Music News

Shawn Mendes & Camila Cabello’s Relationship: A Complete Timeline

Here’s a timeline of their journey from friends to lovers then back to friends again — and now, maybe back to lovers.

Shawn Mendes and Camila Cabello shocked fans when they seemingly rekindled their romance at Coachella on Friday (April 14), as a clip circulated social media in which the former couple is seen sharing a passionate kiss on the festival grounds.

The update came less than two years after announcing their split in November 2021.

Mendes and Cabello’s friendship dates back to 2014, when he and Cabello’s then-group Fifth Harmony opened for Austin Mahone on tour. Rumors about their romantic relationship kicked into high gear following the release of their “Senorita” duet in June 2019, especially given the song’s steamy music video.

Below, Billboard has compiled a timeline of their journey from friends to lovers then back to friends again.

Morgan Wallen’s Face Says It All After Onstage Fall in Kentucky

Morgan Wallen laughed off what could have been an embarrassing situation during his show in Louisville, Ky., on Thursday night (April 20), after he took a tumble onstage.

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In a video shared by a fan on TikTok, the country star is seen walking around the stage at the KFC Yum Center performing his 2020 Diplo collaboration, “Heartless,” before the fog clouding his view causes him to trip and fall. He quickly gets back up, before stumbling again.

Once he steadies himself, Wallen smiles at fans in the front row and makes a hilarious cringe face, making light of the situation.

Wallen has had a successful year following the release of his third studio album, One Thing at a Time, in March. The album is spending its sixth week atop the all-genre Billboard 200 albums chart. The last album by a male act to spend its first four weeks at No. 1 was Wallen’s own Dangerous, which spent 10 weeks in total atop the chart — all from its debut week (Jan. 23-March 27, 2021).

The album’s hit single, “Last Night” simultaneously helms the Hot 100 (dated April 22) for a third week and the Hot Country Songs chart for a 10th week.

Reba McEntire Calls Being Considered a Country Legend ‘a Huge Responsibility’

Reba McEntire reflects on her legacy in a wide-ranging chat with Sunday TODAY set to air April 23.

The topic of McEntire’s pioneering path as the Queen of Country comes up when host Willie Geist asks in a teaser clip, “What do you think about the term ‘icon’? Or ‘legend’? Or ‘trailblazer’? When you hear those things? They’re all true. What do they mean to you when you hear those? Because those are terms people use when they talk about you.”

However, the Reba star took the compliments with a trademark dose of humility and passed the titles on to the women who came before her instead.

“Well, when I hear those words, I think Loretta Lynn, Dolly Parton, Tammy Wynette, Barbara Mandrell, Anne Murray, Minnie Pearl. All of those women are the pioneers, the icons, the legends that I got to learn from,” McEntire responds.

Not to be diverted, Geist rightly points out that generations of upcoming talent in Nashville look to the “Fancy” singer with the same reverence she gives to the likes of Parton and Wynette. “It’s a cool feeling,” McEntire admits with her signature Oklahoma drawl. “It’s a huge responsibility because I definitely want to — in my span that I get to do this — I want to find ways of doing it better so it will make it easier on them. Then it’s their responsibility to move forward, find a better way of doing something for the people coming up next behind them. So we’ve all got responsibilities. And it’s always to make it better.”

While the rest of McEntire’s interview won’t air until Sunday, she also recently revealed that she turned down the big red spinning chair on The Voice that ultimately went to OG coach Blake Shelton.

Check out a preview of McEntire’s forthcoming sit-down with Sunday TODAY.

Taylor Swift Enjoys a Girls Day With Gigi Hadid, Blake Lively & HAIM

Lately she’s been dressing for revenge! Taylor Swift stepped out in New York City this week with some of her OG 2015 girl squad members, looking stunning in a sleek black mini dress, loafers and her classic red lip.

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Walking alongside her were pals Gigi Hadid, Blake Lively and the HAIM sisters. See the photo via a fan Instagram account here. The outing comes following reports that the 33-year-old superstar and actor Joe Alwyn have broken up after six years of dating.

According to ET, a source said the breakup was amicable and “was not dramatic.”

“The relationship had just run its course. It’s why [Alwyn] hasn’t been spotted at any shows,” the source told the publication earlier this month. The couple has yet to publicly reveal the status of their relationship.

Swift seems to be leaning on friends amid the split, as she also went out for dinner on Wednesday night (April 19) with Lively and her husband Ryan Reynolds at Casa Cipriani in downtown Manhattan. A week prior, she was photographed dining with her longtime collaborator Jack Antonoff and his fiancée Margaret Qualley at Via Carota restaurant.

The 12-time Grammy winner is also staying busy with her massive The Eras stadium tour, which is set to take over Houston’s NRG Stadium — temporarily renamed NRG Stadium (Taylor’s Version) — for three nights this weekend before taking the week off and heads over to Atlanta’s Mercedes-Benz Stadium next weekend.

The 1975’s Matty Healy Sort of Apologized to Ice Spice For Insensitive Remarks: ‘I’m Kind of a Bit Sorry If I’ve Offended You’

The 1975 singer Matty Healy has issued an apology for controversial comments he made about rapper Ice Spice on The Adam Friedland Show in February.

“I just feel a bit bad, and I’m kind of a bit sorry if I’ve offended you,” Healy said during a recent 1975 show in Auckland, New Zealand as a kind of blanket apology for his series of odd or offensive actions in the spotlight, according to a fan video of the mea culpa. “Ice Spice, I’m sorry. It’s not because I’m annoyed that me joking got misconstrued. It’s because I don’t want Ice Spice to think I’m a d–k. I love you, Ice Spice. I’m so sorry. I don’t want it to be misconstrued as mean. I don’t mind being a bit of a joker… but I am genuinely sorry if I’ve upset them because I f–king love them,” he added while cradling a half-drunk bottle of wine.

In the Friedland bit earlier this year, the show’s hosts played a clip of the “Munch” rapper talking about her love of alternative music, including Coldplay and The 1975 from an Elle interview in January.

The hosts and Healy then begin speculating on Spice’s ethnicity, with jokes about her sounding like an “Inuit Spice Girl,” a “chubby Chinese lady” and one of them saying, “‘Yeah, I rap and make music’ Do they talk like that? Do Inuits talk like that?” The audio of the podcast then found Healy and the hosts imitating Chinese and Hawaiian accents as they laughed out loud and joked about what Healy should have said when he slipped into Ice Spice’s DMs.

After one of the men suggested Healy should have asked about her ethnic background while dropping an Inuit ethnic slur, Healy called Ice Spice “dumb.” The offensive episode was pulled from Apple and Spotify earlier this month but can still be heard on Youtube.

The rambling chat also included Healy and the hosts chuckling about “gay song parodies” of hits by Daniel Bedingfield and Dobie Gray in which NSFW lyrics were swapped in for the original. Healy also opined that “I don’t think the gays really like it” in reference to what the hosts termed the “pass” Harry Styles’ has gotten from the queer community. “It’s young girls that think it’s a new thing that are like, ‘Oh my God,’” Healy said of Styles’ inclusive, gender-fluid sensibility. “Maybe it’s not all gay guys but it’s a lot of them,” he added.

At the time, Yungblud took the trio to task for their offensive comments, tweeting, “Love listening to three privileged white dudes sit around and objectify a young black female artist who’s blowing up… Welcome to your 30’s I guess…” Healy responded at the time with an Instagram Story video mocking Yungblud’s activism and support for “underrated youth.”

Earlier this month Healy said he was quitting social media again saying “the era of me being a f–king arsehole is coming to an end. I’ve had enough.”

Nicki Minaj, Doja Cat & More Musicians React to Losing Their Blue Check Verification on Twitter

As promised, Elon Musk’s Twitter regime has begun removing the platform’s trademark blue check verification from legacy accounts.

The mass reckoning started Thursday (April 20), with fans logging on to find that some of the site’s most famous users — Justin Bieber, Katy Perry, Lady Gaga, Beyoncé and more — had lost the elite status symbol, which for years has been displayed next to public figures’ profile names to confirm their identities. From now on, surviving checkmarks indicate that a user is subscribed to Musk’s Twitter Blue service, which grants a blue tick to anyone paying a monthly $8 fee.

“This account is verified because they are subscribed to Twitter Blue and verified their phone number,” reads a disclaimer on Taylor Swift, Rihanna, Britney Spears and Miley Cyrus’ accounts, each of which retained their checks.

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Just like the rest of the Twitterverse, musicians have had some thoughts about the ordeal. A long running concern with the Twitter Blue setup is how easy it will become for people to impersonate public figures by simply purchasing a verification symbol, something Finneas lamented on in his post-checkmark tweet: “we used to have a system in place on this app that would make sure you knew someone was really who they said but that’s gone now,” he sarcastically wrote.

Musicians like Nicki Minaj, however, are embracing the risk. When one fan told the rapper to subscribe to Twitter Blue so that people wouldn’t mistake her for an internet troll, she simply replied with “I am,” along with a hilarious gif of Mike Myers’ Austin Powers character Dr. Evil.

