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Sean Baker won four Oscars for Anora at the 2025 Academy Awards, which were presented on Sunday (March 2) at the Dolby Theater at Ovation Hollywood. This tied Walt Disney’s 1954 record for most Oscars won in one night.
Baker won best picture, best director, best original screenplay and best editing. At the Oscars in February 1954, Walt Disney won four Oscars (all for different films): best documentary feature (The Living Desert), best documentary short subject (The Alaskan Eskimo), best cartoon short subject (Toot, Whistle, Plunk and Boom) and best two-reel short subject (Bear Country).

Anora won five awards in all (Mikey Madison also won best actress), which made it the night’s most awarded film. The Brutalist was second with three awards.

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Adrien Brody, Kieran Culkin and Zoe Saldaña won the other three acting awards. But this being Billboard, let’s turn first to the winners in the music categories.

“El Mal” from Emilia Pérez won best original song. It’s the second time in three years that the award has gone to song in a language other than English. “El Mal” is sung in Spanish. “Naatu Naatu” from RRR, an Indian Telugu-language song, won in this category two years ago.

Four other such songs have won over the years – “Mona Lisa” from Captain, Carey, U.S.A. (which is performed in Spanish by a troubadour in the 1950 film, though it is best known for Nat King Cole’s smash cover version in English); “Never on Sunday” from the film of the same name (which is performed in Greek in the 1960 film); “Al Otro Lado Del Río” from The Motorcycle Diaries (which is performed in Spanish in the 2004 film); and “Jai Ho” from Slumdog Millionaire 14 years ago (which was performed in Hindi).

“El Mal” was co-written by Clément Ducol and Camille, who are a romantic couple, and Jacques Audiard, who directed the film. Ducol and Camille are the sixth romantic couple to win in this category following Alan and Marilyn Bergman, Burt Bacharach and Carole Bayer Sager, Jack Nitzsche and Buffy Sainte-Marie, Glen Hansard and Marketa Irglova, and Robert Lopez and Kristen Anderson-Lopez.

Audiard is just the second person in Oscar history, and the first in nearly 50 years, to win an Oscar for writing or co-writing a song from a film he directed. The first was Joe Brooks, who wrote “You Light Up My Life,” which won in 1978.

“El Mal” beat the latest song by Diane Warren, who has now gone 0-16 in the category, and two-time winner Elton John, who went home from an Oscar ceremony where he was a nominee without an Oscar for the first time. With her 0-16 track record, Warren ties sound and sound mixing specialist Greg P. Russell for the most nominations without a competitive win (yet).

Daniel Blumberg won best original score for The Brutalist. This was one of two awards for Brady Corbet’s film, which stars Adrien Brody as a Hungarian Jewish architect who survives the Holocaust and builds a new life in America. Blumberg, 35, is an English artist, musician, songwriter and composer. In addition to composing all the music, Blumberg served as producer and recording engineer and played piano, harmonica, keyboards and synthesizer.

Adrien Brody won his second Oscar for best actor for The Brutalist, 22 years after he won his first for The Pianist. He is just the third actor to win twice in that category since 2000, following Sean Penn (Mystic River and Milk) and Daniel Day-Lewis (There Will Be Blood and Lincoln).

Mikey Madison won best actress for playing the title role in Anora.  The 25-year-old actress won in what was seen as a close race with Demi Moore, 62, nominated for The Substance. Madison is the youngest winner in this category since Jennifer Lawrence won at age 22 in 2013 for Silver Linings Playbook.

Kieran Culkin won best supporting actor for A Real Pain. He’s the first winner in that category from a movie that wasn’t nominated for best picture since Christopher Plummer won in 2012 for Beginners. His co-star in the film, Jesse Eisenberg, was nominated for best original screenplay, but lost to Sean Baker for Anora.

Zoe SaldaĂąa won best supporting actress for Emilia PĂŠrez, becoming the fifth actress to win in this category for a musical performance since 2000. She follows Catherine Zeta-Jones for Chicago (2003), Jennifer Hudson for Dreamgirls (2007), Anne Hathaway for Les MisĂŠrables (2013) and Ariana DeBose for West Side Story (2022).

Saldaña performed the best original song winner, “El Mal,” in Emilia Pérez. This is only the fifth time an actor has won a competitive acting Oscar for a performance that included singing an Oscar-winning song.

