Music News

Maná Launches Social Impact Initiative & Honors Uvalde Victim During San Antonio Show 

Maná has launched a local social impact initiative as part of the second leg of the group’s México Lindo y Querido Tour. According to a press release, the iconic Mexican rock band will donate a portion of proceeds from their stint to 11 local service organizations that provide need-based services and four national advocacy and voter registration partners, including Latino Victory Foundation, Poder Latinx, Mi Familia Vota and Mamás Con Poder. Live Nation will also be contributing to the donation in select markets.

“At the heart of Maná is the belief that our music can be a vehicle for social good. Our concerts are a celebration of life and hope where all are welcome,” said Fher Olvera, Maná’s frontman. “Through this initiative we want to do tangible good in the communities where we perform by highlighting and financially supporting organizations that are striving to help the Latino community.”

Furthermore, Maná — comprised of Olvera, Alex González, Sergio Vallín and Juan Calleros — will donate a portion of the proceeds from their Texas shows to The Maite Yuleana Rodriguez scholarship offered by Texas A&M University-Corpus Christi. Rodriguez, a 10-year-old victim of the Robb Elementary School shooting, had dreams of becoming a marine biologist. Maná has worked extensively to support marine life in Mexico through their Selva Negra Foundation. The scholarship fund, established by the little girl’s mother, Ana Coronado, provides opportunities to Latino youth to follow their educational dreams.

Coronado was at the San Antonio show over the weekend, where she was invited to meet the group backstage, and later, joined them on stage when the band performed “El Reloj Cucú,” which Olvera wrote, inspired by the loss of his father. “Maite, this is for you,” Maná captioned a video of the heartfelt moment shared on social media. Watch it below:

Drake Gifts Fan $50,000 for Spending Their Furniture Money on Concert Tickets

Over the weekend, Drake’s altruism was on display during the Las Vegas stop of his It’s All a Blur Tour when he gifted a fan $50,000 after they spent their furniture money on concert tickets to his show.  

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The overzealous fan flaunted a sign in the crowd reading: “Drake I spent my furniture money on your two shows, OVO for life.” It caught the attention of Drizzy, who rewarded the OVO loyalist with $50,000 for their unbridled loyalty. “My manager is my DJ, right. Is he over there? He’s right there? You know what? My man, your furniture money, imma give you 50 bands tonight cause’ I love you. Make sure he gets his money tonight.”

He continued, saying, “Listen, this is what life is about. I’m trying to teach you something tonight. I want you to understand something tonight. You never know what the next person is going through. You never know what the person in front of you, to the left of you, to the right of you, behind you, is going through.”

Last month, Drake gifted a fan a a Birkin bag, and another Chanel purse during his L.A. tour spot at Crypto.com Arena. Priscela Izquierdo thanked the rapper after she posted a sign and noted that it was her birthday. “Drake Gave Me a Chanel Bag on My Birthday,” it read. According to Izquierdo, the 6 God caught wind of the sign and later delivered her a Chanel bag.

“He read it, and we made eye contact. And he said, ‘Happy birthday.’ And then, he was trying to kill me and gave me a Chanel bag,” she quipped while showing off the bag on TikTok.

Drake is readying his new album For All the Dogs, which will serve as a follow-up to his last solo effort, 2021’s Certified Lover Boy

Zach Bryan & Kacey Musgraves’ ‘I Remember Everything’ Debuts at No. 1 on Billboard Hot 100

Continuing his chart breakthrough that began in 2022, singer-songwriter Zach Bryan’s “I Remember Everything” featuring Kacey Musgraves launches at No. 1 on the Billboard Hot 100. The song – each singer-songwriter’s first Hot 100 leader – is from Bryan’s self-titled LP, which concurrently premieres at No. 1 on the Billboard 200 albums chart.

Luke Combs’ “Fast Car” keeps at its No. 2 Hot 100 high and takes over as the most-heard song on radio, a rare feat for a country hit.

Plus, Miley Cyrus’ “Used to Be Young” debuts at No. 8 on the Hot 100, marking her 12th career top 10.

The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts (dated Sept. 9, 2023) will update on Billboard.com tomorrow (Sept. 6, a day later than usual due to the Labor Day holiday in the U.S. yesterday, Sept. 4). For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.



Here’s a look at the coronation of “I Remember Everything,” the 1,154th song to top the Hot 100 over the chart’s 65-year history, and the 70th to debut at No. 1.

