Music News

After Bebe Rexha’s Phone-in-the-Face Incident, Should Concerts Ban Phones?

After a fan struck Bebe Rexha in the face with a cellphone during a June 18 show in New York, should the music industry consider banning mobile devices at concerts? For years, touring stars such as Bob Dylan, Jack White and Dave Chappelle have said video-recording on phones have detracted from the live experience — and that was before the airborne cellphone assault went viral on social media. But, experts say, change won’t happen immediately.

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While celebrities and musicians including Demi Lovato, John Stamos, Hayley Kiyoko and Lauren Jauregui all expressed concern for Rexha after she was rushed to a hospital and shared a photo of a black eye after the incident, Steven Adelman, vice president of the Event Safety Alliance, says, “This is not going to change anything — yet.”

“But,” he adds, “it’s the first crack in a wall that eventually is going to fall.”

Whether cellphones take away from the concert-going experience is not a new debate — but Rexha’s attack is the first major case of the devices being used for a violent act. Just last year, Silk Sonic‘s Bruno Mars griped, “With the cameras, you’re like, ‘I don’t know if I want to try out this dance move tonight.’”

“I’ve always thought, at some point, there would be a ban on cellphones because it violates an important piece of intellectual property for the artist — their live performance,” Adelman says. The challenge, he continues, is fans carry mobile tickets on phones and pay for merch and concessions via online-billing apps such as Apple Pay: “There are obviously very strong competing interests here.”

The Rexha concert incident at The Rooftop at Pier 17 is unlikely to spread, though: The alleged assailant, Nicolas Malvagna, said in a criminal complaint that he thought “it would be funny” to throw the phone. He was arraigned June 19 on harassment and assault charges, both misdemeanors. “The key here is that person was arrested and will be prosecuted, and that sends a great message: ‘You can’t do this,’” says David Yorio, who co-owns Citadel Security Agency, which works with concerts and festivals in New York. “There’s no impunity from this.” (The man who slapped Ava Max during a concert Tuesday night in Los Angeles, in contrast, was hauled away but has not been criminally charged.)

Promoters can continue to ban phones at certain events, “just another layer” of security and logistics, Yorio adds, but for larger events, like festivals, “Logistically, it’s a nightmare.”

Certain artists’ anti-phone sentiment is so robust that a startup, Yondr, has spent the last nine years providing pouches for fans to store their phones before attending concerts. Adelman is sympathetic to this approach because artists make most of their money off touring these days, and exclusive concert footage shouldn’t have to turn into free social media content against their will. “People who can just raise their cellphone and hit record are essentially violating a contract with the artist, which is [to] be part of the show-going experience,” he says.

But he adds: “People should not throw phones. And you can quote me on that.”

Celebrities at the Louis Vuitton Spring 2024 Menswear Collection Runway Show

Pharrell Williams made his runway debut as Louis Vuitton’s new creative director of menswear on Tuesday (June 20), when the luxury fashion house unveiled its spring/summer 2024 collection during Paris Fashion Week.

The star-studded event took place at Paris’ Pont Neuf and featured a choir and an orchestra, as the models showed off the colorful new designs on the gold-toned runway. Williams told the New York Times that the theme of his debut collection is “lovers,” as the publication noted that the showcase was full of “printed leather jerseys and rugbys, quilted denim, Mao-neck blazers and ghillie camo with LV logo cutouts.”

The artist was named creative director of Louis Vuitton back in February, taking over the position previously held by Virgil Abloh who passed away in 2021 following a battle with cancer. “Louis Vuitton is delighted to welcome Pharrell as its new men’s creative director. His first collection for Louis Vuitton will be revealed next June during men’s fashion week in Paris,” LMVH, Louis Vuitton’s parent company shared in a statement at the time posted to the brand’s Twitter and Instagram accounts.

To celebrate his first collection under his prestigious new position, today’s biggest stars gathered to watch the runway show. Beyoncé, Jay-Z, Rihanna, A$AP Rocky, Kim Kardashian and Jared Leto were all spotted front row, while Megan Thee Stallion, Jaden and Willow Smith, Kelly Rowland, Coi Leray, Lenny Kravitz, Maluma and Tyler, the Creator were also among those in attendance.

See below for our gallery of photos showcasing the celebrities in attendance at the Louis Vuitton Spring 2024 Menswear Collection runway show.

EXO, Olivia Rodrigo Pace Hot Trending Songs Chart

EXO’s “Let Me In” lands the boy band its first No. 1 on Billboard’s Hot Trending Songs chart debuting atop the June 24-dated tally.

Billboard’s Hot Trending charts, powered by Twitter, track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days. A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard’s other weekly charts on Billboard.com each Tuesday, with the latest tracking period running June 9-15.

“Let Me In” is the first song released from Exist, EXO’s to-be-released seventh studio album. The track was released June 12.

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Concurrently, the song begins at No. 5 on the World Digital Song Sales chart with 1,000 downloads, according to Luminate.

“Let Me In” isn’t the only EXO song to reach the latest Hot Trending Songs survey, as “Hear Me Out” appears at No. 4. The song was announced as part of Exist, but will not be released until June 30.

Exist is scheduled for release July 10.

“Let Me In” reigns over Olivia Rodrigo’s “Vampire,” which bows at No. 2. “Vampire,” which was announced June 13, will be released on June 30 as the first taste of new music from the singer since her breakthrough debut album Sour, a five-week No. 1 on the Billboard 200 in 2021.

Doja Cat’s “Attention,” teased during the June 9-15 tracking period but released June 16, starts at No. 3, while MISAMO’s “Marshmallow,” which came out June 15, debuts at No. 5.

Keep visiting Billboard.com for the constantly evolving Hot Trending Songs rankings, and check in each Tuesday for the latest weekly chart.

Sodagreen Back for ‘Round 2’: Reflecting on 20 Years as a Band & Ahead to What’s Next

After two decades as a band, Taiwanese indie group Sodagreen has grown and evolved, emerging triumphant and standing on the stage together once more.

For young people, turning 20 can be a defining moment, marking the end of their rebellious teenage years and the start of adulthood. But for a band, reaching the milestone of 20 years is an incredible achievement. What keeps a band together is the relationships between its members.

Everyone has a rebellious period in their life, but it doesn’t always come at the same time. Shin-Yi’s came during his teenage years, while Jia-Kai’s happened in his 40s. For Sodagreen as a group, the rebellious period was during their hiatus. They each explored different paths, living a second life, until 2023 when they reunited under the name Sodagreen and started anew. This is what the band members call “Sodagreen Round 2.”

Regarding Sodagreen’s 20th anniversary, Jia-Kai explains it this way: “When I look back on my life journey, I really don’t have many friends who have been with me for over 20 years. I can count them on my 10 fingers. Friends who have been together for over 20 years won’t fall out and will definitely stay until the end. We are really rare. There is nothing like Sodagreen that has been going on for 20 years in a row.” Faced with Jia-Kai’s emotional perspective, Tsing-Fong jokingly responds in a very Sodagreen-like manner: “I hope you will be a good person in the future, Jia-Kai!”

It’s been 26 years since Tsing-Fong and Shin-Yi first met. Reflecting on their friendship, Shin-Yi couldn’t help but express her amazement: “It’s so scary!” But when they find something they both enjoy, time seems to fly by.

Yu-Chi says Madonna has been their idol for over 20 years. For the past two decades, Madonna has been a beacon of fashion, continuously adapting to the changing times and setting new trends. But it’s not just the iconic singer who has been inspiring fans for so long; Sodagreen has also been a source of innovation and transformation for that amount of time, encouraging fans to explore different paths in life.

On May 30, Sodagreen returned to the same place they said goodbye six years ago: the outdoor stage of the Taipei City Art Square. It was a special day for the band, as it marked the day they released their first single. Shin-Yi said it was a great opportunity to reconnect with their fans in the most direct way possible. It was also a promise that Sodagreen made to their fans — to come back and celebrate together.

Individual Growth & Exploration

Sodagreen’s hiatus was a time of individual growth and exploration for each of the band members. During their break, Jyun-Wei became an investment expert, Jing-Yang a cross-disciplinary curator, Yu-Chi combined classical and pop music, Shin-Yi a concert director, Jia-Kai a film score composer, and Tsing-Fong a Golden Melody king. This time away from the band gave them the opportunity to explore different possibilities and pursue their own personal goals. Sodagreen’s hiatus was a period of growth and development that has allowed them to come back stronger than ever.

Jyun-Wei shared that the most essential part of their growth during the hiatus was not just in music, but in their personal lives. They were able to take the time to get married, become parents, start businesses, and explore new interests that they hadn’t had the opportunity to do before. With the newfound freedom, they were able to do all the things they wanted to do and come back without any regrets. Now, they have the strength and motivation to make music again.

Jyun-Wei found that being decisive was a key lesson he learned during his years away from music. “Investment requires finding the right people to work with, as well as ensuring the product is of a high quality. Rather than just making money, investing provided me with the opportunity to learn about different industries and ecosystems, making it a much more meaningful experience.”

Jing-Yang is a passionate advocate for environmental sustainability and has worked hard to transform Giant Park into a paradise for both adults and children. He has also taken on the role of mentor and curator to young musicians, offering them the opportunity to learn and grow.

In his own words, Jing-Yang said, “I’m just trying to reach out to different audiences in a different way. Everything I do is rooted in the foundation of the band. Sodagreen is embarking on a new journey, and I’m hoping for the best.”

Yu-Chi has taken his musical journey to the next level by blending classical and pop music. His solo album KUNG’s vol.1 earned him a nomination for best album in the instrumental music category at Taiwan’s Golden Melody Awards. He has also performed on stages around the world, showcasing his unique sound. During his time away from the band, Yu-Chi went through a period of self-discovery that has resulted in a new musical energy for Sodagreen.

Yu-Chi was deeply impacted by the death of his beloved pet and found himself reflecting on the meaning of separation and death, channeling these honest feelings into his creative work. “I believed that music was a way to learn and grow, and that each member of the band could bring new ideas and sparks to our performances by sharing our life experiences. Together, we could create something truly special.”

Shin-Yi became a successful concert director during the hiatus and welcomed a second child into her life. Shin-Yi’s journey from the stage to the director’s chair was nothing short of remarkable. “It’s all about serendipity. I took on the role of concert director with a relaxed attitude and mainly wanted to make new friends and explore the world of concert directing. I was lucky enough to found myself in the company of world-class producers, learning new ways of working and creating.”

Jia-Kai’s latest project, the film Marry My Dead Body, set a box office record this year. As the sole composer of the soundtrack, Jia-Kai faced a unique challenge. “I was involved in the early stages of production and was able to apply the skills I learned at Berkeley to the composition and writing of the scores. When I finished, I felt a real sense of accomplishment.”

Jia-Kai also had the opportunity to work with the iconic Jolin Tsai on the theme song “Untitled.” He learned a lot from her, including the way she structured the melody and the clever way she depicted the relationship between two cultures in the lyrics. The most impressive moment for Jia-Kai was when he visited the set and saw actor Greg Hsu’s amazing performance of “Dancing Diva.”

Tsing-Fong, nominated for best male Mandarin singer with “Mallarme’s Tuesdays,” isn’t expecting to win, but is more interested in having fun with his bandmates. When asked if there’s pressure for his bandmates to perform alongside him, he had a humorous response: “It’s already stressful for them to perform with me! Jia-Kai and Jing-Yang have always been under a lot of pressure when performing with me, but I’m looking forward to the day when they can perform without any stress,” he laughs.

New Journey

If we were to compare Sodagreen to a big fashion brand, then Oaeen – the unique side product line – would be the perfect analogy. The debut album of Oaeen, The Pond, received a variety of reactions from the public. While some praised the music, others thought it was “too weird.” In response to the different opinions, the six members who are part of both Sodagreen and Oaeen said, “We like it, and that’s what matters most.”

Jyun-Wei said, “When The Pond was first released, it was met with some surprise. Despite this, we were confident in our own standards and felt that the album was ready for release. We don’t think Oaeen’s songs are particularly mysterious; we are simply being true to ourselves and not making the music too out of the ordinary. The album was created through a collaborative process, with everyone adding their own musical influences from different genres, resulting in a unique and complete piece.”

Oaeen’s re-recording of Sodagreen’s old album series is an exciting journey of rediscovery. From Different Albums to Little Universe, from Incomparable Beauty to Sing With Me, each album brings a new emotion to the songs we know and love because of their new arrangements, orchestrations and presentations.

Jyun-Wei describes the remaking process as starting from Ground Zero: “With some songs, it was difficult to reproduce the original feeling due to the special instruments and sounds used. To overcome this, we decided to re-record all the instruments in a new and exciting way. This process allowed us to experience the joy of remaking and reproducing the songs all over again.”

For Yu-Chi, Oaeen’s re-recording of their new album has surpassed the original version of Sodagreen’s records and become a unique version of its own. It’s a reflection of the life experiences of everyone involved, and you can hear the different mind-sets in the music. As Shin-Yi grows older, she believes that the process of re-recording the new version is a way to reconnect with her life journey. “When we were young, we thought this way, and it was so simple!”

Even though the interpretations of Sodagreen’s songs may vary, the emotions behind them remain the same. A devoted fan recently shared their thoughts on the new version with Jyun-Wei: “My love and support for Sodagreen isn’t just about the music; it’s about the attitude. I admire Sodagreen’s attitude, so no matter what version they release, those who love Sodagreen will accept it all.”

The sincere response from fans moved Sodagreen deeply, inspiring them to be more cautious and careful in creating new works. Yu-Chi says: “We are using our current abilities to create something new, unlocking new possibilities.” Tsing-Fong adds: “We strive to perfect the small details, while the grandeur is up to the listeners to interpret.”

Do you remember Sodagreen’s comeback single “Tomorrow Will be Fine” in 2020? The music video featured a nostalgic concept of a group chat on a mobile phone, with conversations during the band’s hiatus, making die-hard fans tear up. Four members of the band have become “Sodagreen second generation” parents, and after performances, their schedule is no longer about celebrating with drinks but rushing home to take care of their kids and playing them lullabies. Despite the twists and turns, Sodagreen has stayed strong and united throughout these past 20 years.

–Written by Jifan Wang for Billboard China

Sodagreen

Sodagreen

Minshi Jiang

EXO’s Chen, Baekhyun & Xiumin Resolve Contract Dispute With SM Entertainment: Report

After three members of EXO took legal action against Korean record label and management agency SM Entertainment over what a law firm initially deemed as “slave contracts,” both sides have resolved their differences.

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Korean media reports that EXO’s Chen, Baekhyun and Xiumin have decided to maintain their exclusive contract with SM Entertainment and continue together in their K-pop careers.

At the top of the month, the World Albums chart–topping trio (who also perform as EXO-CBX) hired Lin Law Firm to represent what the K-pop stars deemed a lack of payment transparency and unreasonably long contracts requirements. SM responded in statements to Korean media that refuted any contract issues and claimed new agencies were luring the stars into signing secondary contracts. SM later apologized for the secondary contract claim sharing that it came from incorrect information via a joint statement with the EXO members.

“This company and the three artists resolved their differences caused by misunderstandings and reached a mutual agreement based on smooth communication,” SM Entertainment, Chen, Baekhyun and Xiumin shared in a joint statement, according to Yonhap News. “Both parties have decided to continue pursuing EXO’s activities more actively and consistently while acknowledging and maintaining the contracts.”

Yonhap News notes that the statement cited that parts of EXO-CBX’s contracts were modified to better align with one another’s positions, but did not share specific agreement details.

Throughout the dispute, Lin Law Firm sent several press releases to Korean and international media, including Billboard, with updates and reactions to the developing situation. SM Entertainment did not share statements despite Billboard‘s multiple requests for comment.

Looking ahead, EXO will release EXIST, the group’s seventh full-length album, on July 10, which the group announced earlier this month. Despite the ongoing dispute, EXO still released the first taste of the LP via buzz single “Let Me In” on June 12, with eight of EXO’s nine members appearing in the music video.

Killer Mike Says Andre 3000’s Long-Awaited Debut Album Is on the Way

After delivering a rousing feature on Killer Mike’s “Scientists & Engineers,” Andre 3000 might have more verses under the tuck. In a Tuesday (June 20) interview with Sway in the Morning, Killer Mike revealed that the Outkast lyricist doesn’t only have more music on the way, but also a new album that might be coming soon. 

During their discussion in light of Mike’s new album, Michael, Sway mentioned Andre having a new album on the way, with the Run The Jewels rhymer seemingly agreeing with him. “Yeah. I think we fly out in a couple weeks to go listen to it,” he revealed. The conversation continued with Sway saying that Mike had already heard nine songs and that there were more records in the stash.

In a previous interview with The Breakfast Club, co-host Charlamagne Tha God noted that Mike played him an unreleased song featuring Three Stacks and dubbed it “one of the greatest hip-hop records” he had heard. Mike doubled down Charlamagne’s claims and said: “There is another Killer Mike and Dre feature and all we gotta do is make this album go No. 1 and make the guys from the label really, really happy and I’ll be back next year. It’s about 12 minutes — seven and five. Stacks rap longer. When you handsome all the girls like you, you get to rap longer.”

If 3000’s album comes to light, it will serve as his debut effort as a solo artist. Along with “Scientists & Engineers,” 3000’s last sighting was from Kanye West’s 2021 Donda loosie “Life of the Party,” where the rap luminaries teamed up for the seven-minute gem. 

Last Friday (June 16), Killer Mike released Michael with a laundry list of features, including Future, Andre 3000, 2 Chainz, Ty Dolla $ign, Blxst, Curren$y, and more. The 14-track offering touches on Mike’s childhood, especially his relationship with his mother. 

“I miss my mama. I miss her so much,” Mike told Billboard last week. “I wish I could call her and tell her how much people love this record. I wish I could tell her having me listen to Curtis Mayfield influenced the first song on this record and the vibe of this record. I wish I could tell her how much her encouragement means to me. And I said all of this while she was alive. I told her she was dope. I told her, ‘Aw Ma, I love listening to Curtis Mayfield, The Isleys and Willie Nelson with you,’ but I didn’t understand how to let her know until she was gone the deep reverence I have for her. I revere her and I wish I had the opportunity to share that with her. She’s the only human being I hold that kind of reverence for. And that’s how that song makes me feel every time I hear it.”

Listen to Mike’s interview with Sway in the video above.

Bad Bunny Confirms Travis Scott Collaboration: ‘We Worked on That a While Back’

After dominating the past year with his blockbuster Un Verano Sin Ti album and a handful of subsequent singles and collaborations, Bad Bunny is already shifting his attention to new music. In an interview with Rolling Stone, published on Wednesday (June 21), the Grammy-winning reggaeton phenomenon revealed that a collaboration with Travis Scott is on the way.

“We worked on that a while back — and I think Travis has been working on his project for a minute,” remarked the “Me Porto Bonito” singer. “I don’t know if maybe I’ll release a song [this year] if I like it enough, but I don’t think so. I said this year was for resting.”

The song would mark the first collaboration between the two artists. Last month (May 29), a video surfaced of an alleged snippet of a song users attributed to Bad Bunny and Travis Scott. The very same day, BNYX, the producer behind Drake’s Billboard Hot 100 No. 2 hit “Search & Resue,” quoted the tweet and played into the speculation with a couple of peeking emojis.

Regardless of when the song arrives, the collaboration is almost certain to be a massive success. Bunny’s 2022 release, Un Verano Sin Ti, spent a whopping 13 weeks atop the Billboard 200 and spawned four Hot 100 top ten hits: “Moscow Mule” (No. 4), “Tití Me Preguntó” (No. 5), “Después de la Playa” (No. 6) and the Chencho Corleone-assisted “Me Porto Bonito” (No. 6). Just last month, Bad Bunny earned his milestone tenth career Hot 100 top ten with the No. 8-peaking “Where She Goes.”

Scott’s upcoming Utopia album is set to follow up Astroworld, his third studio album which spent three weeks at the summit of the Billboard 200 and launched the Diamond-certified Hot 100 No. 1 hit “Sicko Mode.”

Avril Lavigne & Yungblud Let It All Hang Out Singing a Shania Twain Classic for ‘Carpool Karaoke’ Series

Avril Lavigne and Yungblud have the prerogative to have a little fun in a new episode of Carpool Karaoke: The Series on Apple TV+, and Billboard has an exclusive first look.

The pop-punk rockers take on Shania Twain’s 1999 hit “Man! I Feel Like a Woman” while in a black SUV, with the “Girlfriend” singer behind the wheel. The clip starts with the two easing into the beginning of the song, but as it progresses, the English artist gets more and more animated, dancing and singing enthusiastically in the front passenger seat.

By the time the chorus hits, the two are completely invested, with Lavigne singing at the top of her lungs to Yungblud, and the “I Think I’m OK” rocker at one point putting on his companion’s red heart-shaped sunglasses. “Oh oh oh!/ Get in the action/ Feel the attraction/ Color my hair, do what I dare,” they belt out as Lavigne flips her hair. “Oh oh oh!/ I wanna be free/ To feel the way I feel/ Man! I feel like a woman!”

Twain’s hit song peaked at No. 23 on the Billboard Hot 100 in November 1999, and spent a total of 28 weeks on the all-genre tally. It has since gone on to be named No. 1 on Billboard‘s Greatest Karaoke Song of All Time list. “I think @billboard just crowned me the Queen of Karaoke?!” the singer tweeted in response after the list was revealed in October 2022. “Seriously though, it’s really really cool to see the life that ‘Man! I Feel Like A Woman!’ has taken on and I’m just obsessed with you all…”

Duetting on “Man! I Feel Like a Woman” isn’t Lavigne and Yungblud’s first collab. Lavigne released “I’m a Mess” featuring the English artist in November. The song was written by the two, along with Travis Barker and John Feldmann.

The new episodes of Carpool Karaoke: The Series premiere Friday, June 23, on Apple TV+. This latest batch will also feature performances by Alanis Morissette with Cara Delevingne, Glee stars Lea Michele and Darren Criss, the cast of Girls5eva, the cast of Ghosts and more.

Watch Billboard‘s exclusive clip above, and check out the trailer for the new episodes below:

Taylor Swift & Megan Thee Stallion Help Announce U.S. FIFA Women’s World Cup Roster: Watch

The new season of Ted Lasso might have come to a close, but soccer in the real world is just starting to heat up — especially on the women’s side. On Wednesday (June 21), a slew of celebrities ranging from Taylor Swift to Tim Howard joined forces to introduce the official USWNT FIFA Women’s World Cup roster.

Led by President Joe Biden and first lady Jill Biden, the announcement video featured appearances by global pop sensation Swift, Grammy-winning rapper Megan Thee Stallion, basketball legend Shaquille O’Neal, Emmy-nominated Across the Spider-Verse actress Issa Rae, Tony Award-nominated playwright Tina Fey and Emmy-winning Law & Order: Special Victims Unit star Mariska Hargitay. Other notable appearances included Lil Wayne, Gabrielle Union, Blake Lively, John Cena, Sophia Bush and Quinta Brunson.

In her segment, Swift said, “Hey guys, it’s Taylor! I have been tasked with the incredible responsibility of announcing to you another teammate on the U.S. Women’s World Cup roster. It is my honor to announce to you No. 13, Alex Morgan!” Dedicated Swifties will notice that the “Cruel Summer” singer announced the player who will be wearing her favorite number. “I’m such a fan of the whole team, and I can’t wait to watch you guys play this year,” Swift concluded.

Megan Thee Stallion had the honor of announcing Megan Rapinoe, whom she affectionately nicknamed “The Legend.” “She has shined for years with the women’s soccer team, and she’s going to continue to do so at this year’s World Cup. Congratulations, girl, and bring home another title!” the “Savage” rapper remarked.

The FIFA Women’s World Cup is set to take place from June 20, 2023, to Aug. 20, 2023, in Australia and New Zealand.

Watch the full announcement above.

Machine Gun Kelly Got a New Tattoo From His Teenage Daughter at Hellfest

Machine Gun Kelly went to Hellfest with his teenage daughter last week and all he got was some fresh ink. The “Emo Girl” rap rocker posted a series of pictures from his slot at the festival in Clisson, France on Tuesday (June 20), beginning with one of 13-year-old Casie Colson Baker wielding a tattoo gun and black surgical gloves as she added to her dad’s formidable collection of tats with a new image on the inside of his right wrist.

While both are smiling in the snap — in which Colson is taking a pic of Casie’s design on his phone for posterity — the series of images do not reveal the teen’s handiwork. Instead they focus on his performance, with one picture from behind capturing his punky spiked hair and the others highlighting the rest of his unique stage attire, including long black shorts embedded with silver rings, a knee-length sleeveless leather duster and body paint on his chest that features the word “war” scrawled across his bellybutton with a white line through it.

“My daughter said summer vacation, we ended up at hellfest,” he captioned the series, which also included images of him standing shirtless on the ledge of his hotel, a snap of father and daughter looking super high-fashion in a Dolce & Gabbana shoot and another cute one in which the rapper holds her hand as he takes a nap in the back seat of a car.

MGK shares Casie with his ex, Emma Cannon; the teen contributed some spoken word bits to dad’s 2022 Mainstream Sellout album alongside Kelly’s pal Pete Davidson on the L.A.-dissing interlude “Wall of Fame.”

It seemed like a pretty epic weekend over all given that it also included Colson teaming up with his heavy metal heroes Mötley Crüe at Hellfest for a live rendition of “The Dirt (Est. 1981),” their 2019 collaboration for the soundtrack to the film adaptation of the band’s biography of the same name.

Check out MGK’s post below.