Music News

Why Willie Nelson’s Farm Aid May Be the Nation’s Most Crucial Music Festival Right Now

It has been one hell of a summer.

Fires sweeping across thousands of acres of dry Canadian wilderness sent apocalyptic clouds of smoke across East Coast cities. Hurricane Idalia, powered by rising ocean temperatures, raged across the Southeast causing widespread flooding and an estimated $12 billion to $20 billion in damage. Heatwaves sent temperatures soaring above 110 degrees from Portland to Puerto Rico. Drivers in Phoenix were burned by the seat belt buckles of cars left in the sun.

The climate crisis is real. 

Explore

See latest videos, charts and news

See latest videos, charts and news

“Our planet has just endured a season of simmering — the hottest summer on record. Climate breakdown has begun,” U.N. Secretary-General António Guterres said in a statement Sept. 6, marking the release of the latest data from the European Union’s Copernicus Climate Change Service by the World Meteorological Organization.

For more than three decades, one music event has been singularly focused on a piece of American life that holds at least part of the answer to this crisis — family farming. For that reason, Willie Nelson’s Farm Aid may well be the nation’s most important music festival right now.

“Climate change is the most important issue we face today,” says Dave Matthews, who is a member of the board — along with Nelson, John Mellencamp, Neil Young, and Margo Price — of Farm Aid, which Nelson launched in 1985, to help keep family farmers on their land. Since it began, through its annual benefit concerts, Farm Aid has raised more than $64 million to support programs that help family farmers.

Now in its 38th year, Farm Aid takes place Sept 23 at Ruoff Music Center in Noblesville, Indiana—Mellencamp’s home state — with the organization’s guiding artists joined by the Grateful Dead’s Bobby Weir & the Wolf Bros. featuring the Wolfpack, Lukas Nelson, Nathaniel Rateliff & the Night Sweats, Allison Russell, The String Cheese Incident and Particle Kid. Also on the bill: Clayton Anderson, The Black Opry featuring Lori Rayne, Tylar Bryant and Kyshona, the Jim Irsay Band, featuring Ann Wilson of Heart, Native Pride Productions and the Wisdom Indian Dancers.

“Farm Aid’s mission raises awareness around the importance of a national system of agriculture that values family farmers, good food, soil and water, and strong communities,” continues Matthews. “The mission is important because the industrial agriculture practiced on large corporate farms is contributing to the climate crisis. We need to continue to focus on solutions and agriculture methods that help mitigate climate change.”

Billboard first reported on the link between Farm Aid’s support of family farmers and the fight against climate change in 2011. “We started out to save the family farmer. Now it looks like the family farmer is going to save us,” Nelson said at the time.

In a comment he shared recently with Billboard, Nelson said: “We all eat and we all live on this one planet together. If your food is grown by corporate farmers with unhealthy practices, that’s what you’re putting into your body. Along with the fact that it had to travel several thousand miles to get to you, when local farmers mostly have better farming practices and a better carbon footprint.”

Carbon is the key to understanding how Farm Aid’s support for family farms is helping to address the climate crisis. Carbon dioxide (CO2) accounts for nearly 80 percent of the greenhouse gasses that trap heat in the atmosphere, according to the U.S. Environmental Protection Agency. The dramatic rise in CO2 levels in the atmosphere is the cause of the climate crisis. But carbon dioxide is removed from the atmosphere —or “sequestered”— when it is absorbed by plants as part of the biological carbon cycle, the EPA notes.

And that’s where farming enters the equation — but not just any kind of farming. 

In recent years, there has been an increasing awareness that industrial agriculture practiced on large corporate farms is contributing to the climate crisis. In an August 2021 report, the National Resources Defense Council stated that industrial agriculture is a “significant source” of carbon in the atmosphere.

“Industrial agriculture is a large contributor to [greenhouse gas] emissions around the world,” writes Jennifer Fahy, communication director of Farm Aid, in a blog entry titled “Farmers and Climate Change: Myths vs Facts,” that was posted on the organization’s website in July.

