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On Friday (May 30), Taylor Swift both announced that she has finally acquired the masters to her first six albums and gave an update on the long-awaited Reputation re-record — but fans suspect that, to top it all off, she also subtly teased her 12th album.
In a letter posted to her website, the pop star revealed that she finally has control over her entire body of work after purchasing back her masters from Shamrock Capital (for somewhere around $360 million, sources tell Billboard). The sale comes six years after Scooter Braun acquired her catalog from Scott Borchetta in 2019, after which the music manager sold his ownership of Swift’s music to Shamrock in late 2020.
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“I’m trying to gather my thoughts into something coherent, but right now my mind is just a slideshow,” Swift wrote in her message, emphasizing how meaningful the acquisition is to her. “A flashback sequence of all the times I daydreamed about, wished for, and pined away for a chance to get to tell you this news.”
But what caught fans’ eye was what the 14-time Grammy winner wrote next. “All the times I was thiiiiiiiiiiiis close, reaching out for it, only for it to fall through.”
The statement may seem innocuous — and for all Swifties know, it is — but it’s hard not to focus in on the fact that she included no less than 12 “i”s when writing out the word “thiiiiiiiiiiiis.” Swift has released 11 albums over the course of her career, the last of which, The Tortured Poets Department, arrived in April 2023 and spent 17 weeks at No. 1 on the Billboard 200. That would make her next LP her 12th, a fact that has fans thinking she just teased the upcoming project with her note.
“THE LETTER HAS 12 I’s TS12 IS COMING SOON TOO OMG IM SO HAPPY FOR TAYLOR,” one fan wrote on X, sharing a screenshot of the letter.
“IT’S A TS12 SUMMER!!!” another fan posted, while a third Swiftie shared a screenshot of the letter and wrote, “I feel like ts12 just got so much closer.”
The 12-count “i” situation is just the latest suspected clue fans have picked up on ahead of the “Fortnight” singer’s predicted 12th album. Much fanfare was also made when Swift attended the 2025 Grammys wearing earrings with exactly 12 red jewels apiece, and in March, she used a sequence of 12 “D”s when praising Selena Gomez and Benny Blanco’s I Said I Love You First album on Instagram.
“I LOVE THIS ALBUM SO MUCH OH MY GODDDDDDDDDDDD,” Swift wrote on her Story at the time.
Sharing screenshots of the earrings, the Gomez-Blanco post and the letter about her masters, one Swiftie wrote Friday, “SUDDENLY LIFE IS WORTH LIVING TS12 TRUTHERS RISE.”
But while fans may be excited about the prospect of Swift’s 12th album coming soon, it’s just one of many things they are celebrating. Social media has seen an outpouring of Swifties rejoicing over the musician finally owning her life’s work, something she wrote in her letter is her “greatest dream come true.”
The purchase comes after six years of publicly feuding with Borchetta and Braun over the way the original sale was handled, as well as the re-releases of four of her first six albums: Fearless, Speak Now, Red and 1989. In her letter, Swift emphasized how thankful she was to fans for sticking with her every step of the way.
“You’ll never know how much it means to me that you cared,” she wrote. “Every single bit of it counted and ended us up here. Thanks to you and your goodwill, teamwork and encouragement, the best things that have ever been mine… finally actually are.”
Most people don’t have to worry about hiding a growing baby bump while modeling in a seductive lingerie shoot. But then again, Rihanna is not most people.
The superstar took to social media on Friday (May 30) to share a look at the creative ways she kept her pregnancy a secret while shooting Savage X Fenty’s latest campaign.
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“It’s me playing ‘hide the baby bump’ whole shoot!” the megastar captioned the carousel showing off her menagerie of clever poses before adding, “Boutta be a cheeky summer” with a pair of sun and peach emojis.
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In one snap, RiRi poses with her stomach flat against a wall made up of vibrant, blue pool tiles; in several others, she stands with her back to the camera altogether, offering a series of tantalizing smizes from over her shoulder. Still, the mom of two couldn’t avoid taking pictures from the front for the entire shoot, so when the time came, she opted to lean back in a plastic chair, wisely covering her stomach with her right arm while slinging the opposite leg across her right knee.