Other artists have expressed everything from anger to indifference toward Musk’s decision. And then there’s Doja Cat, who says she’s better off without the verification symbol. “Having a blue tick now means theres a higher chance that you’re a complete loser and that you’re desperate for validation from famous people,” she tweeted.

See how musicians are reacting to the loss of their blue checkmarks below:

Friday Music Guide: New Music From The Weeknd & Future, Grupo Frontera & Bad Bunny, Kim Petras & Nicki Minaj and More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, The Weeknd and Future are “Double” trouble, Bad Bunny co-signs an ascendant regional Mexican group, and Kim Petras and Nicki Minaj are not, in fact, better off alone. Check out all of this week’s picks below:

The Weeknd & Future, “Double Fantasy” 

As The Weeknd’s embattled HBO series The Idol finally premieres in June and looks to prove the doubters wrong, the superstar has preceded the fictional music-industry drama with a new single that should heat up the charts in real life: “Double Fantasy” reunites The Weeknd and frequent co-star Future, who brought Abel Tesfaye into his trap universe on past collaborations like “Low Life” and “Comin Out Strong,” and returns the favor by contributing to The Weeknd’s synth-pop fantasia here. “Double Fantasy” has plenty of double entendres built around a juicy, radio-ready chorus, but works because both A-listers sound especially engaged on the track, making a bid for another hit rather than tossing out a loose soundtrack single.

Grupo Frontera & Bad Bunny, “un x100to”

While Bad Bunny has broken barriers for Spanish-language music across the mainstream over the past year, regional Mexican music has become absolutely dominant in recent months, with multiple artists unlocking chart achievements that would have been unthinkable at the beginning of this decade. One of those artists is Grupo Frontera, who have already established a global footprint despite only forming as a group last year — and “un x100to,” a high-wattage new collaboration with Bad Bunny, will only grow their presence, as the artists share a breezy, charmingly sincere love song about using the final one percent of a phone battery to express how you really feel.

Kim Petras with Nicki Minaj, “Alone” 

Alice Deejay’s timeless dance hit “Better Off Alone” gets a modern facelift thanks to Kim Petras and Nicki Minaj, who join forces for a new single that was summer-song aspirations apparent in every detail. The sample propels “Alone” forward, but Petras is steadily in the synth-pop lane of her excellent early singles, and Minaj provides some extra juice to the song in its second half — this is smartly orchestrated pop that offers both low-stakes fun for listeners as well as carries lofty commercial ambitions for its two stars.

YoungBoy Never Broke Again, Don’t Try This at Home 

Hip-hop’s most prolific artist is actually speeding up: a little over three months after YoungBoy Never Broke Again released the sonic left turn I Rest My Case, he’s already back with Don’t Try This at Home, a 33-song opus that offers something for every type of fan thanks in part to its gargantuan run time. The new album may be as long as a feature film, but Don’t Try This at Home never feels like a slog: YoungBoy is adept at telling gritty street stories that command the listener’s attention, and when the guests (Post Malone, Nicki Minaj, The Kid LAROI, Mariah the Scientist) show up, they agreeably switch up the album’s flavor.

Foo Fighters, “Rescued” 

“It came in a flash,” Dave Grohl sings to open the new Foo Fighters single, “it came outta nowhere / It happened so fast, and then it was over.” Hearing those introductory words, one can’t help but think of the shocking death of longtime Foos drummer Taylor Hawkins last year, and how the rest of the band must be processing that loss — yet the arena rockers soldier on with “Rescued,” reaching out for help without wallowing in sorrow, and honoring Hawkins’ memory with a song that slams forward with guttural growls, crisp guitar work and, yes, righteous drum fills.

Agust D (Suga), D-Day 

With D-Day, Suga not only resumes his Agust D moniker to close out a trilogy of projects that he started in 2016 — the BTS member also grows in front of our eyes, evolving his songwriting and presentation in meaningful ways as more global fans than ever before pay attention to his solo work. Although the boisterous “HUH?!?,” featuring J-Hope, will surely please BTS fans, D-Day also contains several highlights featuring Suga on his own, from the swaying “SDL” to the percussive “Haegeum,” the latter of which boasts some of his tightest rhymes to date.

Madonna’s ‘American Life’ Turns 20: Songs Ranked From Worst to Best

For the first couple decades of her career, Madonna took pride in never making the same album twice. This is an artist who, in the space of six years, pivoted from sexually-charged pop (Erotica) to seductive R&B (Bedtime Stories) to Broadway showtunes (Evita) to Earth Mother electronica (Ray of Light). The biggest surprise about 2003’s American Life, then, was that there were few surprises.

