Music News

Offset Says Feeling Takeoff’s Presence Pushed Him to Finish Solo Album ‘Set It Off’

Offset is gearing up to release his upcoming solo album Set It Off on Friday (Oct. 13). Ahead of its arrival, the rapper sat down for a conversation with Apple Music 1’s Zane Lowe, which saw him talking about his late Migos bandmate Takeoff and how his family helps him through creative roadblocks.

Offset explained that losing Takeoff to a fatal shooting late last year was particularly hard because his spirit was genuinely uplifting.

“Take had that… he just had good character. He just was like, ‘I make music with people that love my music and I love everybody.’ He’s a loving person, man,” he told Lowe. “It was just a tragedy my boy had to go like that, man. But I’m pushing for him too. Legacy, the group thing is it can’t be a group because our main member is missing.”

Takeoff’s spirit lives on through Offset’s music, as he recalls the late rapper cheering him on in his solo endeavors — something that allowed him to push on in recording his new project. “Even on my own journey, I still feel his presence and his energy like, bro, ‘We got to go hard. We got to win. We got to win. This ain’t the end of it. We got to win,’” the “Clout” rapper added. “So that’s another thing that pushed me through is my boy, Take, man. He didn’t care that he didn’t care about the numbers, nothing. He like, ‘Bro, y’all’s s–t hard.’ He’s just very supportive in that. I just keep that in the back of my mind and just keep pushing.”

In addition to making music in honor of Takeoff’s memory, Offset shared that he continues to be inspired by his family, who in his words “kept my head on my shoulders” during the album recording process.

“Them being able to be close to me and to hold me tight because I needed family for a long time, man,” he said, referring to his five children and wife Cardi B. “People think everything is peaches and creams with an artist. You go through mental things, you go through things with your family, you go through confidence things, you go through creative block.”

The 31-year-old revealed that he struggled with making music during the summer months but was able to pull himself back together because one of his sons insisted on hearing new material. “It was like they giving me more life when I felt like I was draining … hearing my boys be like, ‘Dad, man, we want to hear your new music. When your new album going to drop? You need to come on.’ It just sparked the juice,” Offset recalled. “‘OK, let’s get back into the grind mode. Let’s get back into it.’”

Set It Off marks Offset’s second solo album; his first, Father of 4, peaked at No. 4 on the all-genre Billboard 200 chart.

Maluma’s ‘Coco Loco’ Leads Latin Airplay Chart

Maluma captures his 23rd No. 1 on Billboard’s Latin Airplay chart as “Coco Loco” rises 2-1 to crown the Oct. 14-dated list.

“Coco Loco” lands at the summit on the overall Latin Airplay chart in its 15th week. It ejects Karol G’s “Mi Ex Tenía Razón” from the lead after one week in charge with an 8% gain in audience impressions, to 10.1 million, earned in the U.S. during the Sept. 29-Oct. 5 tracking week, according to Luminate. The latter drops 1-6 with 8.7 million in audience, down 12%.

With his new champ, Maluma improves his career total to 23 No. 1s, and breaks from a tie with Bad Bunny and Wisin for the fifth-most No. 1s since the chart launched in 1994. Here’s a look at the leaders:

35, J Balvin
33, Ozuna
32, Enrique Iglesias
28, Daddy Yankee
23, Maluma
22, Bad Bunny
22, Wisin

“Coco Loco” also marks Maluma’s 10th No. 1 as a soloist, unaccompanied by any other act, among his 23 rulers. Let’s look at those solo winners:

Peak, Title, Weeks at No. 1
Nov. 21, 2015, “Borro Cassette,” three
Aug. 26, 2017, “Felices Los 4,” two
June 2, 2018, “El Préstamo,” two
Nov. 10, 2018, Mala Mia, one
June 8, 2019, “HP,” one
Nov. 23, 2019, “11:00 PM,” one
July 11, 2020, “ADMV,” one
Nov. 6, 2021, “Sobrio,” one
Oct. 15, 2022, “Junio,” one
Oct. 14, 2023, “Coco Loco,” one

Elsewhere, “Coco Loco” holds at No. 1 on Latin Rhythm Airplay for a second week. Plus, it holds at No. 37 on the multi-metric Hot Latin Songs for a second week despite a 4% drop in streams.



Ice Spice Loves That Pete Davidson Shares a Car With His Mom in New ‘SNL’ Promo

Pete Davidson is heading back to Saturday Night Live — this time as host. In a new promo for the upcoming episode on Saturday (Oct. 14), Davidson teams up with musical guest Ice Spice.

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In one of the clips, longtime SNL cast member Kenan Thompson asks Davidson if his mom is coming to the taping, the Staten Island native replied, “I mean, if I go, she goes. We share a car, dude.”

When Thompson notes that it’s “weird” to share a car with your mom at the age of 29, Ice Spice chimes in and says, “I think it’s sweet.”

After Davidson flashes the “Princess Diana” rapper a flirty look, Thompson says, “Wow, it really be working for you, huh?”

Davidson was supposed to host the show on May 6, alongside musical guest Lil Uzi Vert, before the writers’ strike canceled all upcoming episodes when it started on May 2. The season 49 premiere on Saturday (Oct. 14) marks Ice Spice’s debut on the show.

The following week, on Oct. 21, Bad Bunny will pull double duty as host and musical guest. Bad Bunny made his first appearance on SNL in April 2020 with a cameo during a pandemic-era Saturday Night Live At Home episode. He made his debut as a musical guest in February 2021 (and acted in a couple of sketches) alongside Bridgerton star Rege-Jean Page as the host. The Oct. 21 episode will mark Bad Bunny’s first time hosting.

Cardi B’s Luxurious Birthday Featured Hermes Bags From Offset & NSFW Cake

As usual, Offset spoiled his wife Cardi B on her 31st birthday on Wednesday (Oct. 11), and the Migos rapper took to Instagram to show off the luxurious surprises he had in store while the couple were out for dinner.

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In the first clip among a series of Stories, Offset shared Cardi’s NSFW birthday cake, featuring the “Bodak Yellow” rapper nude with her booty out on full display. He then pans the camera over to Cardi herself, who is seen making a wish over her candles while rocking a skin-tight red lace dress with her hair up in full curls.

The evening then took a spin as the restaurant’s waiters brought out three orange Hermès boxes, and Offset filmed Cardi as she excitedly opened each one of her new high-end purses — and took shots of Hennessy in between.

See his Stories before they disappear here.

Earlier in the day, Cardi shared a video of her birthday surprise at home. “Thank you soo much babe @offsetyrn …you always go beyond for me,” Cardi wrote on Instagram alongside clip of her freaking out over the surprise, which included rose petal-strewn steps, an entire room covered in petals, giant “Happy Birthday” balloons, an enormous flower heart with the “Bongos” MC’s name on it and a ceiling covered in pink balloons.

“I love your skin,I love your face,I love your body , your ankles,I love your soul,I love your heart,I love your fart ,I love your faith,I love your talent ,I will BITE anybody for you lmaaooooo ❤️❤️❤️❤️,” Cardi added.

Cardi and Offset got married in 2017 and they share two children, 5-year-old Kulture Kiari and 2-year-old Wave Set.

P!nk Pauses $250 Million Summer Carnival to Begin Trustfall Tour

Gone is the typical start and stop of touring cycles. Releasing an album and going on tour every few years can make for a simple structure for a pop star career, but particularly in the post-pandemic era, artists are blurring multiple albums into one tour. Or, after postponing a tour for a couple years due to COVID, some are ending their originally scheduled treks and then jumping into a new one the following year.

But no one is doing it quite like P!nk: After wrapping 41 stadium dates on Monday, she’s hitting pause on Summer Carnival only to kick off an entirely separate arena tour on Thursday night (Oct. 12).

So far, according to figures reported to Billboard Boxscore, P!nk’s Summer Carnival has grossed $257.6 million and sold 1.8 million tickets across 41 shows. (P!nk will play a makeup date at Globe Life Field in Arlington, Texas, on Nov. 26 before the Summer Carnival resumes Feb. 9 in Sydney for a sweep of 20 shows in Australia and New Zealand.)

Summer Carnival began with 19 shows in Europe, bringing in $106.8 million from 871,000 tickets. The run was highlighted by two shows at London’s Hyde Park on June 24-25, earning $20.9 million and selling 130,000 tickets. Just behind The Rolling Stones’ $22.4 million, it’s the biggest gross by an American act or by a soloist in the venue’s storied history.

Just over the pond, P!nk flew Stateside for a $150.7 million run in the U.S. and Canada, selling 914,000 tickets. Boston and Philadelphia earned double-header status, claiming the North American leg’s tallest tallies. Two shows at Fenway Park (July 31-Aug. 1) grossed $13.6 million and sold 78,000 tickets, while two at Philly’s Citizens Bank Park topped out at $14.2 million and 93,000.

Not only were those the two biggest engagements on P!nk’s recent domestic run, they are the biggest continental engagements of her entire career. It’s not surprising, given this was her first stint in North American stadiums, after leveling up in Europe on the Beautiful Trauma World Tour in 2019.

The upcoming run in Oceania will be P!nk’s first try in stadiums over there, but one needn’t worry. On past tours, she’s stuck to arenas but played several shows in each city, sticking around for 18 nights in Melbourne on 2013’s The Truth About Love Tour. That equaled 235,000 tickets in the market, leaving more than enough room for multiple stadiums per city for the February-March leg.

But before we get there, P!nk has a 20-date arena trek. Consider Summer Carnival to be her grand reintroduction after a four-year gap since the Beautiful Trauma World Tour, while the impending start of the Trustfall Tour acts as the true celebration of its namesake album, released in February. Kicking off Thursday night in Sacramento and wrapping Nov. 19 in Orlando, it’s expected to earn more than $70 million and sell more than 300,000 tickets, according to promoter Live Nation.

Within 12 months, P!nk will have played three legs of Summer Carnival, all while squeezing in an entirely separate tour with the Trustfall shows. It’s likely to be the biggest year of her touring career, exceeding the $397.3 million from the Beautiful Trauma World Tour in 2018-19. When that wrapped, it was one of the 10 highest-grossing tours in Boxscore history. Edged out by recent runs by Elton John, Harry Styles and others, P!nk’s all-time stature continues to rise, as her career gross climbs to $973.6 million and total attendance just under 9 million. When it’s all said and done, Billboard projects she’ll be the newest member of two elite Boxscore clubs, blowing past $1 billion and 10 million tickets.

Here’s What Rich Paul Had to Say to Travis Kelce About Rumored Taylor Swift Relationship

Rich Paul knows a thing or two about dating a musical superstar, but isn’t worried that Travis Kelce will find his way amid his ongoing rumored romance with Taylor Swift.

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Paul, who has been dating Adele since 2021, said on Fox Sports‘ First Things First talk show, that he believes the Kansas City Chiefs tight end already “knows what to do” — they are from the same hometown, after all. “Here’s the thing, Travis Kelce is from Cleveland,” he said. “I don’t have to give him any advice. We’re born with this, so he knows what to do.”

However, he did note that Kelce “can read” his memoir Lucky Me if he needs any further advice. “Travis,” he said, “read Lucky Me!”

Earlier this week, Paul sat down with Gayle King on CBS Mornings, he opened up ever so slightly about his relationship with the “Easy on Me” singer. “She’s been great, I think she would agree that we’ve definitely helped each other,” the father of three said. “I’m in a good space, we’re in a good space. Happy. She’s superb… She’s been great for me. We’ve been great for each other.” Again stressing that his personal life is “not for the media,” when King asked if she should refer to the Grammy-winning singer as “Mrs. Paul” the next time she sees her, Mr. Paul said, “you can say whatever you want.”

Earth, Wind & Fire Rule Top TV Songs Chart After ‘Virgin River’ Synch

The No. 1 song on Billboard’s Top TV Songs chart, powered by Tunefind, for September 2023 is fitting: it’s “September,” by Earth, Wind & Fire.

Rankings for the Top TV Songs chart are based on song and show data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of September 2023.

“September” sported a synch in the latest season of Netflix’s Virgin River. The entire fifth season premiered Sept. 7, and the Earth, Wind & Fire classic was heard in the third episode.

In all, “September” received 19 million official on-demand U.S. streams and 8,000 downloads in September 2023, according to Luminate. Some of its metrics are also due to annual gains for the song (No. 8 on the Billboard Hot 100 in February 1979) each September around Sept. 21, corresponding with the track’s opening lyric.

Virgin River boasts three entries on Top TV Songs this month, with fellow third episode song “In the Shadows,” by Amy Stroup, bowing at No. 3, while Lily Allen’s cover of Keane’s “Somewhere Only We Know,” heard in episode 10, appears at No. 8.

The top non-Virgin River entry, meanwhile, belongs to Gerry Rafferty’s “Baker Street,” which ranks at No. 2. Rafferty’s top-charting song on the Hot 100 (No. 2, June 1978), it appears in the second episode (Sept. 29) of new show The Continental, from Peacock, which is a newly released spinoff of the John Wick franchise.

Thanks to its The Continental synch, “Baker Street” earned 2.9 million streams and 1,000 downloads in September 2023.

Like Virgin River, The Continental also has three tracks on the latest Top TV Songs tally, with “Baker Street” followed by ZZ Top’s “La Grange” at No. 5 and Tommy James and the Shondells’ “Crimson and Clover” at No. 10.

Back to Earth, Wind & Fire: the group charts two songs on two different shows in September, as “Let’s Groove,” which appears at No. 6, was heard in HBO’s Winning Time: The Rise of the Lakers Dynasty.

See the full top 10, also featuring music from Wilderness and The Walking Dead: Daryl Dixon, below.

Rank, Song, Artist, Series (Network)
1. “September,” Earth, Wind & Fire, Virgin River (Netflix)
2. “Baker Street,” Gerry Rafferty, The Continental (Peacock)
3. “In the Shadows,” Amy Stroup, Virgin River (Netflix)
4. “Gold,” Kiiara, Wilderness (Amazon Prime Video)
5. “La Grange,” ZZ Top, The Continental (Peacock)
6. “Let’s Groove,” Earth, Wind & Fire, Winning Time: The Rise of the Lakers Dynasty (HBO)
7. “Blue Monday,” New Order, The Walking Dead: Daryl Dixon (AMC)
8. “Somewhere Only We Know,” Lily Allen, Virgin River (Netflix)
9. “Sacrilege,” Yeah Yeah Yeahs, Wilderness (Amazon Prime Video)
10. “Crimson and Clover,” Tommy James and the Shondells, The Continental (Peacock)

Britney Spears Cuddles With J Balvin in Maluma’s New Instagram Post

Britney Spears spent a night out with two Latin superstars this week, and the trio seemed to have a ton of fun posing for Instagram photos.

Maluma took to the social media platform on Thursday (Oct. 12) to share a picture alongside the “Piece of Me” singer and J Balvin, in which Spears and the Colombian superstar are seen in a sweet embrace while Maluma stares dead-eyed into the camera. “Who else is like me in love?” he joked in the caption.

While there are currently no plans for a collaboration between the trio, the comments were flooded with requests for Spears to foray into the Latin music world.

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In the meantime, Spears is gearing up to release her highly anticipated memoir The Woman in Me on Oct. 24. The debut memoir is a “brave and astonishingly moving story about freedom, fame, motherhood, survival, faith, and hope,” according to a press release from publisher Gallery Books, an imprint of Simon & Schuster.

The book — and Maluma’s Instagram post — comes amid a new chapter in Spears’ life, ollowing her split from husband Sam Asghari after one year of marriage and six years together. Asghari filed for divorce in August citing “irreconcilable differences.”

The Woman in Me will be available as a hardcover, e-book and audio book. You can pre-order the memoir at various retailers including Amazon (also available on Kindle), Barnes & NobleTargetWalmart and Bookshop.

See Maluma’s post below.

Who Are HEY-SMITH? Meet the Japanese Punk Band Heard in the Latest ‘Tokyo Revengers’ Arc

Japanese punk band HEY-SMITH has announced that they were tapped to perform the ending theme for the Tenjiku Arc of the TV anime Tokyo Revengers. The song, “Say My Name,” is the band’s first new song in a year and its first anime tie-in.

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Formed in 2006, the six-piece band has undergone several changes in membership before settling on its current lineup in 2015: guitarist and vocalist Shuhei Igari, bassist and vocalist YUJI, saxophonist Mitsuru, drummer Task-n, trombonist Kanasu, and trumpeter Ken Iikawa. In 2020, it signed with veteran American punk label ASIAN MAN RECORDS and began streaming its album Life In The Sun World Edition around the world. HEY-SMITH is a melodic punk band with its own horn section. Their most famous songs include “Endless Sorrow,” which riffs on the melody of the Farandole from Georges Bizet’s “The Girl from Arles,” “Be the One,” which combines the heavy sound of metal with an energetic melody, and “NOT a TV show,” which they played on their first appearance on a music TV program in 2018. HEY-SMITH’s leader, Igari, is responsible for both the band’s lyrics and music. Through their music, the band has always shared the core ethos of punk, that people need to speak up and make themselves heard so they can continue to live free and have fun.



HEY-SMITH performs almost 150 shows a year and is known as a dyed-in-the-wool live band. In 2022, despite the pandemic, they did a tour of all 47 Japanese prefectures. During the summer, they’re invited to play in festivals and shows with other bands across the country, performing almost every week. They also organize their own outdoor festival, “OSAKA HAZIKETEMAZARE FESTIVAL,” spearheading their own movement.

In 2017, they only played two solo shows. Even in their own tours, they almost always play with opening acts. The members of the band decide on their openers themselves, reaching out to bands that they’ve seen in shows and been impressed by. They choose bands that put on good shows, regardless of how long they’ve been playing or how well-known they are. This inspires HEY-SMITH and livens up the music scene.

Listeners aren’t the only ones supporting their blistering live performances and other activities. They also enjoy solid support from other bands, and there are countless episodes that show how they are truly a “band loved by bands.” For example, in 2019, while Igari was hospitalized for pneumothorax surgery, the rest of the band performed in a show called “Kyoto Daisakusen 2019.” The members of SiM, coldrain, dustbox, and 04 Limited Sazabys came together to help the band through this pinch. The show featured a tremendous on-stage collaboration of different artists.

HEY-JUMP is a powerhouse, a name familiar to everyone who is into Japanese bands, especially those who go to see live music. Now, they’ve created the ending theme to the TV anime Tokyo Revengers. This must have come as a surprise to a lot of people. When the announcement was made, the jacket of their new single, “Say My Name,” was also unveiled. The jacket features the members of HEY-SMITH replaced with Tokyo Revengers characters. People must also have been surprised by the new jacket — yet, at the same time, found it a perfect fit.

“Say My Name” was released on the same day as the second episode of the anime was broadcast. The song begins with YUJI’s high-pitched vocals, a driving rhythm, and a melody played by the horn section. Igari then leaps in with a shouted vocal line. Listening to the song, it’s easy to imagine the scene of an audience going wild at a live show, kicking up a cloud of dust as the heavy sound of the music washes over them. The song’s theme of fighting for hope and freedom reflects HEY-SMITH’s own punk spirit. But, at the same time, the lyrics “You are my hero and you cry/I know I know I know I know/we defeat everything” evoke the story of Tokyo Revengers and its characters, such as Takemichi Hanagaki, who leaps back in time over and over to change a bleak future, and his girlfriend Hinata Tachibana, who maintains an unswerving faith in Takemichi. The song is perfect as a new HEY-SMITH song and as the ending theme of the Tenjiku Arc of the TV anime Tokyo Revengers. Clocking in at just 1 minute and 48 seconds, it’s a short tune without a moment of fat, an electrifying demonstration of the band’s talents.

On October 11, HEY-SMITH released the single “Say My Name.” This will also mark the major debut of HEY-SMITH on Pony Canyon. What’s more, they’ve announced that on November 1, they’ll be releasing a new album, Rest In Punk. This will be their 6th full album and the first in almost 5 years. Following their album release, on November 16, they will be starting their largest tour ever, the nation-spanning Rest In Punk Tour. They’ve already announced show dates up to April 10 of next year, but their tour schedule ends with “And more…” so new dates are likely to be added. Here’s hoping that the band’s major label debut will usher in an even more active period in the band’s history.

–This article by Chinami Hachisuka first appeared on Billboard Japan

Ado’s ‘Show’ Scores Third Week at No. 1 on Japan Hot 100

Ado’s “Show” logs its third week at No. 1 on the Billboard Japan Hot 100, dated Oct. 11, continuing to improve in various metrics in a balanced way.

On the chart tallying the week ending Oct. 8, the Halloween event theme for Universal Studios Japan holds at No. 2 for downloads for the second week with 16,486 units, increasing by 0.9 percent from the week before. The track also continues to rule streaming for the third week in a row with 14,258,058 weekly streams, also an 0.9 percent increase. In other metrics of the chart’s methodology, “Show” rises 2-1 for video views and comes in at No. 7 for radio and No. 48 for karaoke.

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YOASOBI dominate the next two slots this week, with the hit-making duo’s latest track “The Brave” rising 9-2 and former No. 1 hit “Idol” holding at No. 3. The former, the opener for the high fantasy anime Frieren, continues to rule downloads with 21,267 units. Streaming for the track soared by about three times the previous week to hit 8,139,175 streams, leaping 49-4 for the metric. The music video has currently racked up over 9 million views to rise 7-4 for video, and the song also soars 51-5 for radio.



The latter, the 21-week record-holder for longest stay at No. 1 on the Japan Hot 100, is currently at No. 3 for streaming, No. 10 for downloads, No. 3 for video, No. 46 for radio, and logs its 20th week at No. 1 for karaoke.

NMB48‘s “Nagisa Saiko!” debuts at No. 5 this week. The girl group’s 28th single sold 262,542 copies in the first week — 67,657 more copies than its predecessor, “Sukidamushi” to rule physical sales. It’s a fitting send-off to popular member Nagisa Shibuya, who will be leaving the group after being featured in center position for the last time.



Two tracks by BTS’s Jung Kook charts in the top 10 this week. His collaboration with Jack Harlow, “3D,” debuted on the Japan Hot 100 on the chart dated Oct. 4 at No. 17 after the single dropped Sept. 29, and climbs to No. 7 this week. The track is at No. 9 for downloads, No. 12 for streaming, No. 20 for radio, and No. 8 for video. His hit collab with Latto, “Seven,” is at No. 10 this week on its 13th week on the chart, coming in at No. 7 for streaming with 6,337,765 weekly streams, maintaining a higher count than “3D,” which logged 4,955,275 streams this week.



Three-man band shy taupe reached a new career-high on the Japan Hot 100, with “Rendez-vous” breaking into the top 10 at No. 8. This song bowed on the chart dated Aug. 23 at No. 66, then made its way to No. 14 two weeks later. It spent the next five weeks in the top 20 and hit its current position this week. The track is powered by streaming, which increased by about 0.9 percent from the previous week at 7,235,586 weekly streams, coming in No. 6. It’s still rising in other metrics, with downloads moving 67-54, video 50-33, and karaoke 56-52 on its 10th week on the chart.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Oct. 2 to 8, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.