Music News

Harry Styles Is an Uncle! Sister Gemma Styles Announces Birth of Baby Girl

Uncle Harry has entered the chat! Harry Styles’ sister, Gemma Styles, took to Instagram on Friday (Feb. 23) to reveal that she has given birth to her first child, a baby girl, with husband Michal Mlynowski.

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”Hello from maternity leave,” she captioned two photos — a family selfie with her husband and daughter and a sweet photo from the hospital bed in which Gemma is holding her new bundle of joy. “Took some time off to ensure the safe arrival of our baby girl, who is adored by her whole family.”

Gemma concluded her message by addressing those with fertility issues, writing, “I know that this news can be difficult for many people and I’m sending you lots of love.”

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See her post here.

While the “Treat People With Kindness” singer has yet to post about his baby niece, fans on X (previously known as Twitter) have been bursting with excitement over the news. Soon after Gemma shared her Instagram post, the phrase “Harry is an uncle” began trending on the platform, with messages of love and happiness over the growing Styles family.

See below for some of the best fan reactions to the birth of Harry’s new baby niece.

Druski Recruits Snoop Dogg & DJ Drama for ‘Standin on Bihness’ Video Inspired by His Viral Skit: Watch

Druski went viral last year mocking those who claim to be “standing on business,” when in reality, they really don’t. Playing off the hilarious skit, Druski called on Snoop Dogg and DJ Drama for their own version of “Standin on Bihness.”

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The 29-year-old comedian unleashed the Snoop- and Gangsta Grillz-powered collaboration on Friday (Feb. 23), which features distorted production from BNYX.

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Druski repeats the overused catchphrase before the West Coast legend takes the baton: “Back in the hood again, n—a this Coulda Been/ Sign on the dotted line — 1 percent if yours, 99 percent is mine/ Coulda Been House, one by one all of y’all n—-s getting kicked out.”

“Snoop and Drama are legends in the game, so we had to go with the biggest for this collaboration. We wanted to set the tone right for Coulda Been House and make this the theme song for the series,” Druski tells Billboard. “What better inspiration than from one of my most iconic skits based on how often dudes say Standin on Bihness in Atlanta, but usually don’t live by it.”

DJ Drama provides his stamp of approval on the outro for “Standin on Bihness,” which will serve as the theme song of Druski’s upcoming Coulda Been House. The reality show is described as a blend of American Idol and Meeting the Band. Aspiring artists will live in a house together and compete for the chance to win $50,000 and a label deal with Druski’s Coulda Been Records.

Fans can catch the Coulda Been House debut over on Druski’s YouTube channel when the first episode premieres on Feb. 28 at 9 p.m. ET.

Watch the “Standin on Bihness” video below.



What’s Your Favorite New Music Release of the Week? Vote!

With February wrapping up, the music of 2024 keeps on giving. This week sees some major releases by SZA, Selena Gomez, Justin Timberlake and more superstars.

SZA searches for answers on “Saturn,” a new track that was first previewed in a commercial that aired during a Grammys ceremony where SZA took home three trophies. Timberlake is gearing up for his new album era with “Drown,” the latest offering from his upcoming album Everything I Thought It Was. Gomez, meanwhile, is deeply in love on “Love On,” which fans could easily connect to her growing relationship with Benny Blanco.

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Both “Love On” and “Single Soon” — which debuted at No. 19 on the Billboard Hot 100 — are expected to appear on Gomez’s upcoming fourth album, which the Rare Beauty founder has not yet announced. She has, however, confirmed that a new LP is in the works, telling Vanity Fair in February that her follow-up to 2020’s Rare will be “really powerful, strong, very pop.”

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TWICE treated fans with another mini-album, With YOU-th, delivering six pop hits. Over on the rock side, MGK (a.k.a Machine Gun Kelly, who has seemingly formalized his nickname as his official artist name) gets personal on “Don’t Let Me Go”

Which music release have you had on repeat today? Check out our Friday Music Guide here, and let us know your favorite new music drop by voting in our poll below.

Billboard Explains: Kylie Minogue Dancing Up the Charts

True icons know a thing or two about longevity — just look at Kylie Minogue. At the 2024 Billboard Women in Music Awards, the global superstar will be honored with the Icon Award in recognition of her hit-packed decades-long career.

Across a whopping 16 studio albums, Minogue has cemented herself as both a style chameleon and a master of musical reinvention. From bubble dance pop (1988’s Kylie) to a brave stab at country music (2018’s Golden) to last year’s disco-inflected synth-pop opus (Tension), Minogue has moved throughout her career with a special level of fearlessness.

The Australian juggernaut first hit the Billboard Hot 100 back in 1988 with the No. 3-peaking “The Loco-Motion,” a cover of Little Eva’s 1962 hit. She would once again hit the top 10 14 years later with the classic “Can’t Get You Out of My Head” (No. 7), the lead single from her Grammy-winning album Fever. With Fever, Minogue flew to No. 3 on the Billboard 200, her highest career peak yet on the ranking; she has landed 11 total titles on the chart, including 2010’s Aphrodite (No. 19).

In addition to her success on Billboard’s marquee albums and singles charts, Minogue has also proven herself to be a dominant force on Hot Dance/Electronic Songs. On that ranking, she’s earned 18 overall entries so far, including the top 10 hits “Dance Alone” (No. 8, with Sia) and “Padam Padam” (No. 7), the first song to win the newly formed Grammy for best pop dance recording. “Padam Padam” also peaked at No. 32 on Pop Airplay, marking her first appearance on the ranking in nearly two decades.

With a career like this, it’s no wonder that Kylie Minogue is the Icon Award recipient for the 2024 Billboard Women in Music Awards.

After the video, catch up on more Billboard Explains videos and learn about Peso Pluma and the Mexican music boomthe role record labels playorigins of hip-hop, how Beyoncé arrived at Renaissance, the evolution of girl groupsBBMAsNFTsSXSW, the magic of boy bandsAmerican Music Awards, the Billboard Latin Music Awards, the Hot 100 charthow R&B/hip-hop became the biggest genre in the U.S.how festivals book their lineupsBillie Eilish’s formula for success, the history of rap battlesnonbinary awareness in musicthe Billboard Music Awardsthe Free Britney movementrise of K-pop in the U.S.why Taylor Swift is re-recording her first six albumsthe boom of hit all-female collaborationshow Grammy nominees and winners are chosenwhy songwriters are selling their publishing catalogshow the Super Bowl halftime show is booked and more.

Flavor Flav Says Miley Cyrus Once Playfully Slapped Him for Calling Her Gwen Stefani

Flavor Flav and Miley Cyrus shared a heartwarming reunion at the 2024 Grammy Awards, but that wasn’t always the case.

Flav joined the Just B With Bethenny Frankel podcast on Thursday (Feb. 22), where he recalled a time he mixed up Miley with Gwen Stefani and when he went over to apologize, she playfully slapped him to make sure it wouldn’t happen again.

“It came from a time that they looked alike,” the Public Enemy rapper said around the 28:30 mark. “There was a time a few years back when they both had the same exact haircut. That’s the thing that got me. When I ran across my Miley first time ever in my life I was like, ‘Oh my God, Gwen Stefani, Gwen Stefani!’ Miley didn’t say anything she just went along with it.”

It wasn’t until one of Flav’s friends alerted him of the mix-up that he realized had just met Miley Cyrus and not the “Hollaback Girl” artist.

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“I turned around and I ran back to her,” he explained. “‘Oh my God, I’m so sorry. Yo, Miley Cyrus, I know who you are now. Your dad Billy Ray Cyrus. I was like, ‘I’m so stupid.’ Smacked me in the face. She smacked me in the face. Miley Cyrus slapped Flavor Flav in the face and we laughed it off.”

Billboard has reached out to Miley Cyrus’ reps for comment.

Flav detailed how things went much better when they linked up at the 2024 Grammy Awards backstage. “That girl lit up like a Christmas tree,” Flav claimed. “Miley love herself some Flav.”

Footage of the unlikely interaction went viral on social media, as the “Flowers” singer was in shock Flavor Flav actually got her name right this time around.

“You know it’s me?! I made it,” Cyrus said to Flav. “You don’t think I’m Gwen Stefani anymore? You used to call me Gwen every time I saw you!”

“I know,” he admitted as the two went on to snap a few photos together. Miley added: “You know what time it is!”

Listen to Flavor Flav talk about Miley Cyrus on the Just B podcast below.

Friday Dance Music Guide: The Week’s Best New Tracks From The Blessed Madonna & Ariana Grande, 2hollis & More

This week in dance music: Alesso was announced the performer for the L.A. Galaxy’s 2024 season home opener against Inter Miami this Sunday (Feb.25), and Daft Punk took us back two decades with a one-time only livestream of their 2003 film Interstella 5555, in honor of Daft Punk Day.

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And, of course, we’ve got new music too. These are the best new dance tracks of the week.

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Ariana Grande, “yes, and?” (The Blessed Madonna’s Godsquad Remix)



The Blessed Madonna has an esteemed pedigree when it comes to remixing our apex pop queens, with her 2020 Club Future Nostalgia megamix of Dua Lipa’s Future Nostalgia album existing in a rare and rave-y Venn diagram of prestige underground, pop perfection and absolute fun. So the producer is a perfect fit to edit Ariana’s Grande’s “yes, and?” — itself frothy dance fare that’s now in its fifth week on Hot Dance/Electronic Songs. The Blessed Madonna initially simplifies the production before turning the dial up on the track’s string section, ramping up into all-out disco bliss (and giving us more of a good thing, by extending the track by a full minute and a half).

Sebastian Ingrosso, Steve Angello, “Skip”



Sebastian Ingrosso and Steve Angello — two thirds of the holy trinity Swedish House Mafia — take us straight to the ’90s rave of our minds with “Skip,” their tight, urgent take on tech house with an acid-edge that gives serious “Hey Boy Hey Girl”-era Chemical Brothers. The track is the latest from the pair, who released “O OK?” with PARISI last spring, and comes ahead of Angello’s solo headlining U.S. tour that launches on Mar. 29 in Boston and will itself then skip across the country for Coachella. Swedish House Mafia is also playing summer festivals including Tomorrowland and a residency at Ushuaïa Ibiza.

2hollis, “light”



At 20 years old, rising Los Angeles producer 2hollis has already received co-signs by Skrillex and Four Tet, and demonstrates why with “light.” Reminiscent of Worlds-era Porter Robinson with an emo edge, the song is punchy — like a strobe beamed directly into your eyes — and a pristinely produced homage to messy love, with 2hollis handling vocals himself. Having already sold out shows around the U.S., the producer is currently in Europe for sold-out performances in Berlin, London and Paris over the coming week.

Cakes Da Kill & Dawn Richard, “Do Dat Baby”



New York star Cakes da Killa links with the ever-sublime Dawn Richard for the simmering “Do Dat Baby.” The track layers up loads of hand percussion with R&B-oriented keys, Cakes’ rapid-fire flow and Richard’s velvet voice for an effortlessly cool dancefloor jam with sex appeal. The song comes from Cakes’ forthcoming album Black Sheep, out Mar. 22 via Tokimonsta’s Young Art label.

Omar Souleyman, “Rahat Al Chant Ymme”



Long specializing in dabke — the music that accompanies the traditional folk dance of the same name rooted in the Levant region — Omar Souleyman again crosses that sound with rave-ier impulses on the joyfully high-octane dance jam “Rahat Al Chant Ymme.” Out via Mad Decent, the track is the lead single from Souleyman’s forthcoming album Erbil, coming Mar. 29. The project is the wedding singer turned international star’s tenth studio LP and is all about Erbil, Iraq, the city the Syrian artist now dwells in and which, a press release says, “offered solace and embraced Souleyman during recent uneasy times.”

Kelly Rowland Is ‘Finally Inspired’ to Write Again, But Don’t Expect ‘Just Another Sexy Song’

It’s been a minute since former Destiny’s Child member Kelly Rowland released a full-length pop album. Way more than a minute, actually, more like over a decade. But on the Kelly Clarkson Show on Friday (Feb. 23) “Kisses Down Low” singer explained her long absence from the studio and why she’s gearing up to get back to it.

When Clarkson asked if there was any new music on the horizon, Rowland coyly answered, “coming… later,” as the host and audience broke out into applause about the tease of the long-awaited follow-up to 2013’s Talk a Good Game LP.

“I’m finally inspired,” Rowland explained. “I’m finally inspired, you can’t just be like writing about anything and I don’t want just another sexy song. I want to talk about so many different things and I’m really excited about the topic this album [unintelligible].”

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The singer was on the show to promote her co-starring role in the new Tyler Perry Netflix legal thriller Mea Culpa alongside Trevante Rhodes (Birdbox), and she agreed with Clarkson’s riff about the need to “break up the monotony” of the music industry grind to keep your inspiration and passion burning. That might explain why Rowland, 43, who also co-produced the film, has been off the music radar for a bit.

After releasing her debut solo album, Simply Deep, in 2002 and launching the No. 1 Billboard Hot 100 single “Dilemma” (feat. Nelly) and the singles “Stole” and “Can’t Nobody,” Rowland has been ping-ponging between music and film in the years since. She appeared in 2003’s Freddy vs. Jason, 2012’s Think Like a Man, 2020’s Bad Hair and 2022’s The Curse of Bridge Hollow, while also dabbling in reality TV mentoring on Clash of the Choirs, X Factor UK (and U.S.), The Voice Australia and a guest spot on ABC sitcom Grown-Ish as Edie last year.

She followed up her solo debut with 2007’s Ms. Kelly and 2011’s Here I Am and then Talk a Good Game, on which she co-wrote all but one of the 12 tracks. Though her solo album output has slowed, Rowland has continued to drop one-off singles over the past decade, including “Conceited” (2016), “Crown” (2019), “Crazy” (2020) and “Black Magic” (2021).

Watch Rowland on the Kelly Clarkson Show below.



WWE Superstar Bianca Belair on the Rise in Female Rap – And Why Megan The Stallion Would Make a Great Wrestler

Over the last few years, as multiple women have have blossomed into rap stars — with Nicki Minaj, Cardi B and Megan Thee Stallion as heavyweights, and talents such as Latto and Ice Spice leading the charge for the new generation — the WWE is concurrently experiencing a similar golden age. Superstar athletes like Bianca Belair and Rhea Ripley have been leading the way with their winning performances and championship pedigrees.

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For the former, she hopes to live up to her nickname “The EST” — as in “the fastest, the strongest, the quickest, the roughest, and the toughest”– during her six-woman Elimination Chamber match this Saturday (Feb. 24) in Perth, Australia, for a crack at a title shot at Wrestlemania 40.

“We have a lot more women are shining, just like in female rap,” Belair tells Billboard ahead of her match in Perth. “There’s room for more than just one or a few, and everybody can showcase their talents. We have a video game cover with two females — the first time there’s ever been an all-female cover for a video game and there’s two! So, it’s showing you how big our roster is and how competitive it is.”

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Belair’s resumé speaks for itself: she’s a two-time WWE Champion, a one-time WWE Smackdown Champion and a Royal Rumble winner. She also headlined Wrestlemania 37 with Sasha Banks, as the two became the first Black women to ever headline “The Show of All Shows” during its 40-year existence. With Belair and Ripley gracing the newest installment of WWE2K24 with Cody Rhodes, “The EST” looks to regain her swagger, step into Wrestlemania 40, and remind viewers why she’s the ultimate needle-mover in the Woman’s Division.

“My goal this year is to have more fun. I feel like I was just grinding last year, I was so serious and stressed out,” says Belair. “This year, I want to have fun but still accomplish things and enjoy those things when I accomplish them.”

Billboard spoke to Belair about her road to Wrestlemania, the similarities between the women’s division and female rap, her love for J. Cole, and why she believes Megan Thee Stallion is WWE-bound.

Your path to Wrestlemania has been carved out over the past few years. This year, that road isn’t as definitive. How has that been an adjustment for you?

Last year, I was walking into Wrestlemania as champion. So, it was more so I had a guaranteed match — I just didn’t know who my opponent was. This year, it’s a little different, but I think most people would love to just have the comfort of knowing that they’re going to have a Wrestlemania match and — maybe it’s easier for me to say this because I’ve already had the opportunity to have three years of a guaranteed match — I kind of like it. I kind of like this year of not knowing, because it keeps me on my toes. It’s making me not be comfortable and not just go into autopilot like, “Okay. I’m just waiting for my ‘Mania match. I know I have one.”

It’s making me go back to that hungry phase of, “Let me figure out how I’m gonna get that. Let me figure out what’s gonna be my journey.” Now, I have to figure out Royal Rumble. Okay, now it’s Elimination Chamber. It’s kind of parallel to what [my husband WWE Superstar Montez Ford] was going through last year, but it keeps you hungry. It’s hard to get to the top, but it’s harder to stay at the top and it’s also very easy to get comfortable and complacent there. It’s interesting this year, switching things up, and I’m just excited.

Do you see a similarity with women in rap, in terms of that competitive nature? 

Yeah, I think there’s a lot of comparisons between female rap and women’s wrestling, right now. If you look back in the past, there was the Nickis from my high school era and now there’s [multiple] artists. Of course, there were multiple [artists] before Nicki and same thing with WWE. 

You had the Four Horsewomen, and now you’re starting to see new people come in. And because of them, they were able to open those doors and were able to have all of these fantastic matches and show that women can put people in the seats and sell tickets. They put the eyes on women’s wrestling. There’s more women coming in now. I feel like Rhea Ripley and I are on the forefront of a new generation of women’s wrestling and there’s even more coming in with the NIL program and WWE. They’re hiring more athletes and these girls are learning so quickly.

Our roster is so competitive. I think this is one of the first years, for me especially, where anybody can go to Wrestlemania, anybody can main event, anybody can go have a title match and we’re just kind of like, “Who is it gonna be?” Because there’s no guarantees. I think it’s amazing.

You and Jade Cargill shared a viral moment at Royal Rumble. Everyone is rooting for a singles match, but on the other hand, I would love to see you guys form as a tag-team. What’s been your reaction to that moment, and the possibilities?

When she first came on the scene, everybody was saying, “Dream Match. Jade Vs. Bianca,” and I was kind of feeding into it. Then, I started thinking, “Wait a minute. We could tag together, too.” If you put us together, we’re just gonna have the titles forever? Who’s gonna stop us? 

I think it’s just amazing that the possibilities are endless. I think that’s what makes this so exciting and I don’t want to be the only one. There’s room for more than just one [superstar]. I think it’s cool that Jade’s coming in and making this huge splash before she even had a match. So to be able to step in at the Royal Rumble and us two being able to come face-to-face in the ring and the crowd goes crazy, just knowing the potential of what this can be, is crazy. Being in the ring with her and us having that moment, showcasing Black women and representation, but also being strong women, being unapologetically us and bringing our culture to the table, is really cool.

I’ve been very intentional since I came to WWE, ever since my NXT days and bringing my culture to the table and not apologizing for that. From having an HBCU band at Wrestlemania and to now having Jade here, she can bring even more to the table. It’s cool that we can do this separately and have this big moment with us competing against each other or we can do this together. I think it’s just amazing that either one can be just as big. 

You said in a past interview that you would love to use J. Cole’s “K.O.D.” as your entrance theme. Your finisher is also the “K.O.D.” What is it about J. Cole and his music that resonates with you? 

I love J. Cole mostly for his storytelling and his lyrics. He’s so relatable, and I love the stuff that he raps about. Even with him saying he feels like he’s “The Middle Child,” and he’s stuck between two generations, I feel like I’m the middle child in wrestling. I feel like you have the Four Horsewomen, these legends in the making [that] have done amazing things. Then you have the new girls coming in from the NIL program and NXT, and I’m right in the middle between them. I’ve got to learn from the OGs, the Four Horsewomen, I know the culture and how to do things and then you have the new people coming in. It’s also evolving, things are changing and they’re doing things a bit differently. I’m just right in the middle.

I just love [Cole]. He raps about real things, he raps about real-life situations, he raps about the trends that are going on, and I just feel like I can relate to his music so much. Every song, I feel like he just hits me in the soul. 

I remember talking to Liv and Raquel, and they said if they could choose anyone from the music industry to be in a match with, it would be Cardi B and Megan The Stallion. Who would you want to see in a singles match?

Against who?

Anyone. They can have a Bad Bunny kind of run. 

I’m waiting for a female to come and hit the ground, like Bad Bunny or Logan Paul. Where’s our female? A rapper? I think Meg could come in and cause some damage. She has the size, the height, and she did in an interview recently, where she said she could fight in real life, and I believe that [laughs]. I believe she can get in the ring and throw some hands. I met her in person and got to talk to her for a little bit, and she’s a stallion in real life. She’s tall, built, and on her fitness game right now. She’s in the gym. I think she’s ready.

You, Meg and Jade.

Can you imagine? And she has the Nike deal where she already basically has wrestling gear. So me and her walk in [together]. All you need to do is throw some WWE theme music over it and there’s her entrance. 

Selena Gomez Reveals She Feels ‘the Safest’ With Boyfriend Benny Blanco

Selena Gomez‘s love is turned on all the way for Benny Blanco. To celebrate the Thursday (Feb. 22) release of her new single “Love On,” the 31-year-old singer-actress opened up to Zane Lowe for Apple Music 1 about the person in her life who’s been giving her heart eyes lately.

“Without getting into too much detail, I think it’s just really important to meet someone that respects you,” she told Lowe of her ongoing romance. “And I think it’s really nice to also lean on someone who understands the world that I live in.”

Though the Only Murders in the Building star didn’t name Blanco specifically, she’s been very open on social media about their relationship. The pair first went public in December, with Gomez confirming via Instagram comments that she and the producer had been dating for six months at that point. In January, they snuggled up courtside at an L.A. Lakers game, then attended the Emmys together a couple weeks later.

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Earlier this month, Gomez commemorated Valentine’s Day by posting a selfie with Blanco and writing, “I love you.”

“I’d have to say overall, it’s the safest that I feel and it’s been really lovely,” the Rare Beauty mogul added to Lowe. “I’ve only grown through it, so it’s awesome.”

Gomez is currently in the throes of her new musical era, which kicked off in August with the release of her comeback song, “Single Soon” — which just so happens to have been produced by Blanco. Debuting at No. 19 on the Billboard Hot 100, the track marked the “Lose You to Love Me” artist’s first proper English-language solo release since 2020’s Rare.

This week, Gomez dropped “Love On” alongside a new music video. “I’ve had a lot of fun lately, or I should say in the past few years, just experimenting and finding what those little ear charms are and that’s what they feel like to me,” she told Lowe of the new track.

“And I just have loved the song and I am so eager and excited, and I want people to feel good when they listen to it,” she continued. “That’s what I want to hear on the radio now.”

TWICE’s Jihyo Talks Visiting As Many Fans As Possible, Why Prioritizing Mental Health Is ‘Part of My Job’

Being a member of a nine-person K-pop group is hard work. In addition to the endless hours of vocal and dancing prep, touring, 12-hour press days and the rigors of staying healthy on the road, there is also the mental toll of being in the global spotlight 24/7.

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“It was our recognition that at the end of the day, this is our job,” TWICE‘s Jihyo told the Today Show during an interview on Friday (Feb. 23) that also included two in-studio performances. “It’s what we do for a living. But I know that I cannot live the rest of my life only as Jihyo from TWICE, so I had to learn how to take care of myself mentally and physically … and when to stop when I need to. I think my health and my good energy is shown very frankly to our fans. Our fans see that. So taking care of myself is part of my job, too.”

That is why member Mina took a mental health break in 2019, with Jeongyeon doing the same in 2020 and 2021, unafraid that the pause might create the kind of negative reaction from fans that an earlier generation of idols worried about. “We talked a lot amongst ourselves and we also talked with our management. All of that helped us individually and as a group to cope with whatever is going on,” Chaeyoung said.

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“It meant the world to me when the girls addressed why they were taking a break,” Tara, a devoted Korean American fan who was in high school at the time told the morning show. “My parents didn’t take my depression seriously and told me to eat something delicious and get more sleep. I felt very isolated and alone. But seeing idols like Mina telling us that they need rest, too, made me feel like I was seen.” 

The band also featuring members Nayeon, Momo, Sana, Dahyun and Tzuyu, released their 13th mini-album, YOU-th, on Friday, fronted by their third English-language single, “I Got You.”

TWICE will play a one-off show at Las Vegas’ Allegiant Stadium on March 16, which housed Super Bowl LVIII earlier this month. “It might seem like we started off really big, but we did a lot of small stage performances when we started out,” Momo said. “It was only last year that we did our first stadium concert. So all of this has been nerve-wracking for us.” Last year they became the first female K-pop group to headline NFL and MLB stadiums in the U.S. when they performed at SoFi Stadium in L.A. and MetLife Stadium in New York to sold-out crowds of 50,000 fans.

And because they know that not all their devoted fans, who are called Once, can get tickets to every show, the group tries to keep visiting new places. “With every tour, we really try to visit as many places as possible,” said Sana. “That’s why we went to Europe for the first time last year, and that’s why we are doing another concert in Las Vegas this year.” Mina noted that they will also be the first K-pop girl group to play Nissan Stadium in Yokohama, Japan on July 27-28.

“We always try to visit more countries with each tour,” Sana added. “If there are places that we haven’t visited yet but you want us to come there, please let us know. We will talk to the management and we’ll (try to) make it happen!”

In their ninth year in the group, the members who range in age from 24-28 also talked with pride about representing diverse backgrounds, with three South Korean members (Chaeyoung, Dahyun, Jeongyeon, Jihyo, Nayeon), three Japanese performers (Mina, Momo, Sana) and one Taiwanese representative (Tzuyu). 

“I’m so grateful for the diversity in our group,” Nayeon told Today. “If it wasn’t for TWICE, I don’t think I would’ve had the opportunity to observe other cultures so closely or have developed as much of an interest in them. Because of the exposure that we got to other cultures so early on, I think that enabled us to communicate with ONCE better when we meet global fans. The communication is deeper because of our understanding of other cultures.”

TWICE for TODAY.com

TWICE

Michelle Watt