Music News

Radiohead Side Project The Smile Announce ‘Wall of Eyes’ Album, Drop Paul Thomas Anderson-Directed Video

The Smile announced the release date for its upcoming second full-length album, Wall of Eyes, on Monday (Nov. 13), revealing that the follow-up to 2022’s debut LP, A Light for Attracting Attention, will drop on Jan. 26 via XL Recordings. The latest from the Radiohead spin-off group fronted by that group’s singer Thom Yorke and guitarist Jonny Greenwood as featuring Sons of Kemet drummer Tom Skinner will coincide with a series of UK and European headlining dates in March.

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The 8-song album was produced by Sam Petts-Davies (Warpaint, Frank Ocean) and recorded at Abbey Road Studios and in Oxford, UK, with string arrangements by the London Contemporary Orchestra. A video for the brooding five-minute title track directed by Paul Thomas Anderson (Licorice Pizza, Phantom Thread) also dropped on Monday and it finds singer Yorke contemplating connection in a hectic world.

The black and white clip opens with Yorke sitting alone in a room staring at the projected image of a giant eyeball as a wild wind suddenly whips him, forcing the morose vocalist out into the crowded, buzzing city streets and packed bars, where he appears to float unaffected through the swirling chaos.

Pre-sale tickets for the European tour will go on sale on Wednesday (Nov. 15) at 9 a.m. UK time, with a general onsale following on Friday (Nov. 17) here.

Watch the “Wall of Eyes” video, see the album’s track list and The Smile’s European tour dates below.



Wall of Eyes track list:

  1. “Wall of Eyes”
  2. “Teleharmonic”
  3. “Read the Room”
  4. “Under Our Pillows”
  5. “Friend of a Friend”
  6. “I Quit”
  7. “Bending Hectic”
  8. “You Know Me!”

The Smile March 2024 tour dates:

March 13 — Copenhagen @ K.B. Hallen
March 15 — Brussels @ Forest National
March 16 — Amsterdam @ AFAS Live
March 18 — Brighton @ Brighton Centre
March 19 — Manchester @ O2 Apollo
March 20 — Glasgow @ SEC Armadillo
March 22 — Birmingham @ O2 Academy
March 23 — London @ Alexandra Palace

Drake Announces Dates For 2024 It’s All A Blur Tour – Big As The What?’ With J. Cole

Drake is headed back out on the road next year. On Monday morning (Nov. 13), the 6 God revealed the dates for his upcoming 2024 U.S. run titled It’s All A Blur Tour – Big As the What?, which will feature support from J. Cole on most dates.

The 22-date run of show presented by Cash App and Visa and produced by Live Nation will feature a number of back-to-back arena dates, kicking off with two gigs at Ball Arena in Denver, CO on Jan. 18 and 19. The run will then double-up in New Orleans, Nashville and Columbus before winding down with a show at The Legacy Arena at BJCC in Birmingham, AL.

The 2024 dates will follow on the heels of Drake’s recently completed It’s All A Blur tour, which found the rapper playing 50 sold-out arena dates across North American in the summer and fall in support of his eighth studio album, For All the Dogs. Tickets for the tour will be available starting with the Cash App card presale beginning on Wednesday (Nov. 15), followed by a general onsale beginning Friday (Nov. 17) starting at 11 a.m. local time here.

Check out the dates for Drake’s It’s All a blur Tour – Big As The What? below.

Jan. 18 – Denver, CO @ Ball Arena + 

Jan. 19 – Denver, CO @ Ball Arena 

Jan. 22 – San Antonio, TX @ Frost Bank Center – San Antonio

Jan. 25 – Oklahoma City, OK @ Paycom Center 

Jan. 29 – New Orleans, LA @ Smoothie King Center +

Jan. 30 – New Orleans, LA @ Smoothie King Center 

Feb. 2 – Tampa, FL @ Amalie Arena 

Feb. 7 – Nashville, TN @ Bridgestone Arena +

Feb. 8 – Nashville, TN @ Bridgestone Arena +

Feb. 12 – St. Louis, MO @ Enterprise Arena 

Feb. 16 – Pittsburgh, PA @ PPG Paints Arena 

Feb. 20 – Columbus, OH @ Schottenstein Center +

Feb. 21 – Columbus, OH @ Schottenstein Center 

Feb. 24 – Cleveland, OH @ Rocket Mortgage Fieldhouse 

Feb. 27 – Buffalo, NY @ KeyBank Center 

March 2 – Kansas City, MO @ T-Mobile Center 

March 5 – Memphis, TN @ FedEx Forum

March 10 – Lexington, KY @ Rupp Arena 

March 14 – Belmont Park, NY @ UBS Arena ~

March 18 – State College, PA @ Bryce Jordan Center ~

March 23 – Sunrise, FL @ Amerant Bank Arena ~

March 27 – Birmingham, AL @ The Legacy Arena at BJCC ~

Rescheduled dates

~ Without J. Cole

Trippie Redd Revealed to Fans That He Canceled His Tour For the Absolute Best Possible Reason

