half a day to find right the key.”

In the years since Trump left office, Rainbow has largely turned his sights onto other members of the GOP, including Marjorie Taylor Green, George Santos, Kevin McCarthy, Ted Cruz and Lindsey Graham, while only occasionally doubling back to jab at Trump. “Even for the nine minutes that he was not in the headlines, there was no shortage of nonsense coming out of D.C.,” Rainbow explained. “I had plenty of material to choose from … all these ‘Dick Tracy’ villains that Trump unleashed.”

Rainbow’s parody video came just after Trump was officially indicted on Thursday, March 30, becoming the first former president to face criminal charges. The full indictment, released to the public on Tuesday (April 4) showed that Trump was facing 34 felony charges of falsifying business records in the first degree, specifically related to the former Apprentice host’s alleged hush-money payments made to Stormy Daniels during his 2016 presidential campaign.

With the 2024 presidential election looming large, and Trump still vying for the Republican nomination, Rainbow made it clear that while he remains skeptical that the former president will face serious repercussions for his actions, he doesn’t think he will ever be president again. “I never quite believe that anything will really catch up with him,” he said. “But I can’t imagine him back in White House at this point.”

Read Rainbow’s full interview here, and watch his latest parody video below.

J. Ivy Talks Being the Grammy-Winning ‘Poet Who Sat by the Door’

“I’ve always known that I was supposed to make history,” says poet-author J. Ivy. His natural ability to convey myriad emotions through written and spoken word is why the Chicago native continues to captivate audiences after 30 years. Known to many as a pioneer of hip-hop poetry, he has shared the stage with icons such as Prince and Lauryn Hill and performed at special events for Michael Jordan and Deepak Chopra. 

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But perhaps Ivy’s biggest milestone occurred just two months ago at the 65th annual Grammy Awards. That’s when his sixth album, The Poet Who Sat by the Door, won the inaugural gramophone for best spoken word poetry album. Prior to that, poets and spoken word artists were grouped in the same category with audiobooks, storytelling and narration — including Dr. Maya Angelou, who had been the only Grammy-winning poet. However, thanks to Ivy’s lead and a petition supported by 100+ poets, the Recording Academy announced the addition of the best spoken word poetry album category last June.

“To stand in the footsteps of the great Dr. Maya Angelou is something that I’m still processing,” Ivy shares — as April, National Poetry Month, gets underway. “I would say I’ve dropped an ocean of tears. I have the opportunity and the responsibility to represent. To stand in this space and be able to make history … I understand what it is.”

The title of Ivy’s Grammy-winning album was inspired both by his role in establishing the new category and by the 1969 novel/1973 film The Spook Who Sat by the Door. The novel revolves around the exploits of fictional character Dan Freeman, the first Black CIA officer. “I was gathering information and giving it back to the poetry community,” Ivy recalls of creating and recording the album. “I kept cracking this joke, ‘I’m like the poet who sat by the door.’”

Produced primarily by R&B/hip-hop artist Sir the Baptist, Ivy’s latest opus features cogent lyrics about defiance, endurance, love, passion, oppression, faith, healing and redemption. Ivy called on “an amazing cast of creatives” to perform, including John Legend, Ledisi, PJ Morton, BJ The Chicago Kid and Ivy’s singer-songwriter wife Tarry Torae. As the first Black poet from Chicago to appear on Russell Simmons Presents HBO Def Poetry, Ivy remains true to showcasing the value of his craft.

“A lot of times poetry is the butt of the joke — and we’ve never been a joke,” he explains. “Poetry is the seed of every song ever written. Also every movie, every script, every commercial, every literature comes from poetry. It educates, documents history, entertains, changes and shifts lives in a positive way.”

Born James Ivy Richardson II, the artist credits his high school English teacher Paula Argue for pushing him to perform his poetry at the school’s Black History Month talent show. “What I learned is you’re not gon’ argue with somebody named Ms. Argue,” he says. After a surprise standing ovation, his destiny was set.

