Music News

Stevie Nicks to Headline BST Hyde Park Show in London

Stevie Nicks is joining the already power-packed lineup for this summer’s BST Hyde Park concert series in London. The Fleetwood Mac singer and solo star was announced as the headliner for the July 12 concert in Hyde Park, joining a roster of shows that already includes BST gigs by Kings of Leon, Kylie Minogue, the Corrs, Stray Kids, Shania Twain, Robbie Williams and Andrea Bocelli.

“Anything that draws me back to London — and therefore to England — fills my heart with joy,” Nicks, 75, said in a statement. “And to be able to visit and make music… is always a dream come true.” Tickets for the Nicks show will go on sale on March 6 beginning at 10 a.m. GMT, with an American Express cardmember presale kicking off on Friday (March 1) at 10 a.m. GMT; click here for more ticketing information.

The concert, with support acts to be named later, will be Nicks’ first show in the U.K. in seven years; Nicks performed at BST in 2017 in support of her old friend and duet partner Tom Petty. Nicks will be on the road throughout 2024, including an upcoming Sunday night (March 3) headlining show at the CHI Health Center in Omaha, NE, as well as a run of co-headlining stadium gigs with longtime pal Billy Joel on March 9 show at AT&T Stadium in Arlington, TX and June 21 at Chicago’s Soldier Field.

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Nicks will also hit a number of festivals this year, including the May 3-5 Lovin’ Life Fest in Charlotte, N.C. and the BottleRock Napa Valley show in Napa, CA, where she’ll perform on a bill that includes Pearl Jam, Ed Sheeran, Kali Uchis, Megan Thee Stallion, The Kid LAROI, Norah Jones and Mana (May 24-26).

Coldplay Rules January Boxscore Report With Nearly $59 Million

Kicking off the new year in style, Coldplay leads Billboard’s Top Tours chart for January. According to figures reported to Billboard Boxscore, Chris Martin and company grossed $58.8 million and sold 417,000 tickets during the month, essentially doubling its closest competition.

January is traditionally the slowest month of the year, with Elton John and Tool crowning lists in 2020 and 2022, respectively, with less than $20 million each. John himself set a high mark in 2023 with $40.9 million, and now Coldplay improves upon that by 44%. This year’s top 30 tours grossed a collective $271 million, up 75% from last January’s total.

This marks the third time that Coldplay has been No. 1 on Top Tours, having crowned lists in March 2023 and July 2022. The band achieved its hat-trick with eight shows in Asia. Including another two dates in early February and eight shows in November, the latest leg of the Music of the Spheres tour earned $143.3 million.

Coldplay’s January shows break down to two at the Philippine Arena in Manila and six at Singapore’s National Stadium. The latter batch grossed $43.4 million and sold 321,000 tickets, leading Top Boxscores by a margin of 2.8-to-1.

While the phrase “world tour” often translates to the U.S., Canada and western Europe, Coldplay has taken its time to travel the globe. The Music of the Spheres Tour launched in March 2022 and has included three legs in Latin America, two in the U.S. and Canada, two in Europe, and now 18 shows in Asia. More dates in Europe and Oceania await in 2024.

In all, Coldplay’s massive global trek has sold 7.7 million tickets. Only Ed Sheeran’s Divide (÷) tour (2017-19) has sold more, at 8.9 million. With 43 shows scheduled between June and September, Coldplay would need to average about 28,000 tickets per show — less than half of the tour’s global average so far — to close the gap and become the bestselling tour in Boxscore history.

Speaking of Sheeran, he sits at No. 2 on January’s Top Tours chart with Asian concerts of his own. He grossed $31.7 million and sold 194,000 tickets over six dates, with five more in February to count toward next month’s recap.

Sheeran grossed $11.6 million over two nights in Osaka and another $10.6 million from a double-header in Dubai. Similar to Coldplay, his dates in Asia are part of a global endeavor, following legs in Europe, Oceania and North America.

