Music News

Damien Scott Named Billboard’s Deputy Editorial Director

Damien Scott has been named Billboard‘s new deputy editorial director, the music media brand announced Monday (Aug. 14).

In his New York-based role, Scott will work to expand Billboard’s audience through news coverage, video, social content, live events and more, all with a special focus on hip-hop and R&B.

“We are so happy to have Damien on board,” added Hannah Karp, editorial director of Billboard. “Damien’s expertise will be instrumental as we continue to grow, evolve and expand our content for music fans and creators across genres.”

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“We are beyond thrilled to welcome Damien to the team,” said Mike Van, president of Billboard. “Damien’s deep experience in driving culture is unparalleled and we cannot wait to work alongside him, especially as we expand our global coverage of hip-hop.”

Scott has had an extensive career in media, editing and writing, most recently working as the head of editorial at music distribution company UnitedMasters. Before that, he worked as the president of the J. Cole-co-founded Dreamville Ventures and was also the editor-in-chief and VP of content and development at Complex Media, where he helped produce the successful cultural festival ComplexCon. He has held roles at companies including BET, Hearst Autos, Mass Appeal, VIBE and Time magazine.

Scott is based in Billboard‘s New York office and reports to Karp. Deputy editorial director Rob Levine continues to oversee coverage of the business of music.

Adele Sweetly Stops Las Vegas Show to Help Couple With Baby Gender Reveal: ‘That Was Amazing’

Adele has issued a stern warning to fans who would dare to throw any objects up at her on stage during her Las Vegas residency. But nobody said anything about signs. Though it’s apparently verboten to bring placards into the singer’s Weekends with Adele residency at the Colosseum at Caesars Palace, one sneaky couple secreted one in over the weekend that read “Adele will you do our gender reveal?,” and it was totally worth it.

In a video shared on his TikTok and Instagram, Chris Dare and wife Shantelle Lord managed to stop the show and rope Adele into helping them with their big announcement. The singer — mother to 10-year-old son Angelo with her ex — invited the New York couple up the front of the stage and after getting their names, she told the audience, “Shantelle and Chris are having a baby,” before finding out that Shantelle is 18 weeks along and had waited to find out the baby’s gender until they attended Adele’s show.

“No one’s really allowed signs in here, I’m just obsessed that you got one in,” Adele told the couple. “I’ve never done this,” she added while taking a slip of paper from the pair. “Oh my God, I think it’s [the note] like from a doctor!” Asking if there was anything in particular they wanted her to say and making sure they had someone filming the blessed moment, Shantelle told the singer, “I’m just honored that you’re going to do this for us. We’ve known since 12 weeks and we have been waiting for this moment.”

The latter comment drew an audible “awwww” from the crowd and compelled Adele to take a seat on the stage so she could properly rip open the envelope. “So… Shantelle and Chris are having a baby… BOY!” she said as the couple exploded into excitement, with Chris raising his arms in triumph and both sneaking in a quick hug with the singer.

“That was amazing! I’m so happy for you,” Adele said weeping as the couple kissed. “That’s so emotional. Oh my God! If and when I get pregnant will you do my gender reveal?” In a 2022 Elle interview, Adele said she “definitely” wants more kids some day,” but is currently focused on her residency, which runs through November.

Check out the reveal below.

No College? No Problem. Grammy U Expands Eligibility to All Who Are Actively Working Toward a Career in Music

In an effort to make its Grammy U program more inclusive and accessible, the Recording Academy is no longer requiring that applicants be full-time college students — or college students at all. It has now added a second path to membership for individuals aged 18-29 who are actively taking an alternate path toward a career in music.

As before, full-time students of any age qualify. They must be currently enrolled in an accredited college, university or trade school full-time (nine credits) and pursuing associate, bachelors, masters or PhD degrees.

But now there is a second option: professional/creative, which is open only to people aged 18-29. This option is for professionals or creatives pursuing a career in music as well as students studying at college part-time or taking any certificate course or program.

“For many years, Grammy U has invested in the development of emerging young music creators and professionals by providing resources and a supportive ecosystem committed to helping them thrive in the music industry,” Recording Academy CEO Harvey Mason jr. said in a statement. “With this expansion, Grammy U is ensuring that membership will be more inclusive and accessible for the next generation of music creators and professionals, no matter their career path.”

Jessie Allen, who was in the first Grammy U class of 1,000 students in 2006 and has headed the program for the past two-and-a-half years as Grammy U senior director, notes, “Not everyone has the same path to success. … Everyone has their own story. Maybe they are having financial hardships and they can’t go to college full-time. Maybe they are just taking a different route and they want to be on tour all year. Maybe they started their own business right after high school – if they went to high school, even. This is what we’re looking at from an inclusivity standpoint and also just making sure that we are representative of what the actual industry looks like. That is why we are making the change.”

Does Allen think this change will make Grammy U membership more representative in terms of having more women or more people of color? “All of the above,” she replies. “By taking away the college requirement, that just opens the door to the whole, entire emerging music industry of creators and professionals.”

Allen says the old rule was too restrictive and sometimes confounding even to people at the Academy. “We often saw people who were in technical school. Is that full-time? Is that accredited? We thought, ‘You are really taking that step for yourself. You are pursing music. You are taking a certificate program or you’re a part-time student.’ That was when we [decided], ‘Let’s not make this such a grey zone.’ [Before, we sometimes thought], ‘We can’t really let them in, but we should be letting them in.’”

Allen says the rule change was “a natural evolution.”

“This is one of the most organic things that has happened in my time at the Academy,” says Allen, who joined the full-time Academy staff 10 years ago as project manager for the Florida chapter. Allen credits Tammy Hurt, chair of the Recording Academy’s board of trustees; J. Ivy, a fellow trustee; and Ruby Marchand, chief awards & industry officer, for spearheading the change, which required a vote of the trustees.

“It was the easiest yes from the Academy,” she says. “It was almost like, ‘Yes, we all know this needs to be happening.’”

While the Academy is broadening access, it is not simply throwing the doors open to all who want to join Grammy U. Applicants must document what active steps they’re taking to build a career and must provide a letter of recommendation from someone in the industry.

“I would say ‘active’ is the most important word here,” Allen says. “We’re looking to see that you’re taking your career seriously and that this is something that you’re really invested in. [You can do that by documenting that] you’re playing regularly in your area or maybe you’re releasing music.”

In recent years, the Academy has been keenly sensitive to being inclusive, but it added a strict age requirement on this new, second option of Grammy U membership. That being: Anyone who has turned 30 is ineligible. Isn’t that inconsistent with the Academy’s overall philosophy of inclusivity?

“The room that you’re in when you’re in a Grammy U program event is a room of your peers,” Allen says, by way of explaining the age restriction. “We want to make sure that the programming and the opportunities we’re offering match. …As they grow later into their careers, there are still places for them at the Academy. But our programs are really tailored to this place in somebody’s journey and creating that peer community. While we want to be as inclusive as possible, we also want to make sure that everyone feels like they are having relatable opportunities in that room.”

Later, Allen doubles back to this point. “Just because you can‘t be a full-time member of Grammy U doesn’t mean that there aren’t other ways that we can support you; have you volunteer and have you part of our community until you are hopefully ready for voting or professional membership.”

Earlier this year, a Grammy U alumnus, Michael Repper, won a Grammy for best orchestral performance for conducting the New York Youth Symphony. Other Grammy U alumni include musician, singer and songwriter Jake Wesley Rogers; singer/songwriter Megan Winsor; Naledi Nyahuma Seck, VP of DEI at The Orchard; Erin Hanson, director of content partnerships at Audible; and Christine Busanelli, Esq., MBA–entertainment lawyer.

Allen, 35, is one of “at least a dozen” Grammy U alums who have joined the Recording Academy staff, by her count. The Miami-based executive is one of two full-time Grammy U staffers, along with Cat Sornmayura, project manager.

Grammy U dues are a one-time payment of $50 for four years of membership. The program just added a renewal feature where members can renew for $50 for each additional year.

“The idea is that you are pretty close at this point – we hope—to moving into voting and professional membership,” Allen says. “We wanted to create that bridge where you are still with us; still getting the benefits as you go into the next phase of your career.”

Grammy U has had more than 32,000 members since its inception. Grammy U finished this past year with more than 6,000 current members. Approximately 1,500 students were accepted during the 2022-23 program year which is primarily from August – May.



Grammy U members cannot vote for the Grammys or vote in chapter elections, but they can submit awards proposals and participate in select chapter events and Academy-wide initiatives like District Advocate, in addition to dedicated Grammy U programs.

There are 14 Grammy U representatives across the Recording Academy’s 12 chapters. The representatives co-produce all events and oversee membership within their chapters, with the help of more than 100 Grammy U “ambassadors.” In the 2022-23 program year, the membership program hosted more than 80 events and programs locally and nationally.

Events this past year include separate master classes with Jacob Collier, Armani White and Andrew McMahon; SoundChecks featuring such artists as Steve Lacy, Lizzy McAlpine, Stephen Sanchez, Gracie Abrams, Carly Rae Jepsen, MUNA, Sabrina Carpenter and Death Cab for Cutie; an all-day conference in Miami focused on Latin music creators and professionals; and mentorship programs with executives from such companies as Sony Music Entertainment, Universal Music Group, Warner Music Group, SiriusXM and ASCAP.

For more information about Grammy U and how to apply, visit grammyu.com.

RM Promises That BTS Will Be ‘Back For Sure’ in 2025: ‘This Is Like a Vacation’

How can you miss them if they don’t go away? That’s essentially what BTSRM said during a Weverse livestream over the weekend, during which the singer promised ARMY that the K-pop supergroup is on target to regroup right on schedule.

After reading a heartfelt letter from an ARMY member expressing how much the group has meant to their fans over the past decade, RM offered some assurance, and hope, that things will be back to normal soon.

“I hope our songs and solo projects could be another reminder to you guys of how important ARMY was, has been and will be in our lives at the same time,” he read, speaking in English after listening to the ARMY-created tribute song “Love Letters” during the chat. “I hope that it is a reminder that spring will come again. Please continue to keep BTS alive in your hearts, in this moment and perhaps throughout your entire life.”

After sharing the ARMY thoughts, RM got personal, noting that band mate Suga talked “a lot” about the feelings he had during his 28-show solo run this year and how much love he felt from ARMY, who are patiently “waiting for the reunion in 2025”; BTS’ seven members announced last year that they were taking a group break to focus on solo projects while the men prepare to take part in South Korean’s mandatory military service requirement.

“Even though we’re doing our solo activities on our own… what I’m thinking these days when I’m doing my solo projects is… this is just like a vacation,” RM said of his solo efforts, which include his recent hot trending songs No. 1 collab with Colde on “Don’t Ever Say Love Me.”

“To get back to where I was, which was BTS and ARMY. All the solo [activities] is just a journey,” he said. “But it is a very important journey for Chapter 2. But it’s a journey to get back home safe.”

And then RM uttered the words all of ARMY have been waiting to hear.

“Eventually, when we get back and reunite together in 2025… [we will] be back for sure. We’ll be joining together again. And that will be in 2025.”

During the 40-minute video chat, RM also commented on his buzz cut (“no reason” he said when someone asked why he’d shorn his locks) and busted out some dance moves, admitting that he’s “scared” he’s going to forget the group’s choreo if he doesn’t keep practicing. He also munched on a candy bar and fessed up that he doesn’t really watch soccer unless it’s the World Cup.

So far, Jin and J-Hope have entered the military and Suga is expected to go next.

Watch RM’s live chat below.



Beyonce Slots Lizzo Back Into ‘Break My Soul’ Remix, Shouts Her Out in Atlanta: ‘I Love You, Lizzo!’

Beyoncé showed some love for Lizzo during her Renaissance gig in Atlanta on Monday night (Aug. 14). After previously appearing to leave the “About Damn Time” singer out of the lyrics to the “Break My Soul (The Queens Remix)” earlier on the tour after Lizzo was hit with a lawsuit from three former dancers accusing her of creating a hostile environment and sexual harassment, Bey slotted Lizzo back in and added a shout out during the last of three gigs at Mercedes-Benz Stadium.

“Lizzo. I love you, Lizzo!” Beyoncé shouted during the performance of the song that finds her ticking off a list of legendary female artists including Bessie Smith, her sister Solange, Erykah Badu, Janet Jackson, Lauryn Hill and many others.

Just a week after being hit with the lawsuit from the former dancers — which also included allegations that they were pressured to touch nude dancers during a live sex show — the lawyer representing the three dancers said last week that “we have received at least six inquiries from other people with similar stories since we filed the complaint.”

The original complaint covering alleged harassment that allegedly took place between 2021-2023, was filed on behalf of dancers Arianna Davis, Crystal Williams and Noelle Rodriguez. It accused Lizzo (born Melissa Jefferson) and her Big Grrrl Big Touring Inc. of a wide range of legal wrongdoing, including racial and religious discrimination. They also included allegations that the captain of Lizzo’s dance team, Shirlene Quigley, forced her religious beliefs on the plaintiffs and took repeated actions that made them uncomfortable, including commenting on their virginity and simulating oral sex on a banana in front of them.

Lizzo denied the initial allegations in a statement, in which she wrote that they are “false” and “sensationalized stories,” adding, “I am not the villain that people and the media have portrayed me to be these last few days. I am very open with my sexuality and expressing myself but I cannot accept or allow people to use that openness to make me out to be something I am not.”

She said that the allegations that she and her company created a hostile work environment were “unbelievable as they sound and too outrageous to not be addressed.” Beyoncé had pointedly left Lizzo’s name out of the live performance of the “Break My Soul” remix during an Aug. 1 show in Massachusetts, repeating Badu’s name four times instead; she reportedly slotted the singer’s call-out back into the song during a show in Maryland on Aug. 7. Bey’s mother, Tina Knowles, said the apparent Lizzo leave out was not done on purpose, pointing out that the singer also left out former Destiny’s Child member Kelly Rowland’s name that night, while fans have noted that not every name in the remix makes it into every performance.

Lizzo has kept a low profile since the lawsuit was filed and one of the only shows she had on her upcoming roster, a headlining slot at this year’s Made in America festival in Philly (Sept. 2-3), was pulled last week when organizers unexpectedly cancelled the event — which was also slated to feature SZA as a headliner — due to “severe circumstances outside of production control.”

Check out the Lizzo moment below.

Snoop Dogg, Lil Wayne, Lil’ Kim, Run-D.M.C. & More at Hip-Hop Live 50: Photos From Yankee Stadium Show

Hip-Hop 50 Live took over Yankee Stadium in the Bronx, New York, on Friday to celebrate the 50th anniversary of hip-hop and showcase some of its brightest stars.

A jam-packed lineup of the genre’s most decorated legends — including Run-D.M.C., Lil Wayne, Snoop Dogg and Ice Cube — took center stage inside the legendary venue to celebrate hip-hop’s origin story.

There was also several special sets at the event, including Queens of Hip-Hop, which included a performance by Eve, Trina, Remy Ma and Lil’ Kim; plus a Pillars of Hip-Hop set paying homage to the early crafters of the genre such as Kurtis Blow, Melle Mel, Roxanne Shante and more. Other performers included T.I., Fat Joe, Common, A$AP Ferg, EPMD, Ghostface Killah, Lupe Fiasco and Slick Rick, among others.

Hip-Hop 50 Live was co-produced by Mass Appeal, Live Nation and the New York Yankees. Emmy Award winner BASSic Black Entertainment CEO Adam Blackstone and producer and keyboardist Omar Edwards served as the concert’s creative music directors.

See our gallery below for some of the best photos from Hip-Hop Live 50.

Zooey Deschanel Engaged to ‘Property Brothers’ Star Jonathan Scott

Zooey Deschanel is engaged to Property Brothers star Jonathan Scott, the couple announced Monday (Aug. 14).

“Forever starts now!” the couple captioned a joint Instagram post, which features a smiling photo of the pair, with the New Girl actress showing off her ring featuring pink and purple stones set in the shape of a flower.

The She & Him singer and HGTV host met and started dating in 2019 after filming an episode of Carpool Karaoke: The Series together, along with Scott’s twin brother and co-host Drew Scott and Deschanel’s Bones star sister Emily Deschanel. “From the first moment she walked over to say hello, she had a bounce in her step and an energy about her that made me immediately take notice,” Scott wrote in a Drew + Jonathan Reveal magazine essay published early last year.

In that same magazine story, Scott and Deschanel also invited fans to follow the journey as they renovated the “forever home” they purchased together in May 2020 in Los Angeles.

Deschanel was previously married to Death Cab for Cutie frontman Ben Gibbard from 2009 to 2012 and to film producer Jacob Pechenik from 2015 to 2019. She has two children, daughter Elsie, 8, and son Charlie, 6, with Pechenik. Scott was previously married to Kelsy Ully from 2007 to 2013 and has no children.

See their engagement announcement below:

Magoo of Timbaland & Magoo Fame Dead at 50

Magoo, who along with rapper/producer Timbaland was behind the late ‘90s hit “Up Jumps Da Boogie,” has died at age 50. News of the artist’s death was initially posted by artist Digital Black, a member of the 1990s R&B/hip-hop group Playa, on his Instagram page.

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Magoo’s cause of death has not been revealed.

Born Melvin Barcliff, Magoo and fellow Norfolk native Timothy “Timbaland” Mosley met as teenagers before joining forces as a duo. The pair’s debut album, Welcome to Our World, was released by Barry Hankerson’s Blackground Records in 1997, peaking at No. 33 on the Billboard 200 and No. 9 on Top R&B/Hip-Hop Albums. The set spun off the gold-certified single “Up Jumps Da Boogie,” which sat atop the Hot Rap Songs chart for eight weeks and peaked at No. 4 and No. 12 on Hot R&B/Hip-Hop Songs and the Billboard Hot 100, respectively. Boasting guest appearances by Missy Elliott, Aaliyah and Playa, among others, the platinum-certified Welcome to Our World also rolled out a second top 10 single with “Clock Strikes” (No. 8 on Hot Rap Songs).

Timbaland & Magoo released two more albums as a group, 2001’s Indecent Proposal and 2003’s Under Construction, Part IIIndecent Proposal clocked in at No. 3 on Top R&B/Hip-Hop Albums and No. 29 on the Billboard 200. Under Construction, Part II reached No. 16 on Top R&B/Hip-Hop Albums; No. 50 on Billboard 200. In summer 2021, Blackground Records signed a distribution deal with Empire under which albums in Blackground’s catalog would become available to streaming services for the first time. In addition to Timbaland & Magoo, that rollout included Aaliyah’s recordings.

While Timbaland gained additional fame as a solo artist, Magoo opted not to take that route. When Billboard interviewed Timbaland and Magoo in 2001 ahead of Indecent Proposal’s arrival, Magoo had this to say about whether he would put out a solo project: “I’ve never seriously thought about doing a solo album. I’ve thought about it in passing — like if Tim decided he wanted to stop rapping. It would be really difficult for me to think about doing a record without him. We’ve been together since 1990, so [being solo] would be weird. Tim and Magoo is more a friendship than it is a group.”

Among artists and collaborators paying tribute to Magoo via Instagram were Timbaland, Missy Elliott and Ginuwine.

Timbaland said in part, “This one hits different long live Melvin aka magoo!!! Tim and Magoo forever; rest easy my king.” 

In addition to posting a performance video, Timbaland also gave music fans a recommendation: “You need to hear this Pharrell verse off his 91 demo tape with Timbaland and Magoo. This is so wholesome. They went by S.B.I. (Surrounded By Idiots).”

It was Magoo who gave Elliott her “Misdemeanor” nickname, as she recalled, “We became so cool you supported me from day 1 & you said I’m going to call you Misdemeanor because it’s a crime to have that many talents. So those who don’t know Magoo gave me the name Misdemeanor When we did this song Beep Me 911 & I asked Magoo to get on it & I played this verse over and over & posting this is just heartbreaking I am so lost for words.”

