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From The Beatles to One Direction to BTS: Groups With Multiple Members Who Have Scored Solo Hot 100 No. 1s

Jung Kook’s coronation on the Billboard Hot 100 with “Seven” (featuring Latto) is a win for BTS, too.

As the song launches at No. 1 (on the chart dated July 29), BTS now boasts two members who have led the list as soloists. Jimin debuted atop the Hot 100 in April with “Like Crazy.”

BTS, thus, joins a select number of groups with multiple members who have notched solo No. 1 hits on the Hot 100.

As noted below, The Beatles initiated the elite category and remain the only act with as many as four Hot 100-topping soloists. Genesis follows with three.

Meanwhile, with BTS having logged six Hot 100 No. 1s and Jung Kook and Jimin with one No. 1 each, BTS joins The Beatles, The Black Eyed Peas, Destiny’s Child and Genesis as the only groups with leaders and multiple members also with No. 1s.

Further, One Direction and BTS are the only acts with multiple members that have each debuted atop the Hot 100, thanks to Zayn’s “Pillowtalk,” Harry Styles’ “As It Was” and Jimin and Jung Kook’s leaders. Plus, with five of BTS’ No. 1s having premiered at the pinnacle, BTS is the only act that has debuted at No. 1 and includes multiple members also to have opened at the summit.

Here is a look at the especially versatile groups that have each spun off at least two members that have led the Hot 100 solo. (Not included are acts, including one-off assemblages and supergroups, with multiple members that reigned prior to their formations, such as USA for Africa.)

Lost John Coltrane Live Album Debuts in Top 10 Across Multiple Billboard Charts

John Coltrane’s Evenings at the Village Gate with Eric Dolphy makes a splash across Billboard’s album chart (dated July 29). The recently rediscovered set – recorded in 1961 – bows at No. 8 on Top Album Sales, No. 1 on Jazz Albums, No. 1 on Traditional Jazz Albums, No. 4 on Tastemaker Albums, No. 7 on Top Current Album Sales and No. 10 on Vinyl Albums. It also launches at No. 156 on the overall Billboard 200 chart.

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Evenings is jazz legend Coltrane’s eighth No. 1 on both Jazz Albums and Traditional Jazz Albums, and the first leader for Dolphy. Coltrane and Dolphy died in 1967 and 1964, respectively.

The 80-minute album of previously unreleased music was released by Impulse!/UMe and showcases performances by the quintet of Coltrane, Dolphy, McCoy Tyner, Reggie Workman and Elvin Jones recorded in the summer of 1961 at New York’s Village Gate club.

According to Impulse!, the recordings were originally made as a test of the Village Gate’s then-new sound system and discovered at the New York Public Library for the Performing Arts. Further, it was apparently the second time the recordings were found in the Public Library’s archives, after they previously were found, and lost.

Evenings at the Village Gate sold nearly 9,000 copies in the U.S. in the week ending July 20, according to Luminate. Of that sum, vinyl sales comprise just over 4,000.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Jazz Albums and Traditional Jazz Albums rank the week’s most popular overall jazz and traditional jazz albums, respectively, by equivalent album units. Top Current Album Sales lists the week’s best-selling current (not catalog, or older albums) albums by traditional album sales. Tastemaker Albums ranks the week’s top-selling albums at independent and small chain record stores. Vinyl Albums lists the week’s top-selling vinyl albums.

As for the rest of the top 10 on the new Top Album Sales chart, Taylor Swift’s Speak Now (Taylor’s Version) retains the No. 1 slot for a second week (47,000; down 91%), Stray Kids’ chart-topping 5-STAR is steady at No. 2 (19,000; down 32%) and RM’s Indigo re-enters at No. 3 (14,000; up 1,772% after its vinyl release). Three former No. 1s from Swift follow, as Midnights falls 3-4 (12,000; down 29%), Folklore rises 6-5 (11,000; down 12%) and Lover bumps 7-6 (9,000; down 21%). Aespa’s chart-topping MY WORLD descends 4-7 (9,000; down 31%), Colter Wall’s Little Songs debuts at No. 9 (8,000) and ENHYPEN’s Dark Blood climbs 13-10 (8,000; up 2%).