Not only do both acts rub shoulders atop the all-time tally, they wrestle on the opposite end of the top 10. Sheeran’s The Mathematics Tour has now grossed $556.4 million and sold 5.8 million tickets since its April 2022 debut, squeezing into the top 10 highest grossing tours of all time. Collateral damage, Coldplay’s Music of the Spheres tour (2016-17) dips to No. 11, just as the British rock band encroaches on Sheeran’s prior tour at the all-time summit.

At No. 3 on Top Tours, Madonna brought in $31.2 million from a string of arena dates in January. That leaves her just $500,000 away from Sheeran’s runner-up spot, held back by a margin of less than 2%. All of Madonna’s 11 January dates appear on Top Boxscores, spotlighted by her three shows at Madison Square Garden. Those grossed $10.3 million from 41,200 tickets sold.

Now at $121 million, The Celebration Tour is Madonna’s sixth to cross the nine-digit threshold. Only The Rolling Stones (nine) and U2 (seven) have more. Bruce Springsteen and the Eagles also have six $100 million tours to their names.

Madonna has 32 shows left to report in the U.S., plus five in Mexico City. When all is said and done, The Celebration Tour will likely become her third to gross $200 million or more, behind stadium runs Sticky & Sweet Tour ($407.7 million; 2008-09) and the MDNA tour ($305.2 million; 2012).

K-pop offers bright spots in the top 10, with SEVENTEEN at No. 4 with $19.6 million and ENHYPEN at No. 7 with $13 million. Each group played batches of shows in Asia, just like Coldplay and Sheeran. With restrictive weather in the U.S. and Europe, stadiums in southern Asia and Australia are often pillars of early-in-the-year box office.

Comedians make their mark on Top Tours as well, with Tina Fey and Amy Poehler, Peter Kay, Kevin Hart, Jo Koy and Brett Goldstein all ranking between Nos. 14-20.

Though not without significant highlights, the Top Tours chart embraces the winter doldrums of years past, delivering the lowest top-30 gross since last January. John Mulaney and NieR Orchestra close out the top 30 under $1 million, matching 2023’s two sub-million earners. February marks the stage returns of Blink-182, Karol G and P!nk, while introducing new tours from Bad Bunny and Olivia Rodrigo.

A version of this story will appear in the March 2, 2024, issue of Billboard.

Lizzo Says ‘Nobody Asked’ Her to Be in Jennifer Lopez’s Film After Producers Claim She Turned It Down

In Jennifer Lopez’s new documentary The Greatest Love Story Never Told, producers revealed that Lizzo and a litany of other celebrities turned down cameos in the “I’m Real” singer’s This Is Me … Now: A Love Story film, but according to the Yitty founder, she never received an invite. 

A very confused Lizzo reacted to a clip from the behind-the-scenes project – in which Lopez’s team says the singer is “unavailable” to participate in the film – in a Wednesday (Feb. 28) TikTok, telling followers, “Ain’t nobody told me nothing.” 

“Nobody asked me,” the “Truth Hurts” artist adds, laughing. “J. Lo, I love you.” 

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Billboard has reached out to Lopez’s rep for comment. 

Lizzo’s reaction comes about two weeks after the 54-year-old singer-actress unveiled This Is Me … Now: A Love Story alongside her new album This Is Me … Now Feb. 16. The accompanying documentary of the album and film’s making, The Greatest Love Story Never Told, arrived Tuesday (Feb. 27) on Prime Video. 

In addition to Lizzo, producers noted in the doc that Taylor Swift, Ariana Grande, Jason Momoa, Jennifer Coolidge and Snoop Dogg were also all unavailable to appear in This Is Me … Now: A Love Story. The film did, however, nab cameos from Fat Joe, Post Malone, Keke Palmer, Trevor Noah, Kim Petras, Jane Fonda, Post Malone, Sofia Vergara, Jenifer Lewis, Jay Shetty, Neil deGrasse Tyson, Derek Hough, Paul Raci, Trevor Jackson and, of course, Lopez’s husband and the muse behind her new record, Ben Affleck. 

