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Chayanne Earns First Top 10 on Latin Airplay Since 2017 With ‘Bailando Bachata’

Chayanne returns to the top 10 on Billboard’s Latin Airplay chart chart for the first time in nearly six years, as “Bailando Bachata” ascends 14-10 on the July 1-dated survey. The new top 10 follows the song’s debut on the upper region on Tropical Airplay, his first since 2008 there.

“Bailando Bachata” pushes from No. 14 after a 16% jump in audience impressions, to 6.09 million, earned in the U.S. during the June 16-22 tracking week, according to Luminate. It’s week-over-week improvement –the song debuted at No. 19 (June 10-dated chart) and hits the upper region in its fourth week– takes Chayanne back to the top 10 after almost six years. He last placed a No. 10-peaking song with “Qué Me Has Hecho,” featuring Wisin, in Sept. 2017.

With “Bailando,” Chayanne captures his 20th top 10 on Latin Airplay, tying with Luis Fonsi for the eighth-most among all Latin pop acts since the list’s inception in 1994. Here’s the scoreboard:

  • 41, Enrique Iglesias
  • 26, Shakira
  • 28, Ricky Martin
  • 25, Cristian Castro
  • 22, Alejandro Fernández
  • 21, Juanes
  • 21, Luis Miguel
  • 20, Chayanne
  • 20, Luis Fonsi

Chayanne’s 20 top 10s span four decades. He first broke the top 10 barrier in 1996 with the hit “Solamente Tu Amor,” which reached No. 6 and held in the upper region for eight weeks. The Puerto Rican joins the exclusive club of artists who have achieved top 10s on Latin Airplay during the ‘90s, ‘00s, ‘10s, and ‘20s: Enrique Iglesias, Shakira, Ricky Martin and Luis Fonsi.

As mentioned, “Bailando” also takes Chayanne to new heights on Tropical Airplay as the song drives 4-3, his highest ranking since “Amor Inmortal” landed at the summit in October 2008, where it remained for five weeks.

Natti Natasha Takes-Off on Tropical Airplay Chart

Elsewhere on the Latin charts, Natti Natasha’s “La Falta Que Me Haces” debuts at No. 5 on Tropical Airplay with 5 million in audience impressions earned in the U.S. during the same tracking week.

“La Falta” was originally released April 20 as a slow-tempo tune and did not enter the charts. The new bachata version was released June 1 via Pina/Sony Music Latin and produced by the Dominican Polo Parra and written by Natti alongside Joss Favela. All versions of the song combined for tracking and charting purposes.

The No. 5 debut marks the highest start for Natti among her six total Troical Airplay appearances. It also becomes her fifth top 10, dating back to her featured role in Don Omar’s one-week champ “Dutty Love” in 2012.

Further, “La Falta” picks up speed on Latin Airplay, jumping 21-17 in its fourth week.

‘The Impact Atlanta’ Reveals Its Season 2 Cast: Exclusive

The Impact Atlanta is back. BET+ announced on Tuesday (June 27) that the popular docuseries in partnership with eOne and Quality Films will be returning for a second season.

The eight-episode series highlights Atlanta’s most influential young creatives and influencers as they give viewers a look into their lives, featuring important events, conversations, and moments they experience. Additionally, the six castmembers will share a peek into the creative process, preparation and deal-making it takes to expand their personal brands and impact the culture. 

The Impact Atlanta is executive produced by Kevin “Coach K” Lee, Pierre “P” Thomas and Brian Sher for Quality Films; Karam Gill; and Tara Long and Gennifer Gardiner for eOne. Connie Orlando, EVP of specials, music programming and strategy will oversee for BET+ along with Angela Aguilera, SVP of music programming and development. Morgan Miller will serve as the showrunner.

While the series is currently in production with a premiere date to be announced later this year, the cast has been confirmed, with a group of returning season one favorites and one brand new castmember: rapper and influencer Jerrika Karlae.

With a combined social media following of more than 20 million users, the season two cast represents a new generation of creatives who use their personas and technology to amass followings, start and grow businesses, set trends and create music.

See below for the full Impact Atlanta season two cast, revealed exclusively via Billboard.

Pink Is Stunned as Fan Throws Mom’s Ashes at Her During Concert: Watch

Pink encourages throwing fistfuls of glitter in the air, but she (understandably) draws the line at throwing your dead relative’s cremated remains at her shows.

The 43-year-old pop star was left stunned at her Sunday (June 25) BST Hyde Park show in London after someone in the audience lobbed a plastic baggie of gray powder at her while she was performing “Just Like a Pill” on stage. Visibly stunned, Pink paused the performance to confirm with the fan what she probably already knew but didn’t want to believe: The contents of the bag were human ashes.

“This is your mom?” the mohawked musician questioned the fan, horrified. “I don’t know how I feel about this.”

Pink proceeded to carefully set the baggie down behind a speaker at the lip of the stage, looking a little dazed, before diving back into the song without addressing the awkward moment any further.

The performance came as part of two joint shows at Hyde Park over the weekend, where Pink was joined by Gwen Stefani. Earlier this month, the “Try” singer kicked off her 2023-2024 Summer Carnival tour in support of her February album TRUSTFALL, a trek that will see Gayle, Brandi Carlile, The Script and more joining her as supporting acts.

Another unofficial supporting act on the tour is Pink’s own daughter, 12-year-old Willow, whom she shares with husband Carey Hart. At a recent stop in Bolton, England, Willow made a surprise appearance on stage to assist in singing “Cover Me in Sunshine,” which the mom-daughter duo released together in 2021 to spread positivity amid the COVID-19 pandemic.

“Willow and I find comfort in music, so we’re putting this song out for no other reason than that we hope it brings you sweetness, sunshine and comfort, too,” Pink wrote in a statement at the time.

See the moment Pink’s stage became the unofficial resting place of a fan’s mother below:

Hot 100 First-Timers: Young Miko Arrives With Breakthrough Feid Collab ‘Classy 101’

Young Miko is officially a Billboard Hot 100-charting artist as she scores her first entry on the July 1-dated chart with her collaboration with Feid, “Classy 101.”

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The song, released March 30 via Universal Music Latino/UMLE, debuts at No. 99 with 5.5 million official U.S. streams (up 11%) and 1.5 million radio audience impressions (up 11%) in the June 16-22 tracking week, according to Luminate.

The team-up also rises 19-15 on Hot Latin Songs in its 12th week on the chart. Radio-wise, it re-enters Latin Rhythm Airplay at No. 24 (after reaching No. 23).

The song’s worldwide profile also continues to surge, as the track rises 22-19 on the Billboard Global Excl. U.S. chart and 29-24 on the Billboard Global 200, with 33.5 million streams (up 7%) globally.

“Classy 101” is Young Miko’s first song to reach a U.S.-based Billboard chart. It first appeared at No. 29 on the April 15-dated Hot Latin Songs survey. Before that, she charted once before with her solo hit “Lisa.” The song debuted and peaked at No. 147 on Global Excl. U.S. in March.

Young Miko (real name María Victoria Ramírez de Arellano), 24, from Añasco, Puerto Rico, worked as a tattoo artist and studied at the University of Puerto Rico before releasing music. She dropped her debut EP, Trap Kitty, in July 2022 through The Wave Music Group. She has also collaborated with prominent names in Latin music: Arcángel, Brray, Caleb Callloway, Omar Courtz, Chris Jeday, Jowell & Randy, Lyanno and Casper Magico, among others. She also appears on Yandel’s latest LP Resistencia, on the song “Cuando Te Toca,” released in January.

Young Miko is currently on the road on her Trap Kitty World Tour, which runs through October.

New Billy Mann-Hosted Podcast ‘Yeah, I F–ked That Up’ Bows From Warner Music Group’s Interval Presents: Exclusive

There’s a saying that people learn more from their failures than their successes. If so, prepare to be enlightened by Yeah, I F–ked That Up, the latest podcast from Interval Presents, Warner Music Group’s podcast network. 

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Hosted by hit songwriter-producer-entrepreneur Billy Mann, the podcast features artists and executives — including Kelly Rowland, Steven Van Zandt, L.A. Reid and Peter Asher — sharing mistakes in their careers that led to teachable moments and growth. The series, produced by Silver Sound and available on all major podcast platforms, premieres July 11 with the first two episodes, which will feature Rowland and Van Zandt. New episodes release every Tuesday. 

“In a small screen world of autotuning faces and voices where we tend to only post our highlights, my goal in creating this show is to remind listeners that it’s actually the scary, vulnerable moments of self-doubt and failure that often turn out to be the best breeding ground for growth and success,” said Mann in a statement.  “I’m so excited to partner with Interval Presents to share these inspiring — and sometimes surprising — anecdotes from so many favorite names in entertainment with an audience that is surely navigating its own unique paths and obstacles.” 

In his 30-year career, Mann went from being an artist on A&M to a Grammy-nominated songwriter and producer, working with such acts as P!nk, Cher, John Legend and Celine Dion. In addition to holding executive positions at EMI and BMG, he has also started a number of music companies including Stealth Entertainment (sold in 2007), Green & Bloom Music Publishing, Topline Songs, Ready Set Songs, Manncom Creative and independent label icons+giants

Other podcast guests include Renée Elise Goldsberry, Liz Gillies, Aly & AJ, Hari Kondabolu, Evan Handler, Jill Kargman and Chely Wright. In the audio trailer, Van Zandt talks about how he thought his life was over when he left Bruce Springsteen & The E Street Band, while Goldsberry talks about unsuccessfully auditioning for The Lion King multiple times.  

YIFTU Series Key Art

Courtesy of Interval Presents

“I was really intrigued by Billy’s idea for Yeah, I F–ked That Up, a heartfelt and inspirational show with compelling stories about not only regret and loss, but also triumph and success,” said Allan Coye, general manager of Interval Presents and WMG’s senior vp of digital strategy & business development. “Authenticity is important for every Interval Presents show and we know this series will resonate — the topics will touch many chords, but do so from a place of care, vulnerability and thoughtfulness.” 

The podcast joins Interval’s existing slate that also includes Drink Champs, co-hosted by N.O.R.E. and DJ EFN, Rap Radar featuring Elliott Wilson and Brian “B.Dot” Miller; Holding Court with Eboni K. Williams, and The Last Resort narrated by Xiuhtezcatl. Forthcoming podcasts hosted by Oscar-winning actress Lupita Nyong’o and Grammy-nominated singer Jason Derulo are in the works.

Morgan Wallen Scores New Career-Best 20th Week Atop Hot Country Songs With ‘Last Night’

Morgan Wallen’s “Last Night” adds a 20th week atop Billboard’s streaming-, airplay- and sales-based Hot Country Songs chart (dated July 1).

The song surpasses “You Proof,” which dominated Hot Country Songs for 19 weeks beginning in May 2022, for the longest-leading of Wallen’s seven career No. 1s.

Here’s a look at the songs that have led Hot Country Songs for 20 weeks or more since the chart became an all-encompassing genre survey in October 1958. Wallen is the only soloist with two titles on the list, while duo Florida Georgia Line is the only other act with two. (All seven songs below have reigned since the chart adopted the all-genre Billboard Hot 100’s multimetric methodology in October 2012.)

Longest-Leading Hot Country Songs No. 1s (since 1958):

  • 50 weeks, “Meant to Be,” Bebe Rexha & Florida Georgia Line, beginning in December 2017
  • 34, “Body Like a Back Road,” Sam Hunt, February 2017
  • 27, “I Hope,” Gabby Barrett, July 2020
  • 24, “Fancy Like,” Walker Hayes, July 2021
  • 24, “Cruise,” Florida Georgia Line, December 2012
  • 21, “10,000 Hours,” Dan + Shay & Justin Bieber, October 2019
  • 20, “Last Night,” Morgan Wallen, February 2023

“Last Night,” released on Big Loud/Mercury/Republic Records, drew 72.2 million radio airplay audience impressions (up 4%) and 29.8 million streams (up 1%) and sold 7,000 downloads (down 3%) in the June 16-22 tracking week, according to Luminate.

“Last Night” concurrently leads Country Airplay for an eighth week – tying for the chart’s second-longest command ever, below “You Proof” (10 weeks) – and bullets at its No. 8 high on both Pop Airplay and Adult Pop Airplay.

Unsurprisingly, the seven 20-week-plus Hot Country Songs leaders above have all received pop/adult crossover radio airplay support, as the chart reflects all-format airplay, in addition to streaming and sales data.

‘Car’ Ride

Concurrently on Hot Country Songs, Luke Combs’ cover of Tracy Chapman’s 1988 classic “Fast Car” holds at its No. 2 high. The cover attracted 21.2 million streams (up 4%) and sold 10,000 in the tracking week – as it hits No. 1 on the all-genre Digital Song Sales chart and rises to No. 2 on Streaming Songs.

The song, which Chapman solely authored, pushes 10-7 on the all-format Radio Songs chart, led by its No. 2 rank on Country Airplay, as it surged by 18% to 31.1 million in audience. It also bullets in the top 25 of Adult Contemporary, Adult Pop Airplay and Pop Airplay.

As previously reported, “Last Night” and “Fast Car” rank at Nos. 1 and 2, respectively, on the Hot 100, marking the first time in over 42 years that country songs have pulled off such a double-up.

Zimmerman’s 4th Top 10

Also on Hot Country Songs, Bailey Zimmerman scores his fourth top 10 as “Religiously” pushes 11-10. On Country Airplay, it climbs 16-14 for a new best (11.8 million, up 27%). It also drew 9.9 million official U.S. streams (up 6%) and sold 2,000.

Zimmerman made history on the Sept. 2, 2022-dated Hot Country Songs chart when he became the first artist to place three career-opening entries in the top 10 simultaneously. That week, “Rock and a Hard Place,” “Where It Ends” and “Fall in Love” ranked at Nos. 6, 7 and 10, respectively. The songs peaked at Nos. 2, 5 and 7.

On Country Airplay, Zimmerman has notched two No. 1s: “Fall in Love” led for a week in December 2022, followed by “Rock and a Hard Place,” which ruled for six frames starting this April.

Clarence Avant, Dave Grusin and Charles Lloyd Feted By Jazz Foundation of America

Continuing its mission to honor “jazz and blues … one musician at a time,” the Jazz Foundation of America (JFA) celebrated the legacies of longtime industry executive Clarence Avant, tenor saxophonist Charles Lloyd and pianist-producer-composer Dave Grusin at its annual fundraiser on June 25. The combination dinner, live auction and concert was held at Los Angeles club Vibrato Grill Jazz.

JFA board member Dr. Daveed Frazier kicked off the evening, welcoming an audience that included Bill Withers’ widow Marcia Withers, veteran label executive/manager Phil Quartaro, music supervisor Joel Sill, film composer Richard Baskin, music producer Gregg Field, singer-songwriter Eric Benét and Vibrato Grill Jazz manager Eden Alpert, daughter of its founder and music legend Herb Alpert. After the dinner service, JFA executive director Joe Petrucelli opened the live auction, which saw guests bidding on items such as original art by artist/architect Jim Watt. His pieces were painted in real time in tandem with live music performed by jazz artists the Antoine Drye Quartet and Bill Frisell. The collaboration — launched as a means to benefit jazz musicians during the pandemic — is depicted in the 2021 film project 1000W.

Eden Alpert and Jimmy Jam

Eden Alpert and Jimmy Jam at Vibrato Grill Jazz on June 25, 2023 in Los Angeles.

Lester Cohen/Getty Images for JFA

Then it was time to salute JFA’s 2023 lifetime achievement honorees. As Petrucelli noted before the video and live music tributes got underway, “We’re celebrating three singular forces in music. Their collective influence extends across the entire music industry and cultural landscape.”

Avant, aka The Black Godfather, was lauded in his video clip for being a ‘genius at connecting people and forging deals.” Among those deals: Avant signing a yet-unknown Bill Withers to his label, Sussex Records. Kori Withers, the late singer-songwriters daughter delivered an elegant take on two of her father’s classics — “Ain’t No Sunshine” and “Grandma’s Hands” — accompanied by a band that included Ray Parker Jr., Dean Parks, Patrice Rushen, Steve Jordan and Alex Al. Accepting the award on Avant’s behalf was Jimmy Jam, one-half of the Grammy-winning songwriting-production duo Jimmy Jam & Terry Lewis.

Said Jam of his and Lewis’ longtime relationship with Avant, “He’s truly been a mentor and godfather; there would be no Jam & Lewis if it wasn’t for Clarence. To this day, he continues to teach us.” Jam then brought Marcia Withers onstage. “I’m a cheerleader for Clarence, who deserves every accolade,” she said. “He recognized my husband’s talent when other record labels had turned him down.” 

Ray Parker Jr. and Kori Withers

Ray Parker Jr. and Kori Withers at Vibrato Grill Jazz on June 25, 2023 in Los Angeles.

Lester Cohen/Getty Images for JFA

In paying tribute to Lloyd’s unparalleled versatility, John Densmore noted that the tenor sax guru had recorded with Densmore’s group The Doors. Densmore then brought acclaimed saxophonist/composer Joshua Redmond onstage. With accompaniment from Rushen, Jordan and Al, Redmond delivered a riveting performance of Lloyd’s “Sax/Drums Duet” and “Forest Flower” followed by “Defiant,” which also featured musicians Dean Parks and Greg Leisz.

In addressing why he, a singer-songwriter, was presenting Lloyd’s award, rock icon Jackson Browne said, “I’m of a generation that grew up with jazz being performed at clubs like the Fillmore and at festivals … It’s been an honor and great gift to hear your music for all of these years.” Calling the award “a very touching and great honor,” Lloyd noted to audience laughter, “I never got good enough to quit. But I love music so much; it can change the world. And I believe in that.”

Dave Grusin and Alan Bergman

Dave Grusin and Alan Bergman perform at Vibrato Grill Jazz on June 25, 2023 in Los Angeles.

Lester Cohen/Getty Images for JFA

Rushen, Michael Bearden, David Paich and Jeff Babko were the featured keyboardists who performed a medley saluting Oscar- and 10-time Grammy winner Dave Grusin’s expansive career that includes scoring for film (The Graduate, On Golden Pond, Tootsie) and TV (The Wild Wild West, Good Times) in addition to recording solo albums and co-founding legendary label GRP Records. Guitarist Lee Ritenour, a frequent Grusin collaborator, also performed music from another Grusin-scored film, Three Days of the Condor, with musicians John Beasley, Tom Scott, Melvin Lee Davis and Wesley Ritenour

Capping the Grusin tribute was a surprise performance by the man himself. Calling the evening “such a gas” for getting the chance to see “old friends from all the years of trying to do this stuff,” a spry and humorous Grusin (“I better do this now before I totally drop off to sleep”) sat at the piano and beautifully played two of his songs, including the Oscar-nominated hit from the Tootsie soundtrack “It Might Be You,” whose lyrics were co-written by Alan Bergman and his late wife Marilyn. Bergman was also on hand to present Grusin’s award. 