Streams, sales & airplay: Released Aug. 25 on Belting Bronco/Warner Records, “I Remember Everything” drew 33.7 million streams and sold 10,000 downloads in the tracking week ending Aug. 31, according to Luminate. Not being formally promoted to radio, it also tallied 263,000 radio airplay audience impressions, with two-thirds (175,000) from reporters to Billboard’s Country Airplay chart.

The single also debuts at No. 1 on the Streaming Songs chart (notably, it snagged the top spot on Spotify’s New Music Friday playlist upon its release) and No. 4 on Digital Song Sales.

Bryan, Musgraves’ first No. 1: Bryan and Musgraves each achieve their first Hot 100 No. 1 with “I Remember Everything.” Bryan charted four entries prior to this week, with one hitting the top 10: His first charted song, “Something in the Orange,” reached No. 10 in January; with 66 total weeks on the tally (May 7, 2022-Aug. 5, 2023), it became the longest charting country hit by a solo male in the survey’s history. Plus, the U.S. Navy veteran, born in Okinawa, Japan, and raised in Oologah, Okla., won for new male artist of the year at the Academy of Country Music Awards in May.

Musgraves completes over a decade’s journey to No. 1 on the Hot 100, having first reached the chart with “Merry Go ‘Round” (No. 63 peak, 2013; it’s also her lone Country Airplay top 10 to date). She previously charted highest on the Hot 100 with “Follow Your Arrow” (No. 60, 2014) and added her other entry before this week, “Rainbow” (No. 98, 2019). The Golden, Texas, native has won six Grammy Awards, with her most recent LP, 2018’s Golden Hour, claiming album of the year honors at the 61st Grammy Awards.

A Hot 100, country and rock first: “I Remember Everything” concurrently opens at No. 1 on Billboard’s Hot Country Songs and Hot Rock & Alternative Songs charts (as well as Hot Rock Songs), which use the same methodology as the Hot 100. It’s the first song to top the Hot 100, Hot Country Songs and Hot Rock & Alternative Songs (dating to 2009, when the lattermost list began).

Bryan tops all three genre charts for a second time, after “Something in the Orange” led Hot Country Songs, Hot Rock & Alternative Songs and Hot Rock Songs for six, 20 and 20 weeks, respectively. Musgraves leads each ranking for the first time.

“I Remember Everything” is the 24th song to have topped both the Hot 100 and Hot Country Songs (dating to 1958, when the Hot 100 originated and Hot Country Songs became the country genre’s singular Billboard chart). Four such songs have led the Hot 100 in 2023, the most in a year since 1975.

Songs to Have Hit No. 1 on Both the Hot 100 & Hot Country Songs Charts:

  • “I Remember Everything,” Zach Bryan feat. Kacey Musgraves, 2023
  • “Rich Men North of Richmond,” Anthony Oliver Music, 2023
  • “Try That in a Small Town,” Jason Aldean, 2023
  • “Last Night,” Morgan Wallen, 2023
  • “All Too Well (Taylor’s Version),” Taylor Swift, 2021
  • “We Are Never Ever Getting Back Together,” Taylor Swift, 2012
  • “Amazed,” Lonestar, 1999-2000
  • “Islands in the Stream,” Kenny Rogers, duet with Dolly Parton, 1983
  • “I Love a Rainy Night,” Eddie Rabbitt, 1981
  • “9 to 5,” Dolly Parton, 1981
  • “Lady,” Kenny Rogers, 1980
  • “Southern Nights,” Glen Campbell, 1977
  • “Convoy,” C.W. McCall, 1975-76
  • “I’m Sorry,” John Denver, 1975
  • “Rhinestone Cowboy,” Glen Campbell, 1975
  • “Thank God I’m a Country Boy,” John Denver, 1975
  • “Before the Next Teardrop Falls,” Freddy Fender, 1975
  • “(Hey Won’t You Play) Another Somebody Done Somebody Wrong Song,” B.J. Thomas, 1975
  • “The Most Beautiful Girl,” Charlie Rich, 1973
  • “Honey,” Bobby Goldsboro, 1968
  • “Harper Valley P.T.A.,” Jeannie C. Riley, 1968
  • “Big Bad John,” Jimmy Dean, 1961
  • “El Paso,” Marty Robbins, 1959-60
  • “The Battle of New Orleans,” Johnny Horton, 1959

As Billboard reported in July, country music has surged this year: consumption for the genre in the United States was up 20.3% year-over-year in the first 26 weeks of 2023, according to Luminate. (Comparatively, country grew by 2.5% over the same period in 2022.)

Four country No. 1s in a row for the first time: On the newest, Sept. 9-dated Hot 100, “I Remember Everything” supplants Anthony Oliver Music’s “Rich Men North of Richmond” at No. 1, after the latter led the last two weeks (Aug. 26 and Sept. 2). Before that, Morgan Wallen’s “Last Night” rebounded for the last two of its 16 weeks on top (Aug. 12 and 19), directly following Jason Aldean’s one-week reign with “Try That in a Small Town” (Aug. 5).

Four country songs have topped the Hot 100 consecutively for the first time in the chart’s history, extending a record run for the genre. Previously, country hits reigned back-to-back twice: in 1981 (Dolly Parton’s “9 to 5” and Eddie Rabbitt’s “I Love a Rainy Night”) and 1975 (Freddy Fender’s “Before the Next Teardrop Falls” and John Denver’s “Thank God I’m a Country Boy”).

Zach, Kacey, Kenny and Dolly: “I Remember Everything” is just the second shared Hot 100 and Hot Country Songs No. 1 by a male and female artist together. It joins Kenny Rogers and Dolly Parton’s 1983 classic “Islands in the Stream” (written by the Bee Gees).

Zach, Kacey, Ed and Bey: Bryan and Musgraves also co-wrote “I Remember Everything,” which Bryan solely produced. It’s the first Hot 100 No. 1 by a male and female artist also boasting co-writing credit with no other billed writers since Ed Sheeran and Beyoncé’s “Perfect,” which reached the top of the chart dated Dec. 23, 2017. (Sheeran wrote and originally recorded the love song solo; Beyoncé joined for its remix and gained co-writing credit.)

Bryan begins atop Billboard 200 and Hot 100: Zach Bryan logs just the ninth instance of an act debuting at No. 1 on the Billboard 200 and Hot 100 simultaneously. As “I Remember Everything” opens atop the Hot 100, parent LP Zach Bryan soars onto the Billboard 200, likewise as his first No. 1, with 200,000 equivalent album units.

Bryan joins only Taylor Swift, BTS, Drake and Future and having scored such a double debut. Swift initiated the club and has earned the honor four times, while Drake has done so twice.

Artists to Have Debuted at No. 1 on the Billboard 200 & Hot 100 Simultaneously:

  • Zach Bryan: Zach Bryan, Billboard 200 & “I Remember Everything” (feat. Kacey Musgraves), Hot 100, Sept. 9, 2023
  • Taylor Swift: Midnights & “Anti-Hero,” Nov. 5, 2022
  • Drake: Honestly, Nevermind & “Jimmy Cooks” (feat. 21 Savage), July 2, 2022
  • Future: I Never Liked You & “Wait for U” (feat. Drake & Tems), May 14, 2022
  • Taylor Swift: Red (Taylor’s Version) & “All Too Well (Taylor’s Version),” Nov. 27, 2021
  • Drake: Certified Lover Boy & “Way 2 Sexy” (feat. Future & Young Thug), Sept. 18, 2021
  • Taylor Swift: Evermore & “Willow,” Dec. 26, 2020
  • BTS: BE & “Life Goes On,” Dec. 5, 2020
  • Taylor Swift: Folklore & “Cardigan,” Aug. 8, 2020

Zach Bryan also bows at No. 1 on the Top Country Albums, Top Rock & Alternative Albums, Top Rock Albums and Americana/Folk Albums charts.

Warner back at No. 1: With “I Remember Everything,” Warner Records rules the Hot 100 for the first time since the label notched three No. 1s in 2013, when Macklemore and Ryan Lewis’ “Thrift Shop” (featuring Wanz) and “Can’t Hold Us” (featuring Ray Dalton) led for six and five weeks starting that February and May, respectively (with the songs on ADA/Warner); in between, Baauer’s “Harlem Shake” (Jeffree’s/Mad Decent/Warner) reigned for five frames beginning that March.

The label formed in 1958 and first reached No. 1 with The Everly Brothers’ “Cathy’s Clown” in May 1960. It rebranded from Warner Bros. to Warner Records in 2019, making “I Remember Everything” its first leader under its newer name.

Bryan’s Belting Bronco imprint scores its first placement atop the Hot 100.

We ‘remember’ ‘everything’: Here’s something to remember. Thanks to “I Remember Everything,” the word “remember” is in the title of a Hot 100 No. 1 for the first time. Previously, Madonna notched the highest charting such song, as “I’ll Remember” reached No. 2 in 1994.

Meanwhile, the word “everything” appears atop the Hot 100 for a ninth time (and for a second time by an artist with Bryan in his name):

  • “I Remember Everything,” Zach Bryan feat. Kacey Musgraves, 2023
  • “Give Me Everything,” Pitbull feat. Ne-Yo, Afrojack & Nayer, 2011
  • “Everything You Want,” Vertical Horizon, 2000
  • “(Everything I Do) I Do It for You,” Bryan Adams, 1991
  • “I’ll Be Your Everything,” Tommy Page, 1990
  • “Everything She Wants,” Wham!, 1985
  • “I Just Want to Be Your Everything,” Andy Gibb, 1977
  • “Everything Is Beautiful,” Ray Stevens, 1970
  • “Turn! Turn! Turn! (To Everything There Is a Season),” The Byrds, 1965



Luke Combs’ cover of Tracy Chapman’s self-written 1988 Hot 100 top 10 “Fast Car” adds an eighth week at its No. 2 high, steady in rank. It concurrently crowns the Radio Songs chart, rising 2-1 with 78.8 million in audience.

As it led Country Airplay for five weeks, the song is just the fifth – and the first by a solo male with no accompanying acts – to have topped the Country Airplay and all-format Radio Songs charts, dating to the surveys’ 1990 inceptions (and the latter list’s 1998 expansion to include country panelists, among other format reporters). Here’s a recap, with all five songs having achieved both country and pop radio success.

Radio Songs No. 1s That Also Topped Country Airplay:

  • “Fast Car,” Luke Combs, one week to date atop Radio Songs, 2023
  • “I Hope,” Gabby Barrett feat. Charlie Puth, one, 2020 (Barrett was solely credited on Country Airplay; Puth joined for its pop remix)
  • “Meant to Be,” Bebe Rexha & Florida Georgia Line, five weeks, 2018
  • “Need You Now,” Lady A, two, 2010
  • “You Belong With Me,” Taylor Swift, two, 2009

(As a writer, Chapman previously peaked as high as No. 2 on Radio Songs with her own single “Give Me One Reason,” in 1996.)

Doja Cat’s “Paint the Town Red” pushes from No. 5 to a new No. 3 Hot 100 high, as it wins top Airplay Gainer honors (up 25% to 28.2 million in airplay audience). It leads the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts for a second week each.

Morgan Wallen’s “Last Night” descends 3-4 on the Hot 100, following 16 weeks at No. 1 – the most ever for a non-collaboration; Taylor Swift’s “Cruel Summer” slips 4-5, after reaching No. 3; and Oliver Anthony Music’s “Rich Men North of Richmond” falls to No. 6 after spending its first two weeks on the chart at No. 1 (down 8% to 21.2 million streams and 71% to 34,000 sold, although it leads Digital Song Sales for a third week; it’s up 7% to 2.4 million in radio audience).

SZA’s “Snooze” returns to the Hot 100’s top 10, at a new No. 7 best, from No. 11, up 64% to 17.3 million streams following the Aug. 25 premiere of its official video, good for the chart’s top Streaming Gainer award. It leads the multi-metric Hot R&B Songs chart for a seventh week.



Miley Cyrus’ “Used to Be Young” bounds onto the Hot 100 at No. 8, with 25.9 million in airplay audience, 17.8 million streams and 19,000 sold from its release Aug. 25 through Aug. 31. It opens at No. 2 on Digital Song Sales, No. 9 on Streaming Songs and No. 19 on Radio Songs – it’s the second song to start in the Radio Songs top 20 this year, after Cyrus’ “Flowers” began at No. 18 in January (on its way to an 18-week command, the longest ever for a song by a woman).

Cyrus collects her 12th Hot 100 top 10. Her previous top 10s, including one under her former Hannah Montana alter ego: “Flowers” (No. 1, eight weeks, 2023); “Without You,” with The Kid LAROI (No. 8, 2021); “Malibu” (No. 10, 2017); “Wrecking Ball” (No. 1, three weeks, 2013); “We Can’t Stop” (No. 2, 2013); “Can’t Be Tamed” (No. 8, 2010); “Party in the U.S.A.” (No. 2, 2009); “He Could Be the One” (Hannah Montana; No. 10, 2009); “The Climb” (No. 4, 2009); “7 Things” (No. 9, 2008); and “See You Again” (No. 10, 2008).

Rounding out the Hot 100’s top 10, Dua Lipa’s “Dance the Night” holds at No. 9, after reaching No. 7, and Gunna’s “Fukumean” drops 7-10, after hitting No. 4.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram and all charts (dated Sept. 9), including the Hot 100 in its entirety, will refresh on Billboard.com tomorrow (Sept. 6).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Nirvana’s ‘In Utero’ 30th Anniversary Remastered Collection to Feature 53 Unreleased Tracks

Nirvana will celebrate the 30th anniversary of the trio’s final studio album, 1993’s In Utero with a massive box set. The raw collection that solidified the band’s mix of shimmering, urgent pop songwriting (“Sever the Servant,” “Heart-Shaped Box,” “Pennyroyal Tea”) and scorched earth punk (“Scentless Apprentice,” “Rape Me,” “Milk It”), will be reissued in a number of formats on Oct. 27 with a slew of previously unreleased material.

The bonus features on the remastered collection include 53 previously unreleased tracks, including two never-before-released full concerts from the In Utero tour. The album, originally released on Sept. 21, 1993, became Nirvana’s first No. 1 album on the Billboard 200 album charts following the surprise global success of their 1991 major label debut, Nevermind. The anniversary formats will include an 8LP super deluxe box set, 5CD super deluxe box, as well as a 1 LP + 10″ edition, 2CD deluxe edition and a digital super deluxe edition.

The super deluxe editions will include 72 tracks, including the Live in Los Angeles (1993) concert and the band’s final Seattle performance, 1994’s Live in Seattle; there will also be six additional bonus live tracks from shows in Rome, Springfield and New York. Seattle producer and engineer Jack Endino — who was behind the boards for the band’s 1988 debut, Bleach — reconstructed the live tracks from stereo soundboard tapes, according to a release announcing the sets.

The album’s original 12 songs — which also include “Frances Farmer Will Have Her Revenge On Seattle,” “Dumb,” “Very Ape,” “Tourette’s” and “All Apologies” — as well as five bonus tracks and b-sides were newly remastered from the original analog master stereo tapes by Bob Weston at Chicago Mastering Services; Weston assisted In Utero engineer Steve Albini during the original sessions.

The physical super deluxe edition box also has a removable front acrylic panel with the album’s iconic angel cover art, as well as a 48-page hardcover book with unreleased photos, a newly designed 20-page fanzine, an L.A. tour poster lithograph by hot rod artist Coop and replicas of the 1993 record store promo angel mobile. The sets will also pack in three gig fliers, two ticket stubs for L.A. and Seattle shows, an all-access tour laminate and four cloth sticky tour backstage passes.

The second LP will feature five bonus tracks and b-sides: “Gallons of Rubbing Alcohol Flow Through the Strip,” “Marigold,” “Sappy,” “Moist Vagina” and “I Hate Myself and Want to Die.”

Check out the track listing for the 8-LP super deluxe edition below (and the rest of the editions here):

LP 1
IN UTERO
Original Album Remastered

SIDE 1

1. Serve The Servants
2. Scentless Apprentice
3. Heart-Shaped Box
4. Rape Me
5. Frances Farmer Will Have Her Revenge On Seattle
6. Dumb

SIDE 2

1. Very Ape
2. Milk It
3. Pennyroyal Tea
4. Radio Friendly Unit Shifter
5. tourette’s
6. All Apologies

LP 2:
BONUS TRACKS & B-SIDES
Remastered

SIDE 1

1. Gallons Of Rubbing Alcohol Flow Through The Strip
2. Marigold
3. Sappy 
4. Moist Vagina
5. I Hate Myself And Want To Die

BONUS LIVE 1993/1994

SIDE 2

1. Serve The Servants (Live in Rome)*
2. Scentless Apprentice (Live in Rome)*
3. Heart-Shaped Box (Live in Rome)* 
4. Very Ape (Live in Rome)*
5. Milk It (Live in Springfield)*
6. tourette’s (Live in New York)*

LP 3-5
LIVE IN LOS ANGELES
Great Western Forum – December 30, 1993

SIDE 1

1. Radio Friendly Unit Shifter*
2. Drain You*
3. Breed*
4. Serve The Servants*

SIDE 2

1. Come As You Are*
2. Smells Like Teen Spirit*
3. Sliver*
4. Dumb*

SIDE 3

1. In Bloom*
2. About A Girl*
3. Lithium*
4. Pennyroyal Tea*

SIDE 4

1. School*
2. Polly*
3. Frances Farmer Will Have Her Revenge On Seattle*
4. Rape Me*
5. Territorial Pissings*

SIDE 5

1. Jesus Doesn’t Want Me For A Sunbeam*
2. The Man Who Sold The World*
3. All Apologies*
4. On A Plain*

SIDE 6

1. Heart-Shaped Box
2. Blew*
3. Feedback Jam*

*previously unreleased

Did Offset Tease Solo Album Release Date With Michael Jackson-Inspired Outfit at Beyoncé Renaissance Tour Date?

Fans have been eagerly awaiting any information about Offset‘s upcoming solo album, his first full-length since 2019’s Father of Four. After the recent release of his latest team-up with wife Cardi B, “Jealousy,” the timing seemed right for an update on the as-yet-untitled album and some fans think the Migos member secretly spilled the news via a Michael Jackson-inspired outfit he wore to Beyoncé’s Renaissance tour show in Los Angeles over the weekend.

In a series of Instagram photos posted on Saturday, Offset stood on a street in a black outfit covered with a silver breastplate, arm shields and several silver belts that were reminiscent of the military-like costumes favored by the late King of Pop. But what caught fans’ eyes was a white armband ‘Set sported on his left arm.

It read “1013,” leading to speculation that the collection could be released on Oct. 13, which is a Friday, the day that albums typically drop; at press time Offset had not revealed any additional details about the release date and a spokesperson for the rapper could not be reached for comment. The photos also included Offset standing with four male dancers dressed in black pants and white jackets, their faces obscured by white gas masks.

The final slide was from the rapper’s performance before Beyoncé’s set — with the masked dancers — of Migos’ 2016 hit “Bad and Boujee” with DJ Khaled during the latter’s pre-Bey warm-up set, which also included slots from 2 Chainz, Wiz Khalifa, Lil Wayne, Coi Leray and others.

Offset was also front-and-center in what will surely be one of the most famous electric slide videos of all time, shot on Friday’s opening night of the three-night stand at L.A.’s SoFi Stadium. In the clip, ‘Set moves side-to-side alongside Jay-Z and Kris Jenner while Bey performs her take on Frankie Beverly and Maze’s “Before I Let Go” behind them.

Check out Offset’s outfit below.

Miley Cyrus Didn’t ‘Make a Dime’ on Bangerz Tour: ‘I Paid For It All to Make It Exactly What I Thought I and The Fans Deserved’

Miley Cyrus learned early on that if you’re going to invest, invest in yourself. As part of her ongoing “Used to Be Young” TikTok series, Miley dove into the money-losing 2014 Bangerz Tour, the surreal 78-date celebration of her hip-hop inspired album of the same name featuring the hits “We Can’t Stop” and “Wrecking Ball.”

“The Bangerz tour was an investment in myself. A lot of these ideas were kind of so outlandish that no one really wanted to support me in making these pieces,” Cyrus said of the wild show that opened with her sliding down a giant slide in the shape of her own tongue and also included a parade of furries, a life-sized puppet of Big Sean and a giant flying hot dog, among other amusements.

“So I had big puppets, oversized beds, I came out of my own face on my tongue,” Miley recalled. The trippy fantasia was cooked up by Cyrus and creative director Diane Martel, with the latter asking Miley how she wanted to end the concert each night and getting an answer she likely didn’t expect.

“[Martel] goes, ‘How would you want to end this concert?’ Like, ‘The show is so big, how do you want to end it?’ And I wanted to end it in a Truman Show reference,” the singer said of the beloved 1998 Jim Carrey movie about a mild-mannered insurance salesman who slowly begins to realize his whole live has taken place inside a reality TV series.

“So I flew out on a giant hot dog, obviously, and I left through all the clouds and the exit sign, the way Jim Carrey does, because I felt like The Truman Show was really a reflection of my life.” The singer, who, like Truman Burbank, has spent her entire life in front of the cameras, was savvy enough at that age (21) to realize that the best money she could spend to promote her passion project was on her own, admittedly quirky, vision.

“‘Why are you doing this? You’re going to do like 100 shows and not going to make any money,’” Cyrus recalled being told. “I said there’s no one I would rather invest in than myself. So I paid for it all to make it exactly what I thought I and the fans deserved.”

Watch Miley talk Bangerz tour below.

Cardi B and Megan Thee Stallion Announce ‘Bongos’: Here’s the Release Date

Get ready for Cardi B and Megan Thee Stallion to team up again, this time for “Bongos.”

“Bongos” will be here Friday (Sept. 8), Cardi and Megan just announced. The new track can be pre-saved now via streaming services Spotify and Apple Music.

They unveiled “Bongos” artwork with the announcement. The colorful visual shows the two rappers in coordinating blue and purple one-pieces and high heels, with their hair styled in playful, multi-colored curls, and lollipops in hand.

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Cardi and Megan haven’t shared further details yet, but this is their second collab — so fans are already hyped. Their first song together — the NSFW smash hit “WAP,” released on Atlantic Records — spent four weeks at No. 1 on the Billboard Hot 100 in 2020.

“Y’all remember when the FCC almost sued me cuz I performed WAP at the Grammys? What about when all the republicans literally harassed me over it? On the news everyday… Y’all remember? Oooohhh cuz I do,” Cardi reminisced over the summer. Last week, Cardi B and Megan won a court ruling tossing out a lawsuit that accused them of stealing the lyrics to “WAP” and Meg’s “Thot Shit” from an earlier track called “Grab Em by the P—-.”

Also in August, Cardi gave an update on her sophomore album that interestingly turned out to be a decoy — or maybe “Bongos” just came to be very recently.

“I’m not going to release any more collaborations,” she said for her Vogue México y Latinoamérica cover story. “I’m going to put out my next solo single. Right now, I’m working on the cover art and ideas for the next record because it’s definitely coming up. Everyone always tells me I should put the record out now. They did when I released ‘WAP’ [with Megan Thee Stallion] and when I released ‘Up,’ but I always let them know I’m not going to wait long after all these singles. So stay tuned because it’s coming out very soon.”

See the pair’s “Bongos” announcement and artwork below.

Burning Man Attendees Begin to Leave After Being Stranded in Muddy Nevada Desert

The scene at Burning Man 2023 has returned to relative normalcy, with its gate officially opened earlier on Monday (Sept. 4), allowing attendees to leave the event in the remote Nevada desert.

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The event’s roughly 73,000 attendees were previously confined to the site after the event’s ingress/egress gate was closed following several rain showers that turned roads into thick, sticky mud, making them largely impassible.

As of Monday afternoon, the sun was shining over Black Rock City, and attendees who remained were disassembling the hundreds of camps that make up the event. Cars began leaving earlier in the day when the gate road officially opened, although many cars, trucks and RVs made their way out via the gate and a service road over roughly the last 24 hours. Several cars that had gotten stuck in the mud before the roads fully dried were seen around Black Rock City, with tow trucks also on site.

Such road traffic has made many of the streets in Black Rock City deeply rutted, although others remain flat and easier to pass. A volunteer at Burning Man’s official information booth could not advise on how long it’s currently taking for those exiting the event to make it out of the gate, but did say the wait in line could be “extreme.” (Last year, it took many leaving the event upwards of 12 hours to depart.)

The Burning Man airport also resumed service on Monday, with flights currently only traveling to Reno. The Burner Busses that transport attendees to and from Burning Man from cities including Reno and San Francisco also resumed service.

Organizers have opened up WiFi networks so that people can communicate with the outside world, and camps are also sharing passwords to their own networks with others. WiFi coverage doesn’t extend to the entire city, but attendees can walk around and have a pretty good shot of finding it.

The event’s namesake Man will burn Monday night at 9 p.m. The burn was delayed from its traditional Saturday night scheduling due to general wetness and the fact that emergency vehicles like fire trucks could not make it out to the Man structure in the mud. Another large-scale tower structure is also scheduled to burn this evening at midnight, with Burning Man’s temple — where Burners leave mementos of the dead and other heartbreaks — set to burn Tuesday (Sept. 5) at 5 p.m.

Around the site on Monday, groups of campers were heard making plans for bringing their art cars out to watch the Man burn. Bikes, the standard mode of transportation on the typically flat and hard-packed desert playa, are once again in motion. While Burning Man has had a difficult time getting those with electric bikes to abide by the citywide five m.p.h. rule, those with these e-bikes were seen moving quite slowly through the city to avoid being thrown off by the bumpy surface.

The spirit of community that’s core to Burning Man was also witnessed throughout Black Rock City, with many camps sharing leftover provisions — popsicles, pork tenderloin, Gatorade, stuffed animals — with passersby. Some also seemed keen to continue the party, with one remarkably fresh-looking woman remarking, “Oh no, they took the orgy dome down” upon arriving to the site where this structure once stood.

One death was reported at Burning Man, but according to the Associated Press, organizers said the death of a man in his 40s was not related to weather conditions. An investigation is underway, said the sheriff of nearby Pershing County; the man’s name and cause of death has not been provided.

Billboard also heard a confirmed report of an isolated electrocution incident after cables in the ground got wet in the rain. It was reported that the man who experienced this electrocution is in well and stable condition following the accident.

As is normal with the disassembling of Burning Man, Burners will be there for days, likely longer, taking down the rest of their camps and doing their best to ensure that the event’s “leave no trace” ethos is abided by. Sun is predicted for the remainder of the week.

Oliver Anthony Rolls Out ‘90 Some Chevy’ With Live Performance Video

Oliver Anthony Music is churning out the country tunes. His latest new video is a live performance of “90 Some Chevy,” a country love song that could be a classic.

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The singer-songwriter — who is from Farmville, Virginia, and whose stage name honors his grandfather — had previously uploaded a raw version of “90 Some Chevy.” The original was among the songs he’d only recorded on his cell phone, but it’s worth a listen in comparison to the updated, more polished “90 Some Chevy” that’s now on YouTube and available on music streaming services.

“90 Some Chevy” is one of Anthony’s lighter songs, with lyrics comparing his romantic interest — who is his Carter, while he’s her Cash — to a beloved Chevy.

He opens the song with a memorable hook: “That old darlin’ of mine is like a 90-some Chevy/ She rides just right when you turn her on/ The only thing sounds better than that old 350/ Is when she’s runnin’ up to kiss me when I get home.”

He later sings, “She’s hotter than hell, I’m higher than gas/ She’s sweeter than honey, I’m poor white trash/ She ain’t had a check that I couldn’t cash/ I guess if she’s my Carter, then I’m her Cash/ I’ve been sittin’ around and drinkin’ on it/ I guess I’m gonna have to get me a ring and get it on it.”

Since its upload two days ago, Anthony’s new “90 Some Chevy” video has accumulated 1.3 million views and counting.

“Thanks so much to everyone,” he captioned the performance. “Enjoy your Labor Day!”

Meanwhile, Anthony’s “Rich Men North of Richmond” remains a breakout hit: It launched at No. 1 on the Billboard Hot 100, where it’s so far been sitting pretty for two weeks. He’s the first artist ever to launch atop the Hot 100 with no prior chart history in any form. 

Watch the ’90 Some Chevy’ video below.



Here’s the Emotional New Song Taylor Swift Is Loving Right Now

Taylor Swift shared the song that she’s currently listening to on Monday afternoon (Sept. 4).

“damn griff i love this one,” Swift wrote in an Instagram Story.

She linked to Griff‘s new single “Vertigo,” potentially encouraging up to 271 million followers to click over to the track.

Griff responded excitedly to the co-sign: “What!! Is!! Happening!! I have no words,” she wrote, and then directed a whole lot of emojis Swift’s way. “Now everyone go do what the queen says and stream vertigo.”

Although Griff seemed surprised by the social media support from Swift, the two artists have connected before. They met and took photos together at the 2021 Brit Awards, where Swift was the recipient of the global icon award and Griff was named rising star. Swift has previously called Griff’s “Shade of Yellow” an “excellent” song.

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Griff recently told Dork that “Vertigo” is a “sad, heartbreak” sort of song.

“When someone leaves your life, you spend a lot of time asking if it was your fault. This song lists all those reasons why it could be, but it’s also about trying to reassure yourself that there was nothing you could have done to make it better. With the way it crescendos, I’ve always heard it as a bit of an emotional rollercoaster,” the singer-songwriter said of the new release.

“There’s a darkness to ‘Vertigo’ that maybe I haven’t tapped into as much before,” Griff continued. “It’s still major, but there’s something quite dark and moody about it too.”

Griff is working on her debut full-length album, which will be the follow-up to her 2021 mixtape, One Foot in Front of the Other.

“It’s the start of a new season for me, for sure,” she told Dork of the new music she’s been creating.

Check out Swift’s Instagram Story here, and see Griff’s “Vertigo” visualizer below.