Ivy also shouts out Beyoncé for another early career milestone. “A very credible source,” he recalls, “told me that she was the one who told Kanye [West] to keep me on ‘Never Let Me Down.’” Ivy was featured along with Jay-Z on the track from 2004’s The College Dropout

“The same night I recorded ‘Never …’ is the same night I met John Stephens,” Ivy continues. “His music sounded like music my folks used to listen to back in the day. So I was like, ‘You sound like one of the legends.’ Everybody else [in the studio] is shouting him out like ‘John Stephens in the house.’ I was like, ‘John Legend.’ Everybody looked at me and back at him. Then Kanye said, ‘Man, you John Legend from now on.’”

In addition to his Grammy win, Ivy performed on and executive produced The Urban Hymnal by the Tennessee State University marching band. Also known as the Aristocrat of Bands, the group also made Grammy history this year as the first marching band to win the award for best gospel roots album.

“I’m just super grateful to be doing what I love,” says Ivy — who was also the lead writer, voice director and cast member on the 2022 Netflix docuseries, jeen-yuhs: A Kanye Trilogy. “It’s opened up a lot of doors.” 

Having recently celebrated J. Ivy Day in Chicago on March 3, his 47th birthday, Ivy has also been tapped as the new spokesperson for Bulleit Bourbon. Future plans include expanding beyond previous roles as writer and narrator of short films and documentaries to full-fledged movie actor. Between acting classes, Ivy will soon release the short film/music video for “Running.” It’s the first single from The Poet Who Sat by the Door and features Legend, Slick Rick and Verse. The video is directed by Ivy’s longtime friends and collaborators Coodie and Chike of jeen-yuhs fame. 

“It’s probably the only record in history with Slick Rick doing a poem,” notes Ivy.

Right now, the busy Ivy is on the road with his City Winery tour, named after the album and in celebration of the Grammy win. The multi-city tour kicked off in New York City on March 24. Upcoming dates include Boston (April 11) and Atlanta (4/23), with more to come. Performing poetry from his current album as well as popular pieces from past works, he’s accompanied by his band and Tarrey Torae on vocals.

“People are going to see me just pouring out all my gratitude,” declares Ivy. “I want to give the world an experience that they haven’t quite had with poetry. Poetry has saved my life; it’s carried me through the years. I just want to give all that back onstage.”

Suga Says He Thinks of ‘Quitting Music More Than 100 Times a Day’ in ‘Road to D-DAY’ Trailer

BTSSuga is using his forthcoming Disney+ documentary, SUGA: Road to D-DAY, to get personal with fans. The first trailer for the film arrived on Thursday (April 6), and shows the rapper asking himself a series of introspective questions while traveling across the world and writing his debut solo album, D-DAY.

“What I want to say right now … how should I do it? I’m 30 now. There are a lot of things you can do when you’re 30, aren’t there?” the rapper ponders while writing lyrics and recording for his upcoming release. “If people think that SUGA’s works are good, should it be good enough?”

The trailer sees the K-pop star traveling across various cities around the world, including San Francisco, Las Vegas, Malibu, Chuncheon (South Korea) and more as he continues to reflect, at one point admitting he often thinks about giving it up altogether.

“I believe that wounds and scars are the results of our actions. It takes a lot of guts to let go of something. The day I’m free from all the negative thoughts, I’ll set it as D-Day and start all over again,” he says. “I think of quitting music more than a hundred times a day, but when everyone comes together like this, I can do it because it make me feel like making music is fun.”

The trailer concludes with the official release date for SUGA: Road to D-DAY: April 21, the same day that Suga’s debut solo album is set to arrive.

Watch the first trailer for the documentary in the video above.

David Bowie’s Son Duncan Jones Isn’t Having It With Donald Trump Using His Dad’s Music: See the NSFW Response

Duncan Jones doesn’t approve of Donald Trump using his dad’s music — not then, not ever. Once again, David Bowie‘s son is calling out the former president for using a track from the late glam rock star’s catalog, this time playing 1974’s “Rebel Rebel” for warmup music leading up to his post-arrest speech.

