Music News

What It Was Like Working at A&M in Its Glory Days: Jerry Moss Remembered by Former GM Jim Guerinot

Jim Guerinot, former general manager of A&M Records, who later managed Nine Inch Nails, No Doubt, Social Distortion and other bands, worked for A&M co-founder Jerry Moss, who died Wednesday (Aug. 16) at 88, and its president, the late Gil Friesen, for years in the 1980s and 1990s. The retired music executive saluted his former boss in a phone interview.

“We had an artist who was getting to release an album and had a capable manger. I put the whole plan together. When I ran the numbers, I saw that we were going to lose money. I said, ‘I’m not going to get hung,’ so I went to Jerry: ‘Here’s the plan, the manager has signed off.’ He goes, ‘Well, good, what’s your concern?’ I go, ‘Well, we’re going to lose money because the artist will not sell records to make that happen.’ I said, ‘Can I ask you a question? Why would we put this record out?’ He goes, ‘Well, that’s easy. Because it’s an A&M artist.’ It was very much like, ‘The ‘M’ is me, pal. If I want to, I do it.’

And that’s how he slept at night and that’s how he and [Herb Alpert, label co-founder] slept at night.

From time to time when I arrived at work at A&M, I’d pass the main guys’ doors: Herb might be painting, and would invite you in to see what he’s up to to; Gil Friesen, the label president, inevitably would push a book on me and expect a report within days; and Moss wanted to play a few hands of gin. Generally speaking, if you and I play gin, I’m going to beat you. I have friends who played in the World Series of Poker and I win at least half the time. I not only never beat [Moss] at gin, I never even won one hand. It was depressing.

This guy had a vision for the business that was beyond what normal people would see. He walked into a room and saw things we didn’t see. He walked into situations and businesses and saw things we didn’t see.

He knew everybody, for starters. Like, literally, everybody.

Where somebody might see an artist, he would see a network of what that artist represented, and relationships and history. It was just much, much deeper. What he saw wasn’t what I saw. He read people differently. He read people very, very well. He knew people who were going to be honorable and who would not be.”

Bailey Zimmerman & Parmalee Add Country Airplay Top 10s, Luke Combs Doubles Up in Top 3

Bailey Zimmerman posts his third straight career-opening top 10 on Billboard’s Country Airplay chart (dated Aug. 26), as “Religiously” rises 11-9. In the Aug. 11-17 tracking week, the song increased by 8% to 19.1 million audience impressions, according to Luminate.

The song, co-written by the 23-year-old, is from his LP Religiously. The Album., which arrived at its No. 3 high on Top Country Albums in May.

“Religiously” follows Zimmerman’s “Rock and a Hard Place,” which dominated Country Airplay for six weeks beginning in April, and “Fall in Love,” which led for a week last December.

Back ‘In’ Top 10

Parmalee scores its sixth Country Airplay top 10 as “Girl in Mine” climbs 12-10 (17.9 million, up 9%). The song is the group’s first top 10 since “Take My Name,” which reigned for two frames in June 2022.

Two Out of Three Ain’t Bad

For the third time since Country Airplay launched in January 1990, an artist claims two songs in the top three. Luke Combs’ cover of Tracy Chapman’s “Fast Car” ranks at No. 2 (29.5 million, down 4%), following five weeks at the summit beginning in July, while fellow promoted single “Love You Anyway” pushes 5-3 for a new best (28.2 million, up 10%).

Combs is the first act to earn the achievement as the sole artist on both songs. The other two to realize the feat are Luke Bryan and Tim McGraw.

Bryan’s “Play It Again” and Florida Georgia Line’s “This Is How We Roll,” on which he’s featured, ranked in the top three for three weeks starting in May 2014, after McGraw’s “Bring On the Rain” (with Jo Dee Messina) and his own “The Cowboy in Me” shared space in the top three for two frames in March 2002.

Jon Batiste Talks New LP ‘World Music Radio,’ Calls Himself a ‘Top to Bottom Albums Artist’

Jon Batiste is an albums artist through and through, and spoke with Billboard News to prove it. The Grammy award winner sat down with Billboard in the latest episode of the program to discuss his latest project, World Music Radio, and to divulge his approach to success in light of being a highly decorated artist.

Speaking of World Music Radio — which was released on Friday, Aug. 18 — Batiste revealed that he worked with producer Jon Bellion on the project, which allowed several unintentional themes to make its way into the record.