Emilia Pérez won just two awards from its 13 nominations – best original song and best supporting actress. Netflix’s crime musical holds an unwelcome Oscar record: It won fewer Oscars than any other film that received 13 or more nominations. The old record was held by The Curious Case of Benjamin Button, which won three awards from its 13 nods in 2009.

Paul Tazewell won best costume design for Wicked. He’s just the second Black costume designer – and the first Black man – to win in this category. Ruth E. Carter is the only other Black costume designer to win here. She won for both Black Panther and its sequel, Black Panther: Wakanda Forever.

Flow won the Oscar for best animated feature, becoming the first indie film to win in this category.

At the 97th Annual Academy Awards on Sunday night (March 2), Daniel Blumberg took home the Oscar for best original score for composing the music of the towering drama The Brutalist. Blumberg won his first Academy Award on his first nomination, after the 35-year-old previously won the Ivor Novello Award for best original film score […]

Midway through the 97th Annual Academy Awards on Sunday (March 2), host Conan O’Brien fired off a Kendrick Lamar one-liner that once again made Drake the butt of the joke — this time at the Oscars. Coming out of a commercial break, O’Brien took the stage at the Dolby Theatre at Ovation Hollywood and quipped, […]

LISA, Doja Cat and RAYE recently joined forces for a kinetic new pop single — but instead of performing “Born Again” at the 97th Annual Academy Awards on Sunday (March 2), the trio took the Oscars stage at the Dolby Theatre at Ovation Hollywood separately for a medley of songs during an extended tribute to […]

From Ariana Grande to BLACKPINK’s Lisa, see the stars on the red carpet at the Academy Awards.

Ariana Grande‘s staying tight-lipped about a release date for new music. Of course, when you’ve been a patient at Eternal Sunshine‘s Brighter Days clinic, as Grande was in her “We Can’t Be Friends” music video, memories have a tendency to fade away. She reminded an interviewer of this concept on the red carpet at the 2025 Oscars on Sunday (March 2).
Grande, an Academy Award nominee for best supporting actress for her role as Glinda in Wicked, gave a live performance with co-star Cynthia Erivo at Sunday night’s Oscars ceremony. Ahead of the big show at the Dolby Theatre at Ovation Hollywood, she walked the red carpet in a custom Schiaparelli gown.

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While making the red carpet rounds on a night focused on achievements in film, Grande was questioned by Variety on the “next step” of any new music release plans. The singer/actress had previously confirmed there’s a deluxe edition of 2024’s Eternal Sunshine still to come.

“The next step is the next step … It means it must come out. It’s been done,” Grande offered, then was prodded further for a release date.

“You know what, they did the Brighter Days memory erasure treatment to me, so I’m having trouble remembering the details. They’re foggy,” she quipped.

Still dodging questions that would elicit her giving an actual scoop about when to expect the set, she added, “You know what, I’ll have to go back to the clinic to see if they can restore my memory.”

Then Grande was nudged with the word “soon” in relation to the upcoming release.

“You have to learn the language of my fans because ‘soon’ means 10 days or less,” she said. “I’m not allowed to use that word at this moment. I’m not gonna use that word today. I’ll say that.”

“Just keep your eyes peeled. Just keep them peeled. That’s all I’m saying,” Grande suggested.

No specific details have been given about the unreleased deluxe edition of Eternal Sunshine. “There’s something I made last year that will come out eventually,” Grande said in an interview at the Golden Globes in January. “It’s an attachment of Eternal Sunshine. So, that does exist, and that will be coming out at some point.”

Eternal Sunshine topped the Billboard 200 for two weeks in 2024, with singles “Yes, And?” and “We Can’t Be Friends” both reaching No. 1 on the Hot 100. The album’s standard release was already followed by a “Slightly Deluxe” version of the album, with four additional tracks: “Yes, And?” with Mariah Carey, “Supernatural” with Troye Sivan, an acoustic recording of “Imperfect for You” and an a capella version of “True Story.”

See Grande’s latest comments on music in a clip from Variety on X here. Follow the list of winners at the 2025 Oscars, updating live here.