In his emotional remarks about his friend and collaborator, Bergman said, “There are some people in life who transcend the friend category and become family. Not only is Dave an inspiring melody writer, he’s an intelligent and discerning [writing] partner; a unique man. The moment he puts his hands on the keys, you know it’s Grusin.”

Zach Bryan Teases New Music

In 2022, Zach Bryan released three projects, including his American Heartbreak album and Summertime Blues EP, followed by the live album All My Homies Hate Ticketmaster (Live From Red Rocks), which dropped in December.

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But according to Bryan, he’s already working on another album — and he brought receipts to prove it. On Sunday, he posted on Instagram, telling fans, “album soon.”

He also had a word of insight into the project, saying, “This one was for me, I do not care if you like it. I love you guys and thank you so much for getting us this far.”

Alongside his caption, Bryan posted 10 audio files of song snippets. Earlier this month, Bryan also shared that he has been in the studio working on new music. At that time, he also hinted at an album that could be different than what fans may be expecting, captioning a Twitter post with, “Some’ll love it some’ll hate it everything will be okay either way.”

Bryan’s recent hit song “Something in the Orange” crested inside the top 10 on the Billboard Hot 100 in January and spent six weeks atop the Hot Country Songs chart. The song currently sits at No. 20 on the Country Airplay chart.

In addition to working on a project, Bryan is set to return to the coveted Red Rocks venue in Denver for two shows on Monday and Tuesday night and has a slate of festival dates in the works, including performances at Summerfest, Windy City Smokeout, Rock the South and Cheyenne Frontier Days.

Kenshi Yonezu’s New ‘Final Fantasy XVI’ Theme Now Available for Streaming

J-pop hitmaker Kenshi Yonezu released his new single “Tsuki wo Miteita” on Monday (June 26), also unveiling the cover artwork he illustrated himself.

Yonezu wrote the track for the new video game FINAL FANTASY XVI. The song was written in pursuit of music that would resonate specifically within the story of FF16, and is a moving number with deeply layered sound and emotional vocals.

The artwork was designed by the multi-talented 32-year-old himself and depicts a wolf with blue fur staring straight ahead unflinchingly.

Listen below:

Cardi B Slams Rumors She Cheated on Offset: ‘Stop Playing’

Cardi B is not happy about recent infidelity rumors about her, and she took to Twitter Spaces on Monday (June 26) to shut down claims that she cheated on her husband Offset.

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“Listen. Don’t pay attention that country man y’all,” she said in the three-minute clip, after singing the opening lines of Keyshia Cole’s “I Should Have Cheated.” “Don’t pay attention the country man. That Spaces the other day got motherf—ers spiraling and thinking s—. Come on now. I’m f—ing Cardi B, n—. I think sometimes mother—ers forget. I’m Cardi B. If I was giving this p—- to anybody it be not just anybody. Can’t f— regular-degular-shmegular, ’cause they gonna tell the world. And I can’t f— anybody in the industry, ’cause they gonna tell too. Y’all ever heard that Rubi Rose record where she says ‘got a big a– mouth?’”

She concluded, “So please boy, stop acting stupid. Stop acting Stupid. Going crazy over a f—ing space. Don’t play with me. What the f—. Stop playing. Thats all I’m gonna mother—ing say.”

Cardi’s response comes after a series of events, beginning with another Twitter Space audio message the “I Like It” rapper shared over the weekend. “Every time you try to bring turmoil to my marriage, I’m just saying, y’all know what’s gonna happen next. We’re gonna get a divorce, and people are gonna be mad nosey, and mad happy,” she said during the clip. “I’m gonna make an album, and people are gonna wanna hear the album because of it. Another rich n—-‘s gonna cuff me. And what? What’ll be the point that y’all are tryna make?”

Just hours before Cardi’s most recent Spaces defending herself, Offset seemed to have posted and quickly deleted an Instagram Story accusing his wife of cheating on him.

Listen to Cardi’s latest response below.