“Water is a theme in the album. There’s many different themes that recur, and we didn’t even really realize when we were making it, some of the themes were subliminal,” the five-time Grammy winner told Carl Lamarre, Billboard‘s deputy director of R&B/hip-hop. “I was working with the great Jon Bellion…he had this thing for his son for in terms in living life and the world’s crazy and just the idea of self care, being in the world living your life, sometimes you just gotta take pause. And relating that to my life and the thing we’ve been trough and all the stuff we’re trying to create in this album is a mantra.”

Creating a new body of work, following the success of his 2021 effort WE ARE (which earned him four out of his five total Grammys) could seem like a daunting task, but Batiste revealed that the accolades do not factor into his approach to making music.

“I really make bodies of work. The singles are crazy, that’s important, but I’m a top to bottom album artist. I create bodies of work and I create worlds that you immerse yourself in, so that requires people who not only know how to connect to what’s in the culture and reinvent it and make it our own, but also speak to it through my voice and understand that there’s a world that’s being built that’s bigger than just me,” he explained.

Batiste added that instead of the pressure coming from “trying to outdo any public perception or even in awards,” it comes from wanting to “build something that’s even more bespoke, even truer to my artistry that takes everything that I’ve done so far, synthesizes it and adds to it.”

World Music Radio, preceded by singles “Calling Your Name” and “Drink Water,” is available to stream now.

Listen to Batiste’s full interview with Billboard in the video above.

Olivia Rodrigo Plays the Tiniest Snippet of ‘Guts,’ Says Album Has a ‘Lot of Fun Songs’

The countdown for the arrival of Olivia Rodrigo‘s album GUTS continues. To further drum up anticipation for the records’ release, the pop star appeared on Capital FM across the pond in England to briefly chat about what fans can expect from her sophomore release and even play a snippet from one of the tracks.

In order for her track “Vampire” to be played in full, Rodrigo played a game of “How gutsy are you?” which consisted of the show’s host asking her a total of five risky questions. If she denied one of the answers, the run time of her song would be shaved by a few seconds.

“Can you play us a snippet of one of your new songs?” the host asked, to which she obliged with a simple “Yeah.” The 20-year-old whipped out her phone and played a plucky guitar snippet of a yet to be determined track from GUTS, stating, “That’s all you’re gonna get.”

Elsewhere during Rodrigo’s appearance on the show, she answered a fan question regarding what future listeners can expect from the album. “I think there’s a lot of fun songs. I wrote the album with a tour in mind, so I think they’re all songs I wanted people to be able to scream in a crowd,” Rodrigo said. “Hopefully that’s what’s achieved.”

GUTS is scheduled to arrive next month on Sept. 8; the album was preceded by singles “Vampire” — which hit No. 1 on the Billboard Hot 100 — and “bad idea right?” See Rodrigo’s full interview in the video above.

Lady Gaga Celebrates 15 Years of ‘The Fame’ With Translucent Blue Vinyl Release

Celebrations are in order for Lady Gaga, as her debut album The Fame, turned 15 years old on Saturday (Aug. 19). To celebrate the occasion, the pop star — who formally launched her pop career with the record and became one of the genre’s most formidable forces following its arrival in 2008 — released a translucent blue anniversary version of the album, available now for purchase on her web store.

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The anniversary reissue consists of a double LP the original 15 songs featured on the record, including the album’s four hit singles: “Just Dance (feat. Colby O’Donis),” “LoveGame,” “Paparazzi,” “Poker Face,” “Eh, Eh (Nothing Else I Can Say),” “Beautiful, Dirty, Rich,” “The Fame,” “Money Honey,” “Starstruck (feat. Space Cowboy & Flo Rida),” “Boys Boys Boys,” “Paper Gangsta” “Brown Eyes,” “I Like It Rough,” “Summerboy” and “Disco Heaven.” The album is currently available for pre-order from Gaga’s official merch store.

In addition to the translucent blue anniversary vinyl, Gaga also dropped several new apparel items to commemorate the fame’s 15th anniversary with several tees, sweatshirts, hoodies and more.

The Fame peaked at No. 2 on the Billboard 200 and produced the first of Gaga’s top 10 singles — “Just Dance” and “Poker Face” hit No. 1 on the Billboard Hot 100, spending 49 and 40 weeks respectively on the charts. “Love Game” and “Paparazzi” peaked at Nos. 5 and 6 respectively, with the former spending 22 weeks and the latter 27 weeks on the chart. The Fame has since gone six times platinum, earned five Grammy nominations, including for album of the year (it took home Best Electronic/Dance Album) and is considered one of the greatest pop debut albums.

Babyface Back in Hot 100 Top 10 Thanks to SZA’s ‘Snooze’

Legendary singer-songwriter and producer Babyface scores his first top 10 hit on the Billboard Hot 100 as a producer in 23 years, thanks to his work on SZA’s “Snooze.”

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The song, released in December on SZA’s 10-week Billboard 200 No. 1 album SOS, jumps 15-10 on the Hot 100 (dated Aug. 19). Babyface, who co-produced the track with BLK (real name: Blair Ferguson) and The Rascals (the production duo comprising Khristopher Riddick-Tynes and Leon Thomas III), last appeared in the top 10 as a producer in December 2000, with P!nk’s “Most Girls.” The song climbed to No. 4 the prior month, becoming P!nk’s first career top five hit (of an eventual eight to date).

Babyface is also one of five credited co-writers on “Snooze” (however SZA solely wrote the lyrics).



While “Snooze” marks Babyface’s return to the Hot 100’s top 10 as a producer, he’s tallied three additional top 10s on the Hot 100 this century as a writer, thanks to samples and interpolations of his older hits. (When a song is sampled on another track, credited writers of the original typically receive writing credits on the new song.)

Babyface is credited as a co-writer of Mariah Carey’s 2005 14-week No. 1 “We Belong Together,” thanks to its interpolation of “Two Occasions” by The Deele, in which he was a member; the latter song hit No. 10 on the Hot 100 in 1988. He even gets a shoutout in the lyrics of Carey’s lost-love song: “I gotta change the station / So I turn the dial, tryin’ to catch a break / And then I hear Babyface, ‘I only think of you’ / And it’s breaking my heart.”

In 2020, Babyface notched another top 10 as a writer, via Lil Mosey’s “Blueberry Faygo” (No. 8 peak). The track samples Johnny Gill’s 1990 No. 10 hit “My, My, My,” which he co-wrote with Daryl Simmons. In 2021, Babyface tallied another top 10, thanks to a writing credit on Drake’s “Fair Trade,” featuring Travis Scott (No. 3). The collab samples Charlotte Day Wilson’s 2019 song “Mountains.”

Of Babyface’s top 10 Hot 100 hits in any role (producer, writer or recording artist), seven have hit No. 1. They’ve combined to spend just shy of a year at the summit: 51 weeks.

Here’s a recap:

Artist Billing, Title (Peak Year; Role)
Whitney Houston, “I’m Your Baby Tonight” (1990, one week at No. 1; producer, songwriter)
Boyz II Men, “End of the Road” (1992, 13 weeks; producer, songwriter)
Boyz II Men, “I’ll Make Love to You” (1994, 14 weeks; producer, songwriter)
Madonna, “Take a Bow” (1995, seven weeks; producer, songwriter)
Whitney Houston, “Exhale (Shoop Shoop)” (1995, one week; producer, songwriter)
Toni Braxton, “You’re Makin’ Me High”/”Let It Flow” (1996, one week; producer, songwriter)
Mariah Carey, “We Belong Together” (2005, 14 weeks; songwriter)

Babyface praised SZA in an interview on Billboard’s Pop Shop Podcast in January. ““I think SZA is amazing,” he said. “She’s so unique and I’m amazed by her talent, to be honest, and very happy for her success. I think it’s very well-deserved.”

Of his own versatility, and longevity, he said, “I think as a musician, I’ve always tried to not be one particular thing and be able to cross different genres. I always kind of look at it [as], if you’re a full musician, then you should be able to do more than one thing. And what allows you to do that is to not have an ego, to the point to where you think what you do is the best thing and always the best. So, it’s always great to collaborate and get into a room and learn.”

Tyler, The Creator Announces 2023 Camp Flog Gnaw Carnival Lineup in Mural Painting Livestream

Tyler, the Creator‘s Camp Flog Gnaw Carnival will end its four-year hiatus this November 11 and 12 when it returns with a stacked lineup at L.A.’s Dodger Stadium. This year’s roster was slowly revealed on Friday (Aug. 18) during a livestream in which the names of the acts were painstakingly painted onto a mural over the course of three hours.