Two musical films and a period drama led in nominations in the run-up to the 97th annual Academy Awards, held Sunday (March 2) at Dolby Theatre at Ovation Hollywood: Emilia Perez with 13 nods, and Wicked and The Brutalist with 10 each. All three are in the running for best picture and original score.
Pop star and actress Ariana Grande earned her first Oscar nod (best supporting actress) for her portrayal of Glinda in Wicked, while her co-star Cynthia Erivo, who plays Elphaba, is up for best actress. Emilia Perez stars Karla SofĂ­a GascĂłn and Zoe Saldana are up for best actress and best supporting actress, respectively, while the film also has two tunes in the running for best original song.

A Complete Unknown, the biopic about Bob Dylan, is up for eight awards. Among the nods are best picture, best actor for Timothée Chalamet’s portrayal of the singer-songwriter, best supporting actor for Edward Norton’s portrayal of Pete Seeger and best director for James Mangold.

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Which film will walk away with the most trophies? Keep refreshing this page for the latest winners as the Oscars are handed out Sunday night.

Best Picture

Anora, Alex Coco, Samantha Quan and Sean Baker, Producers

The Brutalist, Nick Gordon, Brian Young, Andrew Morrison, D.J. Gugenheim, Brady Corbet, Producers

A Complete Unknown, Fred Berger, James Mangold and Alex Heineman, Producers

Conclave, Tessa Ross, Juliette Howell and Michael A. Jackman, Producers

Dune: Part Two, Mary Parent, Cale Boyter, Tanya Lapointe and Denis Villeneuve, Producers

Emilia PĂŠrez, Pascal Caucheteux, Jacques Audiard, Producers

I’m Still Here, Maria Carlota Bruno, Rodrigo Teixeira, Producers

Nickel Boys, Dede Gardner, Jeremy Kleiner, Joslyn Barnes, Producers

The Substance, Coralie Fargeat, Tim Bevan, Eric Fellner, Producers

Wicked, Marc Platt, Producer

Actor in a Leading Role

Adrien Brody, The Brutalist

TimothÊe Chalamet, A Complete Unknown

Colman Domingo, Sing Sing

Ralph Fiennes, Conclave

Sebastian Stan, The Apprentice

Actress in a Leading Role

Cynthia Erivo, Wicked

Karla Sofía Gascón, Emilia PÊrez

Mikey Madison, Anora

Demi Moore, The Substance

Fernanda Torres, I’m Still Here

Actor in a Supporting Role

Yura Borisov, Anora

Kieran Culkin, A Real Pain

Edward Norton, A Complete Unknown

Guy Pearce, The Brutalist

Jeremy Strong, The Apprentice

Actress in a Supporting Role

Monica Barbaro, A Complete Unknown

Ariana Grande, Wicked

Felicity Jones, The Brutalist

Isabella Rossellini, Conclave

Zoe Saldaùa, Emilia PÊrez

Directing

Anora, Sean Baker

The Brutalist, Brady Corbet

A Complete Unknown, James Mangold

Emilia PĂŠrez, Jacques Audiard

The Substance, Coralie Fargeat

Writing (Adapted Screenplay)

A Complete Unknown, Screenplay by James Mangold and Jay Cocks

Conclave, Screenplay by Peter Straughan

Emilia PĂŠrez, Screenplay by Jacques Audiard; In collaboration with Thomas Bidegain, LĂŠa Mysius and Nicolas Livecchi

Nickel Boys, Screenplay by RaMell Ross & Joslyn Barnes

Sing Sing, Screenplay by Clint Bentley, Greg Kwedar; Story by Clint Bentley, Greg Kwedar, Clarence Maclin, John “Divine G” Whitfield

Writing (Original Screenplay)

Anora, Written by Sean Baker

The Brutalist, Written by Brady Corbet, Mona Fastvold

A Real Pain, Written by Jesse Eisenberg

September 5, Written by Moritz Binder, Tim Fehlbaum; Co-Written by Alex David

The Substance, Written by Coralie Fargeat

Music (Original Score)

The Brutalist, Daniel Blumberg

Conclave, Volker Bertelmann

Emilia PĂŠrez, ClĂŠment Ducol and Camille

Wicked, John Powell and Stephen Schwartz

The Wild Robot, Kris Bowers

Music (Original Song)

“El Mal” from Emilia Pérez; Music by Clément Ducol and Camille; Lyric by Clément Ducol, Camille and Jacques Audiard

“The Journey” from The Six Triple Eight; Music and Lyric by Diane Warren

“Like a Bird” from Sing Sing; Music and Lyric by Abraham Alexander and Adrian Quesada:

“Mi Camino” from Emilia Pérez; Music and Lyric by Camille and Clément Ducol

“Never Too Late” from Elton John: Never Too Late; Music and Lyric by Elton John, Brandi Carlile, Andrew Watt and Bernie Taupin

Animated Feature Film

Flow, Gints Zilbalodis, MatÄŤss KaĹža, Ron Dyens, Gregory Zalcman

Inside Out 2, Kelsey Mann and Mark Nielsen

Memoir of a Snail, Adam Elliot and Liz Kearney

Wallace & Gromit: Vengeance Most Fowl, Nick Park, Merlin Crossingham, Richard Beek

The Wild Robot, Chris Sanders and Jeff Hermann

Animated Short Film

Beautiful Men, Nicolas Keppens and Brecht Van Elslande

In the Shadow of the Cypress, Shirin Sohani and Hossein Molayemi

Magic Candies, Daisuke Nishio and Takashi Washio

Wander to Wonder, Nina Gantz and Stienette Bosklopper

Yuck!, LoĂŻc Espuche and Juliette Marquet

Cinematography

The Brutalist, Lol Crawley

Dune: Part Two, Greig Fraser

Emilia PĂŠrez, Paul Guilhaume

Maria, Ed Lachman

Nosferatu, Jarin Blaschke

Costume Design

A Complete Unknown, Arianne Phillips

Conclave, Lisy Christl

Gladiator II, Janty Yates and Dave Crossman

Nosferatu, Linda Muir

Wicked, Paul Tazewell

Documentary Feature Film

Black Box Diaries, Shiori Ito, Eric Nyari and Hanna Aqvilin

No Other Land, Basel Adra, Rachel Szor, Hamdan Ballal and Yuval Abraham

Porcelain War, Brendan Bellomo, Slava Leontyev, Aniela Sidorska and Paula DuPre’ Pesmen

Soundtrack to a Coup d’Etat, Johan Grimonprez, Daan Milius and Rémi Grellety

Sugarcane, Julian Brave NoiseCat, Emily Kassie, Kellen Quinn

Documentary Short Film

Death by Numbers, Kim A. Snyder and Janique L. Robillard

I Am Ready, Warden, Smriti Mundhra and Maya Gnyp

Incident, Bill Morrison and Jamie Kalven

Instruments of a Beating Heart, Ema Ryan Yamazaki and Eric Nyari

The Only Girl in the Orchestra, Molly O’Brien and Lisa Remington

Film Editing

Anora, Sean Baker

The Brutalist, David Jancso

Conclave, Nick Emerson

Emilia PĂŠrez, Juliette Welfling

Wicked, Myron Kerstein

International Feature Film

Brazil, I’m Still Here

Denmark, The Girl with the Needle

France, Emilia PÊrez

Germany, The Seed of the Sacred Fig

Latvia, Flow

Makeup and Hairstyling

A Different Man, Mike Marino, David Presto and Crystal Jurado

Emilia PĂŠrez, Julia Floch Carbonel, Emmanuel Janvier and Jean-Christophe Spadaccini

Nosferatu, David White, Traci Loader and Suzanne Stokes-Munton

The Substance, Pierre-Olivier Persin, StĂŠphanie Guillon and Marilyne Scarselli

Wicked, Frances Hannon, Laura Blount and Sarah Nuth

Production Design

The Brutalist, Production Design: Judy Becker; Set Decoration: Patricia Cuccia

Conclave, Production Design: Suzie Davies; Set Decoration: Cynthia Sleiter

Dune: Part Two, Production Design: Patrice Vermette; Set Decoration: Shane Vieau

Nosferatu, Production Design: Craig Lathrop; Set Decoration: Beatrice BrentnerovĂĄ

Wicked, Production Design: Nathan Crowley; Set Decoration: Lee Sandales

Live Action Short Film

A Lien, Sam Cutler-Kreutz and David Cutler-Kreutz

Anuja, Adam J. Graves and Suchitra Mattai

I’m Not a Robot, Victoria Warmerdam and Trent

The Last Ranger, Cindy Lee and Darwin Shaw

The Man Who Could Not Remain Silent, Nebojša Slijepčević and Danijel Pek

Sound

A Complete Unknown, Tod A. Maitland, Donald Sylvester, Ted Caplan, Paul Massey and David Giammarco