“But family farmers have tremendous capacity to not just decrease emissions, but to actually sequester carbon dioxide in the soil with climate-resilient agricultural practices like organic production, cover crops, rotational grazing, agroforestry and more. These and other innovations mean family farmers and ranchers are leaders at the forefront of climate mitigation,” writes Fahy.

The farming techniques that Fahy describes are, in fact, deeply rooted in the nation’s history. “These methods originally come from Indigenous, Black, Brown and People of Color traditions that pre-date industrial agriculture, which is characterized by large-scale monoculture, intensive use of chemical pesticides and fertilizers, and concentrated animal feeding operations,” she writes. 

Farm Aid’s advocacy is not only for family farms, but also racial and social justice and the broader communities fed by good food.

“Even as the people practicing these methods have endured genocide, land theft and loss, racism and discrimination, and the pressures of industrial agriculture, they have kept these traditions alive. Regenerative agriculture is not new; it’s been on the margins of our dominant industrial agriculture system. It’s time for it to come to the fore,” Fahy writes.

Farm Aid is one of many advocacy organizations that have called on the federal government to support regenerative farming to combat climate change, through funding in the Farm Bill. A multi-part, multibillion-dollar piece of legislation that is passed by Congress about every five years, the Farm Bill has a massive influence on how the nation’s food is grown. The most recent Farm Bill was passed in 2018 and expires this year.

In September 2022, Farm Aid joined more than 150 organizations in co-signing a letter asking President Biden “to weigh in on the next Farm Bill and demand that Congress build even further on the administration’s actions to date to reduce economic inequality; bridge the nation’s racial divides; end hunger; confront the climate crisis; improve nutrition and food safety; and protect and support farmers, workers, and communities,” wrote Fahy at that time.

In March, representing Farm Aid, Mellencamp went to Washington, D.C. to support and sing at The Rally for Resistance: Farmers for Climate Action. The event was organized under the umbrella of the National Sustainable Agriculture Coalition and involved some two dozen activist organizations and more than 30 delegations of farmers from across the country who converged on Washington to make their voices heard.

“We’ve been slugging since 1985 and let’s keep slugging,” Mellencamp told the crowd. “Let’s try to improve the quality of the food that we eat, the air that we breathe and the people that we are.”

Farm Aid’s organizers say this year’s Indiana festival will highlight the work of family farmers to address climate change through regenerative, organic and sustainable farming practices. It will showcase these climate champions on the Farm Aid stage and throughout the event. As farmers and farm and food advocates converge from across the country for the annual festival, Farm Aid will host additional pre-festival events to spotlight their work.

This year also will see the return to the Farm Aid stage of Neil Young, who did not attend in 2021 or 2022 due to the COVID-19 pandemic. (The 2020 event was presented online.)

In previous years, Young has spoken on stage about the ability of family farms to sequester carbon in the soil. “We need soil, with carbon in it, good strong soil,” he told the crowd during Farm Aid in Hartford in 2018. And he called on the audience to make deliberate choices when buying their food: “So what are you going to do the next time you see a farmer’s market?” he called out. “Say hello to a farmer. Buy something! Buy something good — something that’s good to the earth.”

Margo Price has echoed Young’s view that consumers must make choices to support sustainable agriculture — to save the farmers who will help save the planet. “The climate crisis and the food crisis are unfortunately, one and the same,” says Price. “Everybody’s gotta eat, and every time you spend a dollar, you are casting a vote. 

“We are on the brink of living in an oligarchy, where three billionaires own more wealth than the rest of America.,” she continues. “Politicians’ greed is unquenchable and they don’t seem to care about the world we are leaving behind for future generations… We are facing uncertain times ahead, and it’s more important than ever for organizations like Farm Aid to educate the public, nurture agriculture, and preserve the precious few family farms that we have left.”

Watch Ed Sheeran Play a New ‘Autumn Variations’ Song Inspired by ‘Friends’ For Courtney Cox

Ed Sheeran provided another preview of his upcoming Autumn Variations album on Thursday morning (Sept. 21), posting a video on his socials in which he gives a command performance of the track to one of its A-list Hollywood subjects.