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This year’s Camp Flog Gnaw will be headlined by SZA, The Hillbillies and Tyler, the Creator. Other performers include Ice Spice, Clipse, Lil Yachty, Kali Uchis, Earl Sweatshirt, Rex Orange County, Syd, PinkPantheress, Teezo Touchdown, Kevin Abstract, Dominic Fike, WILLOW, Ravyn Lenae, Turnstile, Khamari, Maxo Kream, Paris Texas, Beabadoobee AG Club, Balming Tiger, Left Brain, Liv.e, Spinall, Baby Rose, Redveil, Cuco, Toro y Moi, Fuerza Regida, BADBADNOTGOOD, d4vd and Domo Genesis.

The Odd Future leader launched Camp Flog Gnaw in 2012 (originally named OFWGKTA) as a combination music festival and carnival, with rides and midway games and a lineup featuring Odd Future, Lil Wayne, Trash Talk and Action Bronson.

Subsequent lineups included Frank Ocean, Mac Miller, Earl Sweatshirt and Flying Lotus in 2013, Pharrell Williams, Rick Ross, Hodgy Beats and Freddie Gibbs in 2014 and Snoop Dogg, Atmosphere, Miller, The Internet, YG and A$AP Rocky in 2015. The event spread to two days in 2016 with sets from Lil Wayne, Chance the Rapper, Kaytranada, DJ Mustard and more and Lana Del Rey, Mac DeMarco, Brockhampton, Justice and Migos in 2017.

Tyler continued to mix in more rock and indie acts over the next three years — including Rex Orange County, Little Dragon, Jorja Smith, Billie Eilish, Dominic Fike and Willow Smith — before taking a break in 2020, 2021 due to the COVID-19 pandemic and skipping 2022 due to Tyler’s busy schedule. All passes for this year’s event were sold out in June well before the lineup was announced.

Noah Kahan Welcomed Fans Into His Mind & Heart at Los Angeles’ Greek Theatre

“I never feel uglier than when I’m in LA,” Noah Kahan joked to the sold-out crowd at Los Angeles’ Greek Theatre on Friday night (Aug. 11), which was immediately met by roaring laughter and assurance from fans.

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Though it’s unlikely that Kahan could ever feel ugly in his sleek white jacket featuring a photo of his beloved German Shepard and his album title Stick Season written across the back, the balance between humor and touching moments encouraging love and healing were prominent throughout the evening.

Shortly after he received a Taylor Swift-themed friendship bracelet from a fan in the front row that read “folkwhore,” the singer ran through fan-favorite and heart-wrenching tracks from his 2022 deluxe album Stick Season (We’ll All Be Here Forever), weaved with throwback hits like “False Confidence” and “Maine.”

Looking out into the audience, who showed just how much they love him by belting out every word to every song, Kahan showed his love back before performing “You’re Gonna Go Far,” a song about taking risks. “I know a lot of people here in LA aren’t from LA. They’ve taken big risks in their lives to come here,” he sweetly told the audience. “Remember that the people back home love you and are happy you’re doing well.”

He also showed his love throughout the show by encouraging his fans to go to therapy if it’s accessible to them. “I had all of these dark feelings and thoughts for a lot of my childhood and I just lied about them to my therapist for 10 years and never said anything real,” he recalled. “I was so lucky and privileged to go to therapy, but I still lied because it was scary to confront what I was actually feeling. I know it looks like I’ve been divorced two times, Los Angeles, I look old as s— but I’m only 26 [laughs] When I was 23, I started being honest and telling the truth to my therapist and I started feeling happier for the first time. It was strange for me but it felt good.”

He continued, “The happiest person in here should be in therapy. It could save your life.”

In general, the show was as cathartic and therapeutic as it gets without actually sitting down with a therapist, as fans in the audience were tearing up constantly as they heard songs that resonate with them, a unique quality of Kahan’s music that isn’t as common in the mainstream music scene these days. The swell of emotions all culminated with the set’s final song, “Homesick,” as all 6,000 people in the crowd, who are chasing dreams likely in the city they did not grow up in, came together to sing and feel at home.

Buy tickets for Kahan’s Stick Season tour here, and check out the full set list below.

Noah Kahan Set List:

All My Love
Everywhere, Everything
She Calls Me Back
False Confidence
New Perspective
No Complaints
Growing Sideways
Maine
Your Needs, My Needs
Northern Attitude
Dial Drunk
Call Your Mom (with Lizzy McAlpine)
You’re Gonna Go Far
Orange Juice
Homesick

Encore:
The View Between Villages
Paul Revere
Stick Season (with Joy Oladokun)

The Most Valuable Lesson Clarence Avant Taught Me

Thumbing through the Feb. 11, 2006, issue of Billboard — a 75th birthday tribute to Clarence Avant — brings back many memories.

Like my first encounter with Clarence sometime in 2000. Having heard about this revered gentleman, I happened to find myself standing near him at an industry function. As I timidly introduced myself, he shook my outstretched hand and said politely, “Yes, you work for that ofay [slang for white] publication.” I had no immediate response to that except to laugh (we both did) because he was right. At that time, inclusion and equity — two of Clarence’s lifelong missions — still weren’t climbing to the top of the music industry’s business charts. And Clarence wasn’t afraid to call out bullshit when he saw it.

Or when Clarence saw me having breakfast one morning and summoned me to his table. He relayed how disappointed he was in a major label executive who’d wrongly accused me of always writing negatively about him and his company. He didn’t have to (and I was unaware until he told me), but Clarence took it upon himself to step in, admonish the executive and set things straight … an example of his storied brokering, mentoring and counseling behind the scenes — and never done for public credit.

And when Clarence’s children Nicole and Alex reached out about surprising their father with a birthday salute in Billboard. I watched and listened intently as an unsuspecting Clarence looked back at his life and career — from growing up a humble country boy to becoming the pioneering godfather to the Black music community. During that interview, I saw and felt the unwavering passion, perseverance, dedication, joy and, yes, the cuss-peppered anger and frustration that drove Clarence as he worked across industry aisles advocating for opportunity and parity. 

“I did it because there was no one else out here doing it,” he declared in 2006. “Black folks [in this industry] had never had anybody they could talk to. The white boys would only give up so much information. My doors were open. And I got involved.”

From then on, we’d chat over lunches or periodic just-checking-in phone calls during which the impish raconteur would regale me with colorful stories about the industry and other circles that he traveled in, from philanthropy to politics. And if I needed perspective for a story that I was working on, a generous Clarence would always take my call. 

The last time I saw him was in April at the dedication ceremony for the South Los Angeles facility named after his lovely wife, the Jacqueline Avant Children and Family Center. It was both a joyous and very emotional occasion for the noticeably frailer industry giant. But Clarence still possessed his signature sly, mischievous grin and joking banter. 

I joined the Clarence Avant fan club later than most. However, I’m thankful for the precious times we spent together. And for the key lesson he taught me, which I’ll continue to embrace in his honor: Keep paying it forward.

‘Vanderpump Rules’ Star Scheana Shay Unleashes Scandoval-Inspired Song

Scandoval continues to live on.

Vanderpump Rules favorite Scheana Shay released a new song called “Apples” on Friday (Aug. 18), and based on the scathing lyrics, it seems like she got inspiration from her friendship breakups after Tom Sandoval cheated on his longtime girlfriend Ariana Madix with her best friend, Raquel Leviss. For “Apples,” Scheana teamed up with Kevin Franklin and Landis Daniels of the band The 27s.

“I was with you on your worst day/You stabbed me in the worst way/How you gonna lie to my face?/And you said that we would always be friends/Party on the weekend/But then you’re gone without a trace,” Scheana sings in the mid-tempo pop-rock track. “I thought you were grateful/I found out you’re fake though/I hope there’s a place for friends like you.”

“I haven’t used music as an outlet to express my feelings in a really long time, so getting back into the studio and making this song with The 27s has been freeing and cathartic,” Scheana told Rolling Stone. “Plus, the hook is a great way to teach your toddler how to spell APPLES.”

Scheana has been close friends with Madix for more than 10 years, and naturally became friends with Sandoval while they were dating. Leviss was also in Scheana’s friend group, but after learning of the cheating scandal, their friendship abruptly ended as Scheana took Madix’s side. She was with Leviss in New York when she learned about the affair from Madix, and an alleged physical altercation took place that eventually prompted Leviss to file a restraining order. The restraining order was officially dismissed on March 29, according to People.

“Apples” follows a string of sporadic singles by Scheana, including 2012’s “What I Like,” 2013’s “Good as Gold” and 2014’s “Shake That.”

Listen to “Apples” below.