Music News

Saweetie, NewJeans, Steve Lacy & Billboard President Mike Van Among Gold House’s A100 List of Asian Pacific Leaders

Gold House revealed its annual A100 list on Monday (May 1), honoring the 100 Asian Pacific leaders who have most significantly impacted American culture and society in the last year, and some of today’s biggest music stars have made the list.

Explore

See latest videos, charts and news

See latest videos, charts and news

Saweetie, Steve Lacy, NewJeans, Jackson Wang and Rina Sawayama have all been honored this year under the Entertainment and Media category, as did Billboard‘s President, Mike Van.

Gold House will celebrate the wide-ranging group of honorees — which also includes stars like Ali Wong, Ashley Park, Shay Mitchell, KJ Apa, Patrick Ta and many more — through a slate of exciting events from May 5 through May 7. The Gold Gala, which takes place on on May 6, brings together more than 750 Asian Pacific and multicultural luminaries across industries to highlight and celebrate initiatives that will define the next wave of the Asian Pacific movement.

“Gold House’s A100 List is a vital representation of the diverse opportunities and achievements of and for Asian Pacific leaders. Becoming begins with seeing–and it shows how we’re just getting started. I’m so proud to be part of past classes and applaud this year’s class.” said Academy Award-winning actress Michelle Yeoh, who is a Gold House A100 Hall of Famer.

Yeoh also starred in 2022’s groundbreaking film, Everything Everywhere All at Once, which A100 is honoring with the Gold Icon honor, celebrating a “transformational moment for the Asian Pacific community.”

The full list of A100s and the Selection Committee can be found here.

George Michael Tops Fan Vote for 2023 Rock and Roll Hall of Fame Induction

George Michael came out on top of the fan voting when balloting wrapped up on Friday (April 28) for the list of 2023 Rock and Roll Hall of Fame nominees. While the fan vote is not a guarantee that Michael will be enshrined in Cleveland, the late Wham! and solo star’s decisive victory in the fan portion of the vote — which closed on Friday (April 28) — saw him getting more than one million votes (1,040,072), which put him comfortably in front of second placer Cyndi Lauper (928,113), as well as Warren Zevon (634,130) Iron Maiden (449,682) and Soundgarden (427,040).

All but one of the previous five fan vote winners have ended up being enshrined, with the exception of the Dave Matthews Band, who did not get in despite rolling up more than 100,000 votes in 2020. Fans will find out on Wednesday (May 3) if the “Careless Whisper” star will make the cut for induction this year when this year’s list of nominees will be announced.

Others waiting to hear if they will join the Rock Hall this year include five-time nominees Rage Against the Machine, four-time nominee Kate Bush, as well as second timers Soundgarden, Maiden, A Tribe Called Quest and The Spinners; this year’s first-timers include Missy Elliott and The White Stripes. Other nominees this year include Sheryl Crow, Joy Division/New Order and Willie Nelson.

To be eligible for the RRHOF, an artist’s first commercial release must have come out at least 25 years prior to the nomination year. This year’s induction ceremony will take place in the fall. The top five artists selected through fan voting will be tallied along with the ballots from the Rock Hall’s international voting body to determine the Class of 2023.

Something in the Water 2023 Day 3 Canceled Due to Severe Weather Impacts on Site

The final day of Pharrell’s Something in the Water 2023 festival in Virginia Beach was canceled on Sunday (April 30) due to severe weather. “We are disappointed to share that under the advisement of the city of Virginia Beach and the local authorities we have to cancel day three of SOMETHING IN THE WATER due to significant impacts to the festival site caused by severe weather,” read a statement from festival organizers around 6 p.m. about the forecasted storms approaching the area, as well as a tornado warning and damage from earlier weather.

“We did not make this decision easily but everyone’s safety is our top priority. We will be refunding 33% of the base price from admission passes,” they added, with refunds slated to be automatically processed beginning Monday (April 1).

The cancelation resulted in the scotching of scheduled sets by Grace Jones, the Clipse, Wu-Tang Clan, Nile Rodgers & Chic, Lil Uzi Vert, 100 Gecs, Aminé, Flo Milli and Lil Durk.

“No one wants to make this call, but we cannot predict nor negotiate with the weather tonight. It is our responsibility to ensure public safety above all else,” City Manager Patrick Duhaney said, according to the Virginian-Pilot. “The City thanks the Something in the Water team, our public safety teams and City staff for their hard work this weekend under fluctuating weather conditions, and we appreciate everyone’s understanding of this difficult decision.”

Founder Pharrell Williams posted a heartfelt note to fellow Virginians and attendees, writing, “We are the best. These past few days @sitw have been the best. Even during this Tornado Watch and Lightning Storm right now as I type, we are the best. Thank you for giving the folks that travel here that energy and that LOVE that only we can give. Thank you to our partners, the vendors, production, policemen, firemen, the city council, the mayor and all who volunteered. The spirit here was felt everywhere!”

Williams promised that 2024’s SITW dates will be shifted in an attempt to avoid inclement spring weather, as well as teasing “more acts, more merch, more food… just more!” next year. WAVY reported that the first two days of this year’s event were also impacted by weather, with some acts slated for Friday bumped to Saturday and Sunday and Saturday’s start time pushed back after weather caused issues on site the night before.

Friday’s lineup featured performances by Babyface Ray, Arcade Fire, Maren Morris, Skrillex Kehlani, Mumford & Sons and Kid Cudi, while day 2 saw sets from the Kid Laroi, Wet Leg, the Jonas Brothers, Lil Yachty, Machine Gun Kelly, Lil Wayne and Pharrell’s Phriends, which included guests A$AP Rocky, De La Soul, M.I.A., Diddy, Chris Brown Latto and more.

The first day of 2019’s inaugural edition of SITW in Williams’ hometown was canceled due to weather, throwing a wrench into planned sets from Dave Matthews Band, Migos, Pharrell & Friends, Diplo and more. The 2022 edition was moved to Washington, D.C. after Williams got involved in a dispute with city officials over what he called a “toxic” environment following the fatal police shooting of his cousin, Donovon Lynch.

See the announcements below.

Grimes Launches A.I. Vocal Project In Beta: ‘Enjoy the Chaos’

Grimes has encouraged fans to go nuts with her (almost) no-rules A.I. vocal project. Now, the experimental Canadian artist points the way, a digital sandpit where creators can muck around with her vocals, get them away, make some money and create “chaos”.

Though still in beta, Grimes’ Elf.Tech project is the engine room to the project, which, despite her initial take, will definitely operate with some clear IP and copyright rules, and financial splits.

Grimes has been touting the A.I.-generated song concept through open-sourcing audio stems to music creators and AI voice model companies, and pitching her Elf.Tech backend at Ultra Music Festival.

“This is all a beta test so it may be imperfect at first. But! Let’s try this out,” she writes in a thread on Twitter.

Currently, a range of pre-recorded Grimes acapellas are available, though creators can create and upload their own.

“We also have stems on the site if you prefer to train ur own Grimes model! we’ll add more stems over time Feel free to take advantage of Grimes IP! we can collect master recording royalties for you if choose to distribute your song through,” she writes.

Elf.Tech also acts as an aggregator, by uploading songs for distribution to DSPs for $9.99 each year.

Creators who cut a recording with “GrimesAI-1 voiceprint” – that is, the AI-generated audio based on Grimes’ vocals — must share an equal split of the master recording royalties distributed on streaming services, onchain marketplaces (primary and secondary sales) and other DSPs, reads the terms and conditions.

And to be sure, creators “must have the legal right to all elements of their distributed recording,” the exception being the use of the GrimesAI-1 voiceprint.

The creative mayhem will be dampened should copyright lawyers get involved.
“I don’t own the rights to the vocals from my old albums. if you make remixes, they may get taken down. However if you don’t monetize them they prob won’t get taken down. If a remix goes viral we will work with my old labels to ensure distribution/ compensation for you,” writes Grimes, the mother of two with ex Elon Musk.

“We ask for 50% splits on master recording royalties in exchange for a grimes feat and distribution,” she adds. “There’s a *small* chance we can organize getting you publishing $ as well but we can’t guarantee this yet. But I hope we can!! Would be cool.”

Also, concludes the Elf.Tech document, “we will be making consistent updates to the GrimesAI voice model, stems and distribution service, so remember to enjoy the CHAOS.

Fans Choose Jack Harlow’s ‘Jackman.’ as This Week’s Favorite New Music

Jack Harlow’s Jackman. has topped this week’s new music poll.

Music fans voted in a poll published Friday (April 28) on Billboard, choosing the Harlow’s latest project as their favorite new music release of the past week.

Jackman. brought in more than 32% of the vote, beating out new music from Kesha, Niall Horan, The National and more.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Harlow’s 10-song, 24-minute set was announced just two days before it arrived.

Jackman. follows Harlow’s 2022 sophomore album, Come Home the Kids Miss You, which peaked at No. 3 on the Billboard 200 albums chart and featured the hits “Nail Tech,” “Dua Lipa” and the Hot 100 chart topper “First Class.”

Trailing behind Jackman. on the poll is Kesha’s set of singles “Fine Line”/”Eat the Acid,” with 28% of the vote, and Niall Horan’s “Meltdown,” with 26% of the vote.

See the final results of this week’s poll below.

Meet 2023’s ‘American Idol’ Top 10 Contestants

Wé Ani

Born: Jan. 23, 1999 – Harlem, New York City, N.Y.

Favorite Alums: Jordin Sparks, Fantasia, Jennifer Hudson, Kelly Clarkson

Musical Influences: Beyoncé, Michael Jackson, Freddie Mercury, Whitney Houston, Etta James, Ella Fitzgerald, Amy Winehouse, Bruno Mars, Yebba, Drake, Childish Gambino.

First Idol Experience: “I don’t remember an age when I didn’t know American Idol. You’d watch how [the contestants] went from somebody who was just auditioning to somebody who is performing on a huge stage and having all of America love them. I thought, ‘I want that to be me one day.’”

Growing up in Harlem and also in New Jersey, Wé Ani’s earliest memory of music is listening to the soundtrack to the 1939 film The Wizard Of Oz and then watching the movie. “We had it on VHS. I’d put it in and then I’d hit rewind as soon as I figured out how to hit the rewind button and then I got introduced to The Wiz and I thought, ‘I didn’t know they could do other versions,’ and it blew my mind. So I started diving into a lot of different artists and I knew that music made me feel amazing.”

Later, she became aware of her own vocal talent. “I knew I could carry a tune, but I didn’t think anything of it. I was a little naïve because I thought everybody could sing. I thought in order to be a superstar, you had to do everything, because Whitney [Houston] acted and she sang and she cut a rug on stage. Beyoncé did the same thing. Michael [Jackson] did the same thing. So I thought I’ve got to dance, I’ve got to play an instrument, I’ve got to act. When I was 11, people were telling me, ‘You sound like a grown-up when you sing.’ And I said, ‘Doesn’t everybody?’ My singing voice was really deep and my speaking voice was even higher [than it is now].”

When she was 12 and in middle school, “I was going through a really tough time and I didn’t have anybody. I didn’t have any friends or anything. Luckily I had my family with me, but I had music and that’s when I stumbled upon Queen and I listened to their albums so much. I started singing from a place of desperation, thinking, ‘I have to get this out. If their music can make me feel like that, maybe I can write something that can make somebody else feel a little bit better too.’” That’s when she wrote her first song, “Isolation.” “You wouldn’t think it was written by a 12-year-old. I was listening to a lot of emo stuff, a lot of grungy, strong, aggressive music. I was mentally in a dark place but I was trying to be encouraging for other people.”

In high school, she performed in musicals, including Man of La Mancha, 42nd Street and Celebration. At the same time, the teenage singer was doing homework and also going into New York City to sing in bars. “My goal was to get these adults who were in a bar on a weekday, trying to drink and watch some game, to turn around and watch me.”

Did that happen? “Yes. I’m really hard-headed and stubborn. I wanted to give people a good time.” She wasn’t paid for singing in the bars, but when she was 16, she performed at the Harlem jazz club Minton’s Playhouse through an afterschool prep program and was handed a check for $50. That led to performances at Carnegie Hall, Jazz at Lincoln Center, the Library of Congress and the Apollo, competing four times at that famed venue, winning first place in the adults category twice, even though she was still only 16.

Here’s Why ‘High Infidelity’ Is Trending on April 29

“Do you really wanna know where I was April 29th?” Taylor Swift asks in “High Infidelity,” a bonus track from her extended Midnights (3am Edition) album. “Do I really have to chart the constellations in his eyes?”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

It was Swift’s “High Infidelity” that trended on Twitter on its first April 29, after being released six months ago (and to the dismay of some REO Speedwagon fans who thought 1980’s Hi Infidelity was maybe getting rediscovered on April 29).

Swifties had clever quips and memes aplenty across social media on Saturday, as well as celebratory tweets marking a new “holiday” to observe in the fandom.

“i cant believe april 29 never existed until taylor swift invented it,” one fan commented in a tweet, while another honored the day along with the birth of her nephew: “My nephew being born on High Infedility Day,” they wrote with a shocked face emoji.

Most prevalent were tweets referencing a widespread guess that Swift might perform “High Infidelity” for the first time ever — during the part of her Eras Tour set featuring two surprise songs Saturday night in Atlanta, following the live debut of “Coney Island” solo at Friday’s show — to observe High Infidelity Day. Some went into a spiral of anxiety that they might be getting their hopes up too soon.

“When Taylor doesn’t perform High Infidelity on April 29th because everyone is assuming she’s going to and the whole point of a surprise song is that it’s a surprise,” one pointed out. “what do we do if taylor ends up not singing high infidelity today,” another asked.

See some of the best fan tweets on April 29 about “High Infidelity” below and look out for Billboard‘s review of Swift’s April 29 show on Sunday.

Bonnie Raitt Postpones Tour Dates Due to Surgery for a ‘Medical Situation’

Bonnie Raitt is undergoing surgery for an undisclosed “medical situation,” according to a statement issued by her team on social media. She has called off a handful of upcoming tour dates, which have either been rescheduled already for 2023 or will be rescheduled for 2024.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“Bonnie has a medical situation that requires surgery to address. The doctors say that in order for her to heal properly, they recommend she not perform for a couple of weeks,” a post on Raitt’s Twitter account said on Friday (April 28).

The update continued: “Unfortunately, this overlaps our five tour dates in May, and we are very sorry to have to cancel our performance at @brandicarlile ’s Mothership Weekend on May 14th and postpone our shows in Athens, Louisville, Indianapolis and Pittsburgh. Please see below for more information about the rescheduled appearances. We deeply apologize for this delay and inconvenience. It’s always upsetting to have to disappoint her fans, band, crew and our promoters, but sometimes unforeseen things just happen.”

The statement addressed her health, noting that “thankfully, Bonnie’s in great hands,” and thanked fans for their well wishes. “We very much appreciate your respecting her request for privacy at this healing time,” it read.

Concertgoers have been told to hold on to their tickets, as they can be used for the rescheduled show date. Additional information will be available through their point of purchase.

See the rescheduled dates and the official statement via Twitter below.

Taylor Swift Performs ‘Coney Island’ Live for the First Time — Without The National

Taylor Swift performed “Coney Island” live for the first time in Atlanta Friday night (April 28). But the Evermore highlight, a heart-wrenching track that features The National‘s Matt Berninger trading vocals with Swift, was a solo performance at the city’s Mercedes-Benz Stadium.

Explore

See latest videos, charts and news

See latest videos, charts and news

Swift carefully chose her words in introducing “Coney Island” to the stadium bursting with zealous fans, clarifying that she had something special up her sleeve but the surprise would be delivered by her alone.

“Any time I’m gonna talk about or even reference another artist, I feel inclined to tell you that if they’re not here, they’re not here,” she told the crowd. “No one else is here. You are stuck with me. It’s only me.”

She continued, “But I am gonna talk about another artist. I just feel like, you know, stadiums are huge and it’s important to really communicate, so that’s what I’m doing. I’m gonna talk about another artist who has an album that just came out that is so incredible. The National just had an album come out. This band has influenced me beyond my ability to verbalize how much they’ve influenced me — just lyrically, their ability to set a scene, their ability to tell a story. And obviously, Aaron Dessner is in The National and he has completely changed my life.”

Swift took a moment to promote the band’s new album and her own contribution to it, her new National collab “The Alcott,” which was released the same day as her first of three Atlanta shows. Sitting at the piano, she then sang “Coney Island,” which Swifties have been eager to hear live during the surprise songs segment of her Eras Tour set.

“I was lucky enough to be able to write a song with them for their new album, which is called the First Two Pages of Frankenstein. Check it out, stream it, buy it on vinyl. I love them so much. They’ve been so kind to me. So, I’m not gonna sing the song that we have on this new album — it’s called ‘The Alcott’ — check that out, though. But I am gonna sing ‘Coney Island.’”

Watch a fan-captured video of Swift’s solo version of Evermore‘s “Coney Island” live from Atlanta below.

Here’s Why Smokey Robinson Thought His New Album’s Title ‘Would Cause Controversy’

Ahead of releasing his first album in more than a decade, Smokey Robinson sat down with Billboard News to discuss the creative process of his latest effort, Gasms

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

The Grammy winner tells Billboard‘s executive director of R&B/Hip-Hop, Gail Mitchell, that Gasms was a laborious journey that took between five and six years to make. “‘Orgasm’ is the first word I think people think about. That’s probably the most important one,” he quips. “I thought it would cause controversy, and people would say, ‘What is he talking about?’ and it did. People say, ‘What is it about?’ I say, ‘I want you to listen, and you tell me what it’s about. It’s about whatever you want it to be about. I left it like that.”

Spearheading Gasms were Robinson’s two first singles, “If We Don’t Have Each Other” and “How You Make Me Feel.” The inception for the latter found him behind the piano, where he whipped up the song’s melody. “I was tinkering around with the piano one day, and I just started to sing that to myself,” he recalls. “I wanted a modern-day sound to it.”

With a decorated career spanning over 60 years, the revered singer-songwriter also spoke on the 50th anniversary of hip-hop. Having a fistful of songs sampled in the past — most notably “Much Better Off” and “Will You Love Me Tomorrow” for A$AP Rocky (“Jukebox Joints” ) and Kanye West (“Devil in a New Dress”) — Robinson expressed delight in the genre’s growth. 

“I’m not surprised that hip-hop has lasted for 50 years because when we first started Motown, there were people saying this music is ridiculous and it would never work. There are always those people — skeptics. Those are normally people of a different age era.”

He later adds: “There are kids making some wonderful music and they always has been.”

Gasms is out now.