Naturally, the mogul also used the post to plug the gorgeous lingerie she was sporting in the photo shoot, adding, “New mosaic floral lace @savagexfenty just dropped!”
Many members of the Navy were quick to hype up their queen in the comments section, with one writing, “And the body stay bodying, even if it’s growing another body” while another declared, “My phone is overheating now.” Others couldn’t help but joke about the singer’s elusive ninth album, commenting, “R9 is winning the hide and seek though.”
Earlier this month, Rihanna announced her third pregnancy with partner A$AP Rocky on the carpet of the 2025 Met Gala, where she put her sweet baby bump on display in a custom tailored ensemble by Marc Jacobs. Since then, she’s also released “Friend of Mine,” her first single in three years, off the Smurfs soundtrack.
Check out Rihanna’s cheeky, pregnancy-hiding photo shoot here.
What does Alexandria Ocasio-Cortez listen to when she’s fighting for change or passing legislation on Capitol Hill? A lot of Bad Bunny, as it turns out.
In a new interview with Rolling Stone published Friday (May 30), the politician opened up about policy, the Donald Trump administration and, of course, her favorite tunes. “I have had the Bad Bunny album on repeat,” she told the publication, referencing 2025’s four-week Billboard 200 chart-topper Debi Tirar Mas Fotos.
“As a Puerto Rican, the album is very cathartic, and it’s very political,” AOC continued. “It speaks to a lot of what’s happening to us and our people right now.”
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The New York native added that she loves how the rapper is “bringing salsa back.” “Rauw Alejandro is doing that, too,” she noted. “I’m a big salsa person. It’s such a nice outlet. I like it because the lyricism is so dramatic. Everyone’s breaking up, everyone’s got the love of their life. It’s so funny.”
AOC’s praise of the “Titi Me Pregunto” artist comes as he’s gearing up to tour the globe in support of his new album, traveling around Latin America, Asia, Australia and Europe. He’s also been breaking numerous sales records while he’s at it, from becoming the first Latin act to ever sell out a stadium concert in Australia to selling all-time high amounts of tickets in France, Italy, Poland, Portugal and Sweden for a Latin artist.
Other than his upcoming residency in Puerto Rico, however, Bunny is notably skipping the United States on his tour. When asked for her thoughts, Ocasio-Cortez told RS, “We just don’t have figures like that anymore.”
“I think about the Civil Rights Movement, and I think about people like Harry Belafonte and all of these artists who really did risk everything, risk their careers and their popularity in order to support and take part in people’s movements, and to use their art … it’s more rare now, or at least it feels that way,” she continued. “I wasn’t around then. The pressures of the industry are to be as broad as possible. When you have someone who does something gutsy like that, first of all, people come through for it, and it’s super compelling.”
To the representative’s point about Bunny being political, the three-time Grammy winner is also active in politics outside of his music. In the 2024 U.S. election, he supported Kamala Harris’ campaign for president, boosting her messaging about what was at stake for Puerto Rican voters.
Several other Latin stars — including Luis Fonsi, Marc Anthony and Ricky Martin — also expressed support for Harris, though others backed Trump. In September, AOC dissed Nicky Jam and Anuel AA for endorsing the twice-impeached POTUS during a congressional hearing.
“I suppose that puts you and Nicky Jam and Anuel in the same boat,” she told Mark Krikorian, the executive director of the far-right Center for Immigration Studies, after he claimed not to remember Trump saying he wanted to “sell” Puerto Rico.
Cardi B torched Offset after learning that her estranged husband filed for spousal support in their divorce proceedings. She hopped on X Spaces on Friday (May 30) and exploded on her ex for his spousal support request. The Grammy-winning rapper called Set a “f—-ing b—h” during her emotionally charged rant.
“Cus now I’ma crash out and I don’t give a f–k. You a b—h. N—a, you a f—ing b—h,” she began. Cardi B called out the reasoning behind Offset’s spousal support request, as he told The Breakfast Club it was over Cardi “asking for everything” and not letting him see their kids, which she denies.
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“You such a f–king p—y a– n—a,” she continued. “Word to my mother, I want you to die, but I want you to die f–king slow. When you die, I want you to die slow in the bed. And when you die, n—a, you gotta think of me.”
Cardi explained that she amended her divorce filing, asking for “no child support” because she “wants to be done with this marriage.”
“[Offset] is allowed to see my kids. He stood up my kids three times. He has seen Blossom only like five times,” she said of their four-month-old. “And I’ve been trying to save your face … Stop playing.”
She went on to claim that the last time Offset saw their kids was in March at his son Kody’s birthday. (He shares the 7-year-old with ex Oriel Jamie. Cardi detailed that the Migos rapper took issue with having to see their kids in a hotel room since she’s not allowing him to pull up to their New Jersey house.
Billboard has reached out to Offset’s reps for comment.
Earlier this month, Offset updated Cardi’s divorce petition in New Jersey’s Bergen County Superior Court with a request for an unspecified amount of alimony.
After more than six years of marriage, Cardi filed for divorce from Offset in August for a second time, seeking primary custody of their 6-year-old daughter Kulture, 3-year-old son Wave and baby girl Blossom. In February, Offset responded to the divorce, seeking joint custody of the children.
It appears Cardi B has moved on, as the “WAP” rapper was spotted courtside at a New York Knicks playoff game earlier in May with NFL star Stefon Diggs.
Fat Joe claims he bailed Justin Bieber out of jail following the pop star’s 2014 arrest in Miami Beach, but shared a conversation that followed between the stars that the rapper believes ruined their relationship.
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On the Thursday (May 29) episode of Joe & Jada, Joey Crack recalled receiving a call about a 19-year-old Bieber needing to be bailed out after being arrested in Miami Beach on charges of driving under the influence, driving with an expired license and resisting arrest.
“It wasn’t no money. It was nothing,” Joe begins about the bail amount. “Couple of hundred dollars, a thousand dollars. We used Rich Playa’s girl to bail him out. So we bail out Bieber, $100.” (The pop star’s bail was actually $2,500.)
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“The problem is he calls me to thank me and he starts saying, ‘I’m a gangster now.’ … He starts telling me he’s a gangster, I went to jail. I said, ‘Yo, Justin. Listen, bro. You gotta stop. We don’t want you gangster.’ We want you singing ‘Baby, baby.’”
Joe thinks that giving him some mature fatherly advice destroyed his relationship with Bieber, rather than going along with his rebelliousness at the time, as some others may have. They haven’t spoken much since the incident, according to the rapper.
“We don’t want you on the news. We don’t want you getting arrested. We want you to succeed. You’re Justin Bieber,” he continued. “My daughter worships you! We all love you! And that kinda messed up my relationship with him at that moment … He felt like I’m the fun killer. I f–ked up the moment.”
Billboard has reached out to reps for Justin Bieber for comment.
Seven years later, Bieber reflected on his 2014 arrest with some perspective and clarity on one of the low moments in his life as a teen.
“7 years ago today I was arrested, not my finest hour. Not proud of where I was at in my life. I was hurting, unhappy, confused, angry, mislead, misunderstood and angry at God,” he wrote to social media before mocking his fashion choices on the night of his arrest. “[I] also wore too much leather for someone in Miami. All this to say God has brought me a long way. From then til now I do realize something.. God was as close to me then as he is right now.”
Watch Fat Joe’s interview below. The Bieber bailout talk starts around the 18:50 mark.
Does it even feel like summer if Darkoo doesn’t drop? After last year’s “Favourite Girl” and “Focus On Me (All the Sexy Girls In The Club)” earlier this year, she’s giving the girls another reason to whine their waists with “Like Dat.” And three years after their sweet “2 Sugar” collab from his More Love, Less Ego album, Ayra Starr and Wizkid join forces again on island-infused Afrobeats banger “Gimme Dat” (which has no relationship to the aforementioned P-Square hit).
Speaking of Wizkid collabs, he teams up with Nigerian hip-hop icon Olamide for a new track, “Kai!,” while Seyi Vibez celebrates his new partnership with EMPIRE with a sonic departure in the form of new track “Pressure.” Meanwhile, Fido follows up his breakthrough smash “Joy Is Coming” with a new cut called “Money Moves,” while Kizz Daniel returns with a surprise seven-song EP called Uncle K: Lemon Chase that leads with the breezy song “Black Girl Magic.”
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We’ve highlighted 10 of our favorite new songs by African acts that have come out roughly within the last month. Check out our latest Fresh Picks, and pregame the summer season with our Spotify playlist below.
Ayra Starr & Wizkid, “Gimme Dat”
Ayra Starr and Wizkid are ready to fill up the “freakin’ dancefloor” this summer with “Gimme Dat.” The slow-burning acoustic guitar melody from Wyclef Jean and Mary J. Blige’s 2000 Grammy-nominated hit “911” and tropical drums, courtesy of producers VybeO and Mikabeatz adds to the song’s sensuality and serenity. But Wiz steals the spotlight in the middle of the song with his audacious “Goddamn” declaration that kickstarts his verse about sticking to one shorty who has all his attention.
June Freedom, “Oh My Lady”
The Cape Verdean American crooner creates a vibrant ode to intimacy with his latest single “Oh My Lady.” Producer Abolaji Collins Kuye’s glimmering Afro-fusion groove complement Freedom’s blend of English and Cape Verdean Kriolu sweet nothings that roll off his tongue as he reminds us that home isn’t always a place, it’s your person. “Two souls locked in, fully understanding each other on every level: mind, body and soul. I wanted to capture that rare kind of love that holds you down but still lets you fly. It’s like wake up to peace and falling asleep in passion,” he said in a press release.
Darkoo, “Like Dat”
The British-Nigerian star heats things up again with “Like Dat.” The pulsating Afroswing beat will immediately send any “naughty naughty” girl’s hips swinging, but her suave voice drives the track’s flirtatious energy. And Darkoo plays into her affinity for Y2K sonics and aesthetics by paying homage to the music video for Sean Paul’s 2003 smash “I’m Still in Love With You” with the same bold pop of orange and yellow in the Sam Fallover-directed “Like Dat” visual.
Ayox & Qing Madi, “WHAT HAVE YOU DONE”
The self-proclaimed “loner of Afrobeats” Ayox and Billboard’s repeat 21 Under 21 honoree Qing Madi are a melodic match made in heaven on “WHAT HAVE YOU DONE” from his sophomore EP WHEN NOBODY IS WATCHING. They swap sweet-sounding confessions about taking accountability and wanting to do better by their lovers over pulsating rhythms and thrilling saxophone riffs.
Twitch 4EVA, Yung D3mz & Uche B, “Temperature”
Ghanaian artists Twitch 4EVA and Yung D3mz and producer Uche B team up on the scorching single “Temperature.” The spurts of the log drums feel like trickling beads of sweat down the body, but the whistling ad-libs interspersed throughout the song add more ventilation.
Olamide & Wizkid, “Kai!”
Two titans of the last two decades of African music, Olamide and Wizkid, teamed up for this slick cut, which layers a horn section over some traditional Afrobeats drum patterns and features both icons crooning, using their voices as additional instrumentation to augment the track. The video sees the two of them dressed to the nines in a nightclub setting, too, enhancing the overall vibe of the track.
Seyi Vibez, “Pressure”
Fresh off his new partnership with EMPIRE, Nigerian street prince Seyi Vibez immediately diverted from his usual grittier sound to drop this love song, with warmer and more inviting themes than his usual gruffer fare. It’s “a complete shift from my usual sound,” he said in a press release about the track. “It leans into melody, intimacy and raw emotion. It’s smoother, softer and more intentional. I wanted to show my range, to prove that I can give you fire and tenderness in the same breath. This track is about the quiet power of love and attention. Sometimes the loudest statement is how you move when no one’s watching. That’s real pressure.”
Fido, “Money Moves”
Fresh off his breakout smash single “Joy Is Coming,” Fido returns with “Money Moves,” an engaging cut with an earworm hook — quickly becoming a hallmark of his — that brings in amapiano elements to underpin his melodic vocals. If joy was coming on his last single, it’s arrived in the form of stacks of cash in this one.
Bhadboi OML feat. L.A.X., “River”
Bhadboi OML has been steadily building a name for himself with a string of single releases over the past year or so, and this one lands with a breezy vibe just on the cusp of summertime with a hook that implores the listener to “cry me a river.” Teaming up with fellow Nigerian and veteran artist L.A.X. adds another dimension to this one, but Bhadboi takes the bulk of it and delivers a hit for the season.
Kizz Daniel, “Black Girl Magic”
Returning out of nowhere with a new EP, the seven-song Uncle K: Lemon Chase — featuring collaborations with ODUMODUBLVCK, Angélique Kidjo, Bella Shmurda, Zlatan and more — Kizz Daniel bolsters his discography with “Black Girl Magic,” a free-spirited, lighthearted ode to treating your girl right no matter the cost. The full project is worth checking out, but this one sets the tone.
Thom Yorke is speaking out for the first time about a confrontation with an audience member at one of his gigs in Australia last year that the Radiohead singer said left him emotionally distraught. In a lengthy Instagram post on Friday morning (May 30), Yorke described his feelings about “some guy shouting at me from the dark last year” as he was preparing to sing the final song at his solo show in Melbourne.
After a man in the audience shouted comments about “Israeli genocide in Gaza” during the gig at the Sidney Meyer Music Bowl in October, Yorke stopped the show and challenged the person to come on stage and say it to his face before walking off in seeming disgust. In his Instagram post, Yorke said that moment didn’t really seem like the best one to “discuss the unfolding humanitarian catastrophe in Gaza.”
Afterwards, however, Yorke wrote that he “remained in shock that my supposed silence was somehow taken as complicity,” adding that he “struggled to find an adequate way to respond to this and to carry on with the rest of the shows on the tour. That silence, my attempt to show respect for all those who are suffering and those who have died, and to not trivialize it in a few words, has allowed other opportunistic groups to use intimidation and defamation to fill in the blanks, and I regret giving them this chance.”
While Yorke didn’t specify which comments he was referring to, he said not formally responding to the vitriol has “had a heavy toll on my mental health.”
The remainder of the eight-page post is a pointed broadside against Israeli prime minister Benjamin Netanyahu, whom Yorke called out the last time Radiohead played in Israel, in July 2017. At that time, he wrote, “We’ve played in Israel for over 20 years through a succession of governments, some more liberal than others. As we have in America. We don’t endorse [Israeli Prime Minister Benjamin] Netanyahu any more than Trump, but we still play in America.”
The singer wrote on Instagram that he hoped that anyone who has ever listened to his or his band’s music, read the lyrics or seen their artwork would clearly understand that he could not “possibly support any form of extremism or dehumanization of others. All I see in a lifetime’s worth of work with my fellow musicians and artists is a pushing against such things, trying to create work that goes beyond what it means to be controlled, coerced, threatened, to suffer, to be intimidated .. and instead to encourage critical thinking beyond borders.”
If his message was not clear, Yorke made his feelings about Israel’s longest-serving PM even more so in the statement. “I think Netanyahu and his crew of extremists are totally out of control and need to be stopped,” he wrote. “And that the international community should put all the pressure it can on them to cease. Their excuse of self-defence has long since worn thin and has been replaced by a transparent desire to take control of Gaza and the West Band permanently.”
Netanyahu has overseen a nearly two-year war on Hamas in the wake of the extremist group’s attack on Israel on Oct. 7, 2023, during which raiders killed nearly 1,200 Israelis and foreign nationals and took 250 hostages. In the ensuing battles, Israeli forces have mercilessly pounded Gaza with bombs that have destroyed much of the region’s infrastructure, killing more than 53,000, according to Palestinian health officials. The daily attacks have also led to a humanitarian crisis and what experts warn is a potentially devastating famine due to the Netanyahu administration’s refusal to let sufficient food aid into the decimated region.
Yorke lambasted what he called Netanyahu’s “ultra-nationalist” administration, claiming that Harvard-educated Netanyahu and his hard-right peers have hidden behind a “terrified & grieving people and used them to deflect any criticism, using that fear and grief to further their ultra-nationalist agenda with terrible consequences, as we see now with the horrific blockage of aid to Gaza.”
Israel has begun allowing more food aid into Gaza in recent days, though the new distribution mechanism backed by the U.S. and Netanyahu has resulted in chaotic scenes in which tens of thousands of Palestinians reportedly on the verge of famine swarmed the sites to grab bags of food and flour. As talks for another temporary cease fire are under way, Israel has continued its daily bombing of Gaza, even as it has ordered serially displaced Palestinians to move to an area near the coast as the military attempts to empty out large areas where it says Hamas fighters remain.
“While our lives tick along as normal these endless thousands of innocent human souls are still being expelled from the earth… for what?” Yorke asked, pivoting to the issue of why the “unquestioning Free Palestine refrain” has not resulted in the return of what are believe to be the 58 remaining hostages. He also asked why Hamas undertook the “horrific” acts of Oct. 7, speculating that the militant group is choosing to “hide behind the suffering of its people, in an equally cynical fashion for their own purposes.”
Yorke ended by lashing out at “social media witch hunts” aimed at pressuring artists to make statements, efforts he said do little except exacerbate tensions, cause fear and over-simplify the situation. “This kind of deliberate polarization does not serve our fellow human beings and perpetuates a constant ‘us and them’ mentality,” Yorke wrote. “It destroys hope and maintains a sense of isolation, the very things that extremists use to maintain their position.”
The singer said he understands the push to “do something” when confronted with such suffering and loss, but cautioned against thinking that reposting “one or two line messages,” especially ones condemning others, is the answer. “It is shouting from the darkness,” he said. “It is not looking people in the eye when you speak. It is making dangerous assumptions. It is not debate and it is not critical thinking.”
Admittedly short on answers and aware that his note is unlikely to satisfy those looking to “target myself or those i work with,” Yorke ended by offering hope that his letter will allow him to join the many millions of others “praying for this suffering, isolation and death to stop.”
See Yorke’s full statement below.
Taylor Swift fans are very, very used to the pop star surprising them — but she might have just outdone herself with the announcement that she’s purchased back the masters to her first six albums, following an arduous six-year fight to do so.
The news comes after a bitter public feud with her old label boss Scott Borchetta, who in 2019 sold his Big Machine Label Group — along with Swift’s catalog — for upwards of $300 million to Scooter Braun, a situation the 14-time Grammy winner said at the time was her “worst-case scenario.” Also in a message posted to her Tumblr after the sale, she wrote that she’d learned about the deal “as it was announced to the world” and added, “All I could think about was the incessant, manipulative bullying I’ve received at his hands for years.”
Braun would later sell his ownership of Swift’s music to Shamrock Capital, and the musician would busy herself on a mission to re-record the albums she made with Big Machine. Fearless (Taylor’s Version), Red (Taylor’s Version), Speak Now (Taylor’s Version) and 1989 (Taylor’s Version) all sprung from this venture, topping the Billboard 200 each time and fueling the success behind Swift’s blockbuster Eras Tour.
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So when the “Fortnight” singer revealed in a letter on her website Friday (May 30) that she had finally won control over her masters, purchasing them from Shamrock for an amount that sources tell Billboard was about $360 million, fans were shocked — not just because of how long the journey has been up until this point, but also because of what it means for the long-awaited Taylor Swift and Reputation re-records. (In her letter, Swift shared that she’s already finished re-doing the former, but hasn’t even completed “a quarter” of the latter. “To be perfectly honest, it’s the one album in those first six that I thought couldn’t be improved upon by redoing it,” she wrote, adding that “there will be a time … for the unreleased Vault tracks from that album to hatch.”)
The day has been full of mixed emotions for Swifties, as many are sad to hear that Reputation may not get the full Taylor’s Version treatment after all. But more than anything, the overwhelming feeling in the fanbase’s online community has been elation since Swift shared her news. “THIS IS BETTER THAN REP TV,” one fan wrote on X. “THIS IS REPUTATION!!!!!!! THE WHOLE THING!!! RECLAIMING HERSELF!!!!! ALL. OF. IT.”
“the moral of the story is taylor ALWAYS wins in the end,” another person posted, while a third Swiftie wrote, “oh taylor you are so loved. the whole world was rooting for you.”
Many fans have also been rejoicing in the fact that they can now stream the original versions of Swift’s first six albums without having to worry anymore about supporting her competitors. “I’m so happy for Taylor Swift!” wrote one happy camper on X. “She owns all of it!!!!!! I can now go back and listen to all of her original albums and not feel guilty 😭 TODAY IS A GOOD DAY!!!!!”
See how Swifties are reacting to the singer’s big purchase below.
I’m so happy for Taylor Swift! She owns all of it!!!!!! I can now go back and listen to all of her original albums and not feel guilty 😭 TODAY IS A GOOD DAY!!!!! pic.twitter.com/vPiw5HCTzi— 💫 (@heyjaeee) May 30, 2025
THIS IS BETTER THAN REP TV THIS IS REPUTATION!!!!!!! THE WHOLE THING!!! RECLAIMING HERSELF!!!!! ALL. OF. IT.— LYDIA ⋆⭒˚.⋆🪩 (@mirrorballydia) May 30, 2025
I can’t even find the words to comprehend how happy I am— Taylor Swift Updates (@SwiftNYC) May 30, 2025
she’s so right reputation was an album that you really just had to be there for— mason (@larkieswiftie) May 30, 2025
not just the music but the music videos, concert films, album art & photography, unreleased songs from every single era now fully belong to taylor im so so so happy for her 😭😭😭😭😭😭😭😭😭😭😭😭😭😭 pic.twitter.com/mGOw2W1uuo— kaia! (@kaiamal13) May 30, 2025
btw pls don’t be too mad that we *may* not get rep tv. her owning the masters > > > > > > > > rep tv like this was the whole point— tushar (@reputushion) May 30, 2025
Sabrina Carpenter’s Short n’ Sweet is back at No. 1 on the U.K.’s Official Albums Chart for a fifth non-consecutive week on Friday (May 30). The “Espresso” star first hit the top spot upon release back in August 2024, and the LP has returned to the summit intermittently ever since; Short n’ Sweet was last […]
Justine Skye is beginning her next musical era with a fresh sound and a new label home: on Friday (May 30), the singer-songwriter released “Oh Lala,” a thumping dance collaboration with Kaytranada that re-imagines her R&B aesthetic and kicks off her stint at Warner Records.
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“I’m so excited to be part of the Warner family,” says Skye, who previously spent time signed to Atlantic Records and Republic Records, in a statement to Billboard. “From the beginning, they’ve truly seen the vision for this new era of my music and have been incredible partners in bringing it to life. ‘Oh Lala’ is a reflection of that creative freedom and support. The track builds a world where tempo and dance are the leading force.”
The Brooklyn native released her debut album, Ultraviolet, in 2018, and the Timbaland-produced Space & Time followed in 2021. As “Collide,” her 2014 collaboration with Tyga, was going viral on TikTok in 2022, Skye was already considering her next sonic pathway, with a desire to incorporate faster tempos in her studio output.
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“After going through so much emotionally, I hit a point where I just wanted to feel good again,” she explains in a press release for “Oh Lala.” “For me, that happened on the dance floor, being carefree with like-minded people — whether in Brooklyn, L.A., or Ibiza. I wanted to make music that matched that energy. Something sexy, something free, something that lets you forget everything but the moment you’re in.”
The “Oh Lala” music video was filmed at the famed (and now shuttered) Brooklyn nightclub, Paragon, with Kaytranada appearing alongside Skye. The new single was first teased in Nike’s new Air Max campaign featuring the singer.
Skye is being supported by both Warner and the label’s flagship dance imprint, Major Recordings. Her in-the-works label debut is being A&Red by Ericka Coulter (svp, A&R, Warner Records and GM, Free Lunch Records) and Chris Morris (svp, A&R, Warner Records).
