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Taylor Swift Announces 14 More 2024 European Eras Tour Dates With Paramore

Summer is better with friends. That might explain why Taylor Swift announced on Wednesday morning (July 5) that one of her pals, Paramore‘s Hayley Williams, will be joining her for the entire run of 2024 European Eras Tour summer dates.

The news came in the form of a post featuring a picture of the two old friends with their arms draped over each other’s shoulders and an excited message from Swift. “Really can’t contain my excitement because… we’re adding 14 new shows to The Eras Tour,” she wrote. “And I get to travel the world doing shows with @paramore!! Hayley and I have been friends since we were teens in Nashville and now we get to frolic around the UK/Europe next summer??? I’m screaming???”

The addition of the 14 new dates means Paramore is slated to open all 48 dates of the 2024 European leg of the tour, which kicks off on May 9 in Paris and wraps on August 17 with the last of six shows at Wembley Stadium in London. Paramore helped Swift launch the massive tour during the first two shows in March in Glendale, AZ and the dynamic duo will appear together on “Castles Crumbling” from the anticipated Speak Now (Taylor’s Version)collection due out on Friday (July 7).

See Swift’s tweet and the full list of shows Paramore will open in 2024 below.

2024 Eras Tour dates featuring Paramore:

May 9 – Nanterre, France @ Paris La Défense Arena

May 10 –  Nanterre, France @ Paris La Défense Arena

May 11 –  Nanterre, France @ Paris La Défense Arena

May 12 –  Nanterre, France @ Paris La Défense Arena $

May 17 –  Stockholm, Sweden @ Friends Arena

May 18 –  Stockholm, Sweden @ Friends Arena

May 19 –  Stockholm, Sweden @ Friends Arena $

May 24 –  Lisbon, Portugal @ Estádio do Sport Lisboa e Benfica

May 25 –  Lisbon, Portugal @ Estádio do Sport Lisboa e Benfica $

May 30 –  Madrid, Spain @ Estadio Santiago Bernabéu

June 2 –  Lyon, France @ Groupama Stadium

June 3 – Lyon, France @ Groupama Stadium $

June 7 –  Edinburgh, Scotland @ BT Murrayfield Stadium

June 8 –  Edinburgh, Scotland @ BT Murrayfield Stadium

June 9 –  Edinburgh, Scotland @ BT Murrayfield Stadium $

June 13 – Liverpool, England @ Anfield $

June 14 – Liverpool, England @ Anfield

June 15 Liverpool, England @ Anfield

June 18 –  Cardiff, Wales @ Principality Stadium

June 21 –  London, England @ Wembley Stadium

June 22 –  London, England @ Wembley Stadium

June 23 –  London, England @ Wembley Stadium $

June 28 – Dublin, Ireland @ Aviva Stadium

June 29 –  Dublin, Ireland @ Aviva Stadium

June 30 – Dublin, Ireland @ Aviva Stadium $

July 4 –  Amsterdam, Netherlands @ Johan Cruijff Arena $

July 5 –  Amsterdam, Netherlands @ Johan Cruijff Arena

July 6 –  Amsterdam, Netherlands @ Johan Cruijff Arena

July 9 –  Zurich, Switzerland @ Letzigrund

July 10 –  Zurich, Switzerland @ Letzigrund

July 13 –  Milan, Italy @ Stadio Giuseppe Meazza

July 14 –  Milan, Italy @ Stadio Giuseppe Meazza $

July 17 – Gelsenkirchen, Germany @ Veltins-Arena $

July 18 – Gelsenkirchen, Germany @ Veltins-Arena

July 19 – Gelsenkirchen, Germany @ Veltins-Arena $

July 23 – Hamburg, Germany @ Volksparkstadion

July 24 – Hamburg, Germany @ Volksparkstadion

July 27 –  Munich, Germany @ Olympiastadion

July 28 – Munich, Germany @ Olympiastadion

August 1 – Warsaw, Poland @ PGE Narodowy $

August 2 – Warsaw, Poland @ PGE Narodowy

August 3 – Warsaw, Poland @ PGE Narodowy

August 8 – Vienna, Austria @ Ernst-Happel-Stadion $

August 9 – Vienna, Austria @ Ernst-Happel-Stadion

August 10 – Vienna, Austria @ Ernst-Happel-Stadion

August 15 – London, England @ Wembley Stadium

August 16 – London, England @ Wembley Stadium

August 17 London, England @ Wembley Stadium

$ — denotes newly announced Paramore opening dates

Rihanna Shares Angelic Photo of A$AP Rocky Holding Baby RZA: ‘My Bajan Boyz’

Rihanna is soaking up some family time under the sun this week. On Tuesday (July 3), the 35-year-old “Umbrella” singer showed off her view from the beach with an adorable photo on social media of A$AP Rocky holding their 13-month-old son RZA up to the sky.

Backdropped by palm trees and the setting sun, only Rocky and RZA’s silhouettes are visible in the angelic snap. “my Bajan boyz…??❤️” Ri captioned the post, hinting that the family is spending time in her home country of Barbados.

The Fenty mogul has reportedly been in the Caribbean for the past few days, at one point enjoying tasty snow cones with her 34-year-old partner outside their villa. The couple is currently expecting their second child together, with Rihanna now in her third trimester.

Ri’s latest homecoming trip comes just a couple weeks after she and Rocky attended Paris Fashion Week together, supporting Pharrell Williams‘ debut collection as Louis Vuitton’s head of men’s fashion following the passing of designer Virgil Abloh. The “Diamonds” musician starred in an advertisement campaign for the line, proudly showing off her baby bump in a magnificent billboard on the side of the Musée D’Orsay.

After the show, the couple set off to the Cannes Lions festival for Rocky’s Spotify Beach performance. At one point, the “F–kin’ Problems” rapper dedicated his 2022 song “D.M.B.” — also called “DAT$ MAH B!*$H” — to his “beautiful wife in the f—ing building. I love her.”

A couple weeks prior, Ri and Rocky — born Rakim Athelaston Mayers — celebrated Father’s Day together, with the latter sharing rare, intimate photos of their family to mark the occasion. “EVERYDAY FATHERS DAY,” he captioned the pics, to which Rihanna replied: “The Mayers boys stole my whole heart! Happy Father’s Day nerd.”

See Ri’s latest photo of her boys below:

Here’s Why Dolly Parton Is Reluctant About Becoming an AI Hologram

Dolly Parton says she’s reluctant about the notion of artificially living on as an AI hologram after her death, because she doesn’t want “to leave my soul here on this earth.”

According to The Independent, the country star discussed during a London press conference whether she would ever consider creating a show utilizing a hologram version of herself. The Country Music Hall of Fame member and Rock and Roll Hall of Fame inductee replied, “I think I’ve left a great body of work behind. I have to decide how much of that high-tech stuff I want to be involved [with] because I don’t want to leave my soul here on this earth.

“I think with some of this stuff, I’ll be grounded here forever … I’ll be around — we’ll find ways to keep me here.”

According to the U.K. publication, the country icon also laughed that “everything” about her — and that includes “any intelligence” — is fake anyway.

Parton, who co-hosted the Academy of Country Music Awards earlier this year alongside Garth Brooks, is promoting her upcoming debut rock n’ roll album, appropriately titled Rockstar, which will release Nov. 17. The album features Parton in collaboration with several rock music icons, including Steven Tyler, Elton John, Paul McCartney, Ringo Starr, John Fogerty, Debbie Harry and Heart’s Ann Wilson.

During the press conference, Parton also spoke of trying to get Rolling Stones frontman Mick Jagger to perform on the album with her. Parton said that much of her upcoming Rockstar album was inspired by her husband, Carl Dean, who loves Jagger’s music.

“I wanted [Jagger] to sing on ‘Satisfaction,’ but he wanted something new and different, which I don’t blame him for that, so I wound up singing that with Pink and Brandi Carlile,” Parton said. “We kept looking for the right song and he was doing an album in [Los Angeles], and he did some stuff in Nashville, and I kept missing him everywhere. I ran him around like a high-school girl.”

Meghan Trainor and Husband Daryl Sabara Announce Birth of Second Son

Meghan Trainor and husband Daryl Sabara welcomed their second child over the weekend. The “Made You Look” singer announced the news on Tuesday night (July 4) in a sweet Instagram post featuring a black and white picture of mother and baby snuggling in the hospital.