Three years earlier on Music, Madge further extended her Queen of Pop reign by aligning herself with Mirwais Ahmadzaï, then a relatively unknown Frenchman whose production style was built on swooping laser-like synths, finger-picked acoustic guitars and chopped-up rhythms that left you wondering whether your CD player had skipped.

This dream team was responsible for half of her hit 2000 album, including standouts “Don’t Tell Me,” “Impressive Instant” and “Paradise (Not for Me).” On this occasion, though, Madonna tasked Mirwais with co-producing the entire record.

While American Life’s sound failed to match its striking cover art – a graffiti portrait of Madonna cosplaying as Cuban rebel Che Guevara – its lyrics were a little more revolutionary. Reacting to the September 11 attacks and the impending Iraq War, the star posed all kinds of questions about the state of America, most notably its obsession with fame and fortune. No longer was Madonna the Material Girl.

Audiences appeared to be confused by this combination of the familiar and the radical, however. Although it topped the Billboard 200 in its first week, it moved 241,000 copies in its first week, compared to Music’s first-week total of 420,000, according to Luminate. It remained Madonna’s lowest-selling album until 2012’s MDNA. But does the record deserve a reevaluation two decades on? Twenty years after it first hit the shelves (April 21), here’s a ranking of its 11 tracks.

Kim Petras Says Nicki Minaj’s Verse on ‘Alone’ ‘Changed My Life In So Many Ways’

Kim Petras opened up in a new interview on Friday (April 21) about what it was like collaborating with Nicki Minaj on her latest single, “Alone.”

“It doesn’t feel real still,” the rising star told Zane Lowe on Apple Music 1. “Her singing, ‘It’s Barbie and it’s Kim Petras,’ I cried, I was on the floor and then she calls me Kim Petty in it, which all my friends are like, ‘How do we not come up with that our entire lives?’ So she just changed my life in so many ways with that verse and that verse rips, I love her and I’m so inspired by her always, it’s crazy to me. I don’t know how she does it, but she’s just the greatest ever.”

The recent Billboard Women in Music honoree went on to gush over shooting the music video with Minaj for the dance-influenced track, which samples Alice Deejay’s classic 1990 club banger “Better Off Alone,” calling the experience “the best thing ever.”

“Alone” is set to be included on Petras’ long-awaited major label debut album via Republic Records — a project the German singer teased is finally on its way in the wake of her first-ever Grammy win for her Sam Smith collab “Unholy.”

“The Grammys were just a few months ago and really changed my life in a big way,” Petras said. “So it’s crazy that this year just started out with such a bang for me, and then Nicki jumping on the song was just one of the greatest life achievements for me ever in my life, and it’s just been really amazing. It really sped up my album and how people finish it and it’s done now. Yeah, it’s done. It was time to say it.”

Kelly Clarkson Conjures Some ‘Magic’ With Simmering Coldplay Kellyoke Cover

The enduring trick of Kelly Clarkson‘s daily Kellyoke segment on her eponymous daytime talk show is that the singer always finds a way to make her carefully curated covers feel brand new in her hands.

Take Clarkson’s s simmering version of Coldplay‘s “Magic,” which she performed on Friday’s (April 21) Kelly Clarkson Show. The already pretty mellow original — which appeared on the band’s 2014 Ghost Stories album — bops along at a medium pace, fueled by singer Chris Martin’s keening “ooh-ooh-ooh” vocalizations, a spare, muffled snare beat and spacey guitars.

Clarkson’s version borrowed the same hypnotic bass strum and spare beat, but amped up the heartache with her signature yearning vocals and flawless runs. “And if you were to ask me/ After all we’ve been through/ ‘Still believe in magic?’ Oh yes, I do,” she sang in her higher register, repeating the last line for devastating emotional emphasis.

The three-time Grammy winner confirmed last week that her anticipated post-divorce record, the 14-track Chemistry, is due out on June 23 and will be split into two sides, “Mine” and “Me.” She also revealed that there are two very unique guests joining her on the collection, actor/comedian/banjo player Steve Martin (on “i hate love”) and legendary percussionist/singer Sheila E. (on “that’s right.”)

“Having chemistry with someone is an incredible, and overwhelming, feeling,” Clarkson said about the record in a statement. “It’s like you have no choice in the matter. You are just drawn to each other. This can be good and bad. This album takes you down every path that chemistry could lead you down. There are many stages of grief and loss on this album. Each song is a different stage and emotional state.”

Watch Clarkson’s Kellyoke cover of “Magic” below.