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“Pretty sure this f–ker keeps on using my dad’s music just to annoy me personally,” tweeted the 51-year-old filmmaker Tuesday (April 4), before conceding, “(Joke. I’m way below his radar.)”

Jones also shared a fitting GIF of his father, who passed away in 2016 at the age of 69 after battling cancer, giving a piercing, disapproving side-eye.

It’s far from the first time Ziggy Stardust’s kin has blasted Trump for the same exact reason. Just a few months ago, the politician used “Heroes” after announcing he was running for president again in 2024. “Pretty sure he’s just doing that now to wind me up,” Jones tweeted at the time.

“We’ve been though this before,” he later added. “He used the same track 6 years ago. Ive been told there is little we can do about it.”

Trump made history Tuesday by becoming the first current or former U.S. president to be placed under arrest, pleading not guilty to 34 felony counts during his arraignment in New York City. That day, Manhattan District Attorney Alvin Bragg charged the real-estate mogul with falsifying business records for an alleged hush money scheme.

Since Trump rose to power in 2016, countless musicians have also condemned his use of their music. There’s an entire Wikipedia page dedicated to tallying the major acts who’ve publicly spoken out against it or have sent cease and desists to Trump’s camp, including Rihanna, Queen, Bruce Springsteen, the Beatles, Adele and more.

See Duncan Jones’ NSFW reaction to Donald Trump’s latest use of David Bowie’s music below:

SZA’s Explosive Touring Growth, From CTRL to SOS, by the Numbers

It’s been a transformative few months for SZA. The R&B superstar released SOS, her second studio album, in December to universal critical acclaim and blockbuster business. The set earned 318,000 album equivalent units in its first week of release, kicking off a non-consecutive 10-week run atop the Billboard 200. And in the middle of that chart-topping stretch, she kicked off the aptly titled SOS Tour.

The 18-date stint ran from Feb. 21 through March 23, giving SZA her first taste of headlining arenas on her own. According to figures reported to Billboard Boxscore, the SOS Tour grossed $34.5 million and sold 238,000 tickets.

Spread across its month of action, SOS shows averaged $1.9 million and 12,812 tickets per night. Returns were remarkably consistent, only dipping below 11,000 at the (relatively) low-capacity Viejas Arena in San Diego. The SoCal arena sold 8,700 tickets, but fostered the tour’s second-highest ticket price, at $174.69. Otherwise, attendance swung between 11,069 (Atlanta) and 14,383 (Toronto) on a nightly basis.

New York and Los Angeles were the two markets, perhaps unsurprisingly, with double-headers. SZA played two shows at Madison Square Garden on March 4-5, and the run’s final two dates at Kia Forum in Inglewood, Calif., on March 22-23. Logically, these were the highest grosses and attendance counts, hitting $4.7 million and 27,000 tickets at the East Coast arena, and $3.9 million and 25,000 on the West.

Reporting is limited for SZA’s pre-pandemic concerts, with a small handful of figures for 2017’s Ctrl the Tour and subsequent 2019 Australian shows. But matching up her shows market-by-market, her growth over the last six years is undeniable.

SZA played at Austin’s Emo’s on Oct. 1, 2017, earning $31,000 from a sold-out audience of 1,550. She returned to the city on March 9 at the newly minted Moody Center. She spun that attendance and its average $20 ticket seven times over, amounting to a show gross 55 times the total of her previous market play ($1.7 million).

In New York, it’s a similar – but bigger – story. SZA grossed $45,000 and sold 1,800 tickets at Brooklyn Steel on Dec. 10, 2017. Returning to Madison Square Garden last month, she earned $4.7 million and sold 27,000 tickets. That represents a jump of 1,376% in attendance and more than 10,000% in revenue.

The caveat in NYC is that SZA also played an un-reported show at Manhattan’s Irving Plaza the night after her Brooklyn date in 2017. But even if the 1,100-capacity club sold out at the same average ticket price, her growth in New York would still be nearly 6,500%.

SZA got some arena experience during her first album cycle, snagging co-headline billing on Top Dawg Entertainment’s Champions Tour in between Kendrick Lamar and Schoolboy Q. But even that stacked bill played only one show in New York, selling fewer tickets (12,500) than SZA did on either of her solo ’23 shows at the same venue.

Much of that upward trajectory can be attributed to the slow-burn success of 2017’s CTRL. While peaking at No. 3 and spending “just” a handful of weeks in the Billboard 200’s top 10, it has accumulated more than 300 weeks on the chart. One of its five frames in the top 10 was in June 2022, after a five-year-anniversary deluxe edition hit streaming services.

After letting that album breathe for more than five years, SZA’s timing was sharp. The SOS Tour was announced days after its namesake album was released, with tickets going on sale a few days after that. The set’s massive opening week backed up the feverish hype surrounding her long-awaited comeback, and its subsequent ticket on-sale capitalized on that momentum without missing a beat.

The SOS Tour helped complete SZA’s transformation from slow-burn R&B wunderkind to genre-bending arena powerhouse. She is represented by Wasserman Music and promoted by Live Nation. The tour featured direct support act Omar Apollo.   

Travis Tritt Cuts All Anheuser-Busch Products From His Tour Rider Following Brand’s Trans-Inclusive Campaign

Country singer Travis Tritt is removing the King of Beers from his own royal retinue. On Wednesday night (April 5), Tritt released a series of tweets announcing that he would no longer be working with Anheuser-Busch, the company that produces Budweiser and Bud Light, among other beers.

“I will be deleting all Anheuser-Busch products from my tour hospitality rider,” the singer wrote, referring to the list of requests — including food and drink — an artist will submit to a live venue they’re scheduled to perform at. “I know many other artists who are doing the same.”

The announcement came after significant online backlash against the brand for partnering with transgender activist Dylan Mulvaney in a March Madness campaign. One of the most vocal protestors of the announcement was Kid Rock, who posted a video of himself opening fire on three cases of Bud Light with an assault rifle, declaring, “f–k Bud Light and f–k Anheuser-Busch.”

When some commenters began asking which other stars Tritt knew would be removing Anheuser-Busch products from their tour riders, the “T-R-O-U-B-L-E” singer chose not to name names. “Other artists who are deleting Anheuser-Busch products from their hospitality rider might not say so in public for fear of being ridiculed and cancelled,” he wrote. “I have no such fear.”

The singer also added that he had worked directly with the beer manufacturer in the past, but had no plans to do so again. “In full disclosure, I was on a tour sponsored by Budweiser in the 90’s. That was when Anheuser-Busch was American owned,” he wrote. “A great American company that later sold out to the Europeans and became unrecognizable to the American consumer. Such a shame.”

While Tritt never directly referred to Mulvaney or Anheuser-Busch’s partnership with the TikTok star, the “Here’s a Quarter (Call Someone Who Cares)” singer did post an advertisement from Jack Daniel’s featuring RuPaul’s Drag Race stars BeBe Zahara Benet, Trinity Taylor and Manila Luzon, telling his followers that they “should take note.”

In a statement to Billboard, Jack Daniel’s stood by its Drag Queen Summer Glamp campaign, as well as its ongoing support for the queer and trans communities. “Jack Daniel’s is made with everyone in mind, including the LGBTQ+ community,” a spokesperson said. “As a longtime champion of the LGBTQ+ community, Jack Daniel’s celebrates individuality and living life boldly on your own terms.”

Anheuser-Busch has not yet responded to a request for comment regarding Tritt’s tweets, but in a previous statement shared with Billboard, the brand stood firm in its stance. “Anheuser-Busch works with hundreds of influencers across our brands as one of many ways to authentically connect with audiences across various demographics,” a spokesperson said.

The whiskey brand is not the only one to fire back at the online outrage. Country star Jason Isbell openly mocked Kid Rock for his violent response to the Bud Light advertisement, encouraging other beer brands to follow suit. “This is finally how we get him,” Isbell said. “Leave no bigoted beers to drink.”

Billboard has reached out to Tritt comment. See his tweets below: