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Music News

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Jessie Murph is inviting you to enter a bold new world on her upcoming sophomore album, Sex Hysteria. The 20-year-old singer announced on Tuesday (June 3) that her follow-up to last year’s debut LP, That Ain’t No Man That’s the Devil, is due out on July 18.
And from the sounds of things, it’s going to be a bumpy ride. According to a release, Sex Hysteria is “a bold departure” from her first collection that “dives headfirst into uncharted territory — opening up about themes of sexuality, generational trauma and self-discovery with a vulnerability and honesty that marks a new chapter in her artistic evolution.”

Following the trap country pre-release single “Blue Strips” and the seductive ballad “Gucci Mane,” the 15-track LP will get another preview on Friday (June 6) with the release of the next single, “Touch Me Like a Gangster,” which Murph debuted at the Sports Illustrated Swimsuit Show in Miami over the weekend. The album cover is a nod to 1960s femme fatales, with Murph sporting a teased-up beehive hairdo, with a 24-second promo video continuing the throwback look and attitude.

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“Hey baby. Now I know we ain’t been talkin’ for too long, but there are some things I feel like you just don’t know about me,” she says in the clip, while blowing out a plume of cigarette smoke and staring right down the lens as she asks, “you wanna know a secret?”

At press time the full track list for the album had not yet been released, but the announcement promised that fans are in for the “most thematically cohesive work to date” from the singer, one that peels back “the layers of her story like never before as she transforms personal pain into cathartic, powerful music.” The new songs are said to find Murph reckoning with her past, interrogating inherited trauma and exploring “the emotional complexities of growing up in environments where feelings are buried deep. From confronting family wounds to reclaiming her body and desires, she pushes back against the shame and stigma that often silence women who dare to be loud, sexual, or emotionally honest. Sex Hysteria is both a provocation and a reclamation.”

Murph is gearing up to launch her Worldwide Hysteria Tour on July 27 at the Arizona Federal Theatre in Phoenix, AZ, criss-crossing North America all summer before jumping to Europe in October and Australia/New Zealand in November.

Watch the Sex Hysteria album trailer below.

Bad Bunny‘s “DtMF” hits a 20th week at No. 1 on Billboard’s Hot Latin Songs chart (dated June 7).The track’s extended dominance marks a milestone for Benito, becoming his third song to spend at least 20 weeks at the top — a record unmatched by any other artist in the 39-year history of the chart.

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Bad Bunny becomes the only act with three songs to spend at least 20 weeks atop the tally. He previously spent 27 weeks in a row at No. 1 with his collaboration with Jhay Cortez, “Dakiti,” in 2020-21, and 20 straight weeks on top with “Me Porto Bonito,” his collab with Chencho Corleone, in 2022.

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Only two other artists have tallied multiple songs with 20-plus-week runs at No. 1: Enrique Iglesias and J Balvin, each with two. Iglesias’ “Bailando,” featuring Descemer Bueno and Gente de Zona, dominated for 41 weeks (2014-15), and “El Perdón,” with Nicky Jam, ruled for 30 weeks (2015). Meanwhile, J Balvin’s “Ginza” spent 22 weeks at No. 1 (2015-16), and “RITMO (Bad Boys for Life),” with Black Eyed Peas, led the chart for 24 weeks (2020).

“DtMF” holds strong atop Hot Latin Songs despite a decline across all metrics. On the tally that ranks songs based on a formula blending streaming, sales and airplay totals in the United States, the song fell by 3% in streams, to 7.8 million, in the tracking week ending May 29, according to Luminate. It also earned 8 million audience impressions, down 12%, which yields a 1-3 dip on the overall Latin Airplay chart.

Karol’s 29th Top 10

Elsewhere on Hot Latin Songs, Karol G adds her 29th top 10 with “Latina Foreva.” The song, released May 22 via Bichota/Interscope/ICLG, debuts at No. 4 predominantly by streaming activity. It logged 6.9 million U.S. official on-demand streams during the May 23-29 tracking week, enough for a No. 3 on Latin Streaming Songs.

Sales, too, assist the song’s high start: 1,000 downloads sold during the same period for a 15-1 surge on Latin Digital Song Sales.

Ashley McBryde and Cody Johnson are set to bring viewers deep into the music propelling the 52nd annual CMA Fest as hosts of the upcoming television special CMA Fest Presented by SoFi. Explore See latest videos, charts and news See latest videos, charts and news The three-hour special will air June 26 starting at 8 […]

LeBron James stays tapped in. The NBA goliath has been bumping plenty of Kendrick Lamar this year, and he’ll have a new verse this summer when K. Dot’s “Chains & Whips” collab with the Clipse arrives in July.
GQ got an early listen to Lamar’s verse on Let God Sort Em Out as part of a Clipse cover story released on Monday (June 2), and LeBron reposted one of the Compton rapper’s unhinged bars — as first revealed in the magazine — to his Instagram Story.

“Therapy showed me how to open up! It also showed me I don’t give a F,” he wrote to IG as the lyric clearly resonated with the Lakers star.

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According to Pusha T, Kendrick’s verse was at the center of his and Clipse’s split from Def Jam, as the record label wanted Lamar removed from the project completely.

“They wanted me to ask Kendrick to censor his verse, which of course I was never doing,” Push told the publication. “And then they wanted me to take the record off. And so, after a month of not doing it, Steve Gawley, the lawyer over there, was like, ‘We’ll just drop the Clipse.’ But that can’t work because I’m still there [solo]. But [if] you let us all go.”

Def Jam did not reply to Billboard‘s initial request for comment on Pusha’s statement.

Clipse ended up inking a distribution deal for a comeback album with Roc Nation. Many fans online tied the alleged attempted censorship to Def Jam’s parent label, Universal Music Group, being actively sued by Drake for defamation over the alleged artificial inflation of Lamar’s “Not Like Us.” The label has denied Drizzy’s claims, and in early May, asked a judge to dismiss his updated lawsuit.

“Chains & Whips” will serve as Pusha T’s first collab with Lamar since teaming up for “Nosetalgia” in 2013. The track was initially premiered at Pharrell’s Louis Vuitton fashion show earlier this year.

LeBron James has continued to show support for Kendrick after making an appearance at the award-winning rapper’s Pop Out concert last year, which seemingly damaged the NBA star’s relationship with Drake in the heat of battle.mDrizzy appeared to send shots at King James on the leaked “Fighting Irish” freestyle in January, but the Conductor Williams-produced track was quickly scrubbed from YouTube.

Clipse kicked off the project’s rollout with “Ace Trumpets” on May 30. Look for Let God Sort Em Out to arrive on July 11.

Great Oz! The first proper teaser for Wicked: For Good has arrived, and the characters are looking a lot different than they did when we first met them in Part 1.
Dropping Tuesday (June 3) — just one day ahead of the premiere of For Good‘s first trailer — the teaser opens with Cynthia Erivo fiercely staring down the camera, her hair down and outfit changed into a spookier black dress to show how her character, Elphaba, has fully embraced her role as the Wicked Witch of the West. On the flip side, Ariana Grande — who is the last to appear in the teaser — swapped her Shiz University uniform and pink bubble dress from the first Wicked film for a multi-colored ballgown and tiara, signifying how her character, Glinda, has leveled up as the people’s princess of Oz.

“I have been changed,” Erivo sings over the teaser, a snippet from the tear-jerking “For Good” duet in the Wicked Broadway musical.

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Jeff Goldblum and Michelle Yeoh also return in the teaser, looking more sinister after Part 1 revealed how their characters — The Wizard of Oz and Madam Morrible, respectively — intended to use their power for evil. Plus, Jonathan Bailey looks stoic as Fiyero in his green Emerald City uniform, while Ethan Slater appears as munchkin Boq in a gray getup.

For Good is set to hit theaters this November, one year after the first installment of Jon M. Chu’s live-action musical duology premiered. Things will take a darker turn in the sequel as Elphaba’s magic powers get the best of her, putting her relationships with Glinda, Fiyero, and Marissa Bode’s Nessa Rose in jeopardy.

“She’s able to access her rage more,” Erivo told Billboard Pride editor Stephen Daw of Elphaba’s transformation for her June cover story. “The scent I wore changed. The makeup changed. Little shifts that bring you to a more mature version of who Elphaba becomes. And she is delicious in this next one.”

As promised in the new teaser — which ends with text reading, “Trailer tomorrow” flashing across the screen — the first full preview of For Good is set to premiere in theaters Wednesday (June 4) as the first Wicked film returns to big screens for one night only in the United States and Canada. By the end of May, Wicked had grossed $755.9 million worldwide, more than any other film adaptation of a Broadway musical.

See the new Wicked: For Good teaser below.

JoJo Siwa has been on a real rollercoaster ride over the past month. The reality dance star turned pop singer went from having her honor defended by housemate Chris Hughes on Celebrity Big Brother UK after homophobic comments from actor Mickey Rourke to breaking up with then-partner Kath Ebbs at the show’s wrap party and then partnering up with Hughes.
Now, reunited with Billboard‘s Tetris Kelly — he of the infamous “Gay Pop” interview — Siwa says “30 days ago I would have never even imagined I’d be friends with Chris Hughes,” calling their now-official relationship “the weirdest” idea. But, the heart wants what it wants, and, as of this week, the couple are Instagram official and appear to be inseparable.

In the episode of “Take Us Out” recorded at Burbank Priscilla’s (watch the full video above), JoJo says that Hughes is now the closest person in her life, someone she would “die for… when someone comes into your life and you enjoy it, you can tell.” That said, Kelly wondered how it’s felt for Siwa to be figuring out her sexuality in front of the whole world.

“It’s really hard because people tear it apart,” she says of her full embrace of queer life. “I understand if you have no context why people tear things apart… there’s people going through this same thing that I’m going through. There’s somebody who’s identified as one sexuality and then maybe had this realization within themselves but they don’t now feel they can’t change or grow.” Siwa says she felt like she was being placed in a box she wasn’t meant to be in when she came out. “I’ve dated beautiful women, I’ve date beautiful non-binary people, I have dated men… but I realize that’s just who I am. I realize for myself that I just like humans.”

Siwa also touches on her excitement in the run-up to her 22-date An Unforgettable Night Out summer tour, which kicks off on July 10 in Houston, TX. “I’m an adult now, which is crazy,” says Siwa, 22, about her first outing in three years and first one as a legal grown up. “There’s elements in this show that make it a lot different than just a typical concert,” she explains about the show that will mix her songs with bits about her time on Dance Moms, funny sketches and JoJo the Bilbo references.

She made a point of addressing that flap over the $900 “Dream Guest VIP” ticket offer, in which she told fans they would get to help her “build the set” for the show. “People did take that as actual building the set,” she says, making a wrenching motion. If you want to carry props out on stage, JoJo says that’s fine, but that’s not what she intended.

“The point was people are going to get to have their say in what we actually do that night,” she clarifies about allowing four die hards at each stop help put together that night’s set list.

In a vulnerable moment, Siwa talked about the trepidation she felt before releasing her March single “Bulletproof,” in which she publicly embraced her queerness. “Music is probably the thing I’m most insecure about,” she says. “I think a lot of people have a lot of things to say and I think I’ve also done some things that have fueled that fire… it’s vulnerable. And now it has put me in a place where I don’t like to say I’m a singer.”

She recalls opening up about that fear on Big Brother, where she proclaimed that she “can’t sing, but I can release a song. And I can make a point” while casually teasing that she’s working on her first-ever full length album with her favorite production team, Rock Mafia. She admits that she’s dying to be on the hit Peacock competition show The Traitors, while simultaneously pitching her own reality show starring all her best pals from previous gigs on Dancing With the Stars, Special Forces and Big Brother.

Watch JoJo talk about “Bulletproof,” “Fighter,” balancing stage JoJo vs. real life JoJo and her tangled love life in the video above.

A documentary on Grammy-nominated singer-songwriter Noah Kahan is on the way, it has been confirmed.
The currently untitled film is the product of Live Nation Productions, Federal Films, Polygram Entertainment and RadicalMedia, with Nick Sweeney serving as director, and RadicalMedia on board as the production company.

The film is set to portray Kahan’s rise from his Vermont roots to global stardom, tracing his early musical ventures, leading into the release of early albums such as Busyhead and I Was / I Am, and the household name status that would follow as the result of 2022’s Stick Season.

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Following the release of his Stick Season album, which would hit No. 2 on the Billboard 200 and see its title track hit No. 9 on the Hot 100, Kahan found himself firmly in the spotlight, receiving widespread acclaim and even a Grammy nomination for best new artist.

As the documentary follows his journey, it shows Kahan grappling with the realities of becoming a prominent voice in the conversation surrounding mental health, the pressures surrounding his success, and the challenges of following it up. The intimate look also captures Kahan returning to Vermont as he reconnects with the people and places that helped shape him while also navigating through the challenges of life and changing relationships.

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The film has already wrapped production and is currently in the market for distribution with CAA. The film’s producers include Ryan Kroft, Vaughn Trudeau and Anna Keegan for Live Nation Productions, Jeff Ludwig and Devon Libran for Federal Films, David Blackman for Polygram Entertainment and Samantha Mustari, Dave Sirulnick and Stacey Reiss for RadicalMedia.

Executive Producers on the project include Michael Rapino, Jessica James Batista, Michael Yerke and Alex Maxwell for Live Nation Productions, Drew Simmons and Ryan Langlois for Foundations, Ben Adelson and Alex Coslov for Mercury Records, Monte Lipman and Jeffrey Remedios for Federal Films and Jon Kamen for RadicalMedia. Asher Brown and Henry Allison also serve as co-producers.

Following the release of Stick Season in 2022, Kahan has since released two expanded editions of the record, including 2023’s Stick Season (We’ll All Be Here Forever) and 2024’s Stick Season (Forever). 

In August 2024, he released the Live from Fenway Park album, with the next month seeing Vermont governor Phil Scott proclaim Sept. 19, 2024 as Noah Kahan’s Busyhead Project Day in recognition of Kahan’s efforts surrounding mental health.

Sabrina Carpenter is up to something. This week, the pop star has been taking to the streets to tease a new project, first with a clip of herself trying to hitchhike followed by a series of mysterious billboards. On Monday (June 2), Carpenter first got fans paying attention by posting a video on social media […]

With Tha Carter VI set to arrive on Friday (June 6), Lil Wayne is plotting a North American tour to bring the album with him on the road later this year. Announced on Tuesday (June 3), Weezy’s Tha Carter VI Tour is slated to kick off on Friday with a celebratory show at the iconic […]

Mariah Carey is stepping into a new era. After going nearly seven years without dropping a proper album, the pop superstar appeared to tease on social media that she has a new LP in the works — and the first taste of it may be coming sooner than you think.  
In one video posted Monday (June 2), Mimi looks as glamorous as ever while sitting in a car, listening to a single with a groovy club beat on the radio. The video then cuts to a shot of the screen displaying an untitled track — “T:D_MC16.mp3.” “To show my appreciation for your support, thank you DJs,” Carey’s smoky voice says as the track heats up.  

The clip then pans to the car’s license plate, which displays the following: “MC16.” The caption reads, “What’s your type?” — the same message that the video ends with. 

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Based on the license plate, it looks like the Songbird Supreme is finally following up 2018’s Caution, which was the 15th album in her discography — as in, her next LP will be her 16th, or “MC16.” It would also appear that the first single could arrive Friday (June 6), based on another video Carey posted on Instagram one day after the first one. In the second clip, she sits again in a car while music plays on the stereo system, the engine loudly running before the shot cuts to a message reading, “June 6.” 

Billboard has reached out to Carey’s reps for comment.

Though the “Obsessed” singer has been active over the years with her yearly “All I Want for Christmas” pushes, fans have been growing increasingly impatient for fresh music. Carey’s last album, Caution, reached No. 5 on the Billboard 200, one of 18 top 10 entries she’s scored on the chart over the course of her career.  

The new teasers come just a few days after Carey celebrated the 20th anniversary of one of her most iconic albums, The Emancipation of Mimi, which spent two weeks at No. 1 in 2005. To mark the occasion, she recently released a special multi-disc anniversary edition of the project, featuring remixes, bonus tracks, radio mixes and a cappella cuts compiled together in one place for the first time. 

See Carey’s posts below.