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“On July 1st (our 7 year anniversary of our first date) we welcomed Barry Bruce Trainor into the world,” she wrote alongside the series of snaps, which also featured the former Spy Kids star cradling baby Barry, as well as a number of adorable solo Barry snaps and one of Trainor in her hospital bed throwing up a peace sign.

“He was a big boy at 8lbs 7oz…and sideways (transverse), but we had an amazing, successful c-section, and I finally got my skin to skin time!,” she added. “Thank you to all of the incredible doctors and nurses who took such great care of u.” Baby Bary joins the couple’s two-year-old son, Riley.

The exciting news was celebrated by a number of fellow stars, including fellow mother of two Mandy Moore, who commented, “Go Mama!! And welcome to the party, Barry!! What a lucky dude!!,” while Paris Hilton — who welcomed her first child earlier this year — added “Congratulations sis! So happy for you!”

Actresses Ashley Benson and Chrissy Metz also offered their congratulations, as did Pentatonix’s Scott Hoying and JoJo Siwa’s mom, Jessalyn.

Back in April the couple revealed the baby’s sex on The Kelly Clarkson Show, the same place where they disclosed the sex of their first born two years earlier.

Check out Trainor’s post below.

MF Doom’s Wife Reveals Rapper’s Cause of Death

Nearly three years after his shocking death at 49 in 2020, late rapper MF Doom‘s wife has revealed what caused her husband’s passing. The British-born MC (born Daniel Dumile), died on Oct. 31, 2020 of what was then deemed “unknown causes” by wife Jasmine Dumile; the artist’s passing wasn’t announced until two months after his death.

According to Leeds Live, an inquest has found that Doom died after his condition “suddenly deteriorated” while he was in the hospital. Wife Jasmine Dumile told the outlet that her husband was in good shape, but had been suffering from a number of health issues at the time, including kidney disease and high blood pressure, which led to weight gain and anxiety.

She said Doom had been prescribed ACE inhibitors to treat his blood pressure but after just two doses he developed breathing problems, which sent him to the ER after his tongue and throat swelled. She said the rapper called her in distress from the hospital when the swelling got worse and, she told an inquest hearing, she then used a second phone to directly alert the nurses on duty.

Because of the COVID-19 restrictions then in place, Jasmine said she could not visit her husband in the hospital until Oct. 31. “That’s when the respirator was turned off that was helping him breathe,” she told investigators. The inquest found that on Oct. 21, Doom had complained that he couldn’t breathe and attempted to get out of his hospital bed before collapsing and suffering respiratory arrest.

Jasmine’s legal team has reportedly asked questions about how often medical staff at St. James Hospital in Leeds checked in on the rapper and why there was an alleged two-hour delay in giving him medication for his throat swelling. The inquest also reportedly heard that Doom’s condition was being closely monitored by the hospital staff and that he’d shown signs of getting better, including elevated oxygen levels and the ability to speak with doctors.

Doctors did note, however, that the swelling of his tongue, throat and lips was a “rare” side-effect of the ACE inhibitors, which caused a condition called angiodema (a swelling similar to hives, but which takes place under the skin instead of on the surface). The outlet also reported that following Doom’s death the hospital trust carried out a “serious incident investigation” to determine what lessons could be learned from the case; the inquiry into Doom’s death is reportedly ongoing.

In a post announcing his death in Dec. 2020, Jasmine wrote, “To Dumile, The greatest husband, father, teacher, student, business partner, lover and friend I could ever ask for. Thank you for all the things you have shown, taught and given to me, our children and our family. Thank you for teaching me how to forgive beings and give another chance, not to be so quick to judge and write off. Thank you for showing how not to be afraid to love and be the best person I could ever be. My world will never be the same without you.”

Dumile was born in London and moved with his family to New York as a child. Under the stage name Zev Love X, he co-founded the rap trio K.M.D. with his brother Dingilizwe, who went by DJ Subroc. Dumile first hit the Billboard charts as a member of K.M.D., which notched a pair of top 20 hits on Hot Rap Songs in 1991: “Peachfuzz” and “Who Me?” His brother’s April 1993 death in a car crash at age 19 caused Dumile to take a break from the industry before returning to rap in 1997 and adopting the MF Doom persona, modeled after Fantastic Four villain Doctor Doom. From then on, he always performed wearing his signature metallic mask.

Grammys CEO Harvey Mason Jr. on New AI Guidelines: Music With AI-Created Elements ‘Absolutely Eligible’

Last month, the Recording Academy announced a series of changes to the Grammy Awards to better reflect an evolving music industry. Of those newly instituted guidelines, protocols involving technological advancements in machine learning sparked headlines: “Only human creators” could win the music industry’s highest honor in a decision aimed at the use of artificial intelligence in popular music.

“A work that contains no human authorship is not eligible in any category,” the rules read in part.

As the music industry continues to come to terms with this new technology, so too will the Grammys, says Recording Academy CEO and President Harvey Mason Jr.

“Here’s the super easy, headline statement: AI, or music that contains AI-created elements is absolutely eligible for entry and for consideration for Grammy nomination. Period,” Mason told The Associated Press. “What’s not going to happen is we are not going to give a Grammy or Grammy nomination to the AI portion.”

If an AI or voice modeling program performs the lead vocal on a song, the track would be eligible in a songwriting category, for example, but not a performance category, because “what is performing is not human creation,” he explains. “Conversely, if a song was sung by an actual human in the studio, and they did all the performing, but AI wrote the lyric or the track, the song would not be eligible in a composition or a songwriting category.”

“As long as the human is contributing in a more than de minimis amount, which to us means a meaningful way, they are and will always be considered for a nomination or a win,” he continued. “We don’t want to see technology replace human creativity. We want to make sure technology is enhancing, embellishing, or additive to human creativity. So that’s why we took this particular stand in this award cycle.”

The Recording Academy has long considered setting rules related to AI following the popularity of new songs created alongside AI technology: David Guetta’s “Emin-AI-em”, the AI -compositions of TikTok user @ghostwriter977, Grimes’ voice modeling AI software.

In order to establish their AI guidelines, the Recording Academy engaged in extensive research, including holding tech summits.

“I’ve met with the copyright office. We’ve talked about the future and what that looks like on a federal level and the legislative level,” Mason said, adding that AI conversations “really came to a head in the last six months.”

The new Grammy AI protocols were announced three days after Paul McCartney shared that “the last Beatles record” had been composed using artificial intelligence to extract John Lennon’s voice from an old demo. Without knowing the extent of the technology, Mason couldn’t confirm or deny whether the song would be eligible for a Grammy nomination.

“We’ll see what it turns out to be,” he said. “But I would imagine from the early descriptions that I’ve heard there would be components of the creation that would be absolutely eligible.”

So, can Grammy viewers expect to see work at least partially created with AI nominated for an award as early as next year?

It’s impossible to predict what is submitted. But as Mason affirms, “people are using the technology. I’m imagining it’s going to be involved in a lot of records a lot of songs this year, so we’ll see if some of them get nominated or not, but I’m sure there’ll be some that will be submitted.”

The 2024 Grammy Awards will return to Los Angeles’ Crypto.com Arena on Sunday, Feb. 4, 2024, airing live on CBS and livestreamed on Paramount+.

Kelly Clarkson Earns Fourth No. 1 on Billboard’s Top Album Sales Chart With ‘Chemistry’

Kelly Clarkson earns her fourth No. 1 on Billboard’s Top Album Sales chart (dated July 8) as her latest studio effort, Chemistry, debuts atop the list. The set sold 43,000 copes in the U.S. in the week ending June 29, according to Luminate. Clarkson previously led the tally with Piece by Piece (2015), All I Ever Wanted (2009) and Thankful (2003). All told, Chemistry is her 10th top 10-charting title on Top Album Sales.

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Also in the top 10 of the new Top Album Sales chart, Young Thug nabs his sixth top 10 set as Business Is Business bows at No. 6.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. The new July 8, 2023-dated chart will be posted in full on Billboard‘s website on July 5, one day later than usual, owed to the Independence Day holiday in the U.S. on July 4.  For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Chemistry’s 43,000 copies sold in its first week, physical sales comprise 25,500 (18,000 on CD and 7,500 on vinyl) and digital album sales comprise 17,500. The set also enters at No. 1 on the Vinyl Albums chart (her first leader there), and with 7,500 sold, Chemistry lands Clarkson her best week ever on vinyl.

Chemistry’s sales were bolstered by its availability across multiple vinyl variants, including exclusive color editions for Amazon, Barnes & Noble, Clarkson’s webstore, Spotify, Target, Urban Outfitters and Walmart. (Target’s edition also had an alternative cover.) Clarkson’s CD sales were enhanced by multiple editions, including a signed version sold through her webstore, an Amazon-exclusive that contained a poster and a Target-exclusive variant with an alternative cover.

ATEEZ’s The World EP.2: Outlaw falls to No. 2 in its second week, with 32,000 sold (down 68%) after debuting atop the list a week ago. Stray Kids’ former No. 1 5-STAR is a non-mover at No. 3 with 19,000 (down 28%) and ENHYPEN’s Dark Blood is also stationary at No. 4 with 11,000 (down 10%). Taylor Swift’s chart-topping Midnights is steady at No. 5 with nearly 11,000 sold (down 4%).

Young Thug’s Business Is Business is the second and final debut in the top 10, as it starts at No. 6 with 8,500 sold, with 97% of that figure from digital album sales. A small number of sales were generated by a CD edition of the album that was released late in the tracking week to a limited number of independent record stores. Business is the sixth top 10-charting set for the rapper.

Swift has two more albums in the top 10, as her former No. 1s Folklore (10-7 with 8,000; up 4%) and Lover (16-8 with 7,000; up 16%) both climb. Two more chart-topping sets round out the top 10, as SEVENTEEN’s SEVENTEEN 10th Mini Album: FML is a non-mover at No. 9 (nearly 7,000; down 19%) and TWICE’s Ready to Be rises 13-10 (6,000; down 9%).

In the week ending June 29, there were 1.708 million albums sold in the U.S. (down 13.6% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.363 million (down 17%) and digital albums comprised 346,000 (up 3.1%).

There were 620,000 CD albums sold in the week ending June 29 (down 14.4% week-over-week) and 735,000 vinyl albums sold (down 19.1%). Year-to-date CD album sales stand at 17.537 million (up 3.9% compared to the same time frame a year ago) and year-to-date vinyl album sales total 23.606 million (up 21.7%).

Overall year-to-date album sales total 50.641 million (up 7.9% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 41.407 million (up 13.3%) and digital album sales total 9.234 million (down 11.2%).

Olivia Rodrigo Takes a Bite Out of Sophomore Slump With ‘GUTS’-y Lead Single ‘Vampire’

It had been more than two years since we’d heard new music from Olivia Rodrigo, but that all changed first thing Friday when she released “Vampire,” the lead single from her Sept. 8-scheduled sophomore album GUTS.

In a tight, under-four-minute package, the melodramatic new song transitions from a “Drivers License”-style piano ballad to a My Chemical Romance-indebted popera, telling the story of a life-sucking user who won’t be satisfied until their victim is bled dry. On the new Billboard Pop Shop Podcast, Katie & Keith are talking all about Rodrigo’s new era, how she’s making deft maneuvers to avoid the dreaded sophomore slump, and why it’s exciting to see the young pop star turn a song (and its artsy music video premiere) into a big event.

Listen below:

Also on the show, we’ve got chart news on Morgan Wallen’s continued domination on the Billboard 200 (and how he’s now blocked 11 different albums from hitting No. 1) and how Nicki Minaj, Ice Spice and AQUA have teamed up for a new top 10 on the Billboard Hot 100 with “Barbie World.” Plus, we’re discussing the scary news out of Team Madonna last week, when the Queen of Pop was hospitalized for a serious bacterial infection and forced to pause the start of her upcoming Celebration Tour.

The Billboard Pop Shop Podcast is your one-stop shop for all things pop on Billboard‘s weekly charts. You can always count on a lively discussion about the latest pop news, fun chart stats and stories, new music, and guest interviews with music stars and folks from the world of pop. Casual pop fans and chart junkies can hear Billboard‘s executive digital director, West Coast, Katie Atkinson and Billboard’s managing director, charts and data operations, Keith Caulfield every week on the podcast, which can be streamed on Billboard.com or downloaded in Apple Podcasts or your favorite podcast provider. (Click here to listen to the previous edition of the show on Billboard.com.)

Rufus Wainwright Reflects on 25 Years Since Debut Album, Being an Openly Gay Artist in the 1990s

It’s been 25 years since the world was introduced to Rufus Wainwright with his debut self-titled album, which featured songs like “April Fools,” “In My Arms” and many more. To celebrate, the singer-songwriter sat down with Billboard‘s Tetris Kelly to reflect on his career.

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“I feel awful,” he jokes about how it feels to celebrate 25 years since his debut. “No, I’m very proud and excited to be alive and still making music and happy. That first record I made has proven to have lasted, and I worked very hard on it. It took me three years to make that first record. It cost a lot of money.”

As for the 25th anniversary re-issue that came out early this year, Wainwright said that the album was remastered and has some bonus material as well. “What’s interesting about the record is that it was made in the mid to late 90s, and it really was part of the last breath of the grand record company-artist relationship, where they’d sort of write all the checks and then let you do whatever you wanted to do. They really didn’t expect you to be popular until your third or fourth album,” he recalls.

“I wasn’t trying to be a trailblazer or anything,” he continues. “AIDS was still very much — it’s still part of our world today — but at that time, it was killing a lot of people, a lot of gay men, and I just didn’t want to end up in the situation if I did get AIDS at that point, that I would be dying and also have to come out of the closet. I just wanted to avert that tragedy. Thankfully it didn’t happen.”

If his debut album was released in 2023, Wainwright believes “it would be considered very unique and very unusual and very romantic, especially, because we live in such a tough world.”

Watch Billboard‘s full interview with Rufus Wainwright above.

Peso Pluma Earns First No. 1 on a Billboard Album Chart With ‘Génesis’

Peso Pluma continues to make indelible marks across Billboard’s charts. The 24-year-old singer celebrates his first No. 1 on any album ranking as Génesis rises to No. 1 (from No. 35) on the Top Latin Albums chart (dated July 8) after its first full tracking week. It also advances 10-1 on Regional Mexican Albums.

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Génesis’ coronation arrives a week after the album debuted on both lists (dated July 1) with only one day of activity. The original version of the album, comprising 14 tracks, was released on an off-cycle Thursday (June 22), the final day of the June 16-22 tracking week. The new Génesis, containing three bonus tracks, dropped June 30. Both versions of the album have been combined for tracking and charting purposes, while the original version has been removed from platforms.

According to Luminate, Génesis earned 73,000 equivalent album units in the U.S. during its first official tracking week ending June 29. It becomes the biggest week by units earned for a regional Mexican album ever, dating back to when the all-genre Billboard 200 chart began ranking by units in December 2014. The previous largest week by total units arrived just less than two months ago, when Eslabon Armado’s Desvelado launched with 44,000 units (May 13-dated list).

An equivalent album unit equals one album sale, or 10 individual tracks sold from an album (track equivalent album units, TEA), or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album (streaming equivalent album units, SEA).

Largest Streaming Week for a Regional Mexican Album: As is standard among new artists, streaming powers nearly all of Génesis’ first-week totals. Out of its 73,000 units, 72,000 stem from SEA units. That figure equals to 101.18 million on-demand official streams of the set’s songs. Traditional album sales contribute just under 1,000 of the remaining balance, with a slice of negligible units deriving from TEA.

With 101.8 million streams, Génesis boasts the largest streaming week ever for a regional Mexican album. Previously, Eslabon Armado’s Desvelado drew the largest, with 63.51 million official U.S. streams (May 13).

Génesis becomes only the fifth Latin album to garner at least 100 million on-demand streams for its songs in a single week, following multiple weeks by Bad Bunny’s Un Verano Sin Ti, two for Bunny’s YHLQMDLG, one for Bunny’s El Último Tour del Mundo, and one for Karol G’s Mañana Será Bonito.

Further, Génesis becomes the fourth regional Mexican effort to lead Top Latin Albums this decade, after Alejandro Fernández’s Hecho en México (one week, Feb. 29, 2020) and two Eslabon Armado albums, Vibras de Noche (one week, Aug. 2020) and Desvelado (one week, May13).

Elsewhere, Génesis launches at No. 3 on the all-genre Billboard 200, his first entry and top 10 there. The set concurrently outpaces the two other regional Mexican albums which have seized a spot in the top 10, both by Eslabon Armado: Nostalgia (No. 9 debut and peak, May 2022) and Desvelado (No. 6 debut and peak, May 13).

The new July 8, 2023-dated charts will be posted in full on Billboard’s website on July 5, one day later than usual due to the Independence Day holiday in the U.S. on Tuesday, July 4. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.