Back in June, Trippie Redd announced the dates for his 2023 Take Me Away tour, a North American fall outing that was slated to kick off on August 31 and keep him on the road through Oct. 9. And then, recently, the “Danny Phantom” MC canceled the dates with no explanation.

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Over the weekend, however, the 24-year-old born Michael Lamar White IV, explained that he had a very good reason for bailing on the dates. “You want an explanation, so boom,” he said in a video message. “I’m dropping a project named Saint Michael, right? What if I was to tell you that’s my son’s name and I canceled tour because I had to deliver my son?”

The surprise news does, in fact, line up with the new Saint Michael EP the rapper dropped on Friday, his 10th EP overall and his third project this year, following on the heels of the August A Love Letter to You 5 mixtape. The project contains seven songs (“Pray 4 Us,” “Van Cleef Island,” “1716 Osage,” “Ok, Cool,” “7am in Ohio,” “Yo Pi’erre Slime” and “Saint Michael Myers”) and features a cover image of Trippie breaking free from a tangle of heavy chains.

As for the blessed event, Trippie explained, “Life be lifin’. Y’all sittin’ there bashing me, saying all this crazy stuff. And here I’m just brining my child into the world.” Trippie also reportedly posted a photo of the infant on his Instagram Story, showing off his full name — Saint Michael White — and an image of the baby in a cute green onesie and matching hat.

Check out Trippie Redd revealing the name of his child below and listen to the Saint Michael EP.

Taylor Swift Performs “Slut!” Live for the First Time at Buenos Aires Show

Taylor Swift fans in Buenos Aires got more than one treat from 1989 (Taylor’s Version) this weekend. Swift debuted vault track “Slut!” live on Sunday (Nov. 12), after performing “Is It Over Now?” for the first time the night before.

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During the acoustic set of Sunday night’s show at Estadio River Plate, Swift first played Speak Now (Taylor’s Version) song “Better Than Revenge” on guitar. (The crowd had started a loud chant of “Reputation!” but didn’t get a Reputation surprise on this particular night.)

Swift performs two unannounced songs during this portion of the Eras concert.

After “Better Than Revenge,” the pop star walked over to her piano and began playing “Slut!” — no introduction needed in front of the zealous crowd of Swifties, even though the track has only been out for fans to hear for two weeks.

“But if I’m all dressed up/ They might as well be lookin’ at us/ And if they call me a slut/ You know it might be worth it for once,” Swift sings in the chorus. The Buenos Aires crowd chimed in beautifully.

Nov. 12 was the third of a trio of shows in Buenos Aires, Argentina, with the previous two concerts getting acoustic versions of “The Very First Night” and “Labyrinth” for the first time on Nov. 9, and an “Is It Over Now?”/”Out of the Woods” mashup and “End Game” on Nov. 11. Keep up with Swift’s full list of Eras Tour surprise songs here.

1989 (Taylor’s Version) is currently atop the Billboard 200 albums chart for the second week in a row.

Watch Swift premiere “Slut!” live in a fan-captured clip below.

Taylor Swift Scolds Concertgoers for Throwing Things on Stage in Buenos Aires: ‘It Really Freaks Me Out’

Taylor Swift is reminding fans to not throw things onto the stage at her shows.

At least one object made its way toward Swift in Buenos Aires, Argentina, Sunday night (Nov. 12) while she was performing at Estadio River Plate for the Eras Tour concert that had been postponed due to “chaotic” weather on Friday.

Sitting at her piano during the Evermore set, the pop star — whose 1989 (Taylor’s Version) is spending a second week at No. 1 on the Billboard 200 — calmly, but sternly, addressed the crowd after a “present” landed beside her. People throwing things at performers on stage has became a dangerous trend.

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“Just because communication means having gentle, healthy boundaries,” said Swift, “it really freaks me out when stuff gets thrown on the stage. Because if it’s on the stage then a dancer can trip on it.”

“I love that you bought presents and that is so nice, but just, can you please not throw them on the stage,” she stated (rather than asked). “I love you so much.”

Swift’s Nov. 12 show was the third of a trio of concerts in Buenos Aires.

Saturday night’s show was particularly memorable, as her beau Travis Kelce was there. She paid special attention to him from the stage, sneaking in a clever shout-out in “Karma”: “Karma is the guy on the Chiefs coming straight home to me,” she sang with a giggle. When the concert wrapped, she ran straight to Kelce for a kiss before the couple headed backstage.

See what happened when a fan threw something at Swift at Sunday night’s concert in the clips below.

Here’s How Travis Kelce Reacted to Taylor Swift’s ‘Karma’ Lyric Update About ‘The Guy on the Chiefs Coming Straight Home to Me’

In case you missed it, Taylor Swift went very public about her connection with Travis Kelce by giving him a shout-out during “Karma” (and later kissing him) at her concert in Buenos Aires, Argentina, Saturday night (Nov. 11).

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Kelce, who flew to Buenos Aires for Swift this weekend, certainly didn’t miss it. His real-time reaction to her surprise lyric change was caught on camera.

Swift replaced original “Karma” lyric “Karma is the guy on the screen coming straight home to me” with the line “Karma is the guy on the Chiefs coming straight home to me” in front of a live audience at Estadio River Plate, stunning fans and the Kansas City Chiefs tight end, who was enjoying the concert with Swift’s dad in the VIP tent.

Kelce was simply watching Swift on stage during the Midnights set of her Eras show when he heard Swift’s new lyric. Scott Swift, Taylor’s dad, hit the football star’s shoulder and cheered when it happened, while Kelce covered his face with his hands.

Taylor’s love interest then grinned widely and did a happy little dance.

When the show wrapped, Swift ran straight into Kelce’s arms and kissed him. The lovey-dovey moment was also captured and shared by Swifties at the stadium.

Kelce had taken Swift out to dinner Friday, and then was spotted at Swift’s show early on Saturday, hanging out with Mr. Swift.

In the clip below, see Kelce’s adorable reaction to being “the guy on the Chiefs coming straight home to” Swift.

Former Slipknot Drummer Jay Weinberg Breaks His Silence After Split From Band

Slipknot‘s ex-drummer Jay Weinberg is speaking out after being fired from the masked metal band.

Weinberg, the son of longtime Bruce Springsteen & the E Street Band drummer Max Weinberg, took to social media on Saturday (Nov. 11) to express that he had not anticipated the group’s decision to part ways with him after 10 years.

“I was heartbroken and blindsided to receive the phone call that I did on the morning of November 5th; the news of which, most of you learned shortly after,” Weinberg, 33, wrote on his Instagram Story. “However, I’ve been overwhelmed by — and truly grateful for — the outpouring of love and support I’ve received from this incredible community I consider to be my creative and artistic home.”

A week earlier on Nov. 5, Slipknot announced that the band had “parted ways” with Weinberg, who joined the rock act in 2013 following the departure of Joey Jordison.

“No one can ever replace Joey Jordison’s original sound, style or energy, but Jay honored Joey’s parts and contributed to the last three albums and we, the band, and the fans appreciate it,” Slipknot wrote in a statement. “But as ever, Slipknot is intent on evolving. The band has decided to make a creative decision, and to part ways with Jay. We wish Jay all the best and are very excited for what the future holds.”

During his time with Slipknot, Weinberg drummed on the Grammy-winning group’s albums .5: The Gray Chapter (2014), We Are Not Your Kind (2019) and The End, So Far (2022). .5: The Gray Chapter and We Are Not Your Kind both debuted at No. 1 on the Billboard 200.

Weinberg added in his lengthy statement on Saturday, “Despite the confusion and sadness, there is something that’s provided an equal amount of comfort. For many of you reading this: 10 years ago, we weren’t yet acquainted. And now, we are. For that, I’m thankful in ways I’ll never be able to fully express.”

The drummer continued, “I don’t know how, and I don’t know when, but I look forward to creating loud, passionate, and heartfelt music that we enjoy together again. Until then, please know it’s been the joy of a lifetime to spend the last 10 years with you, sharing in our love for this special corner of the music and art world.”

Weinberg joined Slipknot in 2013 following the departure of founding drummer Jordison, who formed the group in 1995 along with percussionist Shawn Crahan and the band’s late bass player Paul Gray, who died in 2010.

Slipknot hasn’t yet announced who will replace Weinberg on drums. The band is currently scheduled to play the Sick New World Festival in Las Vegas on April 27, 2024, and Welcome to Rockville on May 12, 2024.

Read Weinberg’s post on his Instagram Story here.

Troye Sivan Reacts to Timothée Chalamet’s ‘SNL’ Sleep Demon Impression: ‘Why Is Life So Weird’

Troye Sivan was in “pure shock” after watching Timothée Chalamet impersonate him on Saturday Night Live.

The Australian pop star took to social media following the Nov. 11 episode of the NBC comedy series, during which the Wonka star hilariously portrayed Sivan as cast member Sarah Sherman’s sleep paralysis demon.

“WHY IS LIFE SO WEIRDDDDD RN LMAO IM DEAD,” Sivan captioned a snippet of the SNL skit on Instagram.

The Idol actor also shared several screenshots from the sketch on his Instagram Story, along with a snapshot of himself watching the comical segment on his laptop with the caption, “Pure Shock.” The singer liked it so much, he even changed his profile picture to an image of Chalamet portraying him.

During the five-minute sketch, Sherman plays a woman who complains to her doctor (portrayed by SNL‘s Bowen Yang) that she sees a mysterious figure in the room when she tries to sleep. Chalamet, who served as the evening’s host, then appears in the hospital room as a hallucination of Sivan from the artist’s “Got Me Started” music video, where he sports a tight white tank top and baggy blue pants.

“It’s just a guy, but like a gay guy,” Sherman describes, to which Chalamet’s Sivan replies, “No, not just any gay guy, homie. It’s me, Troye Sivan. Let’s go!”

After showing off his dance moves and slightly pulling down his pants, Chalamet’s Sivan reassures Sherman that he’s not a sleep demon. “No, not quite, girly. I’m an Australian YouTube twink-turned-indie pop star and model-turned-HBO actor Troye Sivan being played by an American actor who can’t do an Australian accent,” he says in his normal voice.

The doctor then reveals that Sherman is the fourth woman he’s treated who’s “suffering from Troye Sivan dancing as her sleep demon.” Sherman wonders if it’s a bad thing, asking, “Isn’t he kind of famous?” Bowen replies, “He’s gay famous. It’s different!”

The sketch ends with Sherman telling the physician that she’s starting to enjoy Sivan’s presence. “Oh no, I really wish you didn’t say that. If you invite him in, he starts to multiply,” he says. From there, Sivan manifests more versions in himself in the form of musical guest Boygenius‘ Phoebe Bridgers, Lucy Dacus and Julien Baker.

“Hey homie, thanks for inviting us,” Bridgers’ Sivan says with a smile.

Watch “Troye Sivan Sleep Demon” SNL sketch below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.


https://youtube.com/watch?v=TzBvtMzWNL4&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Taylor Swift’s ‘1989 (Taylor’s Version)’ Spends Second Week Atop Billboard 200

Taylor Swift’s 1989 (Taylor’s Version) logs a second week atop the Billboard 200 albums chart (dated Nov. 18), following its blockbuster debut. In the week ending Nov. 9, the set earned 245,000 equivalent album units (down 85%) in the U.S., according to Luminate. The re-recorded effort charged in at No. 1 with 1.653 million units a week ago — marking the largest week for any album in nearly a decade.

Also in the top 10 of the new Billboard 200, Jung Kook’s debut album, Golden, bows at No. 2, while the late Jimmy Buffett’s new studio album, Equal Strain on All Parts, starts at No. 6.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Nov. 18, 2023-dated chart will be posted in full on Billboard‘s website on Nov. 14. For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of 1989 (Taylor’s Version)’s 245,000 equivalent album units earned in the week ending Nov. 9, album sales comprise 122,000, SEA units comprise 121,500 (equaling 159.54 million on-demand official streams of the set’s 36 songs) and TEA units comprise 1,500. On the final day of the tracking week, Swift introduced a new deluxe digital download edition of the album, exclusively available in her official webstore for one day only. The new version includes one bonus track, “Slut! (Acoustic Version) (Taylor’s Version).”

BTS’ Jung Kook sees his solo debut album, Golden, bow at No. 2 on the Billboard 200 with 210,200 equivalent album units earned. Of that sum, album sales comprise 164,800 (it’s the top-selling album of the week), SEA units comprise 29,800 (equaling 41.59 million on-demand official streams of the set’s 10 songs) and TEA units comprise 15,600. Golden’s sales were largely driven by CD purchases, with 128,500 sold, while digital download album contributed 36,300. It was not available to purchase on any other format.

Golden was preceded by a pair of top 10-charting hits on the Billboard Hot 100 songs chart, the No. 1 “Seven,” featuring Latto, and the No. 5-peaking “3D,” with Jack Harlow.

Golden is Jung Kook’s first charting album on the Billboard 200, and he becomes the sixth member of BTS (of the seven total members) to have achieved a top 10-charting effort. BTS itself has logged seven top 10s, including six No. 1s.

Golden was issued in 16 collectible CD editions, all with the same tracklist, but alternative packaging and covers, with different merchandise (some randomized) contained inside. Among the variants were retail-exclusive sold through Barnes & Noble, Target and Walmart. Golden was also available to purchase across nine different digital download editions: a standard version, one with three music videos, a version with a “digitally signed” cover, two alternative cover versions, and four “voice memo” versions (each of the four came with a different short voice memo recorded by the artist as a bonus track).

A trio of former No. 1s is next on the Billboard 200, as Drake’s For All the Dogs is a non-mover at No. 3 (81,000 equivalent album units; down 15%), Morgan Wallen’s One Thing At a Time rises 5-4 (65,000; up 2%) and Bad Bunny’s Nadie Sabe Lo Que Va a Pasar Mañana falls 4-5 (60,000; down 19%).

The late Jimmy Buffett debuts at No. 6 on the Billboard 200 with the final studio album he completed during his lifetime, Equal Strain on All Parts. The set starts with a little over 53,000 equivalent album units earned. Of that sum, album sales comprise 51,000, SEA units comprise a little over 2,000 and TEA units comprise a negligible sum. Buffett died on Sept. 1 at the age of 76 of skin cancer.

The new 14-song album, which marks Buffett’s 14th top 10-charting set on the Billboard 200, features contributions from Emmylou Harris, Angelique Kidjo, Lennie Gallant, Will Kimbrough, Preservation Hall Jazz Band and Paul McCartney.

Equal Strain on All Parts was issued as a standard digital album, a standard CD and in two vinyl editions — a widely available Key West Blue-colored version, and an indie store exclusive Paradise Blue-colored version that contains a poster inside. Of the album’s 51,000 sold, CD sales comprise 26,000, digital album sales comprise 15,000 and vinyl sales comprise 10,000.

Closing out the new top 10 are four former chart-toppers: Rod Wave’s Nostalgia dips 6-7 (45,000 equivalent album units; down 3%); Zach Bryan’s self-titled set rises 9-8 (nearly 45,000; up 2%); Swift’s Midnights falls 7-9 (43,000; down 3%); and SZA’s SOS is steady at No. 10 (42,000; down less than 1%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Boygenius Rocks ‘Not Strong Enough’ & ‘Satanist’ in ‘SNL’ Debut: Watch

Boygenius brought songs from their long-awaited debut album, The Record, to Studio 8H.

Fresh off a whopping six Grammy nominations, the supergroup — helmed by Phoebe Bridgers, Lucy Dacus and Julien Baker — gave rocking performances of “Not Strong Enough” and “Satanist” during its Saturday Night Live debut on Nov. 11.

With an introduction from second-time host Timothée Chalamet, Boygenius opened with “Not Strong Enough,” which topped Billboard‘s Adult Alternative Airplay in June. For the performance, the band donned black and white suits in a nod to The Beatles and their Rolling Stone magazine cover in tribute of Nirvana. The group returned in the same slick outfits for a moody delivery of their track “Satanist.”

Boygenius took the stage just weeks after the release of their new four-track EP, The Rest. Bridgers previously served as musical guest for her solo work, in April 2021, and memorably destroyed her guitar on stage in Studio 8H.

On Friday (Nov. 10), the three-piece discovered they were nominated for a six awards at the 2024 Grammy Awards, including nods for both album and record of the year for The Record and “Not Strong Enough,” respectively.

“It feels like I’m in a simultaneous come-up and come-down from a high,” Dacus told Billboard after the nominations were announced.

Watch Boygenius’ SNL performances below. For those without cable, the broadcast streams on Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans access to previous SNL episodes.


https://youtube.com/watch?v=5TtD9U2f1gs&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent


https://youtube.com/watch?v=hniH8I8c-m0&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent