Music News

Maren Morris Applauds Taylor Swift, The Chicks & Other ‘Brave’ Female Musicians Who Won’t ‘Shut Up and Sing’

Maren Morris was awarded Changemaker of the Year at Variety’s Hitmakers Brunch this weekend, and she used her acceptance speech to share the spotlight with fellow female musicians who she said have given her courage to stand up for what she believes in.

Recalling the “backlash” she’s faced over the years in response to her activism and political disputes with other public figures, the 33-year-old country pop star told the audience that she “found solace in the stories of my musical heroines.” Those heroines include Taylor Swift, for “taking back ownership of her life’s work,” and The Chicks, for “criticizing a sitting United States president on invading Iraq at the height of their country music career,” Morris said, according to People.

Morris also praised the late Sinead O’Connor — who passed away over the summer — for “shining a light on the abuses of the Catholic Church” as well as Billie Holiday for “continuing to perform ‘Strange Fruit’ in protest, even with a racially targeted FBI investigation threatening her.”

“They were all told not to bite the hand,” continued the “Middle” singer. “They were all told to shut up and sing. Now, I would never be silly enough to compare myself or my story to these women, but I have found deep inspiration in their courage in my moments of loneliness.”

“You have to be a giant pain in the a– to make any kind of change, because you’re criticizing and trying to dismantle a status quo and making comfortable people feel uncomfortable,” Morris added.

The Hitmakers event comes a couple months after Morris announced plans to step back from the country music industry, parts of which she’s said are “toxic.” In the years leading up to her decision — which includes no longer submitting her music for country awards consideration and switching record labels — the Grammy winner became known for advocating for LGBTQ rights and racial equality.

On many occasions, Morris’ activism resulted in conflicts with everyone from Jason and Brittany Aldean to Tucker Carlson. “I realized very quickly that publicly pointing out these inequalities doesn’t make you the most popular,” she reflected in her Changemaker speech. “If you dare criticize blatant misogyny, racism, transphobia within the ranks of your industry, you’re met with isolation, death threats, labeled as ungrateful, biting the hand that fed you or diminishingly told to just shut up and sing.”

Eslabon Armado & Peso Pluma’s ‘Ella Baila Sola’ Reaches 1 Billion Streams on Spotify

Eslabon Armado and Peso Pluma’s “Ella Baila Sola” officially reached one billion streams on Spotify on Sunday (Dec. 3). The high point marks the first-ever música mexicana track to do so, Spotify has confirmed to Billboard Español.

The song — which premiered on April 1 as part of Eslabon Armado’s album Desvelado via DEL Records — had already made history on the all-genres Billboard Hot 100, where it reached its peak at No. 4 and sustained its presence for an impressive 23 weeks. Additionally, the track secured the top spot on various lists, including the Billboard Global 200 for six consecutive weeks, Hot Latin Songs for 19 weeks, and Latin Airplay for one week.

“Happy and blessed we woke up today, Sunday, with this, and all thanks to God and you for making it possible for the song to reach a billion,” Eslabon Armado wrote on their Instagram. 

In “Ella Baila Sola,” Eslabon Armado frontman and songwriter Pedro Julian Tovar Oceguera creates a vivid narrative about two close friends captivated by a mesmerizing woman at a gathering. While the inspiration behind this track may be shrouded in mystery, Oceguera’s storytelling prowess shines through. Grounded in the sierreño tradition, the song is rich with enchanting borderland slang, capturing the essence of both Mexican and Mexican-American cultures.

Most recently, the música mexicana hit made Billboard Latin and Billboard Español’s The 50 Best Latin Pop Songs From 2000 to 2023, Ranked list at No. 12. 

The track earned the aforementioned group a song of the year Latin Grammy nomination; the two acts also performed it together for the first time at the award show which was held in Seville, Spain this year. 

Watch the video for “Ella Baila Sola” by Eslabon Armado and Peso Pluma below: 



Cardi B Stuns in Blue Faux Fur at Balenciaga Street Show in L.A.

When Cardi B said “Balenciaga Bardi back and all these b–ches f—ed,” she meant it.

On Saturday (Dec. 2), the rapper made a surprise appearance on the runway during Balenciaga’s pre-fall 2024 show in Los Angeles. Taking place on a closed street in the city’s Hancock Park neighborhood, Cardi stunned in her first major catwalk appearance sporting a slicked-back hairdo, diamond jewelry and an eye-catching blue faux-fur coat over a black bodysuit.

Celebrating her first runway, Cardi took to her Instagram to give a shoutout to the brand and her team for making the opportunity possible. “Yesterday was a dream! I had too much fun storming your runway! Thank you to @Balenciaga @Demnagram @johanfleury and the entire team, you all are always so amazing to work with! Thank you to my team @kollincarter_ @tokyostylez @erikalapearl @juanmarioortiz_. DARE TO BE DIFFERENT.” Check out all of the pictures Cardi posted here.

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The event marked Balenciaga creative director Denma’s first since the brand came under fire for a controversial ad campaign back in November 2022, featuring photos of children carrying teddy bear-shaped handbags decked in what looked like bondage gear, as well as other photos showing Supreme Court filings pertaining to child pornography. The brand removed the ads and apologized for the scandal via a statement in November, stating “we take full accountability for our lack of oversight and control of the documents in the background and we could have done things differently.”

Meanwhile, fans of Cardi are still on the edges of their seats after the rapper teased new content back in November. During a live Twitter Space event with HipHopDX, Cardi said that she might be putting something out before 2023 is over. “Maybe I should just put a lil’ something something out before the year ends. Would y’all mind if I just do, like, a video?” she said. “I don’t know. I’ll think about it by the end of the day … I just feel like I gotta talk my s–t a little bit.” Cardi has been working on the long-awaited follow-up to her 2018 major label debut, Invasion of Privacy, for more than a year; a release date has not yet been announced for the untitled project.

DaBaby Vows to Give Up Alcohol: ‘I’m Going to be Sober’

DaBaby is going the sober route. On Sunday night (Dec. 3), the mercurial rapper voiced his decision to put down the bottle during a PSA on Instagram.

“It’s official, bruh. I don’t drink no more,” he said. “I got my appearances. Don’t try to give me no bottles, don’t try to offer me no shot, don’t do none of that. You offer me a drink from this point forward, I’m stealing the f–k out. It’s a simple as that. We gone get to hitting immediately. So, you better not be drunk ’cause I’m going to be sober. I’m stealing off sober.”

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According to Baby, his decision emanates from picking up his child and vomiting in her presence.

“Context, I go pick my baby up,” DaBaby explained. “I’m throwing up on 77. She beside me in her car seat talking ’bout some ‘Good job.’ I’m fighting for my life in that back seat and my baby talking about, ‘Good job. Man, it’s embarrassing in front of my baby. I don’t drink no more.”

Baby has recently been reflective, most notably on his infamous 2021 Rolling Loud incident. During an interview with NFL Hall of Famer Shannon Sharpe on his Club Shay Shay podcast, he candidly spoke about his inflammatory comments about the LGBTQ community. “Where would I be mentally and spiritually if I wasn’t forced to sit my ass down and self-reflect? I still didn’t even sit down when it first happened, I was still fighting it and fighting it and fighting it. ‘Hell nah, that ain’t what it is. That ain’t what it is,’” DaBaby said.

DaBaby has repeatedly said he left $200 million on the table because of his offensive commentary but remained adamant about not regretting his past.

“I don’t regret anything that I done been through,” he said. “It feels so good to be able to say that and mean it. I done probably said that before but I ain’t really mean it.”

Check out DaBab’s sobriety post below.

BTS’ Jung Kook and Usher Dance It Out to ‘Yeah!’ and Tease ‘Stay Tuned’

Usher and BTSJung Kook are clearly having a blast with their team-up on JK’s “Standing Next to You.” In addition to dropping a new version of the song from the BTS singer’s debut solo album, Golden, on Friday, on Sunday (Dec. 3) the pair hit a dance studio to hoof it to one of Usher’s biggest hits.

In a 30-second clip posted by both men, the pair spun around each other and slapped hands as they busted out some smooth choreography to “Yeah!,” the 2004 Confessions hit from Ush featuring Ludacris and Lil Jon that topped the Billboard Hot 100 for 12 consecutive weeks. Usher, dressed all in black, and Jung Kook, wearing baggy jeans and a white sweatshirt, end the clip by jumping out of the frame.

The short video that appears to have been shot in a warehouse space offers a tease that more is to come from the dynamic duo thanks to the caption, which reads: “Stay tuned [movie camera emoji].”

The new version of “Standing Next to You” holds on to the original disco pop, with Usher skating in halfway through with his signature smooth falsetto. “Stop, can you feel that?/ It’s like heaven and earth moves whenever we touch/ No, for real, I know you feel that/ The universe approves when you and I dance,” Usher sings over the song’s bubbling bass.

The collab with Usher adds to the A-list team on Golden, which also includes the hit Jack Harlow single, “3D,’ the Major Lazer-assisted “Closer to You,” as well as “Seven” with Latto and “Please Don’t Change” featuring DJ Snake; earlier this month JK released another remix of “3D” featuring vocals form Justin Timberlake.

Check out the Usher/Jung Kook “Yeah!” dance video below.

Billie Eilish on Variety Hitmakers Red Carpet: ‘I Like Boys and Girls Leave Me Alone’

Billie Eilish again confirmed that she’s part of the LGBTQ community in a red carpet interview at the Variety Hitmakers Brunch on Saturday (Dec. 2), just a couple weeks after she first told Variety that she’s “attracted” to women in her November cover story. After the event was over, however, she took to Instagram to call out the publication, alleging that she was outed on the red carpet.

“thanks variety for my award and for also outing me on a red carpet at 11 am instead of talking about anything else that matters,” the 21-year-old pop star wrote, captioning clips from the Hitmakers event as well as a photo of her pants pulled down to her thighs, taken while she was presumably sitting on the toilet.

“i like boys and girls leave me alone about it please literally who cares,” she added. “stream ‘what was i made for’?,” she added in reference to her Grammy-nominated Barbie soundtrack song.

Eilish’s post most likely referenced the on-camera interview she gave to Variety‘s Tiana DeNicola, who asked the Grammy winner, “Did you mean to come out in [your cover story]?”

As both of them laughed, Eilish replied, “No I didn’t, but I kinda thought, Wasn’t it obvious?

In the Nov. 13 Power of Women issue, Eilish confessed that she’s “attracted to [women] for real … I’m physically attracted to them. But I’m also so intimidated by them and their beauty and their presence.”

“I just don’t really believe in [coming out],” continued the “Happier Than Ever” singer on the red carpet. “I’m just like, why can’t we just exist? I’ve been doing this for a long time, and I just didn’t talk about it. Whoops. But … I saw the article and I was like, ‘Oh! I guess I came out today!’”

The musician went on to pick up the Hitmakers award for Film Song of the Year, earning recognition for her Barbie contribution “What Was I Made For.” The track is also nominated for record of the year, song of the year, best pop solo performance, best song written for visual media and best music video at next year’s Grammys.

See Eilish’s post below:

A Night of High Notes as Barry Gibb, Dionne Warwick, Queen Latifah & More Receive 2023 Kennedy Center Honors

It was a night of high notes at the Kennedy Center Honors, and not only because Sir Barry Gibb —and his signature falsetto — was inducted into the 2023 class along with Dionne Warwick, Queen Latifah, acclaimed soprano Renée Fleming and Billy Crystal.

Now in its 46th iteration, the Honors has steadily been morphing from a staid affair to a full-scale entertainment spectacle befitting the nation’s highest honor bestowed for artistic achievement. This year’s gala, held Sunday (Dec. 3) with President Biden, First Lady Jill Biden and a host of DC power players in the house, packed dazzle and dignity — and plenty of star power.

Host and 2017 honoree Gloria Estefan, as well as Michael Bublé, Dove Cameron, Ariana DeBose, Robert De Niro, Sheila E, Missy Elliott, Cynthia Erivo, Whoopi Goldberg, Gladys Knight, Jay Leno, Lin-Manuel Miranda, Rita Moreno, Ego Nwodim, Rob Reiner, Meg Ryan and Kerry Washington were among those who took the stage to fete the night’s guests of honor.

Gibb, 77, is one of the most prolific songwriters in history. He has written or co-written hundreds of songs, many alongside brothers Robin and Maurice as hitmaking machine the Bee Gees, whose songbook defined both disco and reinvention. Gibb penned the title track of the film Grease, performed by Frankie Valli; and together with the Bee Gees wrote the 1983 crossover smash “Islands in the Stream,” which Dolly Parton and Kenny Rogers took to No. 1 on the Billboard Hot 100.

The eldest and last living member of the family brotherhood, Gibb said before the show that he felt the presence of his siblings as he prepared to take his seat in the balcony of the opera house. “It’s very emotional; there’s something going on in the air and you just feel it,” he said of feeling the presence of late brothers Robin, Maurice and Andy Gibb.

Also emotional pre-show was Bublé, who described how Gibb jump-started his career 20 years ago by dueting with him on Bublé’s first album on one of his own songs. “I was working with producer David Foster and David said, ‘We have no heat, we need a duet.’ And no matter who we sent ‘How Can You Mend a Broken Heart’ to, we couldn’t get someone to duet.” Foster got Buble’s version of the song to Gibb, “and two days later my first duet was with Barry Gibb and the Bee Gees, and it changed my life,” Bublé said.

Bublé performed the track during Gibb’s tribute, which also included a compelling version of “Lonely Days” by Little Big Town, who collaborated with Gibb on his 2021 album Greenfields: The Gibb Brothers Songbook, Vol. 1,; a fittingly theatrical version of “Nights on Broadway” by Ben Platt; and a disco-infused medley featuring DeBose accompanied on piano by Chloe Flower that was the perfect crescendo to close out the night in a swirl of confetti.

Gibb’s son Stephen Gibb gave a heartfelt homage, noting, “My father somehow was gifted with a heart-focused, supernatural ability to express himself in song, which has allowed him to connect with people on such a mass level.”

Clive Davis was on hand to praise Warwick, 82, who counts the Bee Gees-penned “Heartbreaker” among her 56 charted hits on the Billboard Hot 100 and a reported 100 million records sold. He recounted the phenomenon of Warwick’s early partnership with Burt Bacharach and Hal David and the legacy that led her to win Grammys for their songs “Do You Know the Way to San Jose” and “I’ll Never Fall in Love Again.” She has since won three more Grammys plus a lifetime achievement award from the Recording Academy.

“There simply is no song that Dionne Warwick cannot sing,” Davis said. “The lexicon of her hits is as great and as deep as any artist who has ever recorded.”

After 2020 Kennedy Center honoree Debbie Allen and 2013 honoree Herbie Hancock bestowed accolades for Warwick’s humanitarian activism, including her collaboration with Elton John, Knight and Stevie Wonder on “That’s What Friends Are For” — the 1985 hit and first recording dedicated to raising AIDS awareness — the musical tributes started to flow.

Mickey Guyton and The Spinners delivered a smooth and spirited rendition of “Then Came You”; Erivo manifested a soaring “Alfie,” which brought Warwick to tears; and Knight offered up a perfectly punctuated version of “I Say a Little Prayer.”

Before her time on stage, Saturday Night Live cast member Nwodim gushed about her experience portraying Warwick, alongside the real Warwick, in a now-storied sketch. “Her embrace of the impression and then publicly celebrating it was really special to me,” she said. “I am eternally grateful to her for that.”

Latifah, 53, is the first female rapper to receive Honors, and Moreno and Washington dove deep into the reasons why during their tributes, before an assembly of rap and hip-hop heavyweights —including Monie Love, MC Lyte, D-Nice, Yo-Yo and Rapsody — cranked up the volume with a medley including Latifah’s “U.N.I.T.Y.” and “Ladies First.”

As one of the artists to pay tribute to LL Cool J when he became the first hip-hop artist to receive Honors, Latifah told Billboard pre-show she was embracing her moment. “It’s trippy to be here for myself tonight,” she said. “I feel very honored. I’m very, very humbled. Being honored the same year as hip-hop’s 50th anniversary? “Icing on the cake.”

Latifah recently inducted Missy Elliott into the Rock and Roll Hall of Fame, and Elliott returned the favor with an intimate tribute that brought both laughs and knowing nods. By crowning herself Queen, Elliott said, Latifah is saying, “People will respect me, I will be a leader, I will be a provider, I will be an inspiration to many. I will be the blueprint to success. I don’t set the bar, I am the bar.”

Crystal, 75, joins an elite group of comedy performers — including David Letterman, Steve Martin and Carol Burnett — to be bestowed with both the Kennedy Center Honor and the Center’s Mark Twain Prize, which he received in 2007.

He was feeling patriotic when Billboard caught up with him before the show. Describing his experience at the dinner hosted by Secretary of State Antony Blinken the night before, he said, “Secretary Blinken had just flown in from Tel Aviv, he landed at 5 a.m. and in the middle of this horrendous situation, he hosts us, makes a brilliant speech about the arts… and then they put [the lanyard] on us. It’s spectacular. This is our country. This is who we are, and more people should feel that and be positive about America. This isn’t an awards show. This is about appreciation for the soul of our artistic community, and that’s a beautiful thing.”

Rob Reiner, in town to celebrate his friend whom he directed in The Princess Bride and When Harry Met Sally… (and This Is Spinal Tap, if you count that one line), noted on the red carpet, “The guy is a great comedian and he’s also not afraid to show his feelings, and that’s a rare combination.”

Lin-Manuel Miranda realized a different kind of dream. “I’ve been dreaming of doing an Oscar-style tribute to Billy Crystal since I was 10,” he said of the nine-time Academy Awards host before launching into the perfect Crystal-esque number, complete with song and dance.

Ryan reminisced about that fateful scene from When Harry Met Sally... —“I’ve never been around anyone who makes faking an orgasm easier”— Goldberg recalled the early days of Comic Relief working with Crystal and the late, great Robin Williams (whose absence was deeply felt). “We were constantly being reminded to behave ourselves, which we did not,” she said, while Bob Costas honored their shared love of baseball and the Yankees. Between dropping “f” bombs, De Niro dropped some priceless jokes.

“I had no idea you’d won so much,” he said to Crystal. “And you’ve done it all in such a relatively short amount of time. You’re only 71. That means you’re just about six years away from bring the perfect age to be elected President,” he snarked, right in front of 81-year-old President Biden.

Fleming, 64, is one of the most prominent sopranos of our time, and her tribute showcased the breadth of her influence. She was the first opera singer to perform the National Anthem at a Super Bowl, in 2014. She also launched the first ongoing collaboration between the Kennedy Center and the National Institutes of Health.

Presenters included Christine Baranski, a fellow Juilliard alum, who reminded the audience that Fleming once sang the top 10 on list on David Letterman’s late-night show, and Titus Burgess, who demonstrated some serious pipes.

Dove Cameron, who appeared alongside Fleming in the musical The Light in the Piazza, shared, “I was never not astounded by the quality of human Renee is,” Cameron said before showcasing her own musical chops performing the title track from that show.

This year’s Kennedy Center Honors special was again produced by Done+Dusted, in association with ROK Productions. The special will air Wednesday, Dec. 27 on CBS and stream live and on demand on the CBS app and Paramount+.

Garth Brooks, Akon, Jordin Sparks & More to Launch First Billboard Live Shopping Week

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Time to get your holiday shopping on!

Billboard is teaming up with talkshoplive, an online livestream shopping platform, for the first Billboard Live Shopping Week with talkshoplive, where fans can tune in to watch their favorite stars share their latest product launches with great deals, just in time for gift-shopping season.

Billboard Live Shopping Week will take place Monday (Dec. 4) through Friday (Dec. 8) plus a bonus livestream next week, on Wednesday (Dec. 13), and will feature a number of music stars and celebrities sharing their latest products. We’re kicking off the special event tonight with Garth Brooks going live from his Las Vegas residency stage to share custom merch from his Friends in Low Places Bar & Honky-Tonk, which is now open Wednesdays through Sundays in Nashville.

The week continues with Bachelorette star Tayshia Adams launching her Netflix merch via Amazon on Tuesday; Angela Simmons offering special discounts on her Angela’s Cakes mixes and Jordin Sparks showing off her favorite gifts from Walmart on Wednesday; Sammy Wilk and Akon each sharing brand-new merch drops on Thursday; and Priscilla Block joining Hooche podcast host Demps to offer up new bundles featuring her Hey Jack T-shirt, Hooche trucker hat and more to wrap things up on Friday.

We’ll also have a special bonus livestream on Wednesday, Dec. 13, when Jared Leto of Thirty Seconds to Mars will offer up exclusive tour merch, a holiday collection, tour tickets and special VIP packages in celebration of his band’s latest album, It’s the End of the World But It’s a Beautiful Day.

talkshoplive is the first online platform for livestreaming and home shopping shows with a built-in buying experience that anyone can use, making it a one-stop shop for all your buying needs.

Billboard has previously worked with talkshoplive to show off products from superstars like Sabrina Carpenter, Ciara, Jessie James Decker and more.

See our full list of Billboard Live Shopping Week with talkshoplive events below.

Monday, December 4

7 p.m. ET: Garth Brooks – 7 Days of Garth!

Tuesday, December 5

7 p.m. ET: Tayshia Adams – Top Gifts: Netflix Edition

Wednesday, December 6

6 p.m. ET: Angela Simmons – Angela Simmons’ Cakes!

7 p.m. ET: Jordin Sparks – Holiday Gifts

Thursday, December 7

6 p.m. ET: Sammy Wilk – Sammy Wilk Merch

8 p.m. ET: Akon – Holiday Shopping for Superfans

Friday, December 8

6 p.m. ET: Priscilla Block – Priscilla Block Signed Merch!

Wednesday, December 13

7 p.m. ET: Jared Leto – Exclusive Tour Merch

Olivia Rodrigo Praised as a ‘Shockingly Talented… Precious Baby Angel Muffin’ By St. Vincent at Variety Hitmakers Event

Grammy-winner Olivia Rodrigo was praised as one of the most important songwriters of her generation by St. Vincent at Friday night’s Variety Hitmakers ceremony, where she was presented with the Storyteller of the Year award.

“In order to be a good storyteller, one must—to quote Olivia herself — pay attention to things most people ignore. Olivia sees the cracks and contradictions in herself and others and makes the ineffable understandable and transformational for her listeners,” St. Vincent said. “Her honest songs about the impossible task of growing up have liberated so many young people fighting and fumbling their ways through the same experiences. But it’s not merely paying attention that matters to the craft of songwriting. It’s also how you observe and how you listen.”

Vincent said one of the things that makes Rodrigo’s songs so alluring to fans is that they consider them to be their personal rallying cries thanks to the “Vampire” singer’s openness and compassion. “Her authenticity — not an affect, not a brand — allows her listeners to step inside her songs as their complete selves: struggling, searching, celebrating, just living. Just being,” Vincent continued. “Olivia’s songs pull off the magic trick of sounding like all of us at once, but also uniquely just like her. I call that a sly generosity, which is a beautiful thing to witness and to hear, and it’s one of the reasons I’ve so enjoyed getting to know Olivia over the past few years.”

Searching for words to describe Rodrigo, 20, St. Vincent landed on calling her a “precious baby angel muffin… but if a precious baby angel muffin was tough as nails and cool as hell and f–in’ loved the Breeders. She is shockingly talented, whip smart, and to me, the most important combination, curious and kind. These attributes make her great and will make her a great storyteller for years to come. Olivia’s listening, she’s asking, she’s interrogating the cracks in herself and in humanity. But because of her empathy, what she brings to the surface in her songs are the small frailties and the slivers of joy — those threads that make up our every single day. She pays attention to the things most people ignore, and makes them not just seen, but makes them shine. So I’m happy to call her a friend.”

Clearly moved, Rodrigo thanked Vincent and said her tribute made her want to cry. “I think she’s the most talented, kindest, most wonderful person I’ve ever met and I’m so inspired by her constantly and I’m very lucky to call her a friend,” Rodrigo said of her inductor. The singer also talked about writing “Can’t Catch Me Now,” from The Hunger Games: The Ballad of Songbirds and Snakes, saying that “telling stores through songwriting has been my favorite thing to do for as long as I can remember. I write to figure out how I feel, to move through my emotions, and to commemorate and honor seasons of my life.”

She added that even though songwriting is one of her favorite things to do in the world, “I wouldn’t say it’s always been effortless for me by any means. Especially making my most recent album, I had so many voices in my head and I felt so much pressure to please everyone with the music I was making.”

Pogues Singer Shane MacGowan Cause of Death, Funeral Arrangements Revealed

Late Pogues singer Shane MacGowan will be laid to rest on Friday (Dec. 8) in Nenagh, County Tipperary in Ireland, not far from the family farm he grew up on. According to RTE, the funeral will be open to the public, allowing friends, fans and family to say farewell to the beloved vocalist/songwriter who died on Thursday at 65.

The “Fairytale of New York” starwho had battled a series of major health issues in recent years, died of pneumonia in a hospital, his wife, Victoria Mary Clarke, told the New York Times. MacGowan, who would have turned 66 on Christmas Day, had been battling viral encephalitis before his death.

Clarke told RTE that after months in the hospital, MacGowan was discharged on Nov. 22 and sent home to spend time with friends and family. “He was trying very hard to breathe,” Clarke said. “He wasn’t ready to give up. He wasn’t ready to stop fighting — but his body did it for him.” She said that a “constant stream of visitors” came to visit MacGowan over his final months, including U2’s Bono and The Edge, singer Imelda May, Irish playwright/filmmaker Jim Sheridan and Primal Scream singer Bobby Gillespie, among others.

Clarke also confirmed that MacGowan completed an album before his death and that it “sounded good… he took great delight in the music he made.”

According to RTE, the funeral will begin on Friday morning when the cortege will leave Nenagh and travel to Dublin, where the procession will move across the city to St. Mary of the Rosary church. The singer’s remains will then be returned to Tipperary and cremated, according to the Irish Independent, with this ashes to be scattered across the river Shannon, the longest river in Ireland, which MacGowan sang about on the song “The Broad Majestic Shannon” from the Pogues landmark 1987 album, If I Should Fall From Grace With God.

MacGowan will be returned to the river he wrote about so eloquently in the song featuring his patented sad-eyed naturalistic imagery. “So I walked as day was dawning/ Where small birds sang and leaves were falling/ Where we once watched the rowboats landing/ On the broad majestic Shannon,” he sang on the track.

Irish President Michael Higgins is scheduled to represent the nation at the funeral, which is expected to also be attended by Bono, the remaining members of the Pogues and other Irish luminaries; U2 are slated to play a residency show at Sphere in Las Vegas on Friday, so it’s unclear if Bono will appear in person at the funeral.

MacGowan’s passing was honored by a broad cross section of musicians, including Bruce Springsteen, Garbage, the Dropkick Murphys, Flogging Molly, Nick Cave, Jason Isbell, and U2, who performed “A Rainy Day in Soho” at their Vegas residency over the weekend. In a rare public statement, fellow chronicler of whiskey-soaked, diamond-in-the-dirt characters Tom Waits penned a moving tribute along with his wife/co-songwriter Kathleen Brennan.

“Ah, the blessings of the cursed. Shane McGowan’s torrid and mighty voice is mud and roses punched out with swaggering stagger, ancient longing that is blasted all to hell. A Bard’s bard, may he cast his spell upon us all forevermore,” they wrote.

See some of the tributes below.