Music News

Jacob Elordi’s Sad Janitor Way Sadder After Please Don’t Destroy Unnecessarily Pimp His Ride in Cut ‘SNL’ Sketch

Jacob Elordi slipped into a lot of hilarious costumes during his inaugural run as Saturday Night Live host last weekend. But the Saltburn star’s best character work ended up on the cutting room floor as evidenced by the posting of a cut-for-time sketch parodying the 2004-2007 Xzibit-hosted MTV series Pimp My Ride.

Playing sad sack janitor Sergei, Elordi is going about his business when the viral video Please Don’t Destroy trio — John Higgins, Martin Herlihy and Ben Marshall — take pity on him after finding out that the mop man has a “busted” car that is too expensive to fix and has to take the bus to work. So, naturally, they accost Sergei at the bus stop and give him the worst surprise ever: a pimped-out “fully customized trash wagon” with all the features he never wanted.

At first a teary Sergei is overwhelmed with the kind gesture… until he sees the abomination the Destroy boys have cooked up for him. “What have you done?” a crestfallen Sergei asks as he casts his eyes on the pink and purple minivan with a trash can logo on the hood, toilet plunger and broom decals on the doors and a custom vanity plate reading “Sergei Da Trash King.”

But that’s not all.

“Cleaning is just job,” Sergei tries to explain in vain as the zero-experience customizers show off some of the other special features, including a Swiffer WetJet front bumper, the requisite LCD headrest monitors, giant subwoofers, a front console crock pop for on-the-go borscht cooking and, worst of all, no more room for his large family after the back seats were ripped out to make room for custom mop bucket holders.

“For what purpose?” a frustrated Sergei asks.

The piece ended with a special message from Xzibit: “Whatever you do, do not drive that f–king car!” Spoiler alert: Sergei should have listened to Xzibit.

Watch the Pimp My Ride sketch below.



What You Need: INXS Launches Limited-Edition Jewelry Range

INXS‘ latest project is crafted from precious metal.

Having mined platinum across a decades-long career, the new wave act unveils a limited-edition jewelry range, made with 100% recycled silver.

A collaboration with Australia-based jeweler Michael Hill, the collection includes five unique pieces, including guitar pick pendants, rings, cuff, and a time capsule locket – all featuring signature band motifs.

“INXS is synonymous with music, but also fashion and lifestyle,” comments INXS drummer Jon Farriss in a statement. “Whether we were onstage performing live, filming a video or simply hanging out in our recording studio, we enjoyed finding and wearing funky bohemian jewelry which had personal meaning as well as catching a twinkle of light, while adding a sprinkle of attitude,” adds Farriss. “We are really digging these Michael Hill designs that reflect some of the things we still wear today – I still wear my INXS dog tags!”

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

The Michael Hill x INXS collection starts from A$169 ($111), and is available online and instore across Australia, New Zealand and Canada, until stocks last. Additional pieces in the range are expected to be released later in 2024.

The fashion-meets-rock team-up follows a 2022 Michael Hill “origin story” ad campaign, which was soundtracked by INXS’ iconic 1987 ballad “Never Tear Us Apart”.

“When we were planning and conceptualizing each piece, we wanted to ensure we honored the band’s stylistic history,” comments Maria Then, Michael Hill’s head of product design. “We have worked closely with INXS to build our jewelry range, which features an autographed guitar pick pendant that replicates the band’s actual guitar picks, heavy chains with hardware closures, and nods to some of their beautiful lyrics.”

This year marks the 47th anniversary for INXS, which has sold more than 70 million records sold worldwide, according to Petrol Records, and whose catalog has accumulated more than 4 billion streams.

Formed in Western Australia in 1977, INXS scaled the loftiest mountain of popular music with six U.K. top 10 albums (including a No. 1 with Welcome To Wherever You Are from 1992) and five U.S. top 20 albums, a BRIT Award (in 1991 for best international group) and, in 2001, elevation into the ARIA Hall of Fame.

The band’s journey was tragically derailed by the 1997 death of lead singer Michael Hutchence, at the age of just 37, though INXS continued for a time with replacement singers.

The surviving members of INXS reunited last October in Sydney to present Calling All Nations, a 400-plus “love letter” created by a global fanbase and the band. UMG’s Andrew Kronfeld and Live Nation’s Arthur Fogel contributed essays.

Despite calling time on touring more than a decade ago, the INXS story continues to grow. The band’s multi-platinum career retrospective from 2011, INXS – The Very Best, was the top album by a homegrown artist in Australia, according to year-end 2023 trade data published earlier this month by ARIA.

Check out the Michael Hill x INXS range here.

Kali Uchis Scores First No. 1 on Top Album Sales With ‘Orquideas’

Kali Uchis scores her first No. 1 on Billboard’s Top Album Sales chart (dated Jan. 27), as Orquídeas arrives atop the list with her biggest sales week ever – 31,000 copies sold in the U.S. in the week ending Jan. 18, according to Luminate. Of that sum, vinyl sales accounted for 20,000 – marking the largest week for a Spanish-language album on vinyl since Luminate began tracking sales in 1991. The effort also launches at No. 1 on the Vinyl Albums ranking, No. 1 on Top Latin Albums (her first leader there) and starts at a career-high No. 2 on the Billboard 200.

Explore

See latest videos, charts and news

See latest videos, charts and news

Elsewhere in the top 10 of the new Top Album Sales chart, Jimin’s former No. 1 FACE re-enters at No. 4 following its vinyl release and Kid Cudi’s new album Insano starts at No. 5.

Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. All of Billboard’s new Jan. 27, 2024-dated charts will be posted in full on Billboard‘s website on Jan. 23. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of the 31,000 copies sold of Orquídeas, physical sales comprise 30,000 (20,000 on vinyl, 10,000 on CD and negligible sum on cassette) and digital download album sales comprise 1,000. Its sales were bolstered by its availability across seven vinyl variants and four CD editions, including exclusive versions sold through independent record stores, Target, Urban Outfitters and the artist’s webstore.

Six Taylor Swift albums populate the top 10, all former No. 1s, led by Folklore, which pushes 3-2 with 19,000 (up 92%, owed to a replenishment of CD stock at retail). 1989 (Taylor’s Version) falls 1-3 (13,000; down 20%), Midnights dips 2-6 (8,000; down 29%), Lover descends 5-8 (7,000; down 28%), Evermore falls 7-9 (6,000; down 8%) and Speak Now (Taylor’s Version) drops 6-10 (5,000; down 25%).

Jimin’s FACE re-enters at No. 4 with nearly 10,000 sold (up 3,501%) following the set’s release on vinyl. It sold 8,000 copies on vinyl in the week ending Jan. 18,  and enters at No. 2 on the Vinyl Albums chart. FACE was issued in only one vinyl edition, and included a photo book, postcard and photocard inside its packaging.

Kid Cudi scores his sixth top 10-charting effort on Top Album Sales, as his latest studio album Insano starts at No. 5 with 8,500 sold. Of that sum, physical sales comprise 7,000 (about 5,500 on vinyl and 1,500 on CD) and digital downloads comprise 1,500. The album’s sales were enhanced by its availability across four vinyl variants and four CD editions.

Stray Kids’ chart-topping ROCK-STAR falls 4-7 on Top Album Sales, with nearly 8,000 sold (down 19%).

In the week ending Jan. 18, there were 1.083 million albums sold in the U.S. (down 9.3% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 822,000 (down 12.1%) and digital albums comprised 261,000 (down 0.6%).

There were 370,000 CD albums sold in the week ending Jan. 18 (down 15.7 week-over-week) and 449,000 vinyl albums sold (down 8.8%). Year-to-date CD album sales stand at 1.316 (down 27.2% compared to the same time frame a year ago) and year-to-date vinyl album sales total 1.566 million (down 45.9%).

Overall year-to-date album sales total 3.694 million (down 35.5% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 2.895 million (down 38.8%) and digital album sales total 799,000 (down 19.5%).

Another Kansas City Chiefs Tight End Is a Taylor Swift Fan

The Kansas City Chiefs are Swifties!

Tight end Jordy Fortson Jr. took to his Instagram Stories over the weekend to post a video singing along to Taylor Swift’s 1989 hit, “Bad Blood,” in celebration of his team’s playoff win against the Buffalo Bills on Sunday (Jan. 21).

The song choice is fitting, as Swift was in attendance at the game supporting her boyfriend, tight end Travis Kelce.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

Swift — who’s been spending many of her weekends cheering on Travis, tight end for the Chiefs — also brought a couple of her friends to the game in Buffalo: Cara Delevigne and Ashley Avignone. Last weekend Swift braved the cold in below-zero temperatures in Kansas City.

In just weeks Swift will resume her Eras Tour, starting with performances in Tokyo from Feb. 7-10 before she heads to Australia and Singapore.

Hot 100 First-Timers: Tommy Newport Arrives With Guest Appearance on 21 Savage’s ‘Red Sky’

Tommy Newport is a newcomer to not just the Billboard Hot 100, but all Billboard charts, thanks to his guest appearance on 21 Savage’s “Red Sky.”

The track, also with Mikky Ekko, debuts at No. 57 on the latest Jan. 27-dated Hot 100 with 8.4 million official U.S. streams in its opening week (Jan. 12-18), according to Luminate. It also starts at No. 21 on Hot Rap Songs, No. 24 on Hot R&B/Hip-Hop Songs and No. 34 on the all-genre Streaming Songs chart.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“Red Sky” is from 21 Savage’s new LP American Dream, released via Slaughter Gang/Epic Records. It debuts at No. 1 on the Billboard 200 with 133,000 equivalent album units, becoming his fourth chart-topping set.



Tommy Newport (real name: Oliver Milmine), born in Manchester, England, and raised in Wichita, Kan., has released two solo studio albums in his career: Just To Be Ironic, in 2018, and Glasshead, in February 2023—both on Real Dirty Boy/Silk Ivory. Outside of 21 Savage, he has collaborated with Jazz Cartier (“Jackpot”) and EARTHGANG (“Stargazer”).

Newport, who released his new single “Secret Place” on Friday (Jan. 18), concurrently debuts at No. 35 on the Emerging Artists chart.

As previously reported, all 14 chart-eligible songs from 21 Savage’s American Dream enter the Hot 100, including two in the top 10: “Redrum,” at No. 5, and “Née-nah,” with Travis Scott and Metro Boomin, at No. 10. The debuts up 21 Savage’s total to 103 career Hot 100-charting hits—he becomes just the 16th artist to amass 100 entries or more over the chart’s 65-year history.

Greater Nashville Music Census On the Way to Help Meet the Needs of Nashville-Area Music Community

As Nashville‘s economy continues to boom, the acceleration brings not only an influx of new businesses to Music City, but also concerns for musicians, as many in greater Nashville’s music community face ongoing struggles with issues including cost of living and housing and issues impacting live music venues across the city.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

The Nashville Musicians Union AFM Local 257, the Music Venue Alliance Nashville, Belmont University, the Broadway Entertainment Association and the Community Foundation of Middle Tennessee (CFMT) have teamed with the organization Sound Music Cities, which has administered similar surveys in 20+ cities, including Austin, Texas and Chattanooga, Tenn., to launch the Greater Nashville Music Census in 2024.

According to the website for the Greater Nashville Music Census, the initiative aims to “gain a better understanding of the current needs of the Nashville-area music community. The census will capture key information about our Nashville music economy to help the city and community make better informed, data-driven decisions to support our music ecosystem moving forward.”

The census is set to go live in mid-February and will survey the greater Nashville region, which includes the 13 counties in and around Nashville.

Fueling the need for the census are concerns that as Nashville’s economy booms, rising housing expenses are forcing many in Nashville’s music industry further from Nashville.

CFMT vp of communications Kelly Walberg said in a statement, “In recent years, many within our music industry have migrated to surrounding counties where the cost of living may remain more affordable. So we feel it is paramount that we survey the full geographic region to truly understand the current landscape of our Nashville music ecosystem.”

“The economic growth being fueled by our amazing music scene in Nashville is also causing so many within the industry to be left behind,” Belmont University assistant professor, music business and LoveNoise founder Eric Holt said in a statement. “Our hope is to give each and every one of them a voice in this census, and come out of it with a clear path towards what solutions are needed most, and soonest.”

Results of the census are expected to be released to the public as early as summer 2024, and will include three sections: a summary report, data deck and a DEI report.

Cher Mourns ‘Moonstruck’ Director Norman Jewison: ‘My Beautiful Golden Man’

Cher is mourning the death of Norman Jewison, the beloved director behind films like Fiddler on the Roof and Moonstruck, the latter of which the “Believe” singer starred in alongside Nicolas Cage. Jewison died on Saturday (Jan. 20) at age 97.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

“Farewell  Sweet Prince,” Cher wrote on X (previously known as Twitter) on Monday (Jan. 22). “Thank U For One Of The Greatest, Happiest, Most Fun Experiences Of My Life. Without U, I Would Not Have My Beautiful Golden Man. Norman U Made Moonstruck The GREAT FILM.”

She concluded, “NORMAN JEWISON LIVES ON THROUGH HIS WORK.”

Moonstruck, released in 1987, is based on the John Patrick Shanley play and follows Loretta Castorini (Cher), a widowed Italian-American woman who, through a twist of events, falls in love with her fiancé’s hot-tempered, estranged younger brother, Ronny Cammareri (Cage). The film was nominated for six Oscars, including a nod for Jewison for best director. Moonstruck ultimately ended up winning three Oscars: best screenplay written directly for the screen, best actress (Cher) and best supporting actress (Olympia Dukakis).

A seven-time Oscar nominee himself, Jewison received the prestigious Irving G. Thalberg Memorial Award from the Academy of Motion Pictures Arts & Sciences in 1999. Jewison earned best director and best picture Oscar nominations for Fiddler on the Roof (1971) and Moonstruck; received another nom for In the Heat of the Night (1967), a winner for best picture; and added two others for producing The Russians Are Coming, the Russians Are Coming (1966) and A Soldier’s Story (1984).

Kali Uchis’ ‘Orquídeas’ Debuts at No. 1 on Top Latin Albums Chart

It’s said that a pregnancy is a blessing, and that couldn’t be more on point for Kali Uchis, who scores her first No. 1 on Billboard’s Top Latin Albums chart with Orquídeas, as the new album debuts atop the list dated Jan. 27. The set’s roaring start arrives after the Colombian artist announced she was expecting her first child with Don Toliver in the music video for “Tu Corazón Es Mío” on Jan. 11.

“Very grateful to have the opportunity to keep growing every release and very grateful to my community,” Uchis tells Billboard.

Orquídeas, Uchis’ second Spanish-language album, was released Jan. 12 via Geffen/IGA, the first day of the tracking week ending Jan. 18. According to Luminate, the 14-track set starts with 69,000 equivalent album units earned in the U.S. – her biggest week ever.

Of Orquídeas’ first-week sum, streaming activity delivers 39,000 units, a figure equating to 51 million official on-demand streams of the album’s tracks – her largest streaming week ever for an album. Traditional album sales contribute 31,000 (her largest sales week yet), while the remaining balance stems from a negligible amount of track-equivalent album units. On Top Latin Albums, one unit equals to one album sale, 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams for a song on the album.

With Orquídeas’ No. 1 entrance, Uchis bests her only career and first top 10 entry on Top Latin Albums: Sin Miedo (Del Amoy y Otros Demonios), her first Spanish-language full-lenghth, peaked at No. 3 in March 2021. The set delivered the eight-week champ “Telepatía” on Hot Latin Songs and her highest-ranking entry on the overall Billboard Hot 100 (No. 25 high).

Orquídeas concurrently gifts Uchis her second No. 1 entry on Latin Pop Albums, after Sin Miedo ruled for 11 weeks between March 2021 and July 2022. In total her first all-Spanish album has held in the top 10 for 165 weeks since its debut, encompassing the entire stay on the chart.

Elsewhere, Orquídeas begins at No. 2 on the all-genre Billboard 200, Uchis’ best performance there, following Red Moon in Venus (No. 4 high, March 2023), and an equal No. 1 debut on Top Albums Sales and Vinyl Albums. On the latter, it becomes the first Spanish-language album by a woman to debut atop the ranking. Bad Bunny is the only other act to debut at No. 1 with a Spanish-language album.

Orquídeas also spawns 12 debuts on the multi-metric Hot Latin Songs chart including the No. 1 start of “Igual Que Un Ángel,” with Peso Pluma. “I honestly wasn’t expecting that! Uchis adds. “I wrote and recorded the song a while ago and was shocked and excited that Peso wanted to jump on that one in particular because I love encouraging artists to step out of their comfort zone when creating.”

With those new debuts, “Labios Mordidos,” with Karol G, rising from No. 36 to No. 14, and the re-entry of “Muñekita,” with El Alfa and JT, at No. 36, the complete album takes over the chart which blends airplay, streaming data, and digital sales.

About which song Uchis relates with the most, she adds: “I deeply relate to all of them because I write all my own music, but I would say my favorite song is probably “¿Cómo Así?” because I feel it’s the most unique.”

Thanks to the new album and standout cuts, Uchis returns to the Billboard Artist 100 chart at No. 2, surpassing her No. 6 position in March 2023. The list measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.

For all chart news, you can follow @billboard and @billboardcharts on Billboard’s social accounts, and all charts (dated Jan. 27) will refresh on Billboard.com on Tuesday (Jan. 23).

Bon Jovi Docuseries ‘Thank You, Goodnight’ Set to Premiere on Hulu

As Bon Jovi celebrate their 40th year as one of the world’s most successful rock bands, the history of the group will be explored in Thank You, Goodnight: The Bon Jovi Story, a four-part docuseries that will debut April 26 on Hulu. 

Religion of Sports’ Gotham Chopra will helm the doc, which is being made with the cooperation of all past and present members of the band and chronicles Bon Jovi’s rise from New Jersey clubs to global stadium headliners, recounting all the triumphs and toils along the way, including departures of founding members: the late bassist Alec John Such and guitarist Richie Sambora.

The band, who was inducted into the Rock & Roll Hall of Fame in 2018, has landed 11 albums in the top 10 of the Billboard 200, including chart-toppers Slippery When Wet, New Jersey, Lost Highway and This House is Not for Sale. The band has also scored four Billboard Hot 100 No. 1s, “You Give Love a Bad Name,” “Livin’ on a Prayer,” “Bad Medicine” and “I’ll Be There for You.” 

The film will also highlight frontman Jon Bon Jovi’s philanthropic work with the Jon Bon Jovi Soul Foundation, which addresses homelessness, poverty and food insecurity, as well as JBJ Soul Kitchen, a non-profit community restaurant with four locations in New Jersey. 

Chopra has worked on several noteworthy programs on such subjects as  Tom Brady (Tom v. Time and Man in the Arena), Kobe Bryant (Kobe Bryant’s Muse), Lebron James (Shut Up and Dribble), Stephen Curry (Stephen v. The Game) and  Simone Biles (Simone v. Herself). 

In addition to Hulu in the U.S., the documentary will also air on Star+ in Latin America and Disney+ in other territories with premiere dates to be announced. 

Bon Jovi’s 40th-anniversary celebration will kick off Feb. 2 when Jon Bon Jovi is honored at the annual MusiCares dinner two nights before the Grammys.

Skillet’s John Cooper Says Demi Lovato’s Pro-Choice Song ‘Encapsulates So Much Evil’

Skillet frontman John Cooper is firing at pro-choice activism — and brought up Demi Lovato in the process.

“Guess who else cheers on baby murder — Americans…Eight hundred thousand babies are aborted a year. I looked it up… it’s over a quarter, over 25 per cent of babies each year are aborted in this country,” the Christian rocker said of abortion to PluggedIn. “It’s absolutely crazy. But all of our celebrities cheer it on…The point is that every day will give you new opportunities to explain to your kids, ‘Okay, you know the celebrities that your friends all really idolise? You’ve gotta understand what they’re actually saying — they’re cheering it on.’”

He then specifically mentioned Lovato’s “Swine,” which was released in 2023, on the one-year anniversary of the Supreme Court’s overturning of Roe v. Wade. “F— what I think, I don’t know a thing, the government knows my body / No, it’s okay, it’s better this way, I’m only a carbon copy / Even if I’m dying, they’ll still try to stop me,” Lovato belts on the track. For a period of one year, Lovato’s net profits from “Swine” will be donated to the Reproductive Justice Fund at the Demi Lovato Foundation, which will, in turn, be directed to three non-profit organizations: NARAL Pro-Choice America, Plan C and The National Network of Abortion Funds. 

Explore

See latest videos, charts and news

See latest videos, charts and news

“In that one song, she encapsulates so much evil,” Cooper said. “In that song, she supplies us with the best pro-life argument we always give, which is that people are not killing their babies because they can’t afford it.”

He continued, “They’re killing their babies because they want to have sex with ‘whoever I want to, whenever I want to. I don’t wanna use birth control. I should be able to do whatever I want.’ It is pure narcissism, pure evil, and then she’s screaming at all the people who are saying that this is murder.”

Watch Cooper’s full interview with PluggedIn below.