Music News

Suede, Travis, Echo & the Bunnymen, Rick Astley, Stone Roses & More Pay Tribute to Smiths Bassist Andy Rourke

Tributes to late Smiths bassist Andy Rourke poured in from every corner of the rock world on Friday morning (May 19) as fellow musicians honored the the musician who died at 59 following a battle with pancreatic cancer. In a testament to the still-echoing influence the Smiths had despite a brief career that lasted only five years, notes of condolence and praise came in from contemporaries as well as many younger bands whose music was undeniably impacted by the beloved ’80s English indie band that put a jangly sheen to some of the most misanthropic lyrics in rock history.

“It is with deep sadness that we announce the passing of Andy Rourke after a lengthy illness with pancreatic cancer,” wrote bandmate and Smiths guitarist Johnny Marr in announcing Rourke’s death. “Andy will be remembered as a kind and beautiful soul by those who knew him and as a supremely gifted musician by music fans.”

Drummer Mike Joyce wrote, “Not only the most talented bass player I’ve ever had the privilege to play with but the sweetest, funniest lad I’ve ever met. Andy’s left the building, but his musical legacy is perpetual. I miss you so much already. Forever in my heart mate.”

At press time it did not appear that Smiths singer Morrissey had commented on Rourke’s death.

Charlatans singer Tim Burgess paid homage to the deep impact Joyce had on him and his band, writing, “He was an inspirational musician with a style that made so many of us pick up a bass guitar; and the driving force for Manchester Versus Cancer. Our thoughts are with everyone who knew him. Travel well.”

British folk singer Billy Bragg fondly recalled touring with Rourke and Marr, saying, “He was a lovely guy and an amazing bass player. My condolences to his family and friends.” On the other end of the music spectrum, “Never Gonna Give You Up” pop singer Rick Astley recalled meeting Rourke and Joyce in Los Angeles in the 1980s, praising them for being “lovely guys” and for making time to chat with “a kid from Newton-le-Willows,” calling them “heroes.”

Suede bassist Mat Osman paid homage to the Smiths’ — and Rourke’s — unique sound, writing, “A total one-off – a rare bassist whose sound you could recognise straight away. I remember so clearly playing that ‘Barbarism [Begins at Home]’ break over and over, trying to learn the riff, and marvelling at this steely funk driving the track along.”

Belle and Sebastian singer Stuart Murdoch called Rourke a “bloody legend,” while Travis singer Fran Healy seconded, dubbing the bassist a “lovely gentle soul” and Stone Roses vocalist Ian Brown remembered meeting Rourke at a party when he was 17 and remaining friends with him afterwards. “One of the highlights of my music life was Andy playing on my The World is Yours album and accompanying me onstage on a UK tour and my first show in MOSCOW,” he said. “Belly laughs all the way. RiP Brother X.”

Tributes also came in from New Order guitarist Phil Cunningham and bassist Tom Chapman and Rough Trade Records, which released the band’s self-titled 1984 debut and their other three studio albums, Meat Is Murder, The Queen Is Dead and Strangeways, Here We Come.

Though the band’s acrimonious split in 1987 would cleave them into two camps, with a legal battle over royalties that pitted Rourke and drummer Joyce against Marr and Morrissey, Marr made it clear that the bond they shared was eternal. Marr posted a much longer tribute on Instagram, writing, “Andy and I met as schoolboys in 1975. We were best friends, going everywhere together. When we were fifteen I moved into his house with him and his three brothers and I soon came to realise that my mate was one of those rare people that absolutely no one doesn’t like. Andy and I spent all our time studying music, having fun, and working on becoming the best musicians we could possibly be. Back then Andy was a guitar player and a good one at that, but it was when he picked up the bass that he would find his true calling and his singular talent would flourish.”