In the week ending July 20, there were 1.753 million albums sold in the U.S. (down 17.8% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 1.428 million (down 17.4%) and digital albums comprised 325,000 (down 19.2%).

There were 572,000 CD albums sold in the week ending July 20 (down 18.8% week-over-week) and 846,000 vinyl albums sold (down 16.2%). Year-to-date CD album sales stand at 19.456 million (up 3.4% compared to the same time frame a year ago) and year-to-date vinyl album sales total 26.218 million (up 21.2%).

Overall year-to-date album sales total 56.264 million (up 7.7% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 45.976 million (up 12.9%) and digital album sales total 10.288 million (down 10.7%).

P!nk and Brandi Carlile Pay Emotional Tribute to Sinead O’Connor With ‘Nothing Compares 2 U’ Cover

Just hours after the news broke that Sinead O’Connor had passed at age 56, P!nk found the most fitting way to pay tribute to the powerful, pioneering vocalist whose calling card was emotional poignancy and fierce independence.

On the first U.S. date of her neon-lit, fittingly titled Summer Carnival tour, the acrobatic singer stopped spinning for a few minutes, turned down the bright lights and acknowledged that the world had lost one of its most cherished voices, one that had meant everything to teenage Alicia Moore back before the world knew her power.

“When I was a little girl, my mom grew up in Atlantic City and I used to go down to the Ocean City Boardwalk with my ten dollars and I would make a demo tape… I would make a little cassette tape and imagine it was my demo for the record company,” P!nk told the crowd while standing center stage with piano player Jason Chapman as a hush came over the sold-out baseball stadium.

“And it would always be either ‘Greatest Love of All’ by Whitney Houston or ‘Nothing Compares 2 U’ by Sinead O’Connor. So in honor of Sinead, and in honor of my very, very talented friend Brandi Carlile I asked her if she would come out here and sing this song with me.”

The last-minute addition to the tightly scripted and choreographed show featuring the headliner and her opening act was a tall hill to climb at best. O’Connor’s famous rendition of the Prince-penned ballad is one of modern music’s most moving, gut-wrenching love laments. More subdued than the equally untouchable Houston song, “Nothing Compares” is perhaps even more of a vocal challenge because of an implicit, rending emotion that’s impossible to fake.

The heartache in O’Connor’s version, however, could not have been in better hands than P!nk and Carlile’s, however, as the two friends hugged midstage and proceeded to put on a masterclass in impromptu song interpretation. (Keeping in mind, however, that there is plenty of YouTube evidence of both women having sung the song before, so they clearly know its contours.)

“It’s been seven hours and 15 days/ Since you took your love away/ I go out every night and sleep all day/ Since you took your love away,” P!nk sang gently over minimal piano and keyboard accompaniment, her voice floating crisply over the rapt audience.

With tears visible on a number of fans on the stadium’s packed floor, Carlile took over, crooning, “I can eat my dinner in a fancy restaurant/ But nothing, I said nothing can take away these blues,” the signature crack in her voice adding an extra layer of sorrow on what was already a very sad day for music.

Matching her grit, P!nk leaned into the second verse, wailing, “where did I go wrong?” before they came together to power through the verse, “I went to the doctor and guess what he told me/ Guess what he told me/ He said, ‘Girl you better try to have fun no matter what you do’/ But he’s a fool.”

Carlile then let out a high, lonesome wail as both women appeared to get in their feelings about the Billboard Hot 100 No. 1 ballad that turned O’Connor into a global superstar, for good and ill. Neither made the song about them. But what made the song theirs in that moment was the clear conviction that it meant something special to both women, and to all of us, a gift they honored by sharing it with their most adoring fans as the raw feelings were still very fresh.

“You never know what people are going through,” P!nk said after the performance. “It’s not that hard to give people a smile… we’re all learning that lesson together now.”

It was a wise and painful message on what was an otherwise joyous night. And without saying it, they ended by looking deeply into each other’s eyes and beautifully singing the words that will now cement O’Connor’s memory in our hearts and minds forever: “Nothing compares to you.”

Watch video of the performance below.



‘Seven’ Co-Writer Jon Bellion Didn’t Understand the ‘Gravity’ of Jung Kook’s Solo Hit Until It Arrived

Singer/songwriter Jon Bellion is currently soaking up the success of Jung Kook‘s solo hit “Seven.” The track sits at No. 1 on this week’s Billboard Hot 100, making Jung Kook the second solo BTS member to top the chart after his bandmate Jimin’s “Like Crazy.”

But Bellion tells Billboard News in a new interview that he had no idea what the song’s destiny was going to be when he was writing it.

“l got a phone call from [record producer Andrew] Watt … this is probably two years ago. On a random Saturday, I kinda just took it into the studio myself and … kinda filled it out,” Bellion recalls. “It kind of in my mind fell by the wayside and was just like, ‘Oh, another song that you work on in a session.’ Like, ‘I really think it’s a great song, super catchy and can be really great for somebody.’”

He continued, “I think a lot had happened — I think [Hybe Corp. chairman] Bang and Scooter [Braun] linked up and they started operating and started to understand each other. I had no idea the gravity of Jung Kook being solo and it being fully English. I had no idea. I didn’t know what was brewing!”

While Bellion played a large role in what the song ended up becoming, he believes that the K-pop star and Latto — who has a featured verse on the track — are the true reasons why the track has had such positive reception.

“Records, when they get to a certain place, it needs to be tailored and it needs to feel like it fit,” he says. “The artists make it their song. We provide the bare bones and we provide the skeleton, but they need to make it believable, so I think that Latto came and crushed it.”

Watch Bellion’s full interview with Billboard News in the video above.

Selena Gomez Sends Birthday Message to Francia Raisa After Last Year’s Falling-Out

On Wednesday (July 26), Selena Gomez shared a sweet birthday message for her longtime friend Francia Raisa, eight months after the two had a public falling-out.

“Happiest of birthdays to this special human being,” Gomez wrote alongside three photos of the pair in happier times. “No matter where life takes us, I love you.”

In addition to being close friends, Raisa — who turned 35 on Wednesday — also donated a kidney to Gomez back in 2017 after the singer/actress suffered lupus-related organ damage. But their tight bond was tested late last year when Raisa — an actress on How I Met Your Father, Grown-ish and The Secret Life of the American Teenager — took issue with a comment Gomez made about another high-profile friend, Taylor Swift.

In a Rolling Stone cover story released in November, Gomez opened up about feeling like she “never fit in with a cool group of girls that were celebrities,” adding, “My only friend in the industry really is Taylor, so I remember feeling like I didn’t belong.”

“Interesting,” Raisa replied under an Instagram post resharing Gomez’s quote, in a now-deleted comment.

On a TikTok video summarizing the drama — which noted that Raisa was no longer following Gomez on Instagram — the Only Murders in the Building star commented, “Sorry I didn’t mention every person I know.”

In May, Raisa opened up to TMZ about the online bullying she’s faced since her back-and-forth with Gomez, telling a cameraman, “The only thing I’m going to say is in no way, shape or form does anyone condone bullying, especially Selena. She literally has a whole nonprofit dedicated to mental health [Rare Impact Fund], and I believe Rare Beauty even just had an event for mental health. So the fact that I’m now being bullied as I am, it’s messing with me mentally.”

As of press time, Raisa hadn’t yet acknowledged Gomez’s birthday post, but she seemed busy celebrating her big day in a poolside cabana, as evidenced on her Instagram. “If I’m not in a bikini on my birthday then it’s not my birthday,” she captioned three pics of herself in an orange string bikini and white eyelet coverup.

See Gomez’s post below:

YOASOBI Holds at No. 1, Jung Kook at No. 2 on Japan Hot 100

YOASOBI’s “Idol” extends its record stay atop the Billboard Japan Hot 100 on the chart dated July 26, now at 15 consecutive weeks.

The Oshi no Ko opener has dominated the Japan Hot 100 since it first took the top spot on the April 19 list, and while overall points are on the decline, it continues its reign over streaming (17,831,823 streams, 15 straight weeks at No. 1), and karaoke (9 straight weeks at No. 1), while also returning to the top spot for video views from No. 2. The track also continues to perform well in downloads (16,369 units, No. 2) and radio airplay (No. 17).



