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Addison Rae hosted an exclusive, intimate album listening event at The Box in New York City on Thursday (June 5), giving fans a first listen to her self-titled debut, Addison, which officially arrived hours later. The event, hosted by Spotify, featured the live premiere of new songs, offering fans an opportunity to experience the music […]
Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond.
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This week, Sabrina Carpenter torches a former flame, Lil Wayne continues to surprise, and Addison Rae makes a grand debut. Check out all of this week’s picks below:
Sabrina Carpenter, “Manchild”
Although Sabrina Carpenter still has multiple hits from her Short n’ Sweet era hanging around radio, she’s returned more quickly than expected to eviscerate an ex: “Manchild,” which Carpenter created with her collaborative cohorts Amy Allen and Jack Antonoff, functions as a colorful, country-tinged bookend to her No. 1 hit “Please Please Please,” allowing the pop star to take down the man she begged to not embarrass her with lines like, “Why so sexy if so dumb?”
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Lil Wayne, Tha Carter VI
Hip-hop may have changed around Lil Wayne since he kicked off his mega-selling Carter series more than 20 years ago, but Weezy accounts for that evolution on Tha Carter VI — which features relatively new stars like Jelly Roll and BigXThaPlug — while also remaining a singular voice in popular music, capable of warbling a Weezer hit (“Island Holiday”), placing his voice next to Andrea Bocelli’s (“Maria”), and, of course, stringing together gonzo rhymes for minutes on end.
Addison Rae, Addison
It’s time for the doubters of Addison Rae’s musical chops to be bid adieu: on debut album Addison, the former influencer turns in a tour de force of personality and pop know-how, breathing each syllable and gliding over every synth riff with enough detail to give the listener a glimpse inside her world, and the confidence to sell her artistic vision.
Turnstile, Never Enough
Even though Turnstile represents one of the biggest hardcore breakthroughs of the past decade, their long-awaited new album Never Enough is not a hardcore project — instead, the Baltimore quintet experiment with horns, synths, song lengths and sonic textures on the follow-up to 2021’s Glow On, although the head-banging hooks remain immediate enough to satisfy longtime listeners.
Mariah Carey, “Type Dangerous”
As she’s returned to the top of the Hot 100 for multiple years in a row with her holiday classic “All I Want For Christmas Is You,” Mariah Carey has concurrently tinkered with her traditional approach to rhythmic pop, and “Type Dangerous,” a sultry new R&B single that samples Eric B. & Rakim’s “Eric B. Is President,” finds the legend continuing to innovate instead of resting on her laurels.
Ed Sheeran, “Sapphire”
Ed Sheeran continues to explore different musical cultures on “Sapphire,” a free-spirited new anthem that, like recent single “Azizam,” looks east for inspiration: with backing vocals and sitar from Indian superstar Arijit Singh, the song doubles down on the growing trend of South Asian production reaching Europe and North America, in the name of a type of love without geographical boundaries.
KATSEYE feat. Ice Spice, “Gnarly (Remix)”
KATSEYE’s recent single “Gnarly” leapt off the speakers with an irresistible audacity upon its release, and now that the song has gone viral for the global girl group, Ice Spice has gleefully hopped aboard to compare herself to LeBron James in his rookie year and sneak in some brand promotion (“No soda, the ceiling is Starry!”).
Editor’s Pick: Little Simz, Lotus
The creation of Little Simz’s excellent new album Lotus may have been tumultuous — ““I got to a point where I lost my sense of purpose,” the British rapper recently told Billboard — but the result is on par with her 2021 breakthrough Sometimes I Might Be Introvert in terms of lyrical dexterity, and with even more luxurious production — these grooves, combined with Simz’s nimble delivery, are worth sinking into for hours.
The first part of the new Billy Joel documentary, Billy Joel: And So It Goes, premiered at the Tribeca Festival in New York on Wednesday and it featured a section about one of the most difficult periods in the 76-year-old singer’s life. According to People, the film co-directed by Susan Lacy and Jessica Levin delves into a dark incident early in Joel’s career when he attempted suicide two times after having an affair with a former bandmate’s wife.
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“Bill and I spent a lot of time together,” Elizabeth Weber says in the documentary about the affair she had with Joel when he was in his 20s and she was married to the singer’s best friend and Atila bandmate drummer Jon Small. She says in the film that the affair was a “slow build” until Small, who had a son with Weber, suspected something was going on and Joel fessed up to the affair, telling him, “I’m in love with your wife.”
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Joel — who did not attend the premiere after cancelling a summer run of shows due to a recent diagnosis of the brain condition normal pressure hydrocephalus — says in the film that he felt “very, very guilty about it. They had a child. I felt like a homewrecker. I was just in love with a woman and I got punched in the nose which I deserved. Jon was very upset. I was very upset.”
The brawl marked the end of Atila and the pair’s friendship, with Weber leaving Small — and later reconnecting with Joel, to whom she was married from 1973-1982 — and the singer spiraling into a dark period of drink and depression. “I had no place to live. I was sleeping in laundromats and I was depressed I think to the point of almost being psychotic,” Joel says in the film. “So I figured, ‘That’s it. I don’t want to live anymore.’ I was just in a lot of pain and it was sort of like why hang out, tomorrow is going to be just like today is and today sucks. So, I just thought I’d end it all.”
Joel’s sister, Judy Molinari, was a medical assistant at the time and she gave him some sleeping pills to help him get some rest. “But Billy decided that he was going to take all of them… he was in a coma for days and days and days,” she says: “I went to go see him in the hospital, and he was laying there white as a sheet. I thought that I’d killed him.”
The singer said he was “very selfish” at the time and recalled waking up in the hospital determined to end his life again. Molinari said her brother drank a bottle of the furniture cleaner Lemon Pledge, with Small driving him to the hospital after that attempt. “Even though our friendship was blowing up, John saved my life,” he says of his former bandmate.
“He never really said anything to me, the only practical answer I can give as to why Billy took it so hard was because he loved me that much and that it killed him to hurt me that much. Eventually I forgave him,” Small says in the movie. Joel later wrote the song “Tomorrow Is Today” for his 1971 Cold Spring Harbor album, in which he delves into his despondent feelings at the time. “Oh my I’m goin’ to the river/ Gonna take a ride and the lord will deliver me/ Made my bed, I’m gonna lie in it/ If you don’t come, sure gonna die in it,” he sings on the track.
At Wednesday’s premiere, Lacy shared a message with the audience from Joel in which she said “He will be back. Billy wishes he were here tonight, and he asked us to convey his greetings to you all. He said ‘getting old sucks, but it’s still preferable to getting cremated.’” Billy Joel: And So It Goes will stream on HBO in July.
If you or someone you know is considering suicide, please contact the 988 Suicide and Crisis Lifeline by dialing 988, text “STRENGTH” to the Crisis Text Line at 741741 or go to 988lifeline.org.
Take it from Sabrina Carpenter, dating can be like the Wild West — especially when so many eligible prospects turn out to be stupid, slow and useless. Or, in other words: a “Manchild.”
Following her new single’s release the day prior, the pop star dropped the hilarious music video for “Manchild” Friday morning (June 6). In the Vania Heymann and Gal Muggia-directed visual, Carpenter travels all over the American West by hitching rides with a diverse crop of men, whose only similarities are their propensities for odd modes of transportation and their inability to get the Grammy winner where she needs to go.
Barreling down the highway on the back of a jet ski, in a shopping cart attached to a motorcycle and on the arm of a motorized recliner chair, Carpenter repeatedly rolls her eyes and sings, “Stupid, or is it slow/ Maybe it’s useless/ But there’s a cuter word for it, I know/ Manchild/ Why you always come a-running to me?/ F–k my life/ Won’t you let an innocent woman be?”
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“it’s exactly what i pictured in my head,” the Girl Meets World alum wrote of the video on Instagram shortly after it dropped. “no animals were harmed in the making but some men were.”
Released Thursday (June 5), “Manchild” marks Carpenter’s first piece of new music since the Short n’ Sweet deluxe album brought forth bonus tracks “15 Minutes,” “Couldn’t Make It Any Harder,” “Busy Woman” and “Bad Reviews.” The original LP arrived in August and spent four weeks atop the Billboard 200, marking the musician’s first-ever No. 1 album on the chart.
According to Carpenter, she penned the track with songwriter Amy Allen and producer Jack Antonoff shortly after finishing Short n’ Sweet. “it ended up being the best random tuesday of my life,” the “Espresso” artist wrote on Instagram Thursday. “this song became to me something I can look back on that will score the mental montage to the very confusing and fun young adult years of life.”
Carpenter is currently on a short break from her Short n’ Sweet Tour, which kicked off last fall with a North American leg in September. This spring, she traveled across Europe on a run of dates that will pick back up with two performances at London’s Hyde Park in July, followed by another round of shows in the United States and Canada.
Watch the “Manchild” music video above.
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Fans can to tune-in to Pulp: A Film About Life, Death & Supermarkets, which is slated to stream on Friday (June 6).
The documentary streams starting at 4 p.m. ET/1 p.m. PT on Veeps. Read on for details on how to stream on Veeps.
How to Watch ‘Pulp: A Film About Life, Death & Supermarkets’
You can stream Pulp: A Film About Life, Death & Supermarkets for $4.99. Veeps accounts are free when you sign up with an email address, while you can still purchase access to the stream. However, if you’re an Veeps All Access subscriber, you can watch the movie for free. Not a subscriber? You can sign up for $19.99 per month, or $199 per year.
Owned by Live Nation Entertainment, Veeps All Access features hundreds of livestream concerts, a catalog of past shows and concert films, exclusive bonus interviews, discounts and other benefits. Learn more about Veeps All Access on the Veeps website.
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Courtesy of Veeps
‘Pulp: A Film About Life, Death & Supermarkets’
The rock doc is also available to stream on Prime Video and Apple TV, as a rental or digital purchase. Meanwhile, those who want to watch internationally can access different the streaming service with a VPN, such as ExpressVPN or NordVPN.
The music documentary follows the Brit Pop band Pulp during their farewell concert in their hometown of Sheffield, England in 2013. However, since the original release of the film in 2014, Pulp has reunited and touring again, as of 2022.
Pulp: A Film About Life, Death & Supermarkets streams on Veeps with a start time of 4 p.m. ET/1 p.m. PT. It’s free to stream for Veeps All Access subscribers.
Want more? For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.

Charli xcx had a very special guest for her Primavera Sound set in Barcelona at the Parc del Fòrum on Thursday night (June 5). On opening night of the festival, Chappell Roan shocked the crowd when she showed up to expertly do the viral “Apple” dance during Charli’s set (watch the moment below). Chappell, wearing […]
A New Jersey man has been arrested for allegedly stealing a pair of instruments from Rock and Roll Hall of Famers Heart. Just days after the band offered a reward for the return of a custom guitar and mandolin they said were stolen from the Hard Rock Hotel & Casino in Atlantic City on the […]

Jelly Roll is a man who wears his big heart on his sleeve. The country superstar took time out on Thursday night (June 5) to thank tour mate Post Malone for taking him out on this summer’s Big Ass stadium tour. Following the pair’s Wednesday night show at New York’s Citi Field, Jelly posted a […]
Lil Wayne has turned the Earth into Planet Weezy once again. Wayne returned to deliver Tha Carter VI on Friday (June 6), which comes seven years after the fifth installment of his critically-acclaimed series. Weezy tackles an array of sonics and utilizes various flows across the 19-track effort, which features guest appearances from BigXthaPlug, MGK, […]
The forthcoming KISS biopic has found an unexpected star, with Nick Jonas reportedly set to portray the band’s frontman, Paul Stanley.
Per a report from Deadline, Jonas is preparing to close a deal which will see him taking on the role of KISS’ vocalist and rhythm guitarist in Shout It Out Loud. The role will also reportedly see Jonas doing his own singing as he takes on cuts from the hard rock outfit’s celebrated back catalog.
The upcoming film will be directed by McG, with a screenplay written by Darren Lemke set to go into production towards the end of the year. Deadline also reports that the highly-anticipated role of bassist Gene Simmons is yet to be cast.
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Though Jonas may seem like an intriguing choice given his role as a member of the decidedly more clean-cut and pop-rock focused Jonas Brothers, he’s been a constant presence in the world of stage and screen for over two decades.
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Alongside stage credits which include productions such as Hairspray, The Sound of Music, and How to Succeed in Business Without Really Trying, Jonas has also appeared in films such as Goat, Midway, and the recent Jumanji franchise. He is also slated to appear alongside Paul Rudd in the forthcoming musical comedy Power Ballad.
The KISS biopic has been in the works since 2021, with manager Doc McGhee revealing in early 2023 that it would initially arrive the following year, with Shout It Out Loud reportedly set to focus on the group’s early period.
“It’s a biopic about the first four years of KISS,” McGhee explained. “We’re just starting it now. We’ve already sold it, it’s already done, we have a director, McG. That’s moving along and that’ll come in ’24.”
KISS first formed in New York City in 1973, with their self-titled debut arriving the following year. Their hard rock stylings and theatrical stage presence made them one of the most iconic bands of the era, with the group being inducted into the Rock and Roll Hall of Fame in 2014.
The veteran group would perform their final show in December 2023 following their lengthy End of The Road tour, and are reportedly set to launch a digital avatar show in Las Vegas in 2027