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Stalley Hopes to Inspire More Athletes to Rap With NBA Star Kevin Durant Collaboration ‘Scared Money’

A star-studded group chat filled with NBA ballers and rappers provided the genesis for a cross-industry collaboration between Stalley and Kevin Durant.

The Phoenix Suns All-Star temporarily traded in his buttery jump shot for a microphone as he teams up with the Blue Collar Gang rapper for the thumping “Scared Money,which hit streaming services on Friday (Feb. 16).

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“One day we was talking and he was like, ‘Yo bro, send me a record to hop on,’” Stalley recalls being surprised to hear Durant was hungry to put his rhyming chops to the test late last summer.

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The Ohio-bred rapper listened to some unreleased Durant songs through a mutual friend to get acclimated with the EasyMoneySniper’s flow. Then it clicked in Stalley’s head to send over what became the beat for “Scared Money,” filled with bristling drums growling behind starry production.

“I had that sitting not for long [because] I was working on my album,” Stalley says. “I had just put the hook and verse on it and there was an open verse. I’m like, ‘I’ma send it to him and see what he thinks.’”

Much to the shock of Stalley, KD’s turnaround time was quicker than his release behind the three-point line. “He sent it right back,” Stall adds. “[Durant] sent it back faster than some rappers.”

Durant’s introspective bars find him comparing himself to the enigmatic NFL icon Randy Moss and paying tribute to his grandma, who passed away in Feb. 2022. He waxes poetic about his status among the NBA’s legends, while still displaying his hunger for more: “In this hoop world I’m Freddie, Jason/ I’m sitting in the places of greats but never complacent.”

The former NBA MVP isn’t exactly foreign to the rap world, as he’s had verses floating around dating back to the 2011 NBA lockout.

Drake also tapped KD to serve as an executive producer on his For All the Dogs project, as well as its Scary Hours reissue edition. Lil Wayne recently called Durant a “jewel” and a “backpack” rapper, while revealing they have a collaboration that the New Orleans legend is contemplating putting on Tha Carter VI.

As for Stalley, the 41-year-old was extremely impressed with Kevin Durant’s lyrical talents and thinks listeners will be “really shocked” in a good way after pressing play.

“You can tell he’s spent time finding his voice and comfortability while creating,” Stalley salutes Durant. “I didn’t want it to feel like we just jumped on a beat and started rapping. I wanted it to feel like a complete record. I wanted us to complement each other. It wasn’t about trying to out-rap somebody.”

Don’t expect this to be the last time Stalley and KD join forces on wax, as the former MMG rapper predicts they’ll have more records down the line — and even teases the possibility of a joint project.

“We been talking and possibly been shooting some ideas about maybe doing a collab project,” Stalley admits. “Finding a dope producer to produce maybe an EP with us. We definitely been having those conversations. We definitely will have more records that will drop.”

“Scared Money” serves as a single to provide momentum for Stalley to ride into his next album, titled Peerless, which will arrive at some point in mid-to-late March via his independent label.

Stalley hopes people seeing him work with Durant “inspires more athletes to make music.” “I’m hoping this gives them the confidence and excitement to step into the music,” the rapper states. “I’m all for people doing everything and expressing themselves.”

He circles back to credit the “brotherhood” formed in his group chat for ultimately leading to the collaboration with the two-time NBA Finals MVP. “Without us, maybe, speaking every day, this would have never happened,” Stalley admits.

Watch the “Scared Money” video and stream the single below.



What’s Your Favorite New Music Release of the Week? Vote!

The long weekend is finally here, and some of today’s top stars unveiled new music to keep the party going.

After teasing a special announcement via her Instagram Story earlier this week (Feb. 13), Ariana Grande confirmed Mariah Carey’s appearance on the “Yes, And?” remix with a Feb. 14 post captioned, “Thank you from the bottom of my heart for this dream come true and for sprinkling your brilliance and magic on my little song @mariahcarey. [It] means more to me than [I] could ever possibly articulate and [I] cannot wait for everyone to hear this! [I] love you eternally!!!!!!!”

Dua Lipa unveiled “Training Season” after announced the single last month in a clip posted to her TikTok, declaring that she’s very tired of mediocre men. “I need someone to hold me close, deeper than I’ve ever known/ Whose love feels like a rodeo, knows just how to take control,” she sings over a pounding beat.

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Meanwhile, Jennifer Lopez dropped her ninth studio album, This Is Me… Now, on Friday (Feb. 16). This Is Me…Now is the sister album to 2002’s This Is Me…Then, which was dedicated to her partner at the time, Ben Affleck. Lopez and Affleck have since rekindled their romance, and the couple married in 2022

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Which music release was your top pick of the week? Let us know by voting below.

Friday Dance Music Guide: The Week’s Best New Tracks From Subtronics, John Summit & Hayla, Calvin Harris & More

This week in dance music: We explored the world of sports and DJing, tagging along with Kaskade at the Super Bowl, talking to Shaquille O’Neil about his electronic output, as well as to Philadelphia Phillies DJ Garrett Stubbs and to 16 NBA DJs. Also, Justice was announced as a 2024 SXSW speaker and we spoke to the creative director of Boiler Room.

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Here also, of course, are the best new dance tracks of the week.

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Subtronics, TESSERACT



The bass scene continues its headbanging, rail-riding forward momentum with the release of TESSERACT, the sophomore album from Philadelphia’s Subtronics. The 16-track LP, out via the artists’ own Cyclops Recordings, is loaded with genre regulars — Excision, Grabbitz, HOL! (of “COUNTRY RIDDIM” fame) and REZZ among them — with this latter artist joining the producer born Jesse Kardon for the dark, squelchy, spatial “Black Ice.” Altogether the album has more subdued and sometimes groovy moments, some grime influence other tracks that hit like a two-by-four to the face, demonstrating Kardon’s heavy, heady, frequently psychedelic range.

“Some songs are meant for the dancefloor, some are meant for the car, and some are meant to serenade you to sleep,” he says. “I am trying as best I can to create a fascinating alternative reality with magic and a sci-fi world of energy and feeling.” Subtronics — the only electronic artist to hit Pollstar’s 2023 Top 100 North American Tours chart, at No. 75 — launches his 16-date North American tour tonight in Minneapolis, with two shows at Red Rocks also on the calendar for May.

John Summit & Hayla, “Shiver”



The winning formula this pair forged on their hit “Where You Are” — which showed up on President Obama’s favorite songs of 2023 list — extends to “Shiver,” which features Hayla’s increasingly iconic voice over a cinematic, climax-laden progressive house production from Summit. “Last year, Hayla and I had one of the biggest dance records of the year with ‘Where You Are,”’ he says, “so we knew we had to follow it up, and it was much easier said than done. It took about nine months start to finish to get this record done, but damn it was worth it. This might be my favorite record to date — definitely the most emotion I put behind a song.”

The track is out on Summit’s Experts Only label and comes ahead of his performances at Coachella 2024, where he’ll play solo and with Dom Dolla as Under Construction, along with his sold out Madison Square Garden show in July. Both Summit and Hayla have debut albums coming later this year.

Calvin Harris & Rag’n’Bone Man, “Lovers In A Past Life”



Calvin Harris and U.K. singer-songwriter Rag n Bone Man, who scored a hit together with 2019’s “Giant” — re-link for “Lovers In a Past Life.” Recorded at the end of 2023, the song finds Harris meshing a slinky guitar, kickdrum and waves of synth with the husky voice of Rag n Bone Man, who keeps the Valentine’s Day mood alive with lyrics about “slow dancing in the midnight glow.” The track follows announcements that Harris will be a 2024 resident at LIV Las Vegas and LIV Beach inside the Fontainebleau Las Vegas, and will return to Ushauïa in Ibiza for a Friday night residency this season.

Nia Archives, “Silence Is Loud”



U.K. junglist Nia Archives extends a hot streak with “Silence Is Loud,” the title track from her debut album coming this April 12. Weaving classic jungle with rave, indie and Brit-pop, the song is a propulsive and high-impact two-and-a-half minute ode to the producer’s love for her brother, without whom, the lyrics go, “the silence is loud.” The album, out via HIJINXX/Island Records and made with David Byrne and FKA Twigs collaborator Ethan P. Flynn, is meant to function as a complete work rather than a collection of tracks — with Archives pushing the genre forward by, she says, “putting interesting sounds on jungle.”

Francis Mercier & Emmanuel Jal “Hustla”



February isn’t famous for its weather, but Haitian DJ Francis Mercier transports us to the warm beaches of our mind with his latest, “Hustla.” Out on Higher Ground, the Afro-house track has an impeccably laidback vibe, with Mercier creating a steamy, breezy groove and South Sudanese-Canadian singer Emmanuel Jal adding vocals that match the production as speaks of “the heat of Port-au-Prince, to the streets of New York, rocking in the souk of Marrakesh, headed to the hills of Nairobi, on the way to the beaches of Rio.” Even if your weekend plans don’t involve much more than hanging around the house, let this one take you away.

Four Tet, “Daydream Repeat”



It’s a big week for Four Tet, who announced his very own festival — the aptly titled Four Tet & Friends — happening this May 4-5 in Brooklyn. The event will feature producers including Ben UFO, Chloé Robinson, Daphni b2b Floating Points, Salute, Avalon Emerson and multiple sets from Four Tet himself. This news comes in tandem with the producer’s latest, “Daydream Repeat,” which takes the chime sound so essential to the Four Tet oeuvre and places it amongst a propulsive, but also delicate (and even occasionally slightly gritty) six-minute production. The song is the latest single from Four Tet’s twelfth studio album Three, coming March 15.

Gunna Reflects on the Price of Fame in Frosty ‘Bittersweet’ Video: Watch

Gunna kicked off the year on a pensive note, looking inward with his first single of 2024 titled “Bittersweet.”

After teasing the icy record, which many thought to initially be a freestyle on social media earlier this week, the YSL rapper dropped his first single of the year to streaming services on Friday (Feb. 16).

Gunna doesn’t mince words coming out of the gate, as he possibly addresses his fallout with Lil Baby as his Drip Harder partner has repeatedly criticized Gunna for taking a plea deal in the YSL RICO case in 2022.

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“S–t been rough, but I ain’t too tough to say I love and I miss you/ You my dawg, I don’t care if we fall out, n—a, I never could diss you/ For the chains and the fame, only we seen the vision/ Bout my name, let it bang, goin’ out with my pistol/ Got me a taste of this fame, it was sweet, now it’s bitter,” he raps.

Even after all they’ve been through and still with some of the YSL members’ fates hanging in the balance, Gunna hopes to eventually reunite the crew.

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“My fans coming through for me, you think they entitled/ Thinking bout the crew again, could we reunite ’em/ As show they hate before they do something positive/ N—-s just want you to fade away and hope that you forgot ’em.”

Gunna unleashed a frosty accompanying visual for the Working on Dying-produced single. The Spike Jordan-directed clip finds the “Fukumean” rapper trudging through the blizzard conditions surrounding his snow-lodge property.

After showing off his flashy designer winter fits, Gunna changes into his gym gear for some boxing training in a testament to his discipline and hard work leading to his body transformation.

Gunna is gearing up to drop his A Gift & A Curse follow-up album later this year, and he’s teasing more “substance” on his records and is expected to tap into some Afrobeat sonics.

Watch the “Bittersweet” video above.

Paul McCartney & Wings’ ‘Band on the Run’ Returns to Charts After 50th Anniversary Reissue

Paul McCartney and Wings’ Band on the Run stages a return to Billboard’s charts (dated Feb. 17) following the set’s 50th anniversary reissue on Feb. 2. The album re-enters the Top Album Sales chart at No. 5, debuts at No. 7 on the Vinyl Albums tally, re-enters at No. 6 on Tastemaker Albums and debuts at No. 37 on Top Rock & Alternative Albums. On the overall Billboard 200 chart, where the album hit No. 1 in 1974, the set re-enters at No. 156 – its first appearance on the chart since Jan. 1, 2011.

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Band on the Run was reissued in a variety of formats, including a single-LP vinyl release cut at half-speed, a double-LP vinyl set at half-speed with a bonus “underdubbed” version of the album, and as a double-CD set (also with the underdubbed mixes). The 50th anniversary reissues are combined with the original album for sales tracking and charting purposes.

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Billboard’s Top Album Sales chart ranks the top-selling albums of the week based only on traditional album sales. The chart’s history dates back to May 25, 1991, the first week Billboard began tabulating charts with electronically monitored piece count information from SoundScan, now Luminate. Pure album sales were the sole measurement utilized by the Billboard 200 albums chart through the list dated Dec. 6, 2014, after which that chart switched to a methodology that blends album sales with track equivalent album units and streaming equivalent album units. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Top Rock & Alternative Albums ranks the week’s most popular rock and alternative albums by equivalent album units. Vinyl Album tallies the week’s top-selling vinyl releases. Tastemaker Albums measures the top-selling titles at independent and small chain record stores.

Band on the Run sold 8,000 copies in the U.S. in the week ending Feb. 8 (up 14,681%) according to Luminate.

Elsewhere on Top Album Sales, Taylor Swift’s 1989 (Taylor’s Version) returns to No. 1 for a seventh nonconsecutive week, climbing two spots with 12,000 copies sold (up 18%). Swift has a clean sweep of the top three, as former No. 1 Midnights bolts 8-2 (11,000; up 91%) following its double win at the Grammy Awards (Feb. 4) for album of the year and best pop vocal album, plus Swift’s chart-topping Lover rises 4-3 with nearly 11,000 sold (up 51%).

Toby Keith’s 35 Biggest Hits re-enters at No. 4 on Top Album Sales with nearly 11,000 sold (up 3,251%) following his death on Feb. 5 of stomach cancer.

Phish’s Round Room, originally released in 2002, re-enters at No. 6 with 6,000 sold (up 2,789%) following its release on vinyl on Feb. 2.

Stray Kids’ chart-topping ROCK-STAR is steady at No. 7 with 6,000 (down 1%).

The soundtrack to The Hunger Games: The Ballad of Songbirds & Snakes debuts at No. 8 with 6,000 sold following its release on CD and vinyl on Feb. 2. The album was initially released via digital download and streaming services on Nov. 17, 2023.

Rounding out the top 10 is Green Day’s former leader Saviors, slipping 5-9 with nearly 6,000 (down 20%) and Swift’s chart-topping Folklore, rising 15-10 with almost 6,000 (up 48%).

In the week ending Feb. 8, there were 1.168 million albums sold in the U.S. (up 4.5% compared to the previous week). Of that sum, physical albums (CDs, vinyl LPs, cassettes, etc.) comprised 829,000 (up 0.2%) and digital albums comprised 339,000 (up 16.6%).

There were 391,000 CD albums sold in the week ending Feb. 8 (down 3.2% week-over-week) and 433,000 vinyl albums sold (up 3.6%). Year-to-date CD album sales stand at 2.499 million (down 31.7% compared to the same time frame a year ago) and year-to-date vinyl album sales total 2.847 million (down 46.3%).

Overall year-to-date album sales total 7.082 million (down 35.8% compared to the same year-to-date time frame a year ago). Year-to-date physical album sales stand at 5.373 million (down 40.4%) and digital album sales total 1.709 million (down 15.8%).

Bow Wow Opens Up About His Lean Addiction: ‘I Was Losing My F–king Mind’

Bow Wow has opened up about his former lean addiction, which led to him being hospitalized at one point.

Lean, according to the National Institutes of Health, is a combination of codeine and promethazine that is also known as “sizzurp.”

The Like Mike star recently appeared on The Art of Dialogue, where he opened up about his addiction and what forced him to eventually get clean after seeing the stranglehold lean had on his life circa 2007.

“I was sipping lean,” he said. “I was sipping so much syrup. I said this after Mac Miller died. I spoke on this s–t. I was drinking that s–t like crazy. If you go back and watch The Road to Platinum series on BET, you’ll see so many white Styrofoam cups. I was losing my f–ing mind. That lean s–t had me f—ed up. I was just always irritated.”

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Bow Wow reached a point of no return and knew something had to change after collapsing on stage one night while touring with Chris Brown.

“We were on our tour, I was co-headlining with Chris Brown, and the opening night was in Cincinnati and when I got off stage, I collapsed,” he recalled. “I went straight to Cincinnati University Hospital. My stomach was so f–ked up that I ended up going back home to Atlanta after the first show.”

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Bow continued: “I’m sitting in the hospital not knowing what the f–k going on, and I get back home and the s–t gets worse. I’m throwing up, I’m shivering in the bed, I’m sweating, I’m going through it. I didn’t know I was having withdrawals. That’s how much lean I was consuming.”

He credited his former publicist for making up an excuse of dehydration for the reason behind him dropping out of the tour when it was really because of lean.

“I had the best publicist ever, Pattie Webster,” he added. “She put out a press release [saying I dropped out] for dehydration. Wasn’t no dehydration — I was f—ed up off lean … That’s just good PR. We didn’t want the world to know that 18, 19-year-old Bow was heavy on the drank.”

Bow Wow and Soulja Boy ruminated about their days pouring up “Lean” on a track from their 2016 joint project Ignorant S–t, named after the “purple drank.” “This my first time f–king with that DJ Screw/ I can’t even stay awake, that’s what that lean will do/ Pour it out that baby bottle right into that juice/ If I take another sip of it, I am through,” Bow raps.

Watch the clip of Bow Wow detailing his lean addiction below.



If you or anyone you know is struggling with substance abuse, reach out to the Substance Abuse and Mental Health Services Administration for free and confidential support 24/7. You can also call the national helpline at 1-800-662-HELP (4357).

Hayley Williams Slams Tennessee GOP’s ‘Blatant Racism’ for Rejecting Resolution Honoring Allison Russell

Hayley Williams is calling out Republicans in the Tennessee House of Representatives after a lawmaker blocked a resolution honoring Allison Russell‘s Grammy win while allowing a similar resolution honoring Paramore to pass.

In a Friday (Feb. 16) statement to local newspaper The Tennesseean, the frontwoman wrote, “Allison Russell is an incredibly talented musician and songwriter” whose music “spans genres with strong ties to the Folk/Americana scenes.” “You might have seen her on the Grammy stage performing with the great Joni Mitchell,” she continued.

Williams went on to address what she sees as the crux of the issue: racism, particularly on the part of House Republican Caucus Chair Jeremy Faison. His Feb. 12 objection to the decree honoring Russell’s 2024 best American roots performance win pushed the resolution back to committee, a move seen as “a death knell for resolutions, though it technically could be brought back to the House for another vote,” explains The Tennesseean. Meanwhile, Faison had no qualms with passing a resolution celebrating Paramore’s best rock album and best alternative music performance wins.

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“Oh, she is also Black,” wrote the “Still Into You” singer of Russell. “She’s a brilliant Black woman. The blatant racism of our state leadership is embarrassing and cruel.”

Paramore and Russell took home their respective awards at the Grammys ceremony on Feb. 4. The resolutions honoring both acts were put forth by Democratic Rep. Justin Jones, whom Williams personally thanked for his “steadfast commitment to [his] community” in her statement.

“Thank you to Allison Russell for using your voice and artistry to band people together, not tear them apart,” she concluded, congratulating the “Nightflyer” singer on her Grammy success. The Good Dye Young founder also shared a link to her statement on Instagram Stories and wrote, “Paramore will not accept any acknowledgement or honor from the TN House until Allison Russell is given the same recognition.”

Russell also previously responded after Jones slammed Faison on X for nixing the resolution. “That the TN GOP blocked it, I take as a compliment,” she wrote at the time. “Their bigotry, sadly, is on relentless display. We have a chance this year to make a real change in TN.”

Beyoncé Makes Her Country Radio Chart Debut With ‘Texas Hold ‘Em’

Pop and R&B/hip-hop superstar Beyoncé made a surprise announcement during Super Bowl LVIII on Feb. 11, releasing two tracks noticeably different in sound from the bulk of her catalog: “Texas Hold ‘Em” and “16 Carriages.”

The former is officially being promoted to country radio, as announced in a Columbia Nashville email to stations Feb. 14 at 11 a.m. ET, and arrives as Beyoncé’s first entry on Billboard’s Country Airplay chart (dated Feb. 24), starting at No. 54 with 1.1 million in audience via 100 stations at the format in the tracking week ending Feb. 15.

The Country Airplay survey reflects songs’ audience impressions on nearly 150 U.S country radio stations as monitored by Mediabase and provided to Billboard by Luminate.

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“We immediately added it a sub-power rotation, which is where we put top-trending new music,” Alpha Media-owned KBAY San Jose, Calif., program director Bo Matthews tells Billboard of “Texas Hold ‘Em.” “I want people to hear it. One of the biggest artists in the world delivered a great country record for us to have fun with, and the song is really good. We are in the business of creating excitement for our listeners and I’m embracing the moment. Plus, there is plenty of room for great artists, even from other genres. It’s a big country tent.”



Beyoncé has banked eight No. 1 songs on the Billboard Hot 100 and seven No. 1 albums on the Billboard 200 as a soloist, starting in 2003. Plus, Destiny’s Child, with her as a member, logged four leaders on the Hot 100 and two on the Billboard 200, beginning in 1999.

As a soloist, Beyoncé boasts 12 career No. 1s on the Mainstream R&B/Hip-Hop Airplay chart, 11 on Rhythmic Airplay, seven on Pop Airplay, five on Dance/Mix Show Airplay and three on Adult R&B Airplay.

Concurrent with its Country Airplay entrance, “Texas Hold ‘Em” opens at No. 38 on Pop Airplay, with its plays on 98 chart reporters translating to 1.3 million audience impressions at the format.

Notably, Rhiannon Giddens plays banjo and viola on “Texas Hold ‘Em.” She hit No. 6 on Country Airplay in 2017 as featured on Eric Church’s “Kill a Word.” (She has charted one No. 1 on the Americana/Folk Albums list, Tomorrow Is My Turn, in 2016, and, as part of Carolina Chocolate Drops, two leaders on Bluegrass Albums.)

“We put the Beyoncé directly into a strong rotation so it can be heard. I want the station to sound as interesting as possible, because the opposite is boring,” muses Dave Parker, pd of Sinclair’s WUSH Norfolk, Va. “This song is sounding great and doesn’t sound like anything else. Plus, the feedback from listeners and even fellow staffers so far has been very positive.”

Says Tim Roberts, pd of Audacy’s WYCD Detroit, of “Texas Hold ‘Em”: “I think it’s a good record, and country is so popular right now, it’s great that she wants to be here. Just like we do with any song on our playlist, now the listeners will decide.”

All charts dated Feb. 24 – including the Hot 100, reflecting songs’ streaming, airplay and sales Feb. 9-15 – will update on Billboard.com Tuesday, Feb. 20 (a day later than usual due to the Presidents’ Day holiday in the U.S. Feb. 19).

Cassadee Pope Is Leaving Country After Being ‘Shamed’ for Calling Out Transphobia & Racism

The Voice alum Cassadee Pope has spent the last decade making a name for herself in Nashville as one of country music’s most outspoken talents. Now, she’s explaining why she’s ready to leave the genre behind.

In a new interview with Rolling Stone, the “Take You Home” singer explained that she decided to return to her rock roots (Pope originally fronted the pop-punk band Hey Monday before appearing on The Voice season three) after experiencing significant backlash for speaking out against racism and transphobia in the country scene, specifically from other stars such as Morgan Wallen and Jason Aldean’s wife.

“I realize every genre has problematic people in it,” she said of her decision to leave country. “I’m not saying there’s not a frontman in a band who hasn’t been accused of something in rock music. But I guess rock is in my bones more. You’re not completely ostracized and shamed for speaking out.”

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When Wallen was caught on camera using a racial slur in 2021, Pope was one of many artists to speak out about the incident, saying she was “disgusted” and that his behavior “does NOT represent all of country music.” Looking back, though, Pope said she regretted the way she handled her response. “I was just another angry white person who just learned about racism,” she said. “If that were to have happened today, I would have had a different response.”

Pope spoke up again when country star Jason Aldean’s wife, Brittany Aldean, made a series of transphobic comments online, thanking her parents for not “changing her gender” after she experienced a “tomboy phase.” When the beauty influencer continued spreading dangerous misinformation, Pope called her out, saying, “You’d think celebs with beauty brands would see the positives in including LGBTQ+ people in their messaging. But instead here we are, hearing someone compare their ‘tomboy phase’ to someone wanting to transition.”

She would later be joined by fellow country star Maren Morris, who famously referred to Brittany Aldean as “insurrection Barbie” in her response.

The Voice winner told the publication that, unlike her Wallen comments, she never felt embarrassed with how she responded to the beauty influencer’s post. “In that moment, I felt so proud. I had no feeling of regret. I just kept my head down and kept going,” she said. “It’s only been the past few months that I’ve let my guard down in therapy and said, ‘Wait, I actually wasn’t OK.’ But I think that kind of comes with the territory of including activism in your life.”

Pope is not the only former country singer who decided to depart the genre. In September, Morris said that she would be stepping away from the country music industry after witnessing the rise in “misogynistic and racist and homophobic and transphobic” messaging in the industry. “I’m trying to mature here and realize I can just walk away from the parts of this that no longer make me happy.”

John Mellencamp Issues Forceful Statement About Gun Violence: ‘Show America the Carnage’

In the wake of the nation’s 50th mass shooting so far this year, John Mellencamp says enough is enough. The singer issued an urgent statement on Friday (Feb. 16) just days after the killing of a popular Kansas City DJ/radio personality and the wounding of more than 20 people at Wednesday’s parade celebrating the Kansas City Chiefs’ Super Bowl LVIII win on Sunday.

“Excuse me for saying the obvious truth. I do so out of love for this country and the pain of learning, once again, that children have been killed by gun violence,” the longtime gun control advocate wrote in the note, which did not specifically mention the violence that marred the Chiefs celebration. “If we as a country want to find the collective will within ourselves to change our gun laws, let’s stop playing silly political games. Show the carnage on the news. Show the American people the dead children and others who have been struck down. Show us what guns and bullets can do to the human body.”

A popular Kansas City DJ and radio personality, Lisa Lopez-Galvan, 44, a married mother of two, was killed on Wednesday when unknown assailants opened fire near the end of the parade attended by a reported one million fans. Despite more than 800 officers on site to secure the route, the burst of gunfire killed Lopez-Galvan and injured 22 others, with half the victims under the age of 16.

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“The news media need to be brave enough to let Americans see what slaughtered children look like,” Mellencamp said, echoing the calls from many gun control advocates in the wake of the 2012 slaughter of 20 first-graders at Sandy Hook Elementary School in Newton, CT and the 2022 murder of 19 students aged 9-11 in Uvalde, TX. Shortly after the latter, the New York Times asked, “Would disseminating graphic images of the results of gun violence jolt the nation’s gridlocked leadership into action?” referring to intransigence from the political right to tighten gun laws to prevent future incidents.

While experts and photo editors struggle with the ethical quandary of whether showing graphic images of children killed by weapons of war — a majority of mass shootings employ military-style assault weapons with large magazines — might seem exploitative, or could move the needle toward tighter gun laws, the media often shies away from showing gory images. In both Uvalde and Sandy Hook, horrific images of the carnage were not released to the public.

The Times noted that other explicit, disturbing images the media has aired from the Holocaust and the Vietnam War to the current war in Ukraine and the 1955 image of a 14-year-old Emmett Till’s brutalized body after two white men beat, shot and dumped his body in a river have prompted public outcry and action.

Mellencamp, 72, said in his note that he recalled the shock and horror the nation felt when images of young soldiers killed in Vietnam began appearing on the nightly news. “When I was a teenager, there was a war in Vietnam,” he wrote. “In the beginning, no one paid much attention to this problem in a foreign land until the media shouldered the responsibility and showed America how our sons were being slaughtered. Once these images were shown on TV, there was overwhelming demand for that war to be ended immediately.”

The musician and father of five children added that as a dad and a human being “with deep empathy for the parents whose children had their lives ended so suddenly and so senselessly: Show America the carnage. I am not being callous, and I know it will be painful to see. But, sad to say, I think it’s the only way to shock America out of its stupor.”

Mellencamp released his 25th album, Orpheus Descending, last year, which included the anti-gun violence track “Hey God.” “Weapons and guns, are they really my rights?/ Laws written a long time ago/ No one could imagine the sight of so many dead on the floor,” he sings on the track, adding, “Hey, God, if you’re still there, would you please come down? We can’t take it anymore.

The shooting at the Chiefs parade left at least nine children injured, with a spokesperson for Children’s Mercy Hospital telling WBAL that the 11 children being treated there — nine for gunshot wounds — were between 6-15 years old. The city has long struggled with high rates of gun violence, matching a record in 2023 with 182 homicides, most of which involved guns.

In the wake of the Chiefs parade shooting, Democrat Sen. Steve Roberts decried his state as having “some of the loosest gun laws” in the country, while Republican Sen. and gubernatorial candidate Bill Eigel tweeted what has become a consistent refrain from conservative politicians and Second Amendment defenders in the wake of the nation’s near-daily mass shooting incidents.

“To the liberal gun grabbers already trying to use this KC tragedy to push your radical gun control agenda, hear me now: NOT IN MISSOURI,” Eigel tweeted. “One good guy with a gun could have stopped the evil criminals who opened fire on the crowd immediately. Guns don’t kill people. Thugs and criminals kill people.”

See Mellencamp’s statement below.