Also holding at No. 2 this week is Jung Kook’s “Seven” featuring Latto. The first solo single by the BTS member dropped July 14 and hit No. 1 on the Billboard Hot 100 on the chart dated July 29. The track is the second solo project by a member of the K-pop group to hit No. 1 on the list, following Jimin’s “Like Crazy.” In Japan, “Seven” comes in at No. 2 for streaming (14,601,063 streams, three times more than last week), No. 4 for downloads (12,656 units), and No. 2 for video.



Kenshi Yonezu’s “Chikyuugi” (Spinning Globe) debuts at No. 3 this week. The theme of Studio Ghibli’s latest animated movie The Boy and the Heron by Hayao Miyazaki dropped July 17, three days after the movie opened in Japanese theaters. The song comes in at No. 1 for downloads (34,423 units), No. 11 for streaming (5,417,188 streams), and No. 4 for radio. The music video was released on Wednesday (July 26), adding some more fuel towards the song’s performance on next week’s chart.



Veteran pop-rock band Southern All Stars’ “Bon-giri Koiuta” bows at No. 7. The track is the first of three consecutive releases spanning three months celebrating the group’s 45th anniversary this year. It’s off to a strong start, coming in at No. 3 for downloads (16,317 units), No. 1 for radio, and No. 48 for video.



Tatsuya Kitani’s “Where Our Blue Is” slips 4-3 this week. The CD version of the Jujutsu Kaisen Season 2 opener went on sale during the chart week, and the track comes in at No. 6 for sales, No. 5 for downloads (10,046 units), and No. 3 for streaming (8,215,198 streams). While it dropped slightly on the Japan Hot 100, the track jumps 15-5 for radio and 28-8 for video, collecting points in a balanced way overall. 



The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from July 17 to 23, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.

Justin Timberlake & Timbaland FaceTime Nelly Furtado From the Studio — Is a Reunion on the Way?

Justin Timberlake and Timbaland are officially hard at work creating new music — and Nelly Furtado could be involved too.

On Tuesday (July 25), Timbaland took to Instagram and shared two new posts to his feed. The first, a photo of him in the studio with Timberlake on a FaceTime call with Furtado, is captioned: “Da dream team @justintimberlake @nellyfurtado.” The second is a snippet of Furtado’s vocals playing out in the studio; “Oooooooo boyyyyyyy. We back!!!!!!!!,” Timbo captioned the latter post.

The new Instagram posts come amid Timbaland reuniting with Timberlake on his forthcoming, sixth studio album. The producer recently spoke with Variety about the recording sessions for the LP, saying that “everything sounds great. Now it’s really on him how he plans to wrap it up and how and when he envisions it to come out. With an artist of his caliber, everything has to be aligned, but it’s done and it’s coming.”

Timbaland added, “But nothing too heavy, just giving you what you’d expect from us: not overthought, the lyrics are not so deep, it’s bob-your-head, dance-to-it music,” noting that the music is somewhat of a return to “FutureSex part two,” in reference to Timberlake’s acclaimed 2006 sophomore album FutureSex/LoveSounds.

As for Timbaland’s work with Furtado, he produced her breakout album Loose, which featured the hits “Promiscuous,” “Maneater” and “Say It Right.” Timberlake, meanwhile spent the 2000s collaborating with Timbo on “Cry Me a River,” “SexyBack,” “My Love” and more. Both Timberlake and Furtado also had guest spots on the producer’s 2007 album, Shock Value, including the smash collab “Give It to Me,” which featured both artists and spent two weeks at No. 1 on the Billboard Hot 100 in 2007.

See Timbaland’s Instagram posts below.

Megan Fox Shares Pics in Red-Hot Sheer Dress But Assures: ‘Those Are Not My Nipples’

Megan Fox has never shied away from showing some skin, but she’s assuring any potential trolls in a new Instagram caption that she’s not baring as much as you think she is.

Ahead of a dinner date with fiancé Machine Gun Kelly on Tuesday night, Fox shared three photos and two videos of her sheer striped dress, which — despite its long sleeves, high neckline and floor length — leaves little to the imagination. But her cheeky caption insists that the look isn’t completely transparent.

“Before you start angrily typing- those are not my nipples, calm down,” Fox wrote alongside the pics. “They are safely and completely hidden under nipple covers so no worries, we will all live another day without a rip in the space-time continuum.”

The orange-red sheer ensemble perfectly coordinated with Fox’s new red hair color as she and Kelly hit Nobu sushi in Malibu, California, alongside rapper/singer Mod Sun. In photos shared by Entertainment Tonight, Kelly is seen wearing a cropped, sleeveless polo shirt with “Father Figure” written across the front while his white Calvin Klein boxer briefs hang about six inches above his low-slung jeans — so the pair no doubt turned heads in their standout looks.

MGK just wrapped a string of overseas festival dates, ending with a July 12 date in Tønsberg, Norway. He’ll be back to playing Stateside dates this fall when he hits the Mohegan Sun Arena in Uncasville, Connecticut, on Sept. 7.

See Fox’s photos — and her tongue-in-cheek caption — below.

Prince Royce Collects 16th Latin Airplay No. 1 With ‘Me EnRD’

Prince Royce picks up his 16th No. 1 on Billboard’s Latin Airplay chart thanks to “Me EnRD,” which ascends 4-1 on the July 29-dated ranking. With the new champ, Royce matches Carlos Vives for the second-most No. 1s by a tropical act, both with 16.

“Wow, happy with another No. 1 on Latin Airplay filled with colleagues from all different type of genres,” Royce tells Billboard. “Means so much, especially a song about DR where bachata was born.”

According to Luminate, “Me EnRD” crowns the all-Latin genre tally with 10.22 million audience impressions earned in the U.S. during the July 14-20 tracking week; that’s a 21% gain from the week prior. Plus, it ousts Karol G and Shakira’s “TQG” from its two-week lead with a 7% dip in impressions, to 8.6 million. It falls to No. 3.

As “Me EnRD” ascends to the summit, Royce becomes the only artist to top Latin Airplay, unaccompanied by any other act — among the 15 rulers — in 2023. The last artist to pull off the feat was Maluma when “Junio” reigned for one week in October 2022.

As mentioned, with “Me EnRD” advancing from No. 4, Royce banks his 16th ruler and enters a tie with Vives for the second-most No. 1s among tropical acts, trailing only Romeo Santos who continues at the helm with 21. Here’s the scoreboard of rulers by tropical acts on Latin Airplay since the chart launched in 1994:

21, Romeo Santos
16, Carlos Vives
16, Prince Royce
14, Marc Anthony
11, Gloria Estefan
6, Juan Luis Guerra y 440

“Me EnRD” was released April 20 and lands at the penthouse on Latin Airplay in its 13th week. It concurrently takes the lead on Tropical Airplay, where Royce collects his 23rd champ.



Offset Enlists Wife Cardi B for New Single ‘Jealousy’

They’re back! Once again, hip-hop power couple Offset and Cardi B are set to join musical forces. This time, they’re teaming up for the Atlanta rapper’s forthcoming new single, “Jealousy.” Offset announced the collaboration via Instagram on Wednesday (July 26).

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In a caption for a post of the song’s artwork, Offset wrote, “Let’s talk about some music! Jealousy out this Friday! Link in bio!”

The link reveals that the couple’s new song will be available on streaming and digital download platforms on Friday. On Tuesday, Offset began teasing the new release through a social media campaign that enlisted Academy Award winner Jamie Lee Curtis and spoofed the late James Brown’s iconic 1988 CNN interview.

Excluding their collaborations through Migos, “Jealousy” will mark the sixth time Offset and Cardi B appear on the same song as soloists. The husband-wife duo first collaborated on the remix of Cardi’s “Lick,” back in 2017. Since then, their string of collaborations have included “Um Yea,” “Who Want the Smoke?” (with Lil Yachty) and the Grammy-nominated “Clout.”

“Jealousy” is Offset’s third single of the year, following “2 Live” (with Hit-Boy) and “TBS” (with R-Mean and Scott Storch). As a soloist, he has earned 25 entries on the Billboard Hot 100, including the top 10 hits “Taste” (with Tyga, No. 8) and “ZEZE” (with Travis Scott and Kodak Black, No. 2). On the Billboard 200, Father of 4, his debut solo studio album, peaked at No. 4. Cardi B has earned five No. 1 hits on the Hot 100, including her breakout single “Bodak Yellow” and the Megan Thee Stallion-assisted “WAP.” Invasion of Privacy, her debut studio album, topped the Billboard 200.

Check out Offset’s “Jealousy” announcement here: