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New J-pop Group IMP. Release Debut Single ‘CRUISIN’: See the Video

J-pop boy band IMP. dropped its debut single “CRUISIN’” on Friday (Aug. 18).

The rookie seven-member group consisting of members Yuki Yokohara, Shunsuke Motoi, Takuya Kageyama, Taiga Tsubaki, Taiga Suzuki, Arata Sato, and Minato Matsui announced last month that they would sign with TOBE (“to be”) to pursue new forms of entertainment at the agency. The YouTube livestream commemorating the announcement that took place on the same day (July 14) recorded more than 450,000 simultaneous viewership and dominated the No. 1 and No. 2 domestic trends on Twitter in Japan.

The lyrics of the band’s debut track was written by Maria Okada and the music composed by Avin, Slay, Chase, and Rocoberry. A downloading campaign celebrating the single’s release will take place from Aug. 21. IMP. — pronounced as the alphabet — also shared the new music video accompanying the track on its official YouTube channel.

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BABYMETAL Talk New Single ‘METALI!!’ With Tom Morello, Lil Uzi Vert Collab & More: Interview 

BABYMETAL is now back to being a trio since April after MOMOMETAL officially joined longtime members SU-METAL and MOAMETAL. Japan’s metal sensation recently dropped a new song called “METALI!!” featuring Tom Morello of Rage Against the Machine. The latest single celebrates the new lineup with a hyped-up, chaotic track graced with the inimitable presence of the legendary RATM guitarist’s performance.

Since May, the band has toured the U.K. and Europe with Swedish rockers Sabaton, headlined shows in Asia and Australia, and is set to travel to North America for a tour spanning from the end of this month to October. BABYMETAL has also been making headlines for its featured appearance on Lil Uzi Vert’s song “The End” from his new album Pink Tape released in June. In this brand-new interview, the three members of BABYMETAL chatted with Billboard Japan about their new track, tours, collaborations and more.

BABYMETAL just dropped “METALI!! (feat. Tom Morello)” as its first release since becoming a trio again. Tell us what you thought when it was completed.

SU-METAL: I think we’ve created a fun, yet solidly mature, very BABYMETAL number that’s bound to make people go, “What the heck?” I’m sure people will be hyped to hear it at our shows, so right now I’m just looking forward to performing it and seeing how everyone reacts to it.

MOAMETAL: I’m really looking forward to performing this song live. It’s been a while since we’ve had an upbeat track like this, so I’m glad this is our first song under our new lineup. Also, Tom Morello played on this song for us so it’ll always be close to our hearts.



MOMOMETAL, this is your first song as BABYMETAL. How do you feel about it?

MOMOMETAL: I thought this song was awesome from the moment I heard the intro. I’m glad my first song (as BABYMETAL) is one that makes me excited just by hearing it. The choreography also has a lot of interesting moves, so I’m looking forward to performing it.

Tom Morello’s guitar also has a strong presence in this song. What was your impression of his guitar sound?

SU-METAL: I think it really matches the chaotic vibe that “METALI!!” has. BABYMETAL is a group that has surprised people in a “What the heck?” kind of way, and this song is like the good parts of “PA PA YA!!” and “Megitsune” combined. So I’m sure our fans will find it familiar in a way, but the vibe changes drastically in the second half and it’s like the sonic equivalent of a bucket of fluorescent colors being splashed all over the place. We thought we’d updated the BABYMETAL sound in our own way, but the addition of Tom Morello’s guitar draws out a new “What the heck?” element from it. He really is such a legend.

MOAMETAL: I’ve listened to Rage Against the Machine’s albums and always thought his guitar was so cool. I’m really glad to have someone like that involved in our music, and it’s exciting to think how this collaborative circle could keep expanding like this.

You were in charge of the spoken part of the song, MOMOMETAL. What was that like?

MOMOMETAL: I got into character and just ran with it. I focused on the intonation and spent a lot of time on the recording to make it interesting and to enhance the image of the song.

Since May, you’ve toured the U.K. and Europe with Sabaton, then headlined shows in Asia and Australia on a tour that took you to many countries. The itinerary alone must have been grueling, but what was the experience like?

MOAMETAL: This is the hardest tour schedule we’ve had in 13 years of our career. We’ve been so busy since we became a trio again and haven’t had time to be idle, but I’m happy we don’t have to stop and happy there are people out there who want to see us.

SU-METAL: Touring is a lot of work to be honest, but I always wanted to sing (while on hiatus from performing live), so it’s so much fun to be able to sing every day. I’ve been touring with MOAMETAL like we’re family, and MOMOMETAL has been able to fit right in. I think the three of us are great together, and hope we can continue to work like this for a long time to come.

MOMOMETAL: It was a period when I discovered the things I needed to improve on because there were so many shows. It was a tough tour, but the experience of getting through it helped build up my confidence.

Tell us about your tours. First, how was the U.K. and Europe tour with Sabaton?

SU-METAL: I was really happy to be able to see Sabaton live every day. I think their music is meant to be seen live, in that it’s a kind of composite art. That aspect is similar to BABYMETAL, so I learned a lot from them and it was really fun touring with them.

What about Asia and Australia? What stood out from those shows?

SU-METAL: Indonesia was especially amazing. The crowd was so enthusiastic, it was hard to believe it was our first headlining show there. Everyone sang all my parts. They were so loud I was sure they’d go hoarse and I could tell from their intense gazes that they didn’t want to miss a single moment of the show. They were trying to enjoy the space with all of their senses. They gave us so much energy, and even the members of our crew, who were a bit tired after the tour with Sabaton, were invigorated afterwards. It was amazing.

MOAMETAL: I was surprised that those big venues in Australia were packed. We hadn’t been able to visit before and the fact that there were so many people waiting for us to come made me think we’ll be able to meet even more people in other parts of the world. I definitely want to tour Asia and Australia again.

MOMOMETAL: I had a lot of fun performing with F.HERO in Thailand. It was so cool seeing him rap live. Everyone had such a great time and the song was over too soon. It was a memorable moment.

From the end of this month to October, you’ll be touring North America for THE BABYKLOK TOUR 2023 with DETHKLOK, and have a few festival appearances lined up. What are your thoughts on these upcoming shows?

SU-METAL: This is the year we go and meet our fans around the world as the new BABYMETAL. We’re so happy to be able to perform in larger venues than the ones in our previous North American tour, and look forward to seeing everyone there. Also, the timing coincides with our collaboration with Lil Uzi Vert and it feels like that expanded our fanbase again. I hope this tour will be a great opportunity for people who see us for the first time to get to know what BABYMETAL is all about.

That collaboration with Lil Uzi Vert came as a surprise. How did you feel when you were first asked to do it?

SU-METAL: I couldn’t believe it and was like, “This can’t be true.” Apparently he really likes BABYMETAL and told us he wanted to introduce his favorite music so we could do whatever we wanted. It was a new challenge for us and we went wild with it.

MOAMETAL: He also collaborated with Bring Me the Horizon on that album, and I thought, “Wow, he really does like metal.” I want to hang out with him.

You also collaborated with Bring Me the Horizon on “Kingslayer feat. BABYMETAL” from their 2020 project Post Human: Survival Horror. To reiterate, you’ve collaborated with the likes of Tom Morello, Lil Uzi Vert, and Bring Me the Horizon, meaning you’re linked to such top artists from around the world in various genres. It’s a fascinating situation from an objective standpoint, but what do you make of it all?

MOAMETAL: Maybe because we’ve collaborated with artists from various genres, more people outside the metal world have heard of us now. I had the opportunity to see Backstreet Boys live overseas and they knew about us. Our collaborations have gradually been giving us confidence that BABYMETAL is helping to connect metal and other genres, if only just a little.

SU-METAL: Up until recently, BABYMETAL aimed for recognition from metal fans. We respect metal music, but were trying to create a new movement within the genre. Having done that for a decade, it now feels like BABYMETAL is exploring a new genre of music. We want to keep expanding our collaborative ties with various different artists.

It does look like the metal genre has become revitalized lately. A lot of artists are starting to do things that aren’t bound by conventional concepts. BABYMETAL is in sync with this trend. Any thoughts on this phenomenon?

MOAMETAL: It’s true that there’s been a big generational shift and the people who were considered young are now leading the way, and I find that interesting. And I’m also awed by the open-mindedness of the legends who recognize these young artists. The way metal is accepting of various other genres makes me love it even more.

SU-METAL: When we toured Asia and Australia, we noticed that our fans were really young. A lot of them seemed to be enjoying the music more casually. When we started BABYMETAL, we wanted people to enjoy metal music in a more pop, casual way and to be a gateway to the genre, so I hope that our existence has been a bit influential in that respect.

This interview by Tomonori Shiba first appeared on Billboard Japan

Britney Spears Jukebox Musical ‘Once Upon a One More Time’ to Close on Broadway

Once Upon a One More Time, Broadway’s Britney Spears jukebox musical, will come to a close in less than two weeks. Playbill confirmed the news Monday (Aug. 21) and revealed that the musical’s final performance will take place at the Marquis Theatre on Sept. 3.

“We could not be prouder of this beautifully joyous and exhilarating show—which is not only a love letter to Britney’s iconic artistry and singular effervescence, but also a brilliant display of the boundless talent of our cast and creative team,” the musical’s producers, James L. Nederlander and Hunter Arnold, said in a joint statement. “We want to express our heartfelt gratitude to this dream team of collaborators, performers, designers, staff, crew, and investors who continue to share our passion and joy for this project. As plans take shape for the show’s future life around the globe, we’re excited to share more news soon!”

The plot of Once Upon a One More Time follows fairytale heroines after one rogue fairy godmother sneaks copies of The Feminine Mystique into their laps. The former damsels, now inspired by the text, all try to change their respective stores, set to the soundtrack of Spears’ pop hits.

Once Upon a One More Time began its previews on May 13 and formally opened on June 13 at the Marquis Theatre. When production takes its final bow, it will have completed 123 performances. Before officially landing on Broadway, Once Upon a One More Time played a run at Shakespeare Theatre Company in 2021.

In June, Spears praised the show on Instagram, writing, “Good luck to the hardworking cast and crew of ‘Once Upon a One More Time’ on opening night tonight!!! I’ve seen the show and it is so funny, smart and brilliant!!!”

Ciara Claps Back at Women’s Basketball Coach for Saying She Makes ‘TikTok Music’

Ciara is standing up to the haters.

The “1, 2 Step” singer took to Twitter on Sunday (Aug. 20) to reply to a tweet accusing her of making “TikTok music.” The user is an assistant coach at William & Mary Tribe Women’s Basketball in Virginia, according to her Twitter profile.

“And.. ..you’re watching…:) taking time to comment. Gotta love it,” Ciara replied with a laughing emoji, before following up with another tweet: “Not the assistant coach of a women’s basketball team taking time to hate.. that makes no sense.”

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Despite the trolls, it’s been an incredible month for Ciara, who revealed that she’s expecting her third baby with husband Russell Wilson, and her fourth child altogether. “’You look at me like that again, we make another kid…,” she captioned the Instagram post, quoting lyrics from her new song “How We Roll” with Chris Brown. “You my heart I’m your rib.”

The “One, Two Step” singer is already mom to three kids, including 9-year-old son Future Zahir Wilburn, whom she shares with ex-fiancé Future. After marrying Wilson in 2016, she and the Denver Broncos quarterback welcomed daughter Sienna Princess in 2017 followed by son Win Harrison in 2020.

The announcement also came just four days after “How We Roll” dropped, which follows previous 2023 singles from Ciara “Da Girls,” “Slow” with Jackson Wang and “Get Loose” with AGNEZ MO.

Rihanna & A$AP Rocky Welcome Baby No. 2: Report

Congratulations are in order for Rihanna and A$AP Rocky who welcomed their second child together, according to reports on Monday (Aug. 21).

TMZ was the first to report the news, while sources told Entertainment Tonight, “Rihanna and ASAP will spend the early days of parenthood out of the public eye and won’t make any immediate plans to debut the new baby.”

The new bundle of joy arrives one year and three months after RiRi welcomed the couple’s first child — a baby boy — in May 2022. RiRi revealed that she was pregnant again during her 2023 Super Bowl halftime show performance in February, surprising fans in a curve-hugging red outfit that showed off her baby bump.

Since then, she’s been rocking her signature, envy-worthy maternity style on red carpets, social media and beyond. In March, she stepped out with A$AP at the 2023 Academy Awards, baby bump on full display in a shawl and low-waisted skirt. The couple adorably posed for a few photos together, some of which captured the sweet moment Rocky cradled Ri’s pregnant belly.

The Barbados-born superstar also appeared at the Met Gala in May, donning a gorgeous all-white Valentino wedding gown with a train, adorned with white roses. “It’s so different from the first one,” she told ET of her second pregnancy. “No cravings. Tons of nausea. Everything’s different, but I’m enjoying it.”

“I feel good,” added the “Love on the Brain” singer. “I feel energetic.”

Taylor Swift Unveils Limited Edition Aquamarine Green ‘1989 (Taylor’s Version)’ Vinyl

1989 (Taylor’s Version) is the gift that keeps on giving.

Taylor Swift revealed another limited edition vinyl colorway via Instagram on Monday (Aug. 21), this time a soft aquamarine green color. Similar to the yellow “Sunrise Boulevard” vinyl she announced last week, Swift’s newest vinyl will be available to pre-order for just 48 hours on Swift’s website here

1989 (Taylor’s Version) is out on Oct. 27, which Swift announced during her last show at Los Angeles SoFi Stadium on August 9. The album was originally released in 2014 and topped the Billboard 200 albums chart for 11 weeks.

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After the announcement earlier this month, Swift’s former seven-week No. 1 hit “Blank Space” from the original album re-entered the Billboard Hot 100 chart (dated Aug. 19), marking its first appearance on the survey since its initial 36-week chart run in 2014-15. “Blank Space” was a monumental hit for Swift, marking her third and longest-leading No. 1 at the time.

1989 (Taylor’s Version) will be Swift’s fourth “Version,” since announcing her re-recording project in 2019. The previous three all logged time at No. 1 on the Billboard 200: Fearless (Taylor’s Version) with two weeks in 2021, Red (Taylor’s Version) with one week in 2021, and Speak Now (Taylor’s Version) with two weeks in 2023.

Demi Lovato Shares Birthday Cupcakes With Hilarious Reference to Viral ‘Poot’ Meme

Demi Lovato celebrated her 31st birthday on Sunday (Aug. 20), and the festivities included poking fun at a viral Internet meme of herself.

In a video posted to TikTok, the “Cool for the Summer” singer shared her array of birthday cakes for the celebration. “So I just want to show you guys my cakes,” Lovato said in the clip, showing off a “gorgeous” sparkly silver, heart-shaped cake with “31” written in frosting and a “cute” rainbow-colored cookie cake.

The last treat, however, took fans by surprise. “This one is so Poot,” Lovato exclaimed with a laugh before showing off a box of cupcakes with photos of her fictional, Tumblr-born, long lost twin sister, Poot. “FREE POOT,” she captioned the post, in reference to the character’s hilarious lore of Poot’s fate of spending her entire life locked away in a basement. The photo used to represent Poot is a washed out photo of Lovato from 2015.

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Lovato, who recently parted ways with her manager Scooter Braun, is in the process prepping a Revamped album featuring rocked-out versions of her biggest hits. The album is slated for a September 15 release and will feature the reimagined guitar-heavy versions of the previously released “Sorry Not Sorry (Rock Version),” “Heart Attack (Rock Version)” and “Cool For the Summer (Rock Version).”

Watch her Poot birthday TikTok below.

Miley Cyrus Reacts to ‘the Drama’ of Her Iconic ‘Hannah Montana’ Finale Scene

As she prepares to unleash her nostalgic new single, Miley Cyrus is taking a look back at the last time she played one of her most famous roles.

In a new clip posted across Cyrus’ social media on Monday (Aug. 21), the 30-year-old singer watches a fan-favorite scene from the series finale of her Disney Channel original series Hannah Montana. Watching her fictional self Miley Stewart say goodbye to her home in the emotional clip, Cyrus laughs at a few of her younger self’s acting decisions.

“The drama,” Cyrus said while imitating her character’s melodramatic blown kiss. As a younger Cyrus’ voice in the background performs a vocal riff, Cyrus immediately keeps the joke going. “This is how I say goodbye to everyone now,” she says before giving her own sardonic rendition of the run.

Just before the clip ends, Cyrus reflects on who she was back in the day and how much she has changed since being on the Disney Channel. “Hannah’s for kids,” she declares. “Miley’s for grown-a– men in heels.”

The clips are a part of Cyrus’ upcoming special on ABC, titled Endless Summer Vacation: Continued (Backyard Sessions). Set to air on Thursday (Aug. 24), the special will see the pop singer sharing a series of stories she’s never told from her life and career.

Then on Friday (Aug. 25), Cyrus is set to release her brand new single “Used to Be Young.” In a mysterious promotional campaign for the song, Cyrus shared a series of posters on her social media referencing past song lyrics, while appearing to give fans a tease of the new ones to come. “I know I used to be crazy. I know I used to be fun,” she wrote in her caption. “You say I used to be wild. I say I used to be young.”

Check out Cyrus’ hilarious reaction to the Hannah Montana finale below:

Latto Feels Like ‘Anything Is Possible’ Since Working With Mariah Carey

Latto is remaining upbeat about the rest of her career now that she has one major, high-profile collaboration under her belt. The rapper spoke with CNN in an interview published Aug. 18 and shared how she feels after having worked with Mariah Carey.

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“I feel like anything is possible at this point. I’ll just be praying and working hard and it just be like kind of falling in my lap for real. … Once you work with Mariah Carey, anything is possible,” the “Put It On Da Floor” rapper told the cable news network of working with the pop icon.

Carey teamed up with Latto for the 2022 remix of the rapper’s breakthrough track “Big Energy.” DJ Khaled also contributed to the song — her first top five track on the Billboard Hot 100, which peaked at No. 3 on the all-genre tally. The song spent a total of 51 weeks on the chart.

The collaborations have since continued for the 24-year-old star. Earlier this year, Latto enlisted Cardi B for the “Put It On Da Floor” remix titled “Put It On Da Floor Again” (No. 13 Hot 100 peak, 10 weeks). The rapper also recently collaborated with Rakim, one of the pioneers of hip-hop, for a remake of his 1992 classic “Don’t Sweat the Technique.”

“I was a little intimidated going in the studio, hopping on an instrumental like that, but it all worked out,” Latto explained of the song, made for Sprite’s global music program Sprite Limelight. “I put pressure on myself. A lot of times it don’t even be pressure, I just make it up and put it on myself cause I’m a perfectionist.”

Going forward, Latto plans to keep a positive outlook on her career. “I don’t think I would change anything,” she said. “I think everything happened for a reason. I think my career has been moving at its own pace and the pace works good for me.”

50 Cent Questions Nick Cannon Having 12 Kids: ‘I Don’t Know What the F—k Is Wrong With’ Him

As 50 Cent considers expanding his family, he’s made it abundantly clear who he will not be seeking advice from. In a new Forbes interview with contributor Brian Roberts, the “Many Men” rapper questioned Nick Cannon’s decision to father 12 kids with six different women over the past 12 years, a choice that has garnered endless controversy and discourse across social media.

“If I had Nick Cannon’s 12 kids or s—t like that, you could put them all in a bedroom. Everybody’s here. If it means putting everybody together, then it would make sense,” the Queens rapper said when discussing why he prefers a more modest home to having a huge house. “But I’m not going to have kids like that. I don’t want the responsibility of that many women that you got to deal with emotionally, especially after they don’t feel like your friend anymore. That’s too much. I don’t know what the f—k is wrong with Nick Cannon.”

Cannon shares 12-year-old twins Moroccan and Monroe with ex-wife Mariah Carey. He also shares 11-month-old Rise, 2-year-old Powerful Queen and 6-year-old Golden with model Brittany Bell. With radio personality Abby De La Rosa, Cannon shares 9-month-old Beautiful and 2-year-old twins Zion and Zillion. The youngest of the multihyphenate’s kids are 8-month-old Halo with model Alyssa Scott (she is also mother to their late son Zen), 1-year-old Legendary with Selling Sunset star Bre Tiesi, and 11-month-old Onyx with model LaNisha Cole.

50 Cent, on the other hand, currently shares 10-year-old son Sire with actress-model Daphne Joy, and 26-year-old son Marquise Jackson with former partner Shaniqua Tompkins. 

After clowning Cannon, Fiddy quickly corrected himself, saying that the “old 50 Cent” slipped out. He further elaborated that he took the opportunity to make fun of Cannon because the media personality commented on him during one of his shows.

50 Cent has earned four No. 1 singles on the Billboard Hot 100 including the nine-week chart-toppers “In Da Club” and “Candy Shop” (with Olivia). On the Billboard 200, the “21 Questions” rapper has a pair of titles that have reached the summit: 2003’s Get Rich or Die Tryin’ and 2005’s The Massacre, both of which spent six weeks atop the ranking.

Watch 50 Cent’s in-depth interview with Forbes above.