“Courtney, Courtney, Courtney. I wrote this song inspired by Friends, the show that you were on,” Sheeran explained in a shaky hand-held video to his longtime pal and former Friends star Courtney Cox. Hanging with Monica Geller in a kitchen, Sheeran then proceeded to play a bit of the track, “American Town,” on his acoustic guitar.

“We’re a long way from home/ Haven’t seen you in so long/ But it all came back in one moment/ And the year started cold/ But I didn’t notice at all/ When we found there’s a room we’re both in,” he crooned as Cox smiled along to the lyrics from the song that will appear on the Aaron Dessner-produced album due out on Sept. 29.

The lyrics in the pre-chorus really hinted at the ties to the beloved NBC sitcom that was a launched in 1994 and became a ratings juggernaut in the years before its final episode aired in May 2004. “We ate Chinese food in small white boxes/ Live the life we saw in Friends/ Your room it barely fits the mattress/ Wake up, leave for work again/ The wind it seems to blow right through us / Down jackets are the trend,” Sheeran sang before diving into the chorus about an “English girl in an American town,” an elevator that doesn’t go to the fifth floor, ringing the buzzer to let someone in and “dungarees over the hoodie.”

“Wait, that was really about the show Friends?,” Cox asked after the performance. Well, inspired by it, Sheeran clarified. “Cuz you eat Chinese food in small white boxes.” Cox said she loved it, but also, she wondered, “do I get paid?”

The “American Town” preview came just days after Sheeran revealed that he will also release a surprise secret live version of Variations that he recorded in fans’ living rooms across the country; no release date has been announced for what will be Sheeran’s third new album of 2023. Sheeran will perform Variations in full during two shows at London’s Royal Albert Hall on Nov. 18-19; the North American leg of his Mathematics tour will wrap on Saturday (Sept. 23) at SoFi Stadium in Inglewood, Calif.

Listen to “American Town” below.

Taylor Swift’s Get Out the Vote Plea Drives Record Registration Traffic to Vote.Org

Taylor Swift can fill stadiums, is about to flood the zone in movie theaters and, we found out this week, she can also seriously get out the vote. Just days after Swift urged Swifties to register to vote on National Voter Registration Day in an Instagram Story, shocker, they listened and signed up to do their civic duty in record numbers.

On Wednesday (Sept. 20), Vote.org’s communications director, Nick Morrow, wrote on X (fka Twitter) that Swift’s plea resulted in a tidal wave of new registrations. “Fun fact: after @taylorswift13 posted on Instagram today directing her followers to register to vote on @votedotorg, our site was averaging 13,000 users every 30 minutes. 13!” he revealed, noting the cosmic coincidence of the bump coalescing with the singer’s favorite number.

“Let’s just say her reputation for being a mastermind is very well-earned,” he added.

Swift stayed mostly mum on the political front until 2018, when she endorsed Democrat Phil Bredesen for Senate in her home state of Tennessee. After that she began speaking up loudly and often, urging support for the Equality Act during Pride month, dubbing twice impeached former president Trump’s term an “autocracy” and released the call-to-arms anthem “Only the Young,” fueled by her frustration after the 2018 midterm elections.

In her note to fans on Tuesday, Swift wrote, “I’ve been so lucky to see so many of you guys at my US shows recently. I’ve heard you raise your voices, and I know how powerful they are. Make sure you’re ready to use them in our elections this year!” She urged Swifties to take a few minutes to visit vote.org/nvrd and, considering she has 272 million Instagram followers, it’s no surprise the organization saw such a massive uptick in registrations.

See Morrow’s tweet below.

Quavo Steps Up Advocacy Against Gun Violence After Takeoff’s Shooting Death

The trauma Migos rapper Quavo suffered after witnessing his nephew Takeoff being gunned down last year is a disturbing sight he doesn’t want anyone else to experience.

Through his pain, Quavo found his purpose as a vocal advocate against gun violence. He met privately with some powerful political figures including Vice President Kamala Harris then later spoke on a panel about combating the issue during the Congressional Black Caucus legislative conference in Washington on Wednesday (Sept. 20).

The Grammy-nominated rapper said Takeoff’s untimely death in 2022 ultimately convinced him to speak up. “I feel like your calling comes at the least expected times,” said Quavo, who also honored his nephew with their Migos bandmate Offset during the BET Awards earlier this summer.

Police say Takeoff was an innocent bystander who was shot outside a Houston bowling alley after a disagreement over a lucrative dice game led to gunfire. Takeoff’s death was the latest in a string of fatal shootings in recent years that involved hip-hop stars such as Nipsey Hussle, Pop Smoke, PnB Rock and Young Dolph.

“You don’t think nothing is going to happen,” Quavo continued. “I need to step up to the plate and hit a homerun. I have to do something about it, so it won’t happen to the masses — especially in our culture. I don’t want this to happen to the next person. I want to knock down these percentages.”

Quavo joined a panel discussion Wednesday alongside Democratic Sen. Raphael Warnock, Rep. Lucy McBath — whose activism was propelled after the shooting death of her teenage son — and Greg Jackson of the Community Justice Action Fund. It was a solutions-oriented conversation on community intervention strategies, the battle with gun violence and the power in advocacy.

Earlier, Quavo arrived at the conference hand-in-hand with his sister Titania Davenport, the mother of Takeoff. After Quavo met with Harris, the vice president praised the rapper and Davenport’s “call for action” to prevent gun violence.

“We need to do better with the control of guns,” Quavo said. “We need to figure out how do we keep these types of incidents from happening to people going anywhere and thinking they can hurt somebody where it shouldn’t happen.”

After Takeoff’s shooting, Quavo often asked himself “How do we use (guns) safely?”

“And how do you keep them out of the hands of people that make bad decisions?” he said. “I’m kind of in a half-and-half place. Even police have guns. Unfortunately, some of the people in our culture and loved ones have been lost to police brutality. It’s all about choices and how we can put a filter on who can use these guns.”

Jackson said Quavo’s voice could make a difference. He applauded the rapper for sitting down with members of Congress, offering his firsthand insights and putting the pressure on them for impactful change.

“His voice and commitment around community violence intervention could provide more resources for those who are most at risk,” said Jackson, whose Community Justice organization hosted Quavo for a day of advocacy. They are both pushing for passing of the Break the Cycle of Violence Act, which would provide a $6.5 billion federal grant to communities to curb gun violence, create prevention programs, job training and workforce development for youths.

Jackson, who was shot in 2013, said combating gun violence has become personal for him.

“It’s what we need,” Jackson said. “With gun violence, in order to change it, we have to change the behavior just as aggressively as we focus on safety and ownership and access. But we can’t change behavior if our communities don’t have the resources they need, and our youth is being overlooked and forgotten.”

So far, Quavo has taken the right steps forward: Last year, the rapper and his family launched the Rocket Foundation in honor of Takeoff and he committed $2 million to invest in community violence intervention. He aspires to develop more after school programs in areas where community centers have been shut down and basketball goal rims were taken down.

Quavo says it’s imperative to keep the youth busy with productive activities in a safe environment. He’s already reached out to some in the hip-hop community for support including rapper Meek Mill, who’s been active with criminal justice reform.

But Quavo says he knows he needs more political backing to streamline much-needed resources to the less fortunate.

“I feel like after going to the White House, I need resources,” he said. “I need a bag of goodies, so I can take back and say ‘Here, this is for the culture.’ We have that extension cord. We are plugged into that type of environment. I don’t think no one else in our stature is that connected. In order for things to change, we need resources.”

PinkPantheress Talks Touring With Olivia Rodrigo: ‘I Was Quite Nervous to Say Yes’

PinkPantheress says she’s “so excited” to hit the road with Olivia Rodrigo, championing the “Vampire” singer for helping to pave the way for young artists like herself. But while PinkPantheress was announced as an opening act for Rodrigo’s “GUTS World Tour” to much fanfare, the British singer and producer admits she was hesitant at first to sign on for the gig.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“Obviously Olivia is way bigger than me, so at first, I was quite nervous to say yes,” she confesses. “But then I was like, ‘I feel like I need to do this.’ And then she texted me to say, ‘Thank you so much for saying yes! I can’t wait!’ and that has gotten me so excited.”

PinkPantheress says she first met Rodrigo over dinner in London in 2021 and the two immediately hit it off. “We’re both quite similar ages and so it was quite nice to meet someone in front of me who was my age and had the same type of interests and sense of humor,” PinkPantheress recalls. “We’ve had different experiences in the music industry, but she can still empathize with a lot of what I might be going through as a young person navigating the industry and everything.”

Another reason why she’s a fan of Rodrigo’s: “I recognize her as somebody that takes a break,” PinkPantheress says. “There are some people in the industry that like to be constantly surrounded by the limelight, but I feel like she’s one person that takes her time, and will take time out and really take a step back when she needs to, which is similar to me.”

PinkPantheress spoke to Billboard in New York last week before a performance to promote Bose’s new line of QuietComfort Ultra headphones and wireless earbuds. The “Boy’s a Liar” singer says she’s been a fan of Bose for years and so it was a no-brainer to partner with the company to help launch their new releases.

“I’m a producer, so even in the early days in the studio or at school, I remember using Bose products and I never even really questioned them as a brand,” she says. “There are certain brands that have been around for so long that they’re kind of like the standard, and we don’t even question where they came from because we’ve just always had it there. That’s how I feel about Bose.”

bose earbuds

Amazon

Bose QuietComfort Ultra Wireless Earbuds

$299.00

The QuietComfort Ultra Headphones and QuietComfort Ultra Earbuds will be available beginning in October for $429 and $299 respectively. In addition to their noise-cancellation properties and comfortable fit, the new releases introduce Bose’s “Immersive Audio” technology, which creates a wider, more realistic soundstage so you feel like you’re right in the middle of the studio or concert. The result: music moves with you rather than being locked in a fixed position, so you’re always hearing the most accurate, detailed sound possible even when you’re on-the-go.

The headphones and earbuds are available to pre-order now.

Laufey Logs Biggest Jazz Debut in Nearly Two Years With ‘Bewitched’

Rising jazz artist Laufey scores her first entry on the Billboard 200 albums chart with her sophomore release Bewitched, debuting at No. 23 on the Sept. 23-dated list. Further, the set launches atop both the Traditional Jazz Albums and overall Jazz Albums charts – marking the first No. 1 on both rankings for the 24-year-old Icelandic singer-songwriter and multi-instrumentalist (real name: Laufey Lin Jónsdóttir).

In addition, with 23,000 equivalent album units earned in the U.S. in the week ending Sept. 14, Bewitched also snares the largest debut week for a jazz album in nearly two years – since Tony Bennett and Lady Gaga’s Love for Sale started with 41,000 on the Oct. 16, 2021-dated charts. Notably, 68% of Bewitched’s first-week activity was driven by streaming (with the set’s 14 songs collecting 22.36 million on-demand official streams). 

Previous to the release of Bewitched, Laufey amassed a sizable following on TikTok (nearly 3 million followers) and collected 339 million on-demand official song streams in the U.S. 

Laufey notched one previous entry on both the Traditional Jazz Albums and Jazz Albums charts, with the Typical of Me EP, peaking at No. 2 on both rankings (Sept. 2-dated lists).

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The Traditional Jazz Albums and Jazz Albums charts rank the most popular traditional and overall jazz albums of the week by equivalent album units. (The Jazz Albums chart is inclusive of all styles of jazz, including both traditional and contemporary jazz titles.)

Watch Steve Martin’s Orchestral Performance of ‘Which of the Pickwick Triplets Did It’

Steve Martin is showing off his musical chops in a brand new performance of “Which of the Pickwick Triplets Did It?,” which was written specifically for the popular Hulu series Only Murders in the Building by songwriters Benj Pasek, Justin Paul, Marc Shaiman and Scott Wittman.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“Which of the Pickwick Triplets did it? / Who of the crew could commit this crime? / Might a little brat, make a mommy go splat? / It’s a story pretty gory for a nursery rhyme,” he sings in the dramatic chorus.

The third season of Only Murders premiered Aug. 8, with stars Selena Gomez, Martin Short and Steve Martin returning as true-crime-loving neighbors who get wrapped up in a murder mystery. Back in April, Gomez took to Instagram to tease Streep’s guest appearance by sharing a photo, smiling wide alongside the Oscar-winning icon on the series’ set.

Watch the performance of “Which of the Pickwick Triplets Did It” below.



The 2023 MAMA Awards Are Heading to Tokyo This Fall

The ultimate K-pop award show is heading to Japan.

CJ ENM revealed on Wednesday (Sept. 20) that the 2023 MAMA Awards will take place at Tokyo Dome, Japan, from November 28 to 29. Over the past 24 years, the beloved award show has held ceremonies across Asia, including in Macao, Singapore, Hong Kong and Vietnam, to showcase how far K-pop music is reaching across the globe.

“As MAMA Awards is a ceremony that acknowledges the most outstanding K-POP artists as chosen by global fans, it will continue to serve as a platform where countless music fans can engage and unite as one, transcending regions, backgrounds, and generations,” said Joon-beom Sim, head of music entertainment at CJ ENM, in a press statement. “We aim to spread the value of our statement ‘Music Makes ONE’ by embodying spectacular potential, boundless imagination, and positive energy.”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

This year’s event will highlight the “One I Born” concept, which, according to a press release, “symbolizes ‘I’ and ‘MAMA,’ each holding infinite possibilities, coming together to create positive energy and become a perfect ‘ONE.’”

The 2023 Mama Awards will host a number of performances and stages that deepen this year’s concept, as well as interactive arrangements that connect everyone through K-pop. Fans can learn more about the “One I Born” concept through the teaser page on the Mnet Plus app. 

More information on the 2023 Mama Awards, including artist lineup and more content, will be announced in the coming weeks.

Myke Towers Sings His Way to No. 1 on Latin Airplay With ‘Lala’

Myke Towers’ “Lala” takes the Puerto Rican artist to No. 1 on Billboard’s Latin Airplay chart as the viral hit jumps 2-1 on the overall Latin tally dated Sept. 16. The new champ follows a double win, as the song commanded the Billboard Global Excl. U.S. and Latin Rhythm Airplay charts each for at least one week.

“Lala” is one of 23 tracks on Towers’ latest album La Vida Es Una, which granted him a third straight top 10 on Top Latin Albums (No. 9 high in April). The single blew up on TikTok after the music video dropped July 28, with over 5 million clips pouring into the platform to ignite a successful radio campaign. (Activity directly on the TikTok platform does not currently count toward the Billboard charts.)

“Lala” pushes to No. 1 on Latin Airplay in its eighth week despite a 1% dip in audience impressions, with 8.7 million, earned in the U.S. during the Sept. 8-14 tracking week, according to Luminate.

The new champ arrives just five months after Towers’ “Ulala,” with Daddy Yankee, took over the overall ranking for one week (April 8-dated list). With the new hit, Towers nabs his ninth No. 1, dating back to “Caramelo,” with Ozuna and Karol G, his first and longest-leading entry, three weeks atop in 2020.

In addition to its new Latin Airplay domination, “Lala” previously ruled Global Excl. U.S. and Latin Rhythm Airplay: On the former, it vaulted from No. 13 to No. 1 in July with 70.4 million streams outside the U.S. (drops 3-4 on the current tally); on the latter, it rebounds to its No. 1 peak for a second week in charge.

Further, the viral activity for “Lala” fueled a rise in streams, peaking at No. 4 on the multimetric Hot Latin Songs on the Aug. 12-dated list, which blends airplay, digital sales, and streams. There, the song dips 5-6 with 7.94 million U.S. streams, that’s a 7% decline from the week prior.



Chencho Corleone Smokes His Way into The Top 10: Elsewhere on Latin Airplay, Chencho Corleone’s “Un Cigarrillo” checks into the top 10 at its new No. 3 peak. The single flies from No. 18 as the Greatest Gainer of the week powered by a 56% gain in audience impressions, to 8.1 million.

With “Un Cigarrilo,” Corleone acquires his fourth top 10. He visited the upper region three times prior through a trio of rulers, starting with his first No. 1, “Desesperados,” with Rauw Alejandro, in 2022. “Me Porto Bonito,” with Bad Bunny, followed for one week in command in Aug. 2022, while “Podemos Repetirlo,” with Don Omar, crowned the Sept. 16-dated chart. It falls 1-7 on the current tally.

Beyond its top 10 entry on Latin Airplay, “Un Cigarrilo” pushes 8-2 for its new peak on Latin Rhythm Airplay.

FamousSally & YB’s ‘Wassup Gwayy’ Debuts at No. 1 on TikTok Billboard Top 50 Chart

There’s a new No. 1 on the TikTok Billboard Top 50 chart: FamousSally and YB’s “Wassup Gwayy,” which debuts atop the Sept. 23-dated survey.

The TikTok Billboard Top 50, which launched a week ago, is a weekly ranking of the most popular songs on TikTok in the United States based on creations, video views and user engagement. The latest chart reflects activity Sept. 11-17. (Activity on TikTok is not included in Billboard charts except for the TikTok Billboard Top 50.)

“Wassup Gwayy” was released in June and has taken off on TikTok thanks in large part to uploads by users referencing the song’s lyrics “In the cut with my twin, we be vibin’,” with videos featuring not only actual twins, but friends and even people and their pets dancing along.

Explore

See latest videos, charts and news

See latest videos, charts and news


https://youtube.com/watch?v=5ne4-GJtizA&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

One of the most high-profile proponents of the trend? Drake, who was seen dancing to the song with a young fan in early September.

Rappers FamousSally and YB have not yet made a Billboard chart outside the TikTok Billboard Top 50. Still, in the tracking week (Sept. 8-14) for Billboard’s streaming-, airplay- and sales-based song charts dated Sept. 23, “Wassup Gwayy” earned 548,000 official U.S. streams, up 39% from 395,000 Sept. 1-7, according to Luminate.

“Wassup Gwayy” is the TikTok Billboard Top 50’s second No. 1 in the list’s two weeks of existence; the inaugural No. 1, Sexyy Red’s “SkeeYee,” drops to No. 2 on the Sept. 23 tally.

Chrisette Michele’s “Epiphany (I’m Leaving)” is another big mover on the latest ranking, leaping from No. 33 to No. 4. “Epiphany” is Michele’s lone Billboard Hot 100 entry as a lead artist to date, having peaked at No. 89 in May 2009. The 14-year-old tune has returned to prominence in 2023 sparked by a dance challenge largely set to the lyric “So I think I’m just about over being your girlfriend,” which kicks off the chorus.

“Epiphany” isn’t the only song from the 2000s/early ’10s in the TikTok Billboard Top 50’s top 10. It’s followed by a trio of tracks in J. Dash’s “Wop,” featuring Flo Rida; Cee-Lo Green’s “I’ll Be Around,” featuring Timbaland; and Usher’s “Hey Daddy (Daddy’s Home),” featuring Plies, which round out the tier at Nos. 8-10, respectively.

“Wop,” released in 2007, has had multiple runs of virality over the years, initially reaching Billboard’s charts in 2011 and peaking on the Hot 100 in 2013 (No. 51), hitting critical mass that year when Miley Cyrus uploaded a video of herself twerking in a unicorn costume to the tune. The song has continued to be popular for choreography routines on TikTok and other platforms and leaps 17-8 on the TikTok Billboard Top 50.

“I’ll Be Around,” which peaked at No. 52 on Billboard’s Hot R&B/Hip-Hop Songs chart in January 2004, is scoring a viral bump due to dances using the song and surges 42-9 on the TikTok Billboard Top 50, while “Hey Daddy,” a No. 24 Hot 100 hit in May 2010, premieres on the TikTok Billboard Top 50 thanks to uploads largely populated with women using a filter adding facial hair to their faces.

Check out the full TikTok Billboard Top 50 chart here to see additional debuts from Cardi B, HUS, Harry Styles and more.