Music News

Morgan Wallen’s ‘One Thing at a Time’ Returns to No. 1 on Billboard 200 for 17th Week

Morgan Wallen’s One Thing at a Time climbs back to No. 1 on the Billboard 200 albums chart (dated Jan. 20), stepping 2-1 and collecting its 17th nonconsecutive and total week atop the list. It earned 61,000 equivalent album units in the U.S. in the week ending Jan. 11 (down 4%), according to Luminate.

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One Thing at a Time continues to have the most weeks at No. 1 among all albums since Adele’s 21 logged 24 nonconsecutive weeks atop the tally in 2011-12. One Thing at a Time debuted atop the chart dated March 18, 2023, and spent its first 12 weeks at No. 1 through early June. It then logged another three weeks in a row atop the list in late June and early July, and nabbed its 16th week in charge on the Oct. 14 chart. In the album’s 45 weeks on the list, it has never dipped below No. 6. One Thing at a Time finished 2023 as both the No. 1 year-end Billboard 200 album and Luminate’s year-end top album.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Jan. 20, 2024-dated chart will be posted in full on Billboard‘s website on Jan. 17 (a day later than usual due to the Martin Luther King Jr. Day holiday in the U.S. on Jan. 15). For all chart news, follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Of One Thing at a Time’s 61,000 equivalent album units earned in the week ending Jan. 11, SEA units comprise 58,000 (down 3%, equaling 79.81 million on-demand official streams of the set’s songs), album sales comprise 2,000 (down 13%) and TEA units comprise 1,000 (down 25%).

One Thing at a Time’s unit total of 61,000 is the smallest the weekly No. 1 album has seen since the May 7, 2022-dated chart, when Pusha T’s It’s Almost Dry debuted at No. 1 with 55,000 units.

The rest of the new Billboard 200’s top four is comprised of former No. 1s: Drake’s For All the Dogs climbs 3-2 (58,000 equivalent album units; up less than 1%); Taylor Swift’s 1989 (Taylor’s Version) falls 1-3 (56,000; down 12%); and Nicki Minaj’s Pink Friday 2 is a non-mover at No. 4 (52,000; down 9%).

Noah Kahan’s Stick Season rises 8-5 – its highest rank since it peaked at No. 3 last June – earning 52,000 equivalent album units (up 7%).

The remainder of the top 10 are all former chart-toppers, with SZA’s SOS ascending 7-6 (just over 43,000 equivalent album units; down 2%); Swift’s Midnights falling 5-7 (43,000; down 6%); Swift’s Lover dipping 6-8 (42,000; down 8%); Zach Bryan’s self-titled album stationary at No. 9 (39,000; down 5%); and Swift’s Folklore steady at No. 10 (34,000; down 5%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

‘Mean Girls’ Is No. 1 at the the Box Office With $28M Debut

Winter storms and cinema closures in North America didn’t dampen the opening weekend for Mean Girls. The Paramount release, adapted from the Broadway musical and the 2004 Tina Fey movie, earned $28 million in its first three days in theaters according to studio estimates Sunday (Jan. 14). Not accounting for inflation, that’s more than the $24.4 million the first movie made in its opening weekend.

The Mean Girls competition over the Martin Luther King Jr. holiday weekend featured several new releases, including the Jason Statham action movie The Beekeeper and the Jay-Z produced biblical satire The Book of Clarence, in addition to a slew of awards contenders capitalizing on buzz from recent nominations and the Golden Globes.

As with Barbie, another enthusiastically pink movie, female audiences made up the vast majority (76%) of opening weekend ticket buyers for Mean Girls. According to exit polls, 70% were between the ages of 18 and 34, which, yes, means that it had appeal for audiences who hadn’t been born when Regina George was first introduced to the world.

“The property is iconic,” said Chris Aronson, Paramount’s president of domestic distribution. “Tina Fey is legendary and her contemporary twist has resonated with audiences, particularly the female audience.”

This iteration of Mean Girls stars Angourie Rice, Auli’i Cravalho and Reneé Rap, who played Regina on stage. It was originally planned to go straight to streaming on Paramount+, but the studio pivoted after test scores were positive. Social media played a big part in getting the word out and Mean Girls also inspired groups of friends to go to the movies together. An estimated 40% went with two or more friends.

Fey returned to write and co-star in the new film, which was directed by Samantha Jayne and Arturo Perez Jr. and cost a reported $36 million to produce. Reviews have been more positive than not, with a 70% on Rotten Tomatoes, but audiences gave it a B CinemaScore which may not bode especially well for word-of-mouth appeal. Recent musicals like Wonka and The Color Purple scored in the A-range. The studio is optimistic after this weekend though. It also made $6.5 million from 16 international markets.

“It’s no secret that the release calendar is a little light for the first couple months of the year and because of the reception to this film we stand a chance of broadening this audience,” Aronson said. “It really is a crowd-pleaser.”

Amazon and MGM’s The Beekeeper debuted in second place with an estimated $16.8 million from 3,303 theaters. Men made up approximately 62% of ticket buyers and audiences overall gave it a B+ CinemaScore. By the end of the four-day weekend, the studio expects it to have made $19.1 million. Miramax handled the international distribution for The Beekeper, which also grossed $20.4 million from 49 territories.

Third place went to Wonka, which added $8.4 million in its fifth weekend. The Timothée Chalamet-led musical has now made over $178 million domestically and $500 million globally.

“Musicals are on a roll,” said Paul Dergarabedian, the senior media analyst for Comscore. “It seems like a lot of studios run away from putting musical on their films for fear of limiting their audience pool, but I think this is a genre Hollywood should embrace and highlight.”

The Sydney Sweeney and Glen Powell romantic comedy Anyone But You, a Sony release, is turning into a bit of a sleeper success as well, making nearly $7 million in its fourth weekend. By Monday (Jan. 15), its domestic total should be around $56.5 million. Universal and Illumination’s Migration rounded out the top five with $6.2 million in its fourth weekend.

Not everything landed this weekend, though. The Book of Clarence, a faith-based comedy/drama with a starry, ensemble cast including LaKeith Stanfield, Omar Sy, RJ Cyler, David Oyelowo, Alfre Woodard and Teyana Taylor is not off to a promising start. The Legendary Pictures release opened to an estimated $2.6 million from just over 2,000 locations.

Written and directed by the British singer-songwriter Jeymes Samuel (stage name The Bullitts), it was self-consciously styled after Golden Age biblical epics like The Ten Commandments. It has also gotten mixed reviews, with 68% on Rotten Tomatoes and a B CinemaScore.

The Walt Disney Co. sent its 2020 Pixar film Soul to movie theaters this weekend as well, where it made $429,000 from 1350 locations in North America. It’s the first of several Pixar movies, including Luca and Turning Red, that Disney is bringing to theaters this winter after all had streaming-only releases on Disney+ during the pandemic.

Hollywood’s awards season is also in full swing, and though many top contenders are already available to watch at home, some are still rolling out in theaters and hoping to capitalize on new nominations and awards shows like last weekend’s Golden Globes. Poor Things, which was a big winner, added $1.8 million from only 580 theaters. All of Us Strangers took in $474,000 from 120 screens. American Fiction expanded nationwide and made $1.9 million from 625 screens. The Zone of Interest, playing on 25 screens, also crossed $1 million.

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theaters, according to Comscore. Final domestic figures will be released Tuesday.

Eminem Asks Rams QB for Favor Ahead of Detroit Lions Playoff Game: ‘You Owe Me’

Eminem, a longtime Detroit Lions fan, has a message for Los Angeles Rams quarterback Matthew Stafford: “You owe me.”

In a promo clip on X (formerly Twitter) ahead of the Lions’ playoff game against the Rams on Sunday (Jan. 14), the iconic rapper made a desperate plea to the former Lions QB.

“Stafford, what’d I say? You owe me this favor, bro,” Em said in a video during Saturday’s Chiefs-Dolphins game. “I was there for you when you won it. I was there for you. I was right there. I rapped for you Stafford. Bro, I rapped for you!”

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The “Lose Yourself” rapper, who in the clip wears a No. 20 custom Barry Sanders hoodie, is referencing his 2022 Super Bowl halftime show at SoFi Stadium near L.A., where the Rams took home a victory against the Cincinnati Bengals. The memorable performance also featured an all-star hip-hop lineup of Dr. Dre, Snoop Dogg, Mary J. Blige, Kendrick Lamar and 50 Cent.

Stafford spent 12 years with the Lions before being traded to the Rams in 2021. During that time, the QB lost three playoff games in the first round. Stafford was traded to the Rams for the Lions’ current quarterback Jared Goff.

The Lions — who haven’t won a playoff game since 1992 — will face off agains the Rams at Detroit’s Ford Field on Sunday (Jan. 14). The highly anticipated match-up marks the Lions’ first home playoff game in 30 years and the NFL team’s first-ever at Ford Field.

In a separate clip shared through his Instagram, Eminem also shared his hopes for the coming year. “My New Year’s resolution was for the Lions to win the Super Bowl,” he says. “So, what’s up?”

Watch Eminem’s request to Stafford on X, along with the rapper’s New Year’s resolution on Instagram, below.

Taylor Swift, Bundled Up in a Custom ‘87′ Coat, Attends Chiefs-Dolphins Game With Travis Kelce’s Mom

Taylor Swift arrived at Arrowhead Stadium, where temps were in the negatives on Saturday (Jan. 13), to cheer on boyfriend Travis Kelce as the Kansas City Chiefs took on the Miami Dolphins. The singer was bundled up for the bitter, below-zero cold in a winter beanie, black boots and a puffy coat that boasted her support for Kelce’s number, 87.

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Swift and Chiefs fans alike immediately took note of her unique ’87’ jacket. The coat was designed by Kristin Juszczyk, wife of San Francisco 49ers fullback Kyle Juszczyk.

Kristin shared the video below via Instagram soon after Swift was photographed wearing it. On her Stories, she commented on Swift rocking her design, writing: “SHE LOOKS AMAZING!!!”

Swift paired the ’87’ coat with an all-black, casual ensemble, topped off with what appeared to be Louboutin combat boots.

While Swift watched the Wild Card playoff game, the camera captured her chatting with Kelce’s mom, Donna. Swift was seen covering her mouth as they talked — perhaps to prevent any gossip among internet detectives, like those who believed they could lip-read Selena Gomez’s whispered conversation with her at last weekend’s Golden Globes.

See Swift at the game in the clips below.

NHL and Adidas Collaborate With Justin Bieber’s Drew House for 2024 All-Star Jersey Collection

The National Hockey League (NHL) and Adidas have collaborated with Justin Bieber‘s fashion brand Drew House on designs for the 2024 NHL All-Star jersey collection.

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On Saturday (Jan. 13), the NHL announced that the vibrant new jerseys will be worn by the league’s players during the NHL All-Star Game at Toronto’s Scotiabank Arena on Feb. 3. The Toronto Maple Leafs and the city of Toronto will host the 2024 NHL All-Star Weekend from Feb. 1-3.

The 2024 NHL All-Star jersey collection includes four versions of the jersey (one for each All-Star team) in four colors: blue, red, yellow and white. The NHL shield will feature bubble letters and enlarged dimensions, and the crest is one of the largest to be included on a NHL jersey.

NHL, Adidas and Bieber’s Drew House previously collaborated on a reversible alternate jersey for the Maple Leafs.

“After the tremendous success of our first NHL, Adidas and Drew House collaboration for the Maple Leafs’ Next Gen jerseys, we have looked forward to another opportunity to bring a bold, fashion forward look to NHL jerseys,” Brian Jennings, NHL’s chief brand officer and senior executive VP, said in a statement. “The All-Star Weekend in Toronto is the perfect setting for a fresh perspective on the All-Star jersey. The vibrant colors in this year’s All-Star collection are both youthful and classic and offer the perfect complement to the young NHL talent set to meet in Toronto for this year’s NHL All-Star Weekend.”

Nic Corbett, director of sports marketing and hockey at Adidas, added: “Since our inaugural year of collaboration with the NHL, Adidas has not only elevated but redefined the benchmarks for performance, sustainability, storytelling and design inherent in the iconic NHL All-Star jersey. This season, our partnership with the NHL and Drew House presents a distinctive opportunity to transcend conventional uniform design, seamlessly merging the realms of sport and youth culture. The added layer of enthusiasm stems from the fact that this extraordinary event unfolds in a hockey-obsessed market, amplifying the excitement to unprecedented heights.”

The NHL All-Star jerseys are currently available for purchase through adidas.com and nhlshop.com, as well as other online and physical retailers.

See designs for the 2024 NHL All-Star jersey collection below.

2024 NHL All-Star jersey collection

2024 NHL All-Star jersey collection

Tyrell Hampton

Harry Styles Was Considered for This ‘Mean Girls’ Role

Harry Styles could have been in Mean Girls. Samantha Jayne and Arturo Perez Jr., directors of the movie musical remake of the 2004 comedy, revealed that they had them in mind for one particular role.

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Jayne and Perez spoke about the making of the new Mean Girls for an interview published by The Hollywood Reporter Saturday (Jan. 13), a day after the film’s opening. The topic of conversation turned to memorable lines and comedic moments from the original movie.

“There are certain iconic lines where we would joke that there would be riots in the streets if it wasn’t in there. Like ‘You go, Glen Coco!’ Give the people what they want. Give me what I want! But when we were like, ‘Who’s Glen Coco?’” Jayne said.

“Who can it be?” Perez chimed in, then shared: “I remember us going, could we ask, like, Harry Styles?”

“We were like Harry Styles could be Glen Coco!” Jayne confirmed.

But, Jayne continued, “Then we were like, hold on, we love to break the fourth wall: What if we are all Glen Coco? So, after 20 years, we can all feel like Glen Coco.” (In a THR editor’s note, the publication explained that the line is actually delivered straight to the camera/audience.)

The 2024 incarnation of Mean Girls is based on the Broadway musical adaptation of the 2004 Tina Fey-penned film, which starred Lindsay Lohan and Rachel McAdams. The remake features Reneé Rapp as Regina George and Angourie Rice as Cady Heron, while Fey reprises her role as Ms. Norbury and Tim Meadows is back as Mr. Duvall. Plus, Lohan returns for a cameo.

Mean Girls opened in theaters Friday (Jan. 12).

According to a box office report from THR, the Paramount film is on track to win “the box office popularity contest” with an estimated four-day opening of $31.5 million over the long holiday weekend.

Ariana Grande Shares ‘Yes, And?’ Recording Session Clip From the Studio

Ariana Grande shows off her sweet “Yes, And?” vocals in a new video the singer uploaded from the recording studio.

Grande’s assertive new single, a dance-pop track with a sound that calls back to Madonna’s “Vogue,” arrived Friday (Jan. 12). “Yes, And?” is the first track to be released from her upcoming seventh studio album.

On Saturday, the pop star posted a reel on Instagram that gives fans a look at the “Yes, And?” recording process. In the short video, Grande records a few takes of the chorus, singing: “Say that s— with your chest, and/ Be your own f—kin’ best friend/ Say that sh– with your chest/ Keep moving like, ‘What’s next?’/ ‘Yes, and?’”

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In the video, Grandealso gets feedback from producer Max Martin on her vocal performance on the first verse: “In case you haven’t noticed/ Well, everybody’s tired/ And healin’ from somebody/ Or somethin’ we don’t see just right.” she sings.

“Perfect diction,” Martin compliments, to which Grande replies, “Thank you, Max Martin!”

Watch the “Yes, And?” recording studio clip below.

African American Film Critics Association and Grammy Museum Partner to Spotlight Intersection of Music and Storytelling

The African American Film Critics Association (AAFCA) and the Grammy Museum are partnering to spotlight the intersectionality between music and content for film, television, and other multimedia platforms.

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The year-long collaborative program — which aims to celebrate the fusion of music and storytelling — will feature a variety of activities at the Grammy Museum in downtown Los Angeles, including musical performances, panel discussions, educational clinics, and TED Talk-style lectures.

“So many people are unaware of the role that music plays in so many of the things that we see and do each day,” AAFCA co-founder Gil Robertson said in a statement. “Through our partnership with the Grammy Museum, our goal is to highlight how music functions to tell stories that influence people around the world. Music is an essential driver in storytelling that has the power to either deepen or elevate the impact of a project’s core messages.”

Grammy Museum chief program officer Rita George added, “We are looking forward to furthering our partnership this Black History Month with the African American Film Critics Association to bring year-long programming that celebrates the dynamic connection in people’s diverse backgrounds.”

In early December, the program launched its inaugural event with a panel discussion featuring the musical teams behind The Color Purple and Origin. The session included The Color Purple composer Kris Bowers, songwriters Denisia “Blu” Andrew and Brittany “Chi” Coney, executive producer Stephen Bray, and director Blitz Bazawule. Origin singer-songwriter Stan Walker also provided insights into their collaborative music creation process.

The series will soon shift to highlight the music of the Broadway reboot of the Tony Award-winning musical The Wiz, according to a press release.

Brett Favre Says Taylor Swift Could Be Blamed If Travis Kelce & Chiefs Don’t Make Super Bowl

Legendary quarterback Brett Favre believes that Taylor Swift may take the blame if the Kansas City Chiefs don’t make it to the Super Bowl this year.

The Pro Football Hall of Famer was recently asked if he thinks that the pop superstar has become a “distraction” for Chiefs tight end Travis Kelce amid the couple’s highly publicized romance in recent months.

“I think it’ll be a distraction if they don’t make it to the Super Bowl,” Favre tells TMZ.

The former Green Bay Packers star, who won the Super Bowl in 1997, star added, “If they don’t win it or get to the Super Bowl, people are going to say, ‘That’s why.’”

Favre is confident, however, that the Chiefs have a pretty good shot at making the championship game, which will place at Las Vegas’ Allegiant Stadium on Feb. 11. Grammy-winning R&B icon Usher has been tapped to headline the 2024 Super Bowl Halftime Show presented by Apple Music.

“Until someone proves me otherwise, I think they’ll go all the way,” he said.

The Chiefs are set to take on the Miami Dolphins in a Wild Card playoff game on Saturday (Jan. 13) at Arrowhead Stadium in Kansas City, Mo.

Swift recently spent New Year’s Eve cheering on her boyfriend in KC as the Chiefs took home a victory against the Cincinnati Bengals.

The “Love Story” singer was also spotted at the Chiefs’ Christmas game against the Las Vegas Raiders. Although the Chiefs were defeated, the tight end said on the Dec. 29 episode of his New Heights podcast, “It ended well, with good Christmas cheer and great people. That’s always gonna save Christmas, no matter if you lose to the Raiders or not.”

Leon Wildes, Immigration Lawyer Who Prevented John Lennon’s Deportation, Dies at 90

Leon Wildes, a prominent immigration lawyer best known for his landmark, yearslong fight in the 1970s to prevent John Lennon from being deported and enable the former Beatle to receive permanent residency in the U.S., has died at age 90.

Wildes died Monday (Jan. 8) at Lenox Hill Hospital in Manhattan. His son — immigration attorney and Englewood, New Jersey Mayor Michael Wildes — said that he had been in failing health after a series of strokes.

“Dad felt he effectively lived the American Dream for a kid from Olyphant PA and spent his life facilitating the same experience for scores more,” said Michael Wildes, who is also the managing partner for the firm his father helped start, Wildes & Weinberg. “He was beloved by his family, was extraordinarily humble, and beloved by our Bar.”

Leon Wildes was a graduate of the New York University School of Law who co-founded Wildes & Weinberg in 1960 and, by the end of the decade, had gained enough stature to serve as president of the American Immigration Lawyers Association. His name would become part of musical and political history after an old law school classmate, Alan Kahn, called in 1972 and told him that Lennon and Yoko Ono needed his help getting their visas extended.

Wildes agreed to meet with the couple at the Manhattan offices of Apple Records, the label founded by the Beatles in the late 1960s. But he did have one embarrassing confession about Lennon and his artist wife.

“I have no idea who these people are,” he told Kahn, later saying he misheard their names as “Jack Lemmon and Yoko Moto.”

What Wildes initially thought would be a formality turned into one of the most dramatic legal struggles of the era. Lennon and Ono had moved from England to New York City, trying to track down Ono’s daughter from a previous marriage, Kyoko Chan Cox, whom her ex-husband had abducted.

John and Yoko also were active in the New Left politics of the time, opposing the Vietnam War and backing efforts to defeat President Richard Nixon in his bid for re-election. With the minimum voting age lowered from 21 to 18, Lennon’s plans included a 1972 tour of the U.S. that would potentially attract millions of young people.

As government files later revealed, some Nixon supporters feared that Lennon could damage Nixon politically. In a February 1972 memo sent to Sen. Strom Thurmond, a South Carolina Republican and a member of a Senate subcommittee on internal security, aides recommended a “strategic countermeasure,” terminating Lennon’s visa. (The government would also try to deport Ono, a Tokyo native, but she was granted permanent residency in 1973).

Thurmond forwarded the memo to Nixon’s attorney general, John Mitchell, whose deputy, Richard Kleindienst, contacted the Immigration and Naturalization Service. In March, the INS informed the British rock star that his visa would not be extended. Officials cited a drug bust in London in 1968, when Lennon pleaded guilty to possession of “cannabis resin.” Under U.S. law at the time, non-residents faced deportation if “convicted of any law or regulation relating to the illicit possession” of narcotic drugs or marijuana.

Over the next two years, Lennon and Ono endured ongoing government harassment, with FBI director J. Edgar Hoover at times personally involved. Their phone was tapped and their whereabouts closely followed. Lennon would say the pressure helped lead to the temporary breakup of his marriage. The musician left for Los Angeles in 1973 and embarked on what he called his “long weekend” of drinking and drugs, ending with the couple reconciling in 1975.

Meanwhile, musicians and writers and other public figures urged the government to let him stay. Letters of support were signed by everyone from Fred Astaire and Dick Cavett to Saul Bellow and Stevie Wonder. Bob Dylan composed a hand-written note praising John and Yoko as enemies of “this mild dull taste of commercialism” forced on the culture by the “overpowering mass media.”

The Lennons didn’t always help their case. When the couple held their first press conference to discuss the deportation order, the two pulled tissues out of their pockets and declared the birth of a new country, “Nutopia,” a paradise with “no land, no boundaries, no passports, only people.” As representatives of Nutopia, John and Yoko granted themselves diplomatic immunity.

Yoko later apologized, Wildes would recall.

“Leon, you have to understand. We are artists. We have a message,” she told him.

Thanks to Wildes’ ingenuity and the shocking twists of politics in the 1970s, Lennon’s deportation was delayed and ultimately revoked. Wildes found a loophole in the immigration drug law after Lennon told his lawyer that he had been found guilty of possessing hashish, not marijuana (“Hash is much better than marijuana!” Lennon joked). Wildes also highlighted an obscure, unacknowledged government policy of “prosecutorial discretion,” under which officials used varying standards in deciding immigrant cases to pursue.

Meanwhile, the FBI’s targeting of Lennon ended after Nixon’s re-election in 1972, and the INS campaign to deport him began to lose momentum after the growing Watergate scandal led Nixon to resign in August 1974. By October 1975, Mitchell was among many former Nixon officials serving jail time, and Lennon was celebrating an extraordinary week of milestones. On Oct. 7, a federal appeals court judge in New York reversed the deportation order, citing the government’s “secret political grounds.” Two days later, on Lennon’s 35th birthday, Ono gave birth to their son, Sean.

For a final hearing, in July 1976, Wildes brought in Norman Mailer and Gloria Swanson, among others, to testify on Lennon’s behalf, and the INS granted the musician his green card.

“It’s great to be legal again,” Lennon said after the hearing.

The legacy of Lennon’s struggles would endure for decades. When President Barack Obama launched his Deferred Action for Childhood Arrivals program (DACA), for which some children of immigrants were granted temporary relief from deportation, he drew upon reasoning similar to what Wildes had revealed on behalf of Lennon: prosecutorial discretion.

Rock stars, too, were affected. Mick Jagger, who also had been arrested in England on drug charges, was among those who found it easier to travel to the U.S.

“I have in my passport a notation stating that the ineligibility of my visa is withdrawn ‘because of the Lennon precedent’,” Jagger said in a 2005 book, Memories of John Lennon, published upon the 25th anniversary’s of Lennon’s murder. “So I have him in my memory every time I enter this country.”

Wildes continued to practice law after his time with Lennon and was an adjunct professor for more than 30 years at the Benjamin N. Cardozo School of Law. His honors included the Edith Lowenstein Memorial Award for excellence in advancing the practice of immigration law and the Elmer Fried Excellence in Teaching Award.

Wildes was married three times, most recently to Alice Goldberg Wildes, and is survived by two children, eight grandchildren and five great-grandchildren.

Descended from European Jews, Wildes grew up in a small Pennsylvania community where he was often the only Jew in his class. He attended Yeshiva College as an undergraduate and became interested in immigration law after working with the Hebrew Immigrant Aid Society in the late 1950s. Wildes published articles in the Cardozo Law Review among other journals and wrote a book on the Lennon case, John Lennon Vs. the USA, that came out in 2016.

An opera fan when he was young, he would become fully vested in the Beatles universe, to the point of using “Imagine” as music when a caller to his office was placed on hold. He remained close to Yoko, appeared in the 2006 documentary The U.S. vs. John Lennon and even attended some Beatles conventions, among them the Chicago-based Fest for Beatles Fans.

“I spoke there three times, and every time after I spoke, dozens of people came up, shook my hand and thanked me for what I had done for John Lennon,” he told Pennyblackmusic.co.uk in 2017. “And I learned from these wonderful people that it is really something to marvel about and to enjoy this beautiful music of the Beatles. I learned a lot about that kind of music, and now I favor it as well.”