Dune: Part Two, Gareth John, Richard King, Ron Bartlett and Doug Hemphill

Emilia PÊrez, Erwan Kerzanet, Aymeric Devoldère, Maxence Dussère, Cyril Holtz and Niels Barletta

Wicked, Simon Hayes, Nancy Nugent Title, Jack Dolman, Andy Nelson and John Marquis

The Wild Robot, Randy Thom, Brian Chumney, Gary A. Rizzo and Leff Lefferts

Visual Effects

Alien: Romulus, Eric Barba, Nelson Sepulveda-Fauser, Daniel Macarin and Shane Mahan

Better Man, Luke Millar, David Clayton, Keith Herft and Peter Stubbs

Dune: Part Two, Paul Lambert, Stephen James, Rhys Salcombe and Gerd Nefzer

Kingdom of the Planet of the Apes, Erik Winquist, Stephen Unterfranz, Paul Story and Rodney Burke

Wicked, Pablo Helman, Jonathan Fawkner, David Shirk and Paul Corbould

Shakira called off her concert in Santiago, Chile, tonight (Sunday, March 2), just hours before the show at Estadio Nacional was scheduled to go on.
“I am heartbroken that I cannot sing for you today for reasons beyond my control,” the Colombian superstar wrote in a statement posted on social media. In her note, she explained that there were safety concerns regarding her stage production at the stadium, which is located in Santiago’s Ñuñoa district. Shakira was expected to perform at Estadio Nacional for two nights, both of which were sold out.

It’s the second Latin American city to be postponed citing local production issues on Shakira’s Las Mujeres Ya No Lloran Tour, following the cancellation of her Feb. 24 show in Medellín, Colombia — and the third total that she’s had to reschedule since bringing her world tour to the region in February. On doctor’s orders, Shakira couldn’t perform in Lima, Peru, on Feb. 16, as she was hospitalized with an abdominal condition.

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“To my fans,” Shakira wrote in her Sunday update, “you who have been with me for more than 30 years know more than anyone else my professional ethics and how much I strive to always give you the best. For a year I have worked tirelessly, night and day, on the smallest details to achieve an unforgettable experience for my fans as they deserve and as we have been able to enjoy together during the concerts I have been performing.”

The star expressed that connecting with fans every night on tour “is a big part of what makes me wake up every day wanting to celebrate life,” then broke the news that her performance in Chile must be postponed:

“You can imagine how painful it is for me as an artist to see that after so many efforts to come to this country that I love so much, my show in Chile on this occasion must be rescheduled due to circumstances beyond my control or that of my production.

“When an artist travels to a country, their production and team become directly dependent on the local producers. My staff and I trusted at all times that the production company hired by the local promoter would follow to the letter the specifications that were diligently provided by us so that a show of the magnitude of this one could take place.

“The Las Mujeres Ya No Lloran Tour, which I wanted to start in my home, Latin America, is the biggest tour of my career and currently one of the biggest productions in the world. With a stage that weighs 62 tons, unfortunately we have found that the floor of the place where my stage would go is uneven and is not properly stabilized to ensure the safety of my band, dancers, my fans and myself.

“There are two things I would never compromise and that is the safety of my team and my fans, and I would never offer you a show below the quality standards you deserve.”

Shakira intends to return to Chile as soon as possible — even if she has to “inspect the floor and every last screw in the structure that supports my stage” herself, she says.

On the event’s ticketing page, Fenix Entertainment shared the same information in a statement on Sunday: “We regret to inform you that during the assembly process of the show scheduled for today (March 2) at the Estadio Nacional de Santiago de Chile, we have encountered technical problems beyond the control of the artist and their production that prevent the correct development of the concert, since the floor where the stage would be located is uneven.”

The next city on Shakira’s Las Mujeres Ya No Lloran Tour itinerary is Buenos Aires, Argentina, where she’s set to perform at Campo Argentino de Polo on March 7-8.

See her full note about the Chile concert postponement here.

LISA‘s Alter Ego topped this week’s new music poll, which highlights artists from a variety of genres.
Music fans cast their votes in a poll published Friday (Feb. 28) on Billboard, selecting the BLACKPINK star’s debut solo album as their favorite new release of the past week.

Alter Ego received 49% of the vote, leading other notable new music releases such as Feid’s “Nos Desconoximos,” Benson Boone’s “Sorry I’m Here for Someone Else,” Lizzo’s “Love in Real Life,” D4vd and Kali Uchis’ “Crashing,” and more.

After months of anticipation, LISA dropped her first album on Feb. 28, featuring 15 new tracks and collaborations with Megan Thee Stallion, Future, Tyla, and others. The highly anticipated project includes previously released singles like “Rockstar,” “New Woman” featuring Rosalía, “Moonlit Floor (Kiss Me),” and “Born Again” with Doja Cat and RAYE.

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Alter Ego showcases the Thai rapper embodying five distinct personas: Roxi, Kiki, Vixi, Sunni and Speedi. “It represents five characters of me as well, like I feel related with them,” she told Sean Evans on Hot Ones ahead of the album’s release.

Before Alter Ego, LISA had released only two solo singles: 2021’s “LALISA” and “MONEY,” both of which charted on the Billboard Hot 100. That same year, she also appeared without her bandmates on DJ Snake’s “SG” with Ozuna, and on “HISS” with the rapper, who features on Alter Ego track “Rapunzel.”

LISA is the latest BLACKPINK member to release solo music in recent months. ROSÉ released her debut solo album, rosie, in December, and two months later, JISOO dropped her EP, AMORTAGE. JENNIE is set to follow with her debut LP, Ruby, scheduled for release on March 7. The foursome announced a summer 2025 world tour in February.

Trailing behind Alter Ego in this week’s poll is Feid’s “Nos Desconocimos,” which earned nearly 38% of the vote. The Colombian star’s new single arrives ahead of his European tour.

Check out the full results of this week’s poll below and visit Billboard’s Friday Music Guide for more must-hear releases.

Joey Molland, the guitarist and last surviving member of the rock band Badfinger, has died. He was 77.
Molland passed away on Saturday (March 1) while surrounded by his longtime partner, Mary, his two sons and other family members, according to a post on Badfinger’s Facebook page. While a cause of death was not specified, Molland had faced ongoing health challenges in recent years, including a recent battle with pneumonia.

“Thank you, Joey…for keeping the band’s music alive for so long and for being a friend to us all,” the Facebook post read.

Badfinger, originally known as the Iveys, was one of the first bands signed by The Beatles‘ Apple Records. Molland joined the group in 1969, after the recording of their debut album, Maybe Tomorrow, which featured the Paul McCartney-written hit “Come and Get It.” The song reached No. 7 on the Billboard Hot 100 chart in 1970.

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Molland’s first album with Badfinger was No Dice (1970), co-produced by Beatles road manager Mal Evans. The set featured two of the band’s most iconic tracks: “No Matter What” and “Without You.” The latter became a hit after being covered by Harry Nilsson and Mariah Carey.

Badfinger’s main lineup of Molland (guitarist), Pete Ham (singer/guitarist), Tom Evans (bassist) and Mike Gibbins (drummer) recorded five albums together through 1974, producing hit singles like “Day After Day” and “Baby Blue,” both co-produced by George Harrison. “Baby Blue” was notably featured in the closing scene of the final episode of Breaking Bad in 2013.

After the death of Ham, who died by suicide in 1975, Molland and Evans (minus Gibbins) reunited to revive Badfinger, with the guitarist taking on a larger role in songwriting and vocals for the albums Airwaves (1979) and Say No More (1981).

Outside of his work with Badfinger, Molland contributed to Harrison’s All Things Must Pass and The Concert for Bangladesh albums, and played guitar on John Lennon’s 1971 classic “Jealous Guy” and Imagine‘s “I Don’t Wanna Be a Soldier.”

Throughout his career, Molland recorded music both as a solo artist and as a member of the band Natural Gas. In the early 1980s, he formed his own version of Badfinger, known as Joey Molland’s Badfinger, and continued to tour with the act until the summer of 2024.

Molland was the last surviving member of Badfinger’s core lineup, following the deaths of Ham, Evans (who also died by suicide in 1983) and Gibbins, who passed away from natural causes in 2005.