Music News

Taylor Swift Breaks Record for Most No. 1s on Pop Airplay Chart As ‘Cruel Summer’ Becomes Her 12th

Taylor Swift rewrites the record for the most No. 1s in the history of Billboard’s Pop Airplay chart, as “Cruel Summer” climbs to the top of the list dated Aug. 5. The song becomes her 12th leader on the list, surpassing the 11 each for Maroon 5, Katy Perry and Rihanna.

Swift claims the mark all to herself with a song that has been out for nearly four years: Originally released on Swift’s 2019 album Lover, and now being promoted by Republic Records as a single, “Cruel Summer” has been gaining momentum in recent weeks, as Swift has been performing it on her current The Eras Tour, her first in which she’s been able to spotlight songs from Lover, which was released shortly before the onset of the COVID-19 pandemic. Each concert on the tour is divided into 10 acts, encompassing nine of her LPs; the Lover era kicks off the show, with “Cruel Summer” performed in the opening set.

Here’s a recap of Swift’s 12 No. 1s on Pop Airplay, which measures songs’ weekly plays, as tabulated by Mediabase and provided to Billboard by Luminate, on over 150 U.S. mainstream top 40 radio stations. (The chart began in October 1992.)

Just two weeks ago, Swift added her record-tying 11th Pop Airplay No. 1 with “Karma” from her most recent album, 2022’s Midnights.



Title, Weeks at No. 1, Year(s):

  • “Cruel Summer,” one (to-date), 2023
  • “Karma,” one, 2023
  • “Anti-Hero,” three, 2022-23
  • “Delicate,” one, 2018
  • “Look What You Made Me Do,” one, 2017
  • “Wildest Dreams,” two, 2015
  • “Bad Blood” (feat. Kendrick Lamar), five, 2015
  • “Style,” three, 2015
  • “Blank Space,” six, 2014-15
  • “Shake It Off,” two, 2014
  • “I Knew You Were Trouble.,” seven, 2013
  • “Love Story,” one, 2009

Meanwhile, “Cruel Summer” becomes the first Pop Airplay No. 1 from Lover. Lead single “Me!” featuring Brendon Urie hit No. 7 in May 2019, and “You Need to Calm Down” reached No. 9 that August. The set spun off two other top 20 hits: the title track (No. 16, November 2019) and “The Man” (No. 20, April 2020).

All charts dated Aug. 5 will update on Billboard.com Tuesday, Aug. 1.

Neal Langford, Former Bassist for The Shins, Dies at Age 50

Neal Langford, former bassist for The Shins, has died at age 50. The group’s lead singer, James Mercer, confirmed the news in a Thursday (July 27) Instagram post to the band’s official account.

“Just want to let you guys know one of the best friends I’ve ever had has passed,” Mercer captioned a black-and-white photo of Langford playing his bass on stage. “He was in several bands with me including the Shins. A very important figure in my life you could say. I mean this is the guy who talked me into getting over my shyness and up on the stage. He put me in front of the microphone!”

Mercer continued, “He was the catholic school kid who showed me how to sneak into the back of the old El Rey theatre and get a ‘free’ beer. An invaluable person! Who turned me onto Dinosaur Jr. and Interview Magazine and the Cocteau Twins and countless other piles of cool stuff. … There’s too much to the story but I loved him. And I owe him a lot. Neal Langford you were always loved and you always will be.”

NBC affiliate WITN in North Carolina reports that the musician, who was also a well-known hot air balloonist and co-owner of IBX Balloon Flight, was found him dead in Bath Creek near a private dock on July 21 by law enforcement in Beaufort County. Foul play is not suspected, and a cause of death was not revealed.

The bassist’s last update on his Instagram account came on June 23, when he shared a certificate of completion for successfully finishing a treatment program at the Walter B. Jones Alcohol and Drug Abuse Treatment Center in Greenville, N.C.

Langford and Mercer played together in a band called Flake — eventually renamed Flake Music — in 1992 that was based in Albuquerque, N.M. The band released one album, 1997’s When You Land Here, It’s Time to Return, that was later reissued by Sub Pop Records. The Shins was developed as a side project by Mercer and Flake Music drummer Jesse Sandoval in 1996; Langford joined the band in 1999 after Flake Music disbanded and former Shins members Dave Hernandez and Ron Skrasek left the band.

The bassist notably played on the group’s debut album Oh! Inverted World. The release — now regarded as a classic of the indie rock genre — peaked at No. 19 on Billboard‘s Top Alternative Albums chart and was later certified platinum by RIAA. The LP’s lead single, “New Slang,” was featured in the 2004 movie Garden State starring Natalie Portman.

See Mercer’s tribute post to Langford below.

Friday Dance Music Guide: The Best New Tracks From Calvin Harris & Sam Smith, DJ Koze & More

This week in dance music: Beatport announced that it’s awarding $150,000 in grants to initiatives supporting diversity and equality in dance music, and we went behind the scenes of Toolroom Records — the U.S. tech house label currently celebrating its 20-year anniversary — with the imprints founders Mark and Stuart Knight.

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New music? We’ve got it. These are the best new dance tracks of the week.

Calvin Harris with Sam Smith, “Desire”



The Label: Sony Music Entertainment

The Spiel: Harris continues on the trance tip started with his March Ellie Goulding collab “Miracle” by pairing up with another old pal, Sam Smith. Together the duo also delve deep into the trance realm, with flecks of piano giving hints of Robert Miles’ genre classic “Children” while a galloping beat serves as a foundation for Smith to breathily declare, “You are my desire, and just the thought of you is keeping me awake.” The star of the show here is the squiggly synth line that Harris inserts throughout, giving the song a very late night club vibe that nonetheless will surely work on the many mainstages Harris is playing this summer.

The Vibe: Urgent. Anthemic. Maybe also acid?

DJ Koze, “Candidasa”



The Label: Pampa Records

The Spiel: The press release for the German producer’s latest notes that it’s “the result of DJ Koze’s inspiring stay in a secluded Benedictine monastery on the enchanting island of Sulawesi. Amidst this idyllic setting, he found the perfect environment to unleash his musical vision. He composed all of the music of ‘Candidasa’ while lying on his stomach, in an act of deepest devotion and self-reflection. In doing so, he fed exclusively on so-called heroin kebabs to immerse himself in a trance-like state of creative flow.”

This all might be true, or none of it might be true, or some of it might be true. In any case, the 10-minute experimental production is the kind of hypnotic, inventive, playful, kind of mystic music one would create if they were indeed in such a stomach-down trance like creative flow. The song comes from the two-track Wespennest EP, which are together Koze’s first new music since 2018 and part of the lead up to a new album coming in 2024.

The Vibe: Deepest devotion and much dancing.

Jungle, “Back on 74”



The Label: Caiola Records

The Spiel: Jungle return with the same kind of tight, breezy, throwback production that’s become their signature. A warm summer afternoon of a song, “Back on 74” comes with one of the intricately choreographed music video’s that have become the duo’s signature — this one leveling up as a first-of-its-kind interactive music video made with WeTransfer. The clip functions like an interactive art gallery, with viewers able to download works of art as they watch. When the viewer claims an artwork they like, it is pulled from the video canvas in real time, revealing a blank canvas in its place. Every viewing of the video populates with six different art pieces, pulled from a bank of 10,000 unique works created by the duo’s J. Lloyd.

The concept creates a different viewing experience for each person, with tickets for Jungle’s upcoming tour hidden in some of the downloadable artwork. For the next two weeks, the video is available exclusively at junglejunglejungle.wetransfer.com. The song itself is from the U.K. duo’s forthcoming album Volcano, coming August 8.

The Vibe: The classiest gallery on the internet.

Mia Moretti, “Sweet Juju”

The Label: Spaghetti Moretti Records

The Spiel: Fresh off DJing the Barbie premiere party last weekend (check her playlist from the event here), DJ/producer Mia Morietti demonstrates why she was the woman for the gig with a fresh, fun, extremely effervescent new single, “Sweet Juju.” The song sounds exactly as its name suggests, with Moretti layering a funky guitar lick with loads of hand percussion and whistles and crowd sounds and an infectious vocal hook into a track that really does sound like a party.

The Artist Says: “‘Sweet Juju’ is a NYC summery disco bop,” Moretti says. “I made this track during a cold New York winter, dreaming of the days when it would be too hot to do anything but dance. Sweaty block parties, impromptu stoop hangs, boombox bicyclists, funky bodegas and dark basement clubs are the summer moments ‘Sweet Juju’ is made for. It’s infectious, delicious and full of summer soul.”

The Vibe: What she said.

SIDEPIECE, “What You Need”


https://youtube.com/watch?v=eTmLZpMb038&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

The Label: Big Beat Records

The Spiel: The SIDEPIECE guys just know what they’re doing, adding another hypnotic tech house anthem to their catalog with “What You Need.” The song’s success is largely a function of an earworm vocal that adds melody over the track’s thumping, scintillating percussion which builds to a perfectly effective build and release, altogether cultivating the kind of party anthem these guys have made their name on. The song is part of a two-track release that also includes the similarly effective “Stimulate.”

The Vibe: You do actually need it.

Offset & Cardi B Make ‘Jealousy’ Video a Family Affair: See Kulture & Wave’s Cute Cameos

Families that make music videos together, stay together. In the self-directed visual for Offset‘s new song “Jealousy” featuring his wife, the one and only Cardi B, one of hip-hop’s biggest power couples works through their issues onscreen while keeping hold of what’s most important: their kids, each of whom makes a cute cameo in the project.

After walking out on a screaming match with Cardi, Offset indulges in some boy time with their almost 2-year-old son, Wave, while playing mini-basketball and riding bikes with his sons Jordan and Kody from previous relationships. Kulture, his 5-year-old daughter with Cardi, and 8-year-old Kalea, whom he shares with Shya L’amour, are later captured giggling adorably together in the front seat of a car.

But just because the video was a family function doesn’t mean it was strictly PG. One scene, for instance, featured Cardi crouching down to mimic a NSFW action on ‘Set, who is leaning against a vintage convertible.

All the while, the two superstars take turns getting things off their chest, both of them using their respective verses to call out haters who speculate on their relationship.

The couple first started teasing “Jealousy” earlier this week, enlisting Jamie Lee Curtis to play a reporter questioning their relationship drama in a spoof on James Brown‘s memorable 1988 CNN interview. Later, Cardi shared a video co-starring Taraji P. Henson, in which the “WAP” rapper rants about Offset’s past infidelity and Henson encourages her to stay with him.

“Jealousy” may or may not be Cardi and Offset’s response to their own recent real-life relationship issues, which went public last month after the Migos rapper accused his wife of cheating on him via Instagram Stories. Shortly afterward, Cardi jumped on Twitter Spaces to emphatically deny the accusations.

But based on a few public appearances in the weeks since, and now, their new collaboration, it definitely seems like the two have resolved the conflict. Plus, an insider tells Billboard that Offset’s family is “his No. 1 priority,” adding, “He’s making sure they are involved.”

Watch the “Jealousy” music video above.

JoJo Siwa Doesn’t Regret Calling Out Candace Cameron Bure: ‘I Gotta Stand Up for My People’

In the months since internet star JoJo Siwa publicly called out Full House actress Candace Cameron Bure, she’s had a lot of time to reflect. Now, she’s ready to talk about why she doesn’t regret her statements.

During her appearance on the Thursday (July 27) episode of The Viall Files, Siwa looked back on her public spat with the actress and said that in hindsight, she stands by her statements. “It gave me a sense of, ‘OK, you and her are never going to agree, you and her are never going to be friends’ … I am never going to be able to change her,” she told host Nick Viall. “I wish she was able to be a little more open, a little more accepting. I’m OK with calling her out in the way that I did.”

The controversy began when Siwa posted a TikTok in July 2022 in which she quietly referred to Bure as the “rudest” celebrity she’d ever met. When fans pressed her for the story, Siwa shared that Bure refused to take a photo with her at the premiere of Fuller House when she was 11 years old, which hurt her feelings.

Eventually, Bure and Siwa talked and patched things up, with the YouTube star deciding that she would just not speak about the actress publicly anymore. “I actually had a little bit of [a thought] like, ‘Ah I shouldn’t have posted that,’” she told Viall. “She didn’t need that, I didn’t need that, so let’s learn the lesson for next time.”

Then in November, Bure did an interview with The Wall Street Journal, during which she said that her new slate of Christmas films on Great American Family would “keep traditional marriage at the core” by not including LGBTQ storylines. Siwa, at the time, responded to the news by calling her statement “rude and hurtful” to queer people everywhere. “Honestly, I can’t believe after everything that went down just a few months ago, that she would not only create a movie with intention of excluding LGBTQIA+ [people], but then also talk about it in the press,” Siwa wrote at the time.

Talking to Viall, Siwa said that the intention behind Bure’s exclusion is what got her particularly angry. “She wanted to do a movie about that to put down LGBTQIA [people], and that she was specifically going to make movies that had no representation of LGBTQIA [people],” she said. “When you’re doing it out of spite to say that, ‘Too much is about LGBTQIA [people] and you guys suck and I want to make a movie about traditional marriage and you’re not traditional,’ that got to me a little bit.”

While Siwa said that she once felt bad about her criticism of Bure, she’s since decided that she doesn’t need to apologize for disagreeing with someone who doesn’t support her community. “That’s my people,” she told Viall. “I gotta stand up for my people.”

Check out Siwa’s full interview on The Viall Files above.

Drake Takes Aim at Pharrell & Pusha T on Travis Scott’s ‘MELTDOWN’

Drake was the topic of conversation on Friday (July 28) after he linked with oft collaborator Travis Scott on La Flame’s fourth studio album, Utopia. Social media hummed when he unleashed shots aimed at Pusha T and Pharrell on the track “MELTDOWN.”

Drake fired scathing bars targeting Pharrell’s newly appointed position as men’s creative director for Louis Vuitton, a title held by the late Virgil Abloh — a friend of the OVO commander. “Man, f–k all that spinning the narrative s–t/ I melt down the chains that I bought from your boss,” spews Drake in the latter half of his verse, taking slight aim at Pusha’s relationship with Pharrell. “Give a f–k about all of that heritage s–t/ Since V not around the members done hung up the Louis/ They not even wearing that s–t.”

While promoting his joint album Her Loss with 21 Savage earlier this year, Drake flaunted his accessories that once belonged to Pharrell in the “Jumbotron Shit Poppin” video. From the iconic N.E.R.D. brain pendant to the famed skateboard pendant chain, Drake sported most of P’s auctioned pieces from last year’s Joopiter auction. 

In 2022, Joopiter — Pharrell’s first global auction house and content platform — presented different items once worn by the Virginia powerhouse, including a jeweled-out pair of Oakley glasses at the New York City pop-up. 

Later on in “MELTDOWN,” Drake continues with his verbal assault, rapping, You lucky that Vogue was suing/ ‘Cause I would’ve been with the Wassas in Paris and s–t.”

In June, Pharrell hosted his debut Louis Vuitton fashion show at the French capital, where Jay-Z, LeBron James and more supported his endeavor. Pusha T was also on hand, performing a new track that took shots at Jim Jones — a staunch supporter of Drake. 

Drake and 21 settled with Vogue earlier this year after using a faux cover to promote their album, Her Loss, last November. 

Listen to “MELTDOWN” below. 



Taylor Swift Fans Cause Seismic Activity Comparable to Small Earthquake at Seattle Eras Tour Shows

Flashback to her mistakes, her rebounds, her earthquakes. In another case of life imitating art (this time, the art being lyrics to Taylor Swift‘s 2017 Reputation track “Dress”), Swifties at the Eras Tour in Seattle last weekend danced so hard, they generated enough seismic activity to rival a low-grade earthquake. The discovery was found by Jackie Caplan-Auerbach, a geology professor at Western Washington University, who measured the “Swift-quake” at Lumen Field to be equivalent to a 2.3 on the magnitude scale.

“For Taylor Swift, I collected about 10 hours of data where rhythm controlled the behavior,” Caplan-Auerbach explained to CNN Thursday (July 27). “The music, the speakers, the beat. All that energy can drive into the ground and shake it.”

The findings called back to another incident at Lumen Field in 2011, when fans watching a Seattle Seahawks game went wild over an impressive touchdown by running back Marshawn “Beast Mode” Lynch. The rumblings from the game showed up on the same local seismometer as the activity from the Eras show, according to Caplan-Auerbach.

“The shaking was twice as strong as ‘Beast Quake,’” she added. “It absolutely doubled it.”

Comparing activity from the Saturday (July 22) show with the Sunday (July 23) show, Caplan-Auerbach shared that there wasn’t one crowd of Swifties that was discernibly more raucous than the other. Both groups danced equally enthusiastically, the only main difference being that the second show started about half an hour later than the first due to delays.

It wasn’t just scientists who noticed the record-breaking movement at the stadium, by the way. Even Swift was impressed by all the energy she greeted with, afterward writing on Instagram, “Thank you for everything. All the cheering, screaming, jumping, dancing, singing at the top of your lungs.”

The conclusion of the Seattle shows means that Swift has just one more state to visit on the U.S. leg of the Eras Tour, which she’ll wrap up with two performances at Levi’s Stadium in Santa Clara, Calif., followed by six concerts at SoFi Stadium in Inglewood, Calif. From there, she’ll embark on months of international shows, traveling through Latin America, Europe, Asia and Australia with support from Sabrina Carpenter and Paramore.

And even regardless of seismic activity, fans at the rest of those Eras Tour venues have a lot to live up to following Seattle. While onstage Sunday night, Swift doubled down on a diary entry she recalled writing during 2018’s Reputation Tour: “Seattle, Washington is the best crowd I have ever played for.” 

Kylie Minogue Headed to Las Vegas For Venetian Residency at Intimate Voltaire: ‘VEGAS BABY!’

Kylie Minogue is headed to Las Vegas. The “Padam Padam” singer announced on Thursday (July 27) that she has scheduled her first-ever residency at the Venetian Resort Las Vegas’ Voltaire this fall. “VEGAS BABY! [star emoji],” she tweeted in a video set to her latest global dance smash. “So excited to headline the all-new @VoltaireLV at starting this fall. See you there! #MoreThanJustAResidency.”

The gigs for the first headliner run at the 1,000-seat cabaret-style space at the Venetian are slated to kick off on Nov. 4, with tickets going on sale on August 9. The space was described in a press release announcing the shows as “blurring the line between an intimate club, concert, and non-stop entertainment venue.”

“Today is the day where it all becomes, beautifully real,” Minogue said at the Los Angeles event announcing her residency according to EW. The singer said she and the resort have been “living with” their plans for the residency for nearly three years. “So to finally be able to say, yes, I am doing a show in Vegas and to be at Voltaire at the Venetian Resort, it’s just, it’s such a good match. And, yeah, I couldn’t be more excited.”

Minogue is prepping her 16th studio album, Tension (Sept. 22), which has been set up by the global hit “Padam Padam.” The Australian singer hinted at her plans to join Adele, Katy Perry, Kelly Clarkson and other current Vegas residency artists earlier this month during an episode of Watch What Happens Live With Andy Cohen in which the host asked if she had any plans to do a “tour or Vegas residency.” Squinting her eyes mischievously, Minogue teased, “very possibly.”

“The spirit of Voltaire is one of pure, authentic fun. It’s one I resonate with as a pop artist. My new album Tension is all about the space where the intimate and universal come together and Voltaire represents just that,” Minogue said in a statement announcing the residency on Friday morning (July 28). “The creative team has designed an environment where people can get up and dance at their tables and revel in the night – that’s what my music is for.”

Producer Michael Gruber described his vision for Voltaire as an “interactive night out with some of the world’s biggest superstars” in an intimate setting where “anything can happen and no two evenings are the same.”

With a theme of “Belle de Nuit” (Beauty of the Night), Voltaire aims to capture a spirit “evocative of veils and mystery, of come-to-play and dress-to-express,” with table service that will include everything from champagne and caviar to cookies. “The creative team has designed an environment where people can get up and dance at their tables and revel in the night,” said Minogue. “That’s what Voltaire is and I can’t wait to perform in this intimate and exciting setting.”

Venetian president/CEO Patrick Nichols said that, “Voltaire will lead a revival in high-caliber nightlife giving guests an unexpected night out, but also the opportunity to see some of their favorite artists in an intimate way.” Gruber added, “Everything about Kylie reflects the essence of Voltaire. Her music is fun. Her spirit is absolutely infectious. And she’s at the top of her game, which makes this a truly special moment for fans to connect in such an intimate environment.”

Minogue will wear custom high-fashion costumes for the residency created by a designer who has worked with her before, as well as with Beyoncé and Mariah Carey, for what is described as a “heavy couture influence [that] lends the entire evening an unforgettably glamorous lens.” Emmy- and Tony-winning production designer Derek McLane (Moulin Rouge, MJ on Broadway) conjured the “immersive key-hole themed room design, centered around modern-day art deco fantasy.”

“I really wanted it to feel like an escape from the environment of the casino floor. Something that felt like a completely different world. An intimate, exciting, and inviting world,” said McLane. Information on tickets, tables and packages for the opening show and residency run is available here.

Watch the residency announcement below.

Madonna Dances in Post-Hospitalization Video Update and Thanks Fans For Support: ‘You Must Be My Lucky Stars Too!’

Madonna had a lot to celebrate this week as the pop icon continued recuperating from her recent hospitalization for a bacterial infection. In an Instagram video posted on Thursday (July 27), the singer promoted the 40th anniversary celebration of her 1983 debut album and the song that helped boost her to global stardom, “Lucky Star.”

“To be able to move my body and dance just a little bit makes me feel like the Luckiest Star in the world!” Madonna wrote in the video in which she wears an all-black outfit as she swivels her hips up to the camera, pulls down her gold shades and winks while a digital star sparkles in her left eye. “Thank you to all of my fans and friends! You must be my lucky stars too! And Happy 40th Birthday to my very. First Album- ⭐️⭐️⭐️⭐️.” The clip ends with Madonna blowing a kiss to the lens and mouthing the words to the song’s chorus.

The clip of the singer looking mobile and healthy — it’s unclear when the video was shot — got an enthusiastic thumbs up from one of her besties, fashion icon Donatella Versace, who commented, “Loookinnnnggg great!! ???,” plus some love and support from pals actresses Debi Mazar, Rosanna Arquette and Julia Garner, as well as Roots drummer Questlove, 3Lau and many more.

In another video posted to Twitter (né “X”), she wrote, “Happy 40th Birthday to my very. First Album – [four star emoji] Thank you to all of my fans and friends! You must be my Lucky Stars!” That one was accompanied by the legendary clip of her talking to Dick Clark during her North American TV debut on American Bandstand in Jan. 1984 in which he asked, “What do you hope will happen for the rest of your professional life? What are your dreams, what’s left?” Wearing her signature off-the-shoulder black tank top and armloads of bracelets, Madonna bit her lip and said coquettishly, “hmmm… to rule the world.”

The happy updates were a welcome sight for fans who’ve been fretting about the 64-year-old singer’s health since she was hospitalized last month for what her manager Guy Oseary described as a “serious bacterial infection” that landed the singer in the ICU for a few days.

The “Lucky” vids were the latest update from Madonna on her recovery, following a July 18 return to Instagram in which she was pictured embracing and smelling a large bouquet of pink roses. “‘A single rose can be my garden. A single friend my world.’ Thank You,” she captioned the image, quoting writer Leo Buscaglia along with a black heart and red rose emoji. The health scare prompted the postponement of Madonna’s career-spanning Celebration world tour, which will skip over planned North American dates this summer and instead launch with a European leg in the fall.

Check out the videos below.

Carly Rae Jepsen Returns With ‘The Loveliest Time’: Stream It Now

Carly Rae Jepsen‘s new album, The Loveliest Time, is officially here! The LP — the seventh by the “Call Me Maybe” hitmaker — was released to streaming services on Friday (July 27).

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The album contains a total of 13 tracks that were first teased in a New York Times-style crossword puzzle. The track include “Anything to Be with You,” “Kamikaze,” “After Last Night,” “Aeroplanes,” “Boy,” “Kollage,” “Shadow,” “Psychedelic Switch,” “So Right,” “Come Over,” “Put It to Rest,” “Stadium Love,” “Weekend Love” and the project’s lead single, “Shy Boy.”

In the announcement for the record, Jepsen shared that the album came as a result of experiencing a period of positivity following isolation.

“I got to know loneliness and discover the beauty in it. The loneliest time taught me that growth comes from being planted in darkness. But now the world has opened itself back up again and in turn so have we. It’s time for celebration and for all the lessons we have learned to burst into joyful action. The Loveliest Time…” she wrote. “I can’t really call it a b sides as if these were cast off ideas – it’s the completed set to a body of work that taught me so much about love and loneliness and myself.”

The album serves as Jepsen’s follow up to The Loneliest Time, which was released last year on Oct. 5. The set peaked at No. 19 on the Billboard 200 and became her fourth top 40 album on the chart.

Listen to The Loveliest Time below.