Music News

Fugees Rapper Pras Found Guilty in Political Conspiracy

Fugees rapper Pras, accused in multimillion-dollar political conspiracies spanning two presidencies, was convicted Wednesday (April 26) after a trial that included testimony ranging from actor Leonardo DiCaprio to former U.S. Attorney General Jeff Sessions.

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Prakazrel “Pras” Michel was accused of funneling money from a now-fugitive Malaysian financier through straw donors to Barack Obama’s 2012 re-election campaign, then trying to squelch a Justice Department investigation and influence an extradition case on behalf of China under the Trump administration.

The defense argued the Grammy-winning rapper from the 1990s hip-hop group the Fugees simply wanted to make money and got bad legal advice as he reinvented himself in the world of politics.

Michel first met Malaysian financer Low Taek Jho in 2006, when the businessman usually known as Jho Low was dropping huge sums of money and hobnobbing with the likes of Paris Hilton. Low helped finance Hollywood films, including “The Wolf of Wall Street.” DiCaprio testified Low had appeared to him as a legitimate businessman and had mentioned wanting to donate to Obama’s campaign.

Michel also testified in his own defense. He said Low wanted a picture with Obama in 2012 and was willing to pay millions of dollars to get it. Michel agreed to help and used some of the money he got to pay for friends to attend fundraising events. No one had ever told him that was illegal, he said.

Prosecutors said Michel was donating the money on Low’s behalf, and later tried to lean on the straw donors with texts from burner phones to keep them from talking to investigators.

After the election of Donald Trump, prosecutors say Michel again took millions to halt an investigation into allegations Low masterminded a money laundering and bribery scheme that pilfered billions from the Malaysian state investment fund known as 1MDB. Low is now an international fugitive and has maintained his innocence.

Michel also got paid to try and persuade the U.S. to extradite back to China a government critic suspected of crimes there without registering as a foreign agent, prosecutors said.

On that charge, the defense pointed to testimony from Sessions, who was Trump’s top law enforcement officer until he resigned in 2018. Sessions said he’d been aware the Chinese government wanted the extradition but didn’t know Michel. The rapper’s ultimately futile efforts to arrange a meeting on the topic didn’t seem improper, the former attorney general said.

Lizzo Shakes Her ‘Tailfeather’ in a Bikini Ahead of St. Louis Concert

Lizzo stripped down to nothing but swimwear to dance it out ahead of her show in St. Louis on Tuesday.

In the clip posted to TikTok, the singer wears a blue-and-white tie-dyed bikini, pink swim cap and oversize black shades as she gets down to “Shake Ya Tailfeather,” Nelly, P. Diddy and Murphy Lee’s 2004 single from the Bad Boys II soundtrack. In the background from her rooftop view, the famous St. Louis arch is clearly visible as sirens blare and the song starts with the rappers chanting, “We do it for fun/ We just do it for fun/ We Derrty ENT/ We do it for fun/ Bad Boy/ Nelly, Diddy, Murphy Lee!”

Lizzo is currently back on the road for another leg of her ongoing Special Tour, which has recently kicked off again with stops in Knoxville, Tenn. — where she trotted out drag queens Vanessa Vanjie Mateo, Kandy Muse, Aquaria and Asia O’Hara to protest the state’s discriminatory anti-drag and anti-LGBTQ+ laws — and Lexington, Ky. Next, she’s headed to Canada for a show at Montreal’s Bell Centre on May 4 before continuing on to Hartford, Conn.; Baltimore; Raleigh, N.C.; and beyond.

The pop star’s carefree dance moves prove she continues to remain determinedly unbothered by the recent onslaught of fat-phobic insults and other body-shaming commentary sparked by conservative commentator Candace Owens and perpetuated by swarms of online trolls.

Over the weekend, Lizzo emerged as the big winner at the 2023 Detroit Music Awards by taking home four awards and sweeping the night.

Watch Lizzo’s bikini-clad dance to “Shake Ya Tailfeather” below.

Taeyang Says New Album ‘Down to Earth’ Let Him Find ‘Joy in Creating Music Again’

It takes three different people to help perfect the translation, but Taeyang is eventually satisfied with the explanation of his Down to Earth album title. Almost two decades after his music-industry debut, a time that’s included historic accolades such as being the first K-pop soloist to send a Korean-language album to the Billboard charts, the singer-songwriter-dancer emphasizes the details because now, more than ever, it’s personal.

Until last year, Taeyang and his generation-defining group BIGBANG (which BTS’ Suga recently cited as having “practically made” his chart-topping band) hadn’t released new music since 2018. TY’s last solo album, White Night from 2017, spent two weeks atop the World Albums chart and after the single “Louder” was released in conjunction with the 2018 Pyeongchang Winter Olympics in South Korea, the star began his mandatory military service for the country.

In what should have been a routine enlistment required for all able-bodied men, unforeseen events such as the departure of original bandmate Seungri and the COVID-19 pandemic canceling BIGBANG’s comeback performance for Coachella 2020 complicated a simple musical return. Frustrated with an inability to address the situations or express himself musically during enlistment, it nearly turned the star off from music entirely.

“It was a pretty devastating time for me,” Taeyang tells Billboard during a morning call from Seoul the weekend before Earth‘s release. “Five years ago, I couldn’t make music in the military. But it wasn’t just the outside limitations like the army or COVID. It was also internal and things going on in my personal life that were out of my control that made me even more anxious and that much harder to deal with the situation. At one point, I even thought, ‘Maybe this is the end of my career as an artist.’”

Not confident he’d find his voice as a more mature, now-married K-pop star with a boy band shaken up while serving his country, Taeyang struggled to find a viewpoint.

“I was unsure about what messages to put in the music,” he says, not naming any specific instance that affected him, but an overall unease during the period. “I couldn’t create a song with a ‘We are the best’ kind of message, and I also couldn’t make heartbreaking music. It was really awkward and weird. I had a lot of thoughts and was having quite a difficult time getting started. I contemplated a lot on the direction and story of the music, so I was stuck for a period of time where I could barely do anything.”

An unconventional approach was able to pull him out of his hole thanks to producers and other creatives at THEBLACKLABEL (the subsidiary agency under mega-label YG Entertainment, whose roster includes a range of Korean talents such as Zion.TJeon SomiLØREN and, now, Taeyang), the star began to find his groove again.

“THEBLACKLABEL producers started making some music for me, really fun songs where we were just messing around with the music almost in a joking type of way,” the singer explains. “That’s how the process started, very organically. I was going through so much and I was being so serious about music, but the producer would throw out these funny melodies and lyrics. I was like, ‘Oh, that’s really fun.’ I’d respond to them like, ‘Oh, what about this? Like that?!?’ and we’d just be playing. I found the true joy of making music then. I was like, ‘This is really fun — let’s just start this way.’”

His super catchy, trap-heavy new single “Shoong!” with Lisa of BLACKPINK, Back to Earth‘s international focus track following Taeyang’s signing with Interscope Records, was created in this style and set the path for the project. “The song that played the most important role in making the album was ‘Shoong!’” he says. “That’s how the album process started.”

It all speaks to his all-important album title, Down to Earth, which Taeyang (whose real name is Dong Young Bae) landed upon for his most personal yet.

“Whenever I started the ideation for an album, I really did think it was important to use the sun as a main starting point,” he says, referencing his stage name (Taeyang means “sun” in Korean, and he performs in Japan as SOL, or sun in Spanish) as well as past solo records (HotSolarRiseWhite Night).

“But for this album, instead of it starting for ideation and choosing a concept necessary for the album, it really stemmed out of my life experiences,” he shares.

“There are a lot of limitations as to what you can do in the army. One of the things I found was to go for a run around the time the sun was setting. It wasn’t like I always loved running, but that was all I could do; I wasn’t really in control. One day, I saw a beautiful sunset I had never seen before in Korea, and a lot of thoughts crossed my mind. The sunset meets the darkness, right? It meets the night and I saw myself as the sunset because that was how my life was at that time. The setting sun can’t complain; it has no say in where it’s going. I found solace in that and realized that I could also meet my darkness in a similar way, and I decided to be more peaceful throughout these stressful experiences. I wanted to create a new morning, which meant resetting my approach and mindset.”

In the process of coming down to Earth, and returning to music, Taeyang notes how “going back to basics and going back to my core” during his time in the military comes through in new songs like the moving piano ballad “Seed,” a throwback to ’80s and ’90s South Korean music to let TY’s vocals shine unaccompanied, and the surging feel-good anthem “Inspiration” with clever references to his biggest artistic influences. Undoubtedly one of Taeyang’s tightest collections to date, Down to Earth not only sounds like an artist refreshed and reminded of his superstar abilities but also one who’s back to expressing himself in the only way he knows how.

Read on for more from Taeyang’s journey, including his favorite new song, reaction to hitting the Hot 100 and comforting news on what’s next.

First, congratulations on entering the Hot 100 with “Vibe” earlier this year. It was both your and Jimin‘s first entry. Do you remember where you were when you heard the news?

Taeyang: I was at home eating lunch with my family when I first heard the news. I was pretty startled at first and didn’t quite understand what that meant because, well, I had been away for so long. It didn’t hit me that hard — not that I wasn’t thankful, but I wasn’t sure about the degree of successfulness. I had to call my producers and ask what it meant. They said, “Oh, this is such an amazing result,” and that’s when I really realized.

It’s been a long time since my last comeback and, thankfully, K-pop and the industry have grown a lot, so I was unsure to what the new standard of how a track does well. But I put all my best in it and to be able to get such a nice result with Billboard, it’s quite a miracle. And it was possible through the people that I works with; I was really glad to have gotten such good feedback for “Vibe,” but I did not expect that.

Do you have any new reflections on “Vibe” now that it’s been out for a few months?

After “Vibe” was completed, the specific plans for the album and the timing of the release were all set. The fact that I collaborated with Jimin is very, very special and, on top of that, “Vibe” played a huge role in completing my album. It’s a meaningful song to me and I am very grateful.

It’s pretty impressive to have a BTS member featured on your album and a BLACKPINK member with Lisa on “Shoong!” It feels like only Taeyang could pull this off.

Actually, it’s not that I planned to get features from BLACKPINK and BTS in one album. It was a very natural process. And I’m really, really thankful for that.

Tell me about the Korean focus track “Seed.” It has that classic Taeyang ballad vibe.

Although K-pop has a certain image now, like what the current generation now knows as K-pop with boy groups and girl groups, what I believe is true to K-pop is the golden era of the ’80s and ’90s [music in South Korea] because music from that era was entirely in Korean and the lyrics are really beautiful. I thought it’d be good to express in that modern way.

That’s how [BIGBANG’s 2022 comeback single] “Still Life” was created. After that song was released, I read a lot of comments from fans and thought about how I could express my thoughts honestly in my new solo music [too]. That’s how “Seed” was created too. If you listen, you can tell that I had a lot of thoughts and feelings put into the song. I’m expressing the feelings of what I went through in the past, but there’s also what I see and think about the future.

Inspiration” feels very special for shoutouts to artists we know you love, like Michael Jackson. What went into this song?

“Inspiration” is the song I created with Beenzino, a friend I met during the military. He’s a really great rapper, and we share many similarities, so I wanted to collaborate with him. I’ve always wanted to create a song with the color and mood of Michael Jackson and Prince for a song about what I am most inspired by in my own life. I wanted to connect the dots and all the sources of my inspiration, I mentioned the artists’ names from all different genres, but I tried to combine them into one story and in the lyrics.

Do you have a favorite song on the album?

Wow, that’s really hard to say because every song is my own, but if I have to pick one, it would be the last track, “Nightfall” featuring Bryan Cha$e, because it describes my thoughts very well on my album. Many fans like the intros of my albums, but in this EP, I do not have an intro. When I first started to work on “Nightfall,” I thought of putting it as the intro to my album, but when I was finishing creating the song, I thought it should be an outro as the mood of the song really fits as the outro — it explains about the album and my thoughts.

Earlier this year, you and Suga of BTS bonded over how you write out what’s on your mind, which shaped your lyrics on Down to Earth. What are you writing about lately?

I am really, really busy these days due to promotional activities, so I don’t have much to write. [Laughs] But I can say, thankfully, after finishing this album, I already have a vision for the upcoming albums and about the theme, concept and mood. I’m already gathering the thoughts to motivate myself for the next album.

Selena Gomez Cooks Up a Daytime Emmy Nomination for ‘Selena + Chef’

Catch her in the fridge right where the ice be, because Selena Gomez has just snagged another Emmy nomination! This time, the singer-actress’ HBO Max cooking show, Selena + Chef, has received a 2023 Daytime Emmy nod for outstanding culinary series. Nominations were announced Tuesday (April 26).

The star is up against some stiff competition from some celebrated food personalities. The other cooking shows nominated in the category are Andrew Zimmern’s Family Dinner, Martha Stewart’s Martha Cooks, Jose Andres and Family in Spain, and Roadfood: Discovering America One Dish at a Time. The winner will be announced during the 50th annual Daytime Emmy Awards, which will air live June 16 at 9 p.m. ET on CBS and streaming on Paramount+.

Selena + Chef is currently available to stream on HBO Max. The most recent season — the show’s fourth — features the star learning how to cook from various all-star chefs at a Malibu beach house. As with previous seasons, the chefs on each episode highlight a different charity to benefit. (The program has so far raised $400,000 for 26 non-profit organizations.)

This is Gomez’s second Emmy nod. She received a nomination in 2022 as an executive producer for the hit Hulu series Only Murders in the Building, which was up for best comedy series. She did not receive an acting nomination for her portrayal of Mabel Mora, while co-stars Steve Martin and Martin Short were both nominated in the best actor in a comedy series for their roles on the show.

Martin and the rest of the Only Murders team were disappointed by Gomez’s acting snub. “Marty and I, and the whole team at ‘Only Murders in the Building,’ are thrilled with our nominations,” he said in a statement to Billboard at the time. “We’re also loving that our crucial partner Selena Gomez is recognized as a producer in the Best Comedy Series category.” But, he went on to tell The New York Times, “We’re dismayed that Selena was not nominated because she’s so crucial to our performances, really.”

Bad Bunny and Rihanna AI Duet Drops – and the Fake Drake/The Weeknd Creator Seems to Be Behind It

A new song purportedly created with AI that mashes up Bad Bunny and Rihanna was uploaded on Tuesday (April 25), apparently by the same mystery maker behind the controversial AI Drake/Weeknd tune “Heart On My Sleeve” that led to immediate takedown notices earlier this month.

Uploaded directly to SoundCloud, YouTube and TikTok (but not Spotify, Apple Music or other major streaming services) under a different handle, Ghostwrider777, the 1:07 song, “Por Qué,” features a spot-on yearning Bad Bunny vocal over a shuffling reggaeton beat along with RihRih singing “Baby you shine so bright/ Like diamonds in the sky/ I feel alive/ But now you got me thinkin.’”

The message accompanying the clip reads, “they tried to shut us down,” and the video running underneath the song features a character in a white bucket hat, green ski goggles, winter gloves and a white sheet covering their face and upper body. As the song plays out, the on-screen graphics read: “i used AI to make a Bad Bunny song ft. Rihanna… this video will be removed in 24 hours… they tried to quiet my brother, but we will prevail.”

Representatives for Bad Bunny and Rihanna did not immediately respond to Billboard‘s requests for comment.

The Drake/Weeknd fake was quickly pulled from most streaming platforms after their label, Universal Music Group condemned it in a statement on April 17 that said the track was “infringing content created with generative AI.” That song was credited to the anonymous TikTok user Ghostwriter977 and credited to “Ghostwriter” on streaming platforms; at press time it was not clear if both songs were created by the same person. Before it was pulled, “Heart On My Sleeve” racked up millions of views and listens on Spotify, TikTok and YouTube, with the creator saying “This is just the beginning” in a comment beneath the YouTube clip.

The short-lived success of the song amplified a growing worry in the music industry over the potential impact of AI, even as a newly label-free Grimes mused this week about “killing copyright” by offering to split royalties 50/50 with fans who create a successful AI-generated song using her voice.

Click here to listen to “Por Qué.”

YOASOBI’s ‘Idol’ Scores Second Week Atop Japan Hot 100 

YOASOBI’s “Idol” holds at No. 1 on the Billboard Japan Hot 100, dated April 26, dominating three metrics of the chart’s measurement this week.

“Idol” continues to soar powered by the popularity of the anime series for which it serves as the opening theme, Oshi no Ko. The track rules streaming (20,366,113 streams, up by 130 percent from the week before), video views (8,388,791 views, up by 94 percent), and downloads (30,505 units, up by 4 percent). It also comes in at No. 4 for radio airplay and No. 52 for karaoke to stay at No. 1 on the Japan Hot 100 for the second week in a row, with over double the total points from the song at No. 2.

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Hinatazaka46’s “One Choice” is this week’s No. 1 song for physical sales with 538,086 copies sold. While the group’s ninth single fared relatively well in the other metrics, coming in at No. 27 for downloads, No. 98 for streaming, and No. 32 for radio, the total wasn’t enough to overturn the huge difference between “Idol,” which racked up points in an extraordinary way this week. “One Choice” launches at No. 2 on the Japan Hot 100.

The girl group’s previous single, “Tsuki to Hoshi ga Odoru Midnight,” launched with 459,613 copies, so the new single tops it by approximately 17 percent, indicating the group’s steadily growing popularity.

Spitz’s “Utsukushii Hiré” (“Beautiful Fin”) is down a notch to No. 3 this week but holds at No. 1 for radio, where it’s rare for any song to stay at the top for consecutive weeks. The theme of the latest Case Closed (Detective Conan) movie also rises 7-2 for streaming with 8,585,967 streams (up by 69 percent) and continues to hold in the top 3 after debuting on the chart at No. 2 last week.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from to Apr. 17 to 23, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.

Here’s How Pete Davidson Hid an Eminem CD From His Mom by Pretending to Love Rod Stewart

Pete Davidson had a pretty roundabout way of becoming a Rod Stewart fan. In a special Mother’s Day interview with his mom Amy and his Bupkis co-star Edie Falco, who plays his mom in the show, the comedian revealed how hiding his love for Eminem gave him an appreciation for the British pop rock star.

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“When I was younger, I bought the uncensored Eminem Show CD, which of course I wasn’t allowed to have, so I kept it in a Rod Stewart jewel case,” he told Good Housekeeping, the cover of which he and Falco graced for next month’s holiday issue. “My mom noticed, and for years she’d play Rod Stewart to have something we could bond over.”

“I’d be sitting in the car and suddenly she’d say ‘It’s Rod!’ and start singing along to ‘Maggie May,’” he continued. “I had to learn the songs just to keep the lie going. I kinda learned to like Rod Stewart.”

Pete Davidson

Mike Garten/Good Housekeeping

Arriving May 4 on Peacock, Bupkis is a half-hour live-action comedy portraying a “heightened, fictionalized version of Pete Davidson’s real life,” according to a trailer. Along with Falco playing Davidson’s mother, Machine Gun Kelly, John Mulaney, Jon Stewart, Ray Romano and more of the former Saturday Night Live star’s famous friends will make appearances on the show.

While swapping recipes with his real and fictional moms for Good Housekeeping, Davidson also opened up about his go-to Mother’s Day gift growing up. “Mother’s Day is an important holiday in my household,” he shared. “We’re a close family, and growing up, my sister and I always tried to make things special, although I wasn’t always good at it. I’m pretty sure I bought her the same Britney Spears perfume eight years in a row.”

But according to his mom, it’s the thought that counts. “I never wore it, but I always appreciated it,” Amy said.

See Pete Davidson on the cover of Good Housekeeping‘s Mother’s Day issue below:

Pete Davidson

Mike Garten/Good Housekeeping

Roger Waters Canceled Frankfurt Show Can Go on After Court Ruling

A May 28 concert by Roger Waters that was slated to take place in Frankfurt, Germany that was canceled after city council members called the former Pink Floyd singer/bassist “one of the world’s most well-known antisemites” is not slated to go on as scheduled.

German public broadcast outlet Deutsche Welle reported on Monday that an administrative court in Frankfurt ruled that neither the city nor the state of Hesse had the right to cancel the show at the Frankfurt Festhalle. As owners of the concert’s promoter, Messe Frankfurt, the court said the state and city were obligated to “make it possible for Waters to stage the concert” as contractually agreed, despite their concerns over Rogers’ previous public statements about Israel.

“The court on Monday said that although Waters’ show obviously borrows symbolism linked to National Socialism, it could not see that he was glorifying or qualifying Nazi deeds or identifying with Nazi racial ideology,” Welle reported. “Nor was there any indication that he would be using any type of Nazi propaganda during the concert.” It is against the law in Germany to display Nazi symbols or memorabilia.

The court said that to deny Waters access to the site — on the spot of what was a Jewish detention camp during WWII, where 3,000 Jewish men were held on Kristallnacht (“Night of the Broken Glass”) in Nov. 1938 before being sent to their deaths — would infringe on his free speech rights.

At press time a spokesperson for Waters had not returned a request for additional comment.

“The background to the cancellation is the persistent anti-Israel behavior of the former Pink Floyd frontman, who is considered one of the most widely spread antisemites in the world,” the city council said at the time of the cancelation in a statement. “He repeatedly called for a cultural boycott of Israel and drew comparisons to the apartheid regime in South Africa and put pressure on artists to cancel events in Israel.” Waters has denied that he is an antisemite.

The JTA reported that the city of Frankfurt made reference to the historic significance of the concert hall — which it partly owns — and said it was cancelling the show over Waters’ support of the controversial BDS movement (Boycott, Divestment, Sanctions). BDS is a Palestinian-led movement that calls for a boycott of Israel to force the nation’s government to change its policies toward Palestinians.

The JFA additionally noted at the time that Waters concerts have featured a flying pig balloon featuring a Star of David (as well as a number of other corporate logos and symbols) and that he’s compared the actions of the Israeli government to that of South Africa under apartheid and Nazi Germany as well as questioning Israel’s right to exist.

The court conceded that it might be in “especially poor taste” to allow Waters, 79, to perform on the sacred site, but concluded that such a show would “not be injurious to the human dignity of those people.”

In Sept., Waters canceled planned shows in Krakow, Poland amid similar outrage over his stance on Russia’s unprovoked, yearlong war in Ukraine, which he has said was the fault of Ukraine and NATO.

Jackson Wang & Ciara Hit Artful Choreography in Technicolor ‘Slow’ Video: Watch

Jackson Wang and Ciara have joined forces yet again. The former GOT7 member and “Goodies” singer released the music video for their sultry collaborative track, “Slow,” on Tuesday (April 25).

The songs kicks off with a verse from Ciara, who tells the object of her affections that she does not wish to rush into their romance. “Slow the pace, ain’t a race, woah/ I’m here all night for love, that’s right/ When you please me, pump the breaks/ You can take your sweet time,” she sings.

Wang then takes over for the second verse, giving his lover a reminder of the rules before proceeding. “Remember then, baby (Let’s start slower)/ Said, ‘Take your time but make it nasty’/ Girl, I’ll do anything you ask me/ You set the pace, the way you tease me/ Then slow it down until it’s nice and easy,” he sensually sings.

The pair — both dressed in silky blue ensembles in the video, Wang in a blue set, Ciara in pink — then team up in the video to sing on the chorus and hit intricate choreography; they’re joined by background dancers simulating a club atmosphere. The singers later hit a series of solo dance moves of their own and participate in a standoff before the lights fade to black.

Wang and Ciara’s “Slow” was originally released on April 17, and gives fans a look at the former GOT7 member’s forthcoming album, Magic Man 2 (no release date has been given). The duo also took the stage together at Coachella for both weekends.

Metallica’s ’72 Seasons’ Tops Charts With Biggest Week for a Rock Album This Decade

Metallica’s 72 Seasons debuts atop multiple Billboard charts dated April 29, including the Top Rock & Alternative Albums survey.

In its first tracking week (April 14-20), Seasons earned 146,000 equivalent album units, according to Luminate. Of that sum, 134,000 units were via album sales.

It’s Metallica’s fifth No. 1 on Top Rock & Alternative Albums, which began in 2006. The rockers first ruled with Death Magnetic in 2008 and then with 2016’s Hardwired… to Self-Destruct (the band’s last proper LP prior to Seasons) and 2020’s S&M2 with the San Francisco Symphony, along with a first week at No. 1 in 2021 for 1991’s Metallica upon its 30th anniversary.

The new set’s 146,000-unit start marks the best single-week sum on Top Rock & Alternative Albums this decade. It’s the biggest since Tool’s Fear Inoculum soared in with 270,000 units on the Sept. 14, 2019, ranking.

Seasons is also Metallica’s fifth No. 1 on both Top Rock Albums and Top Hard Rock Albums.

The set bows at No. 1 on Top Album Sales with its 134,000-unit sales count, becoming Metallica’s eighth leader dating to 1991’s self-titled album. On Vinyl Albums, it’s likewise No. 1 thanks to 43,000 first-week vinyl copies sold, marking the group’s sixth champ, tying the band with The Beatles and Jack White for the second-most, after Taylor Swift with nine.

On the all-genre, mult-metric Billboard 200, Seasons debuts at No. 2, behind Morgan Wallen’s One Thing at a Time, which earned 166,000 units. The band adds its 12th top 10 on the chart, a run that began with …And Justice for All in 1988.

Concurrently, multiple songs from Seasons reach Billboard song charts, with the entire album’s tracklist infusing Hot Hard Rock Songs. It’s led by the title track and current radio single, which leaps 12-2 thanks to 2.7 million radio audience impressions, 2.4 million official U.S. streams and 1,000 downloads sold. “Shadows Follow” is next at No. 6 (1.8 million streams).

Twelve songs at once on Hot Hard Rock Songs is the most since the chart’s 2020 inception, surpassing Deftones‘ 10 songs on the Oct. 10, 2020, ranking.

“72 Seasons” jumps 8-6 on the latest Mainstream Rock Airplay survey. It’s Metallica’s 26th top 10, placing the Rock & Roll Hall of Famers in a tie with Van Halen for the sixth-most since the chart began in 1981. Preceding single “Lux Æterna” reigned for 11 weeks beginning in December, while fellow teaser song “Screaming Suicide” (not promoted to radio) spent one week on the tally at No. 40 in February.