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Janet Jackson’s Biggest Billboard Hot 100 Hits

As Janet Jackson celebrates her birthday (May 16), Billboard takes a look at the singer’s history on the Billboard Hot 100.

Born as the youngest of 10 children to Joseph and Katherine Jackson, Janet was almost pre-destined to enter the music industry with her brothers and sisters. By her fifth birthday, five of her brothers — as The Jackson 5 — had already scored four Hot 100 No. 1 hits. Following in her family’s musical footsteps, Janet made her Hot 100 debut in 1982 with “Young Love,” at 16 years old. Though that single and her second career entry, 1984’s “Come Give Your Love to Me,” both peaked outside the top 50, Jackson found her hit-making stride with 1986’s Control. Among its many hits, she landed her first of 10 No. 1s on the chart with “When I Think of You,” which reigned for two weeks.

Through the next 15 years, Jackson remained a Hot 100 force: Her next four albums, Janet Jackson’s Rhythm Nation 1814, janet., The Velvet Rope and All for You, each all generated at least one Hot 100 champ. Thanks to her decades of hits, Jackson is one of the most influential female artists to cross through the pop, R&B and dance genres, with 19 and 15 No. 1s on the Dance Club Songs and Hot R&B/Hip-Hop Songs charts, respectively. She’s also scored seven No. 1 albums on the Billboard 200, between 1986 and 2015.

Jackson (who first broke through with TV roles on sitcoms Good Times and Diff’rent Strokes) has won five Grammy Awards and has been nominated for both an Academy Award and Golden Globe Award. She was honored as the first-ever MTV Icon Award recipient in 2001 and received the MTV Video Vanguard Award in 1990.

Here’s a look at the superstar’s top-performing hits on the Hot 100.



Janet Jackson’s Biggest Billboard Hot 100 Hits

1. “Miss You Much,” peak position No. 1 (four weeks), peak date Oct. 7, 1989
2. “Escapade,” No. 1 (three weeks), March 3, 1990
3. “That’s the Way Love Goes,” No. 1 (eight weeks), May 15, 1993
4. “All for You,” No. 1 (seven weeks), April 14, 2001
5. “Together Again,” No. 1 (two weeks), Jan. 31, 1998
6. “Love Will Never Do (Without You),” No. 1 (one week), Jan. 19, 1991
7. “When I Think of You,” No. 1 (two weeks), Oct. 11, 1986
8. “Again,” No. 1 (two weeks) Dec. 11, 1993
9. “Runaway,” No. 3, Oct. 21, 1995
10. “Doesn’t Really Matter,” No. 1 (three weeks), Aug. 26, 2000
11. “Rhythm Nation,” No. 2, Jan. 6, 1990
12. “Alright,” No. 4, June 2, 1990
13. “Control,” No. 5, Jan. 24, 1987
14. “What Have You Done for Me Lately,” No. 4, May 17, 1986
15. “Black Cat,” No. 1 (one week), Oct. 27, 1990
16. “Nasty,” No. 3, July 19, 1986
17. “Let’s Wait Awhile,” No. 2, March 21, 1987
18. “Come Back to Me,” No. 2, Aug. 18, 1990
19. “Any Time, Any Place”/”And On and On,” No. 2, June 25, 1994
20. “If,” No. 4, Sept. 11, 1993
21. “What’s It Gonna Be?!,” (Busta Rhymes featuring Janet Jackson) No. 3, April 17, 1999
22. “Someone to Call My Lover,” No. 3, Sept. 1, 2001
23. “You Want This”/”70’s Love Groove,” No. 8, Dec. 24, 1994
24. “I Get Lonely” (Janet featuring BLACKstreet), No. 3, May 23, 1998
25. “Scream”/”Childhood” (with Michael Jackson), No. 5, June 17, 1995

Janet Jacksons Biggest Billboard Hot 100 hits chart is based on actual performance on the weekly Billboard Hot 100, through the May 20, 2023, ranking. Songs are ranked based on an inverse point system, with weeks at No. 1 earning the greatest value and weeks at No. 100 earning the least. Due to changes in chart methodology over the years, eras are weighted to account for different chart turnover rates over various periods.

Nick Cannon Mixed Up the Mother’s Day Cards to the Moms of His 12 Kids: ‘I Tried My Best’

Nick Cannon had a lot to celebrate this year for Mother’s Day — so much so that he got a few important cards mixed up in the mail.

“I tried my best, I really did,” the media personality said on the Monday (May 15) episode of his new radio show The Daily Cannon, adding that, instead of buying fancy gifts, he decided to send the six mothers of his 12 children thoughtful, handwritten cards.

“To show people how you really feel, write it down. And I was doing handwritten messages from the heart,” he continued. “So then as I’m writing the handwritten message, I get the cards mixed up. And then so when one baby mama reads the card about how I feel about the other baby mama…”

Cannon didn’t clarify which of the mothers — including ex-wife Mariah Carey as well as DJ Abby De La Rosa, Brittany Bell, Selling Sunset star Bre Tiesi, Alyssa Scott and LaNisha Cole — got the wrong card, he did posit, in retrospect, a simple solution: “See if I would just got some generic s–t that everybody else got, that wouldn’t have happened.”

To make matters even more awkward, De La Rosa serves as one of the co-hosts on The Daily Cannon. She didn’t seem all that bothered during the conversation about Cannon’s Mother’s Day gaffe, but one follower wrote in the comments section, “The absolute crazy thing is he’s talking to a baby mama about it…and she’s sitting there smiling like she’s not hurt” and another commented, “Whyyyyy Abby acting like she not 1 of them who got a mixed up card.”

Other followers weren’t shy about sharing their opinions on the mix-up, either. One wrote, “I [used] to like nick but this is so cringy” while a second added, “I have so many negative thoughts about Nick after hearing this. I’m going to keep them to myself and just move on. Smdh.”

Earlier this month, Cannon utilized a profile in the Los Angeles Times to combat the idea that he’s a “deadbeat dad” to his brood of a dozen, even going as far as to publicly reveal his salary.

Watch Cannon explain how his Mother’s Day plan went awry below.

Watch Luke Combs Teach Ed Sheeran How to Shotgun a Beer: ‘That Was Really Impressive’

When it comes to music, Ed Sheeran knows how to do just about anything, from selling out stadiums around the world to writing an endless string of hit songs for himself and his friends. But when it comes to chugging beers, the “Bad Habits” singer definitely had a steep learning curve when his “Life Goes On” singing partner Luke Combs recently gave him a life lesson in the quintessential American art of suds-based party tricks.

In a beery bromance Instagram video posted on Monday (May 15), Combs taught Sheeran how to shotgun a beer. “Alright, for context, Luke is… what is it, shooting?” Sheeran asks in the clip as the pair stand on a patio at sunset holding cans of Miller Lite. “Shotgunning,” Combs politely corrects his English friend.

With holes punched into their respective cans, Sheeran proudly announces, “Luke is teaching me how to shotgun a beer.” Bryan then provides a basic tutorial, explaining, “You wanna be mindful of where your top is. Cuz once that opens beer is coming out of that if it’s pointing at the ground. So you want this pointing at the sky.” Combs then offers to go first as Sheeran wonders if they should just try it in tandem.

“I think we go together, right,” Sheeran suggests. And then, after a quick countdown, they raise their cans, pop the tops and chug-a-lug, with Combs guzzling his can in just a few seconds. Sheeran — who famously has his own fully stocked pub at home — meanwhile, gamely tries to down the whole beer before tossing it to the ground with a noticeable thud that indicates he may have left some in the tank.

“That’s really impressive,” Sheeran says as Combs and the crew burst out laughing. In another show of transcontinental good cheer, Combs later commented on the clip, writing, “Cheers, mate! (Did I do that right? Haha.)”)

Though it was their first tandem pop and shoot, the stunt was not the pair’s first rodeo. Combs and Sheeran performed Ed’s “Life Goes On” together at the 2023 ACM Awards last week and in 2021 Combs invited Sheeran to join him on stage at the Country 2 Country Festival for a run through Ed’s “Dive.”

Watch the gun show below.

ENHYPEN Unveils the Tracklist for 4th Mini Album ‘Dark Blood’

ENHYPEN‘s Dark Blood album rollout continues! On Tuesday (May 16), the K-pop group treated devoted ENGENEs to the full track list for its fourth mini album, which is scheduled to arrive later this month.

The group — which consists of Heeseung, Jay, Jake, Sunghoon, Sunoo, Jungwon and Ni-ki — shared the track list in a stylish typography poster to Twitter. Dark Blood will contain a total of six tracks: “Fate,” “Bite Me,” “Sacrifice (Eat Me Up),” “Chaconne,” “Bills” and “Karma.” The tracklist reveal follows an album announcement and respective teaser released in late April, and concept trailers, films, photos and mood boards for the mini album earlier in the month.

Fans in the comments section were naturally excited for the album’s release. “Looking so dark and mystical. I feel like I can already hear the songs,” one user wrote. Another remarked, “Excited for all the songs, esp the track no. 5 ‘Bills’ since the members recommended and loved it.”

The tracklist is just one of many treats fans have to look forward to ahead of Dark Blood‘s arrival. An album preview is set to follow on May 18, while the video teasers for the yet-to-be revealed lead single precede the album’s release on May 19 and May 21; the album and full music video will arrive one day later. ENHYPEN will also perform a special showcase for DARK BLOOD on May 22.

See the tracklist reveal for Dark Blood below.

Hot 100 First-Timers: Doechii Debuts With Kodak Black Collab ‘What It Is (Block Boy)’

Doechii makes her Billboard Hot 100 debut as her new collaboration with Kodak Black, “What It Is (Block Boy),” enters at No. 98 on the latest, May 20-dated chart.

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The song, released March 17 via Top Dawg Entertainment/Capitol Records, debuts with 12.3 million radio airplay audience impressions (up 11%), 3.5 million official streams (up 14%) and 1,000 downloads sold in the United States in the May 5-11 tracking week, according to Luminate. It also holds at its No. 11 high on Hot R&B Songs and rises 31-29 on Hot R&B/Hip-Hop Songs.

Radio-wise, the track rises 12-10 on Rhythmic Airplay — becoming Doechii’s first top 10 on a Billboard airplay chart — as well as 25-22 on Mainstream R&B/Hip-Hop Airplay and 26-25 on R&B/Hip-Hop Airplay.

The song is available via six versions: original, sped-up and slowed-down versions with Kodak Black, and original-speed, sped-up and slowed-down ones without the rapper.

Notably, the track samples TLC’s classic “No Scrubs,” which crowned the Hot 100 for four weeks in 1999.

TikTok has been instrumental in the song’s growing profile, as a portion of Doechii’s solo version has been used in over 138,000 clips on the platform to-date. (TikTok itself does not contribute directly to Billboard’s charts.)

Doechii (real name Jaylah Ji’mya Hickmon), 24, scored her first chart entry in March 2022, when “Trampoline” with David Guetta, AfroJack, Missy Elliott and BIA reached No. 26 on Hot Dance/Electronic Songs. Her team-up with SZA, “Persuasive,” reached No. 33 on Mainstream R&B/Hip-Hop Airplay in October. The latter is from her EP She / Her / Black Bitch, which hit No. 23 on the Heatseekers Albums chart last August.

The Tampa, Fla., native has released four EPs: Coven Music Session, Vol. 1, in 2019, Oh the Places You’ll Go (2020), Bra-Less (2021) and She / Her / Black Bitch. Along with Kodak Black and SZA, she has collaborated with Babyface, Ravyn Lenae, Isaiah Rashad and Smino, among others.

On March 1, Doechii was honored as Billboard’s 2023 Women in Music Rising Star, at the YouTube Theater in Los Angeles. Her mother, Celesia Moore, presented the award, and Doechii performed “Persuasive” as well as her track “Crazy” at the ceremony.

Doechii signed to Top Dawg in March 2022, becoming the label’s first female rapper. This February, she told Billboard that 2023 is going to be her biggest year yet. “I’m in year three of my five-year plan,” she mused. “By year five I want to be at my peak. I want to be in my Sasha Fierce era, the top of my game with still a long way to go — but I want to reach my prime and never leave it.”

Taylor Swift Reflects on ‘Magical’ & ‘Emotional’ Eras Tour Hometown Shows

Taylor Swift‘s trio of Eras Tour shows in Philadelphia couldn’t have been more nostalgic if she tried. In a Tuesday (May 16) post about her weekend spent at the city’s Lincoln Financial Field, the singer reflected on the full-circle feeling of performing at her hometown venue, celebrating Mother’s Day, family memories and more.

“Philly was a dream, honestly,” the pop star began, tweeting out four mesmerizing photos taken at her most recent shows. “Playing three nights in the stadium I used to see on tv when my dad watched Eagles games every Sunday. The most magical 3 hometown shows a girl could hope for.”

Speaking of the Eagles, Swift played Evermore deep cut “Gold Rush” as one of her surprise songs at the Friday (May 12) show and clarified that one of the lyrics — “Eagles T-shirt hanging from the door” — definitely refers to the Philly football team, not the band. “I love the band the Eagles, but guys, like, come on, I’m from Philly,” she quipped.

Then, two nights later, the “Anti-Hero” singer got to celebrate her mom, Andrea, with a sentimental surprise song performance of her 2008 Fearless track “The Best Day,” which she wrote as a teenager about their close bond. “Plus I got to emotionally hobble my way through singing The Best Day for my mom on Mother’s Day,” she added in her tweet. “I love you all so much.”

The 12-time Grammy winner had also confessed to feeling emotional about the performance while onstage Sunday night. She told the crowd about how she once surprised a tearful Andrea by secretly recording “The Best Day” all those years ago, and warned that, even a decade and a half later, she’d likely get choked up while performing it live.

Swift’s next stop on the Eras Tour will be Foxborough, Mass., about which she wrote she’s “counting down the hours” ’til she gets to play three consecutive shows at Gillette Stadium starting Friday (May 19). The week after, she’ll hit MetLife Stadium just outside New York City before heading over to Soldier Field in Chicago.

Liz Phair Is Celebrating ‘Exile in Guyville’s 30th Anniversary With a Tour

Liz Phair is coming to a city near you this fall to celebrate the 30th anniversary of her critically acclaimed album Exile in Guyville.

The 18-date trek — appropriately dubbed the Guyville Tour — will see Phair heading across the country starting on Nov. 7, beginning with a stop at The Magnolia in El Cajon, Calif. The Guyville Tour features support from Blondshell and will make stops in Los Angeles, San Francisco, Seattle, Boston, New York City and more before concluding on Dec. 3 at Majestic Theatre in Dallas.

“Liz embarks on the GUYVILLE TOUR this fall, celebrating 30 years of the acclaimed EXILE IN GUYVILLE, performing the record in its entirety, along with fan favorites,” the musician’s official Instagram account shared, alongside the tour’s poster. Tickets go on sale Friday, May 19, at 10 a.m. local time. Presale kicks off May 17 at 10 a.m. local time with code GUYVILLE. There will also be limited VIP packages.

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Released in 1993, Exile in Guyville was Phair’s debut studio album. The set, which spawned singles “Never Said” and “Stratford-on-Guy,” peaked at No. 196 on the Billboard 200 chart, and at No. 12 on the Heatseekers Albums.

See Phair’s tour announcement — and the full list of dates — in the Instagram post below.

The Weeknd Was Pretty Sure ‘Blinding Lights’ Was ‘Gonna Be a Flop’

Despite what appears to be the kind of supreme self-confidence that has taken him to the top of the charts, as well as the 2021 Super Bowl halftime show and, soon, his acting debut in the HBO series The Idol, The Weeknd (who now goes by his birth name, Abel Tesfaye), still assumes his next project could be a total failure.

“I thought ‘Blinding Lights’ was gonna be a flop,” he told Vanity Fair in a new profile that chronicles both the stratospheric highs — such as his the $69 million L.A. mansion he barely lived in — and his ever-present lows, like when he was sure the propulsive Max Martin/Oscar Holter single from his diamond-selling 2020 After Hours album would tank.

Instead, a combination of the song’s grabby hook and a silly TikTok dance challenge pushed the song into Billboard chart history after it spent four weeks at No. 1 on the Billboard Hot 100 and then logged the most weeks in the top five and top 10 on its way to being the charts No. 1 song of all-time.

At best, Abel figured the song would be a good way for younger fans to dive deeper into his turbulent earlier catalog. “It’s a new generation of angsty teens discovering all the dark music like when I was 14. Kurt Cobain, Wu-Tang, and all these songs that as a kid I probably shouldn’t be listening to, and 50 Cent,” he said. “This f–king dark and amazing escape.”

Even as The Weeknd’s songs have trafficked in endless tales of an easily bruised heart and what sounds like a sure-footedness on stage and in the studio, the singer told the magazine that when it comes to believing in his talents he learned a crucial lesson early on.

“I’ve always had to bet on myself. Even before I was The Weeknd, just in life,” he said. “As soon as I got out of my mother’s womb, it’s been, ‘Bet on yourself. It’s not gonna be easy, you know?’ And I’m fine with that.” That said, this new phase of his career, which he just announced will be conducted under his birth name, is definitely “nerve-racking.”

And, despite his many successes, his firm spot in the pop universe as an instantly recognizable one-named superstar and the Dawn FM album’s narrative arc that bloodily sent up the very notion of global superstardom, Tesfaye seems still not totally ready to fully embrace his spot in the pop firmament. “I don’t blame people,” he said when talk turned to comparisons to other icons. “Because if I was them, I’d be betting on Beyoncé too. I’m not gonna bet on me.

Check out the VF cover below.

Hot 100 First-Timers: ‘Mathematical Disrespect’ Equals Chart Debut for Lil Mabu

New York City-based drill rapper Lil Mabu is officially a Billboard Hot 100-charting artist, as the newcomer scores his first career entry with “Mathematical Disrespect.”

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The song, released May 4, debuts at No. 90 with 7.2 million official streams in the United States in the May 5-11 tracking week, according to Luminate.

In addition to its Hot 100 entrance, it starts at No. 17 on Hot Rap Songs and No. 27 on Hot R&B/Hip-Hop Songs (both of which use the same multimetric methodology as the Hot 100).

Lil Mabu self-released the single, in which he raps, “Shoutout my label, that’s me/ I own 100% of my cuts, nobody takin’ a fee.” Similarly, the track closes with him singing, “I invested money in myself and it paid/ I can’t take a break ’til Mabu is a household name.”

TikTok has been instrumental in the song’s growing profile, as a portion of it has been used in nearly 80,000 clips on the platform so far. Lil Mabu himself boasts more than 3 million followers on the app. (TikTok itself does not contribute directly to Billboard’s charts.)

Lil Mabu (real name Matthew DeLuca), 18, is brand new to Billboard’s charts, as “Mathematical Disrespect” marks his first appearance on any Billboard survey. He has released all his music while attending the Collegiate School, an elite private prep school in Manhattan.

Last summer, Mabu self-released his debut mixtape Double M’s. The set includes features from fellow New York rappers Dougie B and Dusty Locane, among others.

(G)I-DLE Shouts Out Ariana Grande & Kim Kardashian in New Song ‘Queencard’

(G)I-DLE has unveiled yet another single from its recently released mini album, I Feel, and single “Queencard” gives a sweet nod to two very famous women in American pop-culture.

The EP’s lead single sees members Miyeon, Minnie, Soyeon, Yuqi and Shuhua praising their own beauty, which leaves their lovers head over heels, and girls jealous of their style.

When the second verse of the track rolls around, Yuqi sassily delivers the lines “Look so cool, look so sexy like Kim Kardashian (Uh)/ Look so cute, look so pretty like Ariana,” while Shuhua chimes in on the latter half of the verse telling the object of her affections, “I wanna smooch with you (Mwah)/ I wanna with you, hug/ You keep getting prettier, you, in the mirror.”

While neither Kardashian nor Grande has yet responded to (G)I-DLE’s praises, the K-pop groups uses both icons’ energy as inspiration for the the rest of the lyrics. “Queencard, I’m hot/ My boob and booty is hot/ Spotlight, look at me/ I’m a star, star, star/ Queencard, I’m the top/ I’m twerkin’ on the runway/ I am a queen/ You wanna be the queen?” the girls sing during the empowering chorus.

“Queencard” was released as the lead single from I Feel, which arrived on May 15. The track comes after the release of “Allergy,” which serves as an antithesis to the new song as it delves into the quintet’s many insecurities. I Feel is (G)I-DLE’s sixth mini album.

Listen and watch the official visual for “Queencard” in the video above.