Marr continued, writing that throughout their teens the pair played in a variety of bands around South Manchester before making their reputations from 1982-1987. “And it was on those Smiths records that Andy reinvented what it is to be a bass guitar player,” he said. ” I was present at every one of Andy’s bass takes on every Smiths session. Sometimes I was there as the producer and sometimes just as his proud mate and cheerleader. Watching him play those dazzling baselines was an absolute privilege and genuinely something to behold. But one time which always comes to mind was when I sat next to him at the mixing desk watching him play his bass on the song The Queen Is Dead. It was so impressive that I said to myself ‘I’ll never forget this moment.’”

The guitarist said they stayed friends over the years, no matter where they were or what was going on in their lives. “It is a matter of personal pride as well as sadness that the last time Andy played on stage was with me and my band at Maddison Square Garden in September 2022,” he said. “It was a special moment that we shared with my family and his wife and soul mate Francesca. Andy will always be remembered, as a kind and beautiful soul by everyone who knew him, and as a supremely gifted musician by people who love music. Well done Andy. We’ll miss you brother.”

See the tributes to Rourke below.

Check Out Garth Brooks’ Full Setlist for ‘Garth Brooks/Plus ONE’ Opening Night in Las Vegas

There’s a reason that Garth Brooks won entertainer of the year a record-setting seven times from the CMA Awards. It’s because he simply has few peers when it comes to live performance.

Brooks proved that again Thursday night (May 18) at the opening night of his Garth Brooks/Plus ONE residency at the Colosseum at Caesars Palace in Las Vegas. The 2 1/2-hour performance spanned 33 songs and combined the best of his previous one-man show at The Wynn — which ended in 2014 after running for five years — and the full-band, three-year stadium tour that he completed last year that drew more than three million people.

Brooks started off solo backing himself on acoustic guitar, under the guise of saying he needed to sound check how the room sounded full of people. He opened with Bob Seger‘s “Against the Wind,” which he sang partially a cappella. While it’s understandable to focus on his overall talents as an engaging entertainer and his almost supernatural ability to connect with his audience, it’s easy to lose sight of the fact that his voice is a tremendously supple and powerful one, which he proved over-and-over throughout the night. He followed with “Don’t Close Your Eyes,” from Keith Whitley, one of his other musical heroes, and his own 1995 hit, “She’s Every Woman,” before bringing on his 11-piece band for a muscular, full-bodied “Rodeo.”

For the rest of the evening, he nimbly toggled back and forth between solo and band performances in what seemed to be a spontaneous set list. While his band was in fine form throughout, they especially shone on a particularly menacing “The Thunder Rolls.” His permanent Plus One, wife Trisha Yearwood, also joined him for four songs, showing off her peerless vocals throughout, but especially on “Shallow.”

Unlike the Wynn show where he narrated a version of his life from the perspective of his youth with a sense of awe of the musical marks his early influences had left on him, this time when he referenced George Strait, James Taylor and Seger, it was as often as a peer. That includes a moving segment where he recounted how stunning it was for him to hear his holy trio sing his own songs back to him when he was inducted into the Country Music Hall of Fame. It also proved a clever device to perform three of his biggest hits: “Much Too Young (To Feel This Damn Old),” “The River” and “That Summer.”

Audience members had to lock up their phones upon entry, which meant no photos, no video, and, certainly, no recording. The simple move kept everyone in the moment, but also allowed Brooks to debut a stunning new song, a dark ballad about finding pleasure in the pain, without worrying it would show up online within minutes.

But the moments of darkness were few (and included a stripped-down, emotional version of “Wolves” from 1990’s No Fences) because, as Brooks has said for decades, there is no one having more fun at his shows than him. His exuberance at being back on stage, embraced by adoring fans who gave him a long standing ovation simply for walking out before he sang a note, was palpable at every turn. Brooks joked earlier in the day that tonight would be the worst of the 27 shows in his 2023 residency; on Friday morning (May 19), he added an additional 18 shows for 2024 that go on sale later this month. If that is the case, fans attending upcoming concerts have got plenty to look forward to as opening night will be hard to beat.

See below for the full setlist from the residency’s opening night.

The Smiths Bassist Andy Rourke Dies at 59

Andy Rourke, founding bass player with the Smiths, the iconic ’80s indie band whose reputation seems to grow with each passing year, has died following a battle with pancreatic cancer. He was 59.

Explore

See latest videos, charts and news

See latest videos, charts and news

Bandmate and guitarist Johnny Marr confirmed the sad news: “It is with deep sadness that we announce the passing of Andy Rourke after a lengthy illness with pancreatic cancer,” he writes on social media.

“Andy will be remembered as a kind and beautiful soul by those who knew him and as a supremely gifted musician by music fans.  We request privacy at this sad time.”

Rourke performed on all four of the Smiths’ studio albums, each of them classics: The Smiths (from 1984), Meat Is Murder (1985), The Queen Is Dead (1986) and Strangeways, Here We Come (1987).

Led by Morrissey and the talismanic Marr with his jangly guitar style, the Smiths are considered the benchmark for what an “indie” band could sound like. And with its bank of hits, including “There Is a Light That Will Never Go Out,” “This Charming Man,” “How Soon Is Now,” and many others, an argument could me made that the Smiths is the greatest in its genre.

More to come…

Blur Ready Return With ‘The Ballad of Darren’

Britpop kings Blur are back.

Damon Albarn and Co. return this summer with a new LP, The Ballad of Darren, set for release July 21 through Parlophone.

But first, the four-piece unleash the first track from it, “The Narcissist.”

Blur’s first fresh cut in eight years is a jangly piece of indie goodness, on which Albarn tells the tale of someone who simple loves themself too much. He sings: “I’m going to shine a light in your eyes/ You’ll probably shine it back on me/ But I won’t fall this time/ With godspeed I’ll heed the signs.”

Produced by James Ford and recorded at Studio 13, London and Devon, The Ballad of Darren is Blur’s ninth studio album.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Spanning 10 tracks, it’s accompanied with artwork featuring an image by British photographer Martin Parr.

“This is an aftershock record, reflection and comment on where we find ourselves now,” comments Albarn.

Guitarist Graham Coxon adds, “The older and madder we get, it becomes more essential that what we play is loaded with the right emotion and intention. Sometimes just a riff doesn’t do the job.”

The surprises don’t end there. Blur return to their old stomping ground, Colchester, Essex, for a performance at Colchester Arts Centre on Friday (May 19), followed by a handful of warmup performances in the U.K.

Once warmed up, things should get hot when the group performs old stuff and new across the U.K. and Europe over the coming months, including their first ever shows at Wembley Stadium, July 8 and 9.

With a slew of hits including “Song 2,” Parklife,” “Girls & Boys,” Coffee & TV,” “Beetlebum,” “Country House,” and many more, Blur was one of the most successful British bands to emerge in the 1990s. They were head of the Britpop class. But unlike many of their classmates, they stayed together, evolved musically and remain relevant.

In their homeland, Blur landed 26 songs in the top 40, including two No. 1s. Six Blur albums have led the albums chart, including their most recent LP, 2015’s The Magic Whip.

“For any long-term relationship to last with any meaning you have to be able to surprise each other somehow and somehow we all continue to do that,” comments bass player Alex James on the new album.

Drummer Dave Rowntree continues, “It always feels very natural to make music together. With every record we do, the process reveals something new and we develop as a band. We don’t take that for granted.”

Stream “The Narcissist” and check out the album tracklist below.

The Ballad of Darren tracklist.

  1. The Ballad
  2. St Charles Square
  3. Barbaric
  4. Russian Strings
  5. The Everglades (For Leonard)
  6. The Narcissist
  7. Goodbye Albert
  8. Far Away Island
  9. Avalon
  10. The Heights

Lana Del Rey Gives Belated Release to ‘Say Yes To Heaven’: Stream It Now

Written a decade ago, and circulated online for almost two years, Lana Del Rey finally gives fans that slice of heaven they were waiting for.

At the stroke of midnight, the U.S. alternative-pop princess gave a proper release to “Say Yes To Heaven,” a dreamy downbeat number, filled out with mellow guitar arpeggios and a touch of tambourine and kick.

Co-written in 2012 with Rick Nowels, “Say Yes To Heaven” leaked online back in October 2020 and took a journey of its own on TikTok.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

The track did not, however, appear on Did You Know That There’s A Tunnel Under Ocean, her ninth studio album, which dropped in March.

Tunnel was co-produced by Del Rey alongside Mike Hermosa, Jack Antonoff, Drew Erickson, Zach Dawes, and Benji, includes assists from Jon Batiste, Bleachers, Father John Misty, Judah Smith, Tommy Genesis, and SYML, and was an immediate international hit.

In the United States, the set went to No. 3 on the Billboard 200, her ninth appearance in the top 10; it blasted to No. 1 on the Official U.K. Albums Chart, her sixth No. 1 there and eighth top 10; and No. 1 on the ARIA Chart, her fifth No. 1 in Australia and eighth top 10 overall.

With that embarrassment of musical riches in her arsenal, Del Rey will perform a bunch of outdoor shows in the months ahead, including dates at Brazil’s MITA music festival in Rio De Janeiro (June 27) and Sao Paulo (Aug. 3), and Festival D’Ete in Quebec, Canada.

Her itinerary includes major outdoor summer shows in the U.K., beginning with a date June 24 at Glastonbury Festival, then, on July 9, she’ll close the BST Hyde Park series in central London with a headline performance. According to reps from Polydor Records, she’ll be “accompanied by an array of special guests that are still to be announced.”

Festival appearances in the U.S. follow at Lallapalooza, Outside Lands and All Things Go.

Stream “Say Yes To Heaven” below.

Kaytranada & Aminé Release ‘KAYTRAMINÉ’ Album: Stream It Now

Summer might technically begin on June 21, but Kaytranada and Aminé made it arrive earlier with the release of their joint album KAYTRAMINÉ Friday (May 19).

The Canadian DJ/producer and Ethiopian-American rapper gave fans a first taste of KAYTRAMINÉ last month with the Pharrell-assisted “4EVA” single. The 11-track project also features collaborations with Freddie Gibbs (“LETSTALKABOUTIT”), Big Sean (“MASTER P”), Amaarae (“SOSSAUP”) and Snoop Dogg (“EYE”).

The new KAYTRAMINÉ duo made its festival debut during Kaytranada’s weekend one Coachella set in April, but the two have been working together for nearly a decade on songs such as “La Danse,” “YeYe,” “Not At All” (Aminé’s remix of Kaytranada’s “At All” from his 2015 EP At All / Hilarity Duff) and “Egyptian Luvr” from Rejjie Snow‘s 2018 album Dear Annie (that features Aminé and Dana Williams and was produced by Kaytranada).

“I was broke as f–k working on music everyday in 2014 looking for a north star. i was kinda thinking about giving up cuz sh– wasnt really workin out for me then kay hit me back & sent me beats for free.. that put a extra battery in my back & really made me feel confident again,” Aminé tweeted earlier this week. “Who tf know where i’d be right now without that little push from kay that early in my career. the love you show people sometimes can really affect them in ways you couldn’t imagine. kaytraminé ain’t no industry play, this been 9 years in the making.”

He also shared a DM exchange between the two dating back to July 27, 2014, showing Aminé thanking Kaytranada for following him back on Twitter and expressing his interest in working together sometime.

Listen to their KAYTRAMINÉ album below.

Summer Walker Releases ‘Clear 2: Soft Life’ EP: Stream It Now

Summer Walker dropped her highly anticipated Clear 2: Soft Life EP on Friday (May 19) via LVRN and Interscope Records.

Earlier this week, she partnered with Spotify’s RapCaviar to tease her new project in a sitcom-style promo video starring herself, Sukihana and Sexyy Redd, where the three women are just living their best lives and eating caviar, or as they like to call it, “cavinar.”

The nine-track project features collaborations with Childish Gambino (“New Type”) as well as Solange, Steve Lacy and John Kirby (“Agayu’s Revelation”).