Next to a photo of Magoo with the message “R.I.P. Soldier,” Ginuwine wrote, “This dude, always pushed me …I will miss you maganooo that’s what we called him ….. totally one of the best ever in my eyes always pressing forward I know we didn’t talk alot but the love was and will be always there my brotha … man oh man blessings to the family all of my condolences.”

Idina Menzel Thinks She Should Have Played Lea Michele’s ‘Older Sister’ on ‘Glee’

When Idina Menzel first appeared on Glee in 2010 as Rachel Berry’s mother Shelby Corcoran, she was 38 years old while actress Lea Michele was 23. Menzel is now reflecting on her motherly acting role in a new interview with Stellar Magazine (via The New York Post).

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The Wicked actress revealed that, at the time, she had just given birth to her son, Walker — whom she shares with ex-husband Taye Diggs — and that affected her self esteem in the acting world.

“You’re worried you’re not going to work again, and then people hire you to be someone’s mother when you probably should be their older sister,” Menzel recalled to the publication about how she felt on Glee. “It just wasn’t great for the ego.” 

However, despite natural body changes affecting how costumes fit her, Menzel says she “sucked it up” because she “was excited to work with [showrunner] Ryan Murphy and be a part of that hit show.”

While she only appeared on 12 episodes of Glee between 2010 and 2013, she quickly became a fan favorite among fans of the show.

Taylor Swift’s ‘Blank Space’ Returns to Hot 100 for First Time in Eight Years

Taylor Swift’s former seven-week No. 1 hit “Blank Space,” from her 2014 LP 1989, re-enters the Billboard Hot 100 chart (dated Aug. 19), marking its first appearance on the survey since its initial 36-week chart run in 2014-15.

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“Blank Space” re-enters with 8.4 million U.S. streams (up 23%), 4.3 million radio airplay audience impressions (essentially even week-over-week) and 1,000 downloads sold (up 51%), in the Aug. 4-10 tracking week, according to Luminate.

The song has been gaining in recent weeks, as Swift has been performing it on The Eras Tour, and ahead of the announcement of her re-recorded 1989 (Taylor’s Version) on Aug. 9. The song also jumps to No. 40 on the Billboard Global 200 chart, up 10% to 25.4 million streams worldwide (reflecting consumption in the U.S. and around 200 other countries).

1989 (Taylor’s Version), Swift’s fourth re-recorded set from her catalog, is due Oct. 27. Her original 1989 album spent 11 weeks at No. 1 on the Billboard 200 in 2014-15, matching Fearless as her longest-leading No. 1 album.



“Blank Space” was a monumental hit for Swift, marking her third and longest-leading No. 1 at the time. With seven weeks at the summit, it stood as Swift’s longest-leading hit until “Anti-Hero” tallied eight weeks on top last November through this January. “Blank Space” also earned Grammy Award nominations for record of the year, song of the year and best pop solo performance.

Swift has since upped her total to nine Hot 100 No. 1s. Here’s a recap.

Taylor Swift’s Billboard Hot 100 No. 1s:
“Anti-Hero” (eight weeks, 2022-23)
“All Too Well (Taylor’s Version)” (one, 2021)
“Willow” (one, 2020)
“Cardigan” (one, 2020)
“Look What You Made Me Do” (three, 2017)
“Bad Blood,” feat. Kendrick Lamar (one, 2015)
“Blank Space” (seven, 2014-15)
“Shake It Off” (four, 2014)
“We Are Never Ever Getting Back Together” (three, 2012)

Older songs such as “Blank Space” are eligible to re-enter the Hot 100 if they rank in the top 50 and have meaningful reasons for their resurgences. We occasionally see this phenomenon when catalog songs go viral or are newly promoted, as with Swift’s “Cruel Summer” (from 2019 and, now promoted as a single, up to No. 3 on the Hot 100), or have notable TV/film synchs that generate newfound interest, as was the case with Kate Bush’s 1985 classic “Running Up That Hill (A Deal With God)” last year. This explains why we see holiday songs storming the Hot 100 each winter, Michael Jackson’s “Thriller” returning after Halloween and, most recently, Miley Cyrus’ “Party in the U.S.A.” back on the Hot 100 last month following Fourth of July-related gains.