Summer Walker

Summer Walker Announces New EP ‘Clear 2: Soft Life’ at Dreamville Festival

Clear 2: Soft Life serves as the follow-up to 2019’s Clear, which featured four songs: “Riot,” “Grave,” “Wasted” and “Settling.” Clear arrived months before her debut studio album, Over It, which debuted at No. 2 on the Billboard 200. At the time, it earned the biggest streaming week ever for an R&B album by a woman with 154.7 million on-demand audio streams for the LP’s songs, surpassing the debut week of Beyoncé’s Lemonade, which had 115.2 million.

In an interview with Billboard, who gave Walker our Chartbreaker Award during Women in Music 2022, she talked about being “hella excited for Clear 2. The last one was like four songs. This one — I want it to be a lot longer so I can really get that sound out. That’s my favorite type of sound,” she said at the time. “I make what I got to make for the radio, but I’m very excited for [Clear 2]. Hopefully, my budget will be permitted. [If not], we got to protest.”

Listen to her Clear 2: Soft Life EP below.

‘The Little Mermaid’ Live Action Soundtrack Has Arrived: Stream It Now

With just one week to go until the theatrical release of Disney’s The Little Mermaid, the soundtrack for the live action movie arrived on streaming platforms on Friday (May 19).

Explore

See latest videos, charts and news

See latest videos, charts and news

Fans looking forward to the soundtrack can expect the music and lyrics from Alan Menken and Howard Ashman that was originally featured in the 1989 version of The Little Mermaid as well as new delights that come courtesy of new lyrics by Lin-Manuel Miranda.

Leading up to the release of the movie, fans have already had the chance to hear Halle Bailey’s stunning rendition of “Part of Your World” — as well as its Korean version, as sung by Danielle of K-Pop group NewJeans — “Under the Sea” and “Kiss the Girl” performed by Daveed Diggs. The soundtrack arrives less than two weeks after the movie’s official premiere in Hollywood.

Leading up to the release, the Chloe x Halle star has remarked on numerous occasions that she’s proud to bring a new form of representation to the big screen. In November, she shared the most “touching” part of playing the iconic Ariel was seeing how little girls reacted to hearing her sing “Part of Your World” when the movie’s trailer was released back in September.

“It just makes me cry,” she said. “The fact that all these little Black and Brown babies are going to be able to feel like they’re being represented is really special to me. I know that if I had that when I was younger, it would have changed a whole lot for me and my perspective on who I am as an individual.”

Listen to The Little Mermaid soundtrack below.

Kelly Clarkson Unveils Sultry Summer Track ‘Favorite Kind of High’

Kelly Clarkson knows that love has its lows and highs, and she’s focusing on the latter in her breezy new track, “Favorite Kind of High.”

The song, which arrived on Friday (May 19), details the fun, breathless exhilaration of meeting someone special. “You’re my favorite kind of high / Rushing through me like a fire / And I need you to know / I say I won’t but I do / When it comes to loving you / I have no control,” she belts in the upbeat, radio-ready chorus.

In the accompanying live video for the track, Clarkson explains to the crowd at Los Angeles’ Belasco Theatre that while some of her upcoming album Chemistry is about her 2020 divorce from Brandon Blackstock, “I wanted it to be about the whole relationship.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“One thing I have learned, in a lot of therapy, is that it’s not about just the bad. It was a whole thing. It doesn’t mean everything is bad. There’s nothing like that high when you first see someone, and you’re like, ‘Oh s—, I wonder if they’re single.’”

“Favorite Kind of High” follows double singles “Mine” and “Me” off the superstar’s upcoming tenth studio album, Chemistry, out June 23 via Atlantic Records.

“Having chemistry with someone is an incredible, and overwhelming, feeling. It’s like you have no choice in the matter,” Clarkson said of the project in a press statement. “You are just drawn to each other. This can be good and bad. This album takes you down every path that chemistry could lead you down.”

Listen to “Favorite Kind of High” below.

Garth Brooks Heads Into New Vegas Residency ‘Without a Net’: ‘It’s Exciting, Right?’

Less than five hours before Garth Brooks kicks off his new Las Vegas residency at The Colosseum at Caesars Palace on Thursday night (May 18), he swears he doesn’t know what his first song will be.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

But the superstar loves flying without a net. “It’s exciting, right?” he says, talking to Billboard in the afternoon before Garth Brooks/Plus ONE opens. “But still, you’re not in this business as long as I‘ve been without having some kind of sense about you. So the net is the people that come see us. They’ve got me. They want to see me fly without a net because they’ve got me if I fall, but I think they like it as much as I do.” 

And, he adds, making it up as he goes along is a chance to learn something new about himself as a performer more than 30 years in. “I don’t want to go to a gig, check the boxes and say good night. I want to come off the stage knowing something about me that I didn’t know when I came out there,” he says.

The run comes nine years after his five-year residency at Wynn’s Encore Theater concluded in 2014. Like that show, Garth Brooks/Plus ONE is largely a one-man show, but the Plus ONE gives him latitude to bring different guests up every night. His band will be seated in the audience, so when the mood strikes, he can bring them up to do a full-throated, muscular version of a song like “Callin’ Baton Rouge,” rather than a stripped-down acoustic set. Or his wife Trisha Yearwood could join, as could other entertainers. But as he also explained, the music is the ultimate Plus ONE that has been with him his whole life. 

As much as he plans to hit the stage without a plan, Brooks does know that there are songs that people are coming to hear, and “99% of those are going to be Garth Brooks songs,” he says. So, unlike the Wynn show, which relied heavily on songs by artists like James Taylor, Cat Stevens and Bob Seger, who influenced him, it sounds like this show will still include vital covers since Brooks is a veritable human jukebox, but that more of the songs will come from his own voluminous catalog.

Attendees must lock up their phones and no videoing or taping is allowed during the show. Brooks says that gives him the freedom to perform previously unreleased material or songs that he is still in the process of writing. In fact, he vowed to play something brand-new the first evening. “It’s a laboratory,” he says.

He landed at Caesars after having serious discussions with a number of Las Vegas venues and a long courtship. “[Caesars executives] traveled to Nashville. We talked over dinners. We didn’t talk about business, we talked about children, talked about stuff like that. They made it sound very much that they were very interested in phone calls, texts,” he says. “They were going through some other stuff with some of their other entertainers, and when you would talk about that, their immediate response was, ‘We’re focused on you. This is a goal for us.’ It made you feel very wanted. And to be honest with you, it wasn’t an inexpensive deal for them. So they have gone above and beyond, which is very sweet, but it’s like Steve Wynn said: ‘Now all the pressure is on you.’ Now it’s up to you to get out there and hopefully make them feel it was worth it.”

Brooks has always been sensitive to ticket pricing, with his tickets to his non-Vegas shows rarely exceeding $100. But the tickets for this run go as high as $2,500 face value for the front row and are $10,000 for a pair on the secondary market. With no seat more than 145 feet from stage, the lowest ticket price in the 4,100-seat venue is $99 and tickets average out around $350. Brooks says he will continue his long tradition of “stubbing,” where crew members move fans from the farthest seats to a closer location for free. 

“What I love about these guys, too, was we said, ‘Hey, look, it shouldn’t just be for the rich to enjoy. Let us still do our stub thing that we do.’ And they have allowed us to do that,” he says. “You understand that for them to make their money back, things have to happen in certain ways. But at the same time, we get to keep our same traditions as well. And my promise to everybody else, too, is if this is too expensive, I get it. We’ll do a dive bar somewhere for free. Or we’ll go play somewhere and hopefully get the ticket prices more around your thing.”

With the 2023 run of 27 shows already sold out, Brooks announced 18 new Colosseum dates for 2024 earlier Thursday. Fans who signed up through Ticketmaster’s Verified Fan program for 2023 and were locked out will get first dibs on 2024 tickets. The new Verified Fan on sale date is May 31.