This Is Me … Now debuted at No. 38 on the Billboard 200. It serves as a follow-up to the Marry Me star’s 2002 LP This Is Me … Then and captures Lopez’s journey to rekindling her romance with Affleck nearly two decades after they called off their original engagement in 2004. 

This Is Me…Then was something that I wrote at that point in time that wound up capturing a moment where I fell deeply in love for the first time in that way, and I didn’t know that I would look back and I think,” she told Billboard earlier this month.Then to have this kind of crazy, strange, magical, surrealistic plot twist where I wound up back with that person, it was insane and it was also very inspiring.” 

See Lizzo’s TikTok below. 

Paul Simon Talks ‘Good Friendship’ With Art Garfunkel in ‘Restless Dreams’ Doc Trailer

Fans will finally get to see Paul Simon dive into his songwriting legacy and the high points of his nearly seven-decade career in music when the biopic In Restless Dreams: The Music of Paul Simon hits streaming next month.

“People used to say, ‘Oh, you have your finger on the pulse,’” Simon says in voiceover in the 90-second trailer for the “definitive” musical doc chronicling the 82-year-old singer’s legendary career; the film premiered at the Toronto International Film Festival last year and will bow as a two-part series on MGM+ on March 17 and 24. “No, I don’t have my finger on the pulse… I just have my finger out there and the pulse is running under,” Simon says.

In addition to taking viewers behind the scenes of the making of Simon’s 2023 album Seven Psalms, the Alex Gibney-directed doc promises to includes never-before-seen footage from throughout Simon’s storied career, from his days in Simon & Garfunkel to the global success of his landmark 1986 world music album Graceland.

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The opening montage says it all, bouncing from footage of a fresh-faced Simon at the beginning of his career in the mid-1950s, to his historical free 1981 Concert in Central Park benefit show with former partner Art Garfunkel for 500,000 and the sessions for the meditative Psalms song cycle.

“I’ve never wanted to be anything other than a singer and songwriter,” says Simon, author of such indelible hits as “Homeward Bound,” “The Sound of Silence,” “Mrs. Robinson,” “Me and Julio Down by the Schoolyard,” “Loves Me Like a Rock” and the South Africa-inspired Graceland, which won the 1987 Grammy for album of the year.

His collaboration with Garfunkel — which began when they were teenagers performing as Tom & Jerry — spawned dozens of hits and classic albums during the 1960s until their acrimonious split in 1970. The pair reunited several times over the next three decades for one-off shows and a 1993 world tour, though they would never again record a full album together.

“Artie, that was a good friendship,” he says lovingly about Garfunkel in the trailer. “We thought we should express what our generation felt.”

Watch the trailer for In Restless Dreams below.



‘TQMQA’ Takes Eladio Carrión to His First No. 1 on a Billboard Chart

Eladio Carrión may have scored multiple top 10s across the Billboard charts, but he can now cross off a new milestone as he attains his first No. 1 on any ranking with “TQMQA,” a song outside of his usual rhythmic realm.

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“TQMQA,” a Latin pop-tinged song — short for “Te Quiero Más Que Ayer” — rises 2-1 on the Latin Pop Airplay chart (dated March 2) with 5.4 million audience impressions, up 9%, earned in the U.S. during the Feb. 16-22 tracking week, according to Luminate.

The song is the first single from Carrión’s fifth studio album, Sol María, which debuted and peaked at No. 6 on Top Latin Albums and at No. 3 on Latin Rhythm Albums charts (Feb. 3).

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“TQMQA,” released and promoted via Rimas Entertainment, yields the Puerto Rican-American rapper and Latin trap singer his first Latin Pop Airplay No. 1 with his third chart appearance. His breakthrough Latin Pop Airplay song, “Alejarme De Ti” with Jay Wheeler, earned Carrión his first top 10 there, peaking at No. 9 in March 2022, while “No Puede Ser,” with Mau y Ricky, reached No. 22 a month later, in April 2022.

Prior to its radio impact, “TQMQA” debuted and peaked at No. 39 on the multimetric Hot Latin Songs chart, which blends airplay, digital sales, and streaming activity.

Elsewhere, the song climbs 22-19 on the overall Latin Airplay chart, Carrión’s highest entry since “Nunca y Pico,” with Yandel and Maluma, earned him his first top 10, peaking at No. 6 in Nov. 2022.

Adam Sandler Admits That He Gets ‘A Little Jumpy’ Around Taylor Swift

At this point, Adam Sandler has likely met just about every major celebrity you could imagine. But there is one A-lister that makes the perpetually casual comedic A-lister a bit anxious. “Taylor Swift, because what she means to my kids, I get it a little jumpy,” Sandler told pal Conan O’Brien on this week’s episode of Conan’s SirisXM podcast Conan O’Brien Needs a Friend. “Just cause I don’t wanna blow it for my kids. So I’m a little like, ‘Taylor Taylor,’ like I talk a little too loud or something. I don’t say as cool as I can.”

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Swift is such a major presence, Sandler said he gets why some people compare the singular singer to one of pop music’s most iconic foursomes. “People talk about The Beatles of it all and her,” he said. “I mean, man, so many smash hits. There’s not a word my kids don’t know.”

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To be fair, the Sandman said he’s not immune to the charms of Tay’s songs, either, copping to also memorizing all the lyrics to many of the singer’s tunes. “I know them too, by the way. But they know them inside and out,” he said of his kids, daughters actresses Sunny and Sadie. “But it’s just, remember The Beatles, every song on the record, you know? That’s Taylor Swift too. You just… there’s not a song you skip. You go, ‘that one’s pretty damn cool.’”

Sandler got to flex his Swift muscles in August when he checked out one of the singer’s Eras Tour shows in Los Angeles, as well as attending the premier of the Eras Tour movie in October.

Listen to the full podcast here.

André 3000 Says OutKast Partner Big Boi Had the Best Reaction to Bars-Free Flute Album ‘New Blue Sun’

André 3000 knew he was taking a big swing when he released his rap-free, flute-forward album New Blue Sun earlier this year. So naturally he wanted to get some feedback from his longtime former partner in rhyme in OutKast, Big Boi.

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In a new cover story for High Snobiety, Three Stacks reveals that he played “some” of the instrumental jazz album for Big, whose reaction was just about perfect. “He was smiling… He was like, ‘Man…,’” André said of Big Boi’s response to the album with mouthful song titles such as the opening track, “I Swear, I Really Wanted To Make A ‘Rap’ Album But This Is Literally The Way The Wind Blew Me This Time.”

‘Dre said he also cued it up for a “lot of buddies,” as well as his son, who told him, “‘It’s the real thing. It’s not a mimic. You really did this.’” The listening sessions included an early preview for Tyler, the Creator as well.

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“I was in Tyler’s living room listening to it, and then Frank [Ocean] just shows up. And so we’re all sitting there listening to it,” he said. “I’m wondering what the young people’s opinions would be. And I’m so happy that what I’m hearing is really good feedback.”

The interview also pulled back the curtain on the early confluence of jazz and hip-hop that André found in the music of A Tribe Called Quest — including the news that he originally used the nom de rap “Jahz” in homage to Tribe’s Q-Tip.

“My first rap name was Jahz because of Q-Tip,” he explained. “We were huge A Tribe Called Quest fans. In high school, they were the pinnacle — them, Grand Puba, Souls of Mischief. I don’t think Q-Tip gets enough credit for introducing a generation of kids to a forgotten music.” Specifically, 3000 said he was super inspired by how Tribe wove jazz samples into their psychedelic hip-hop stew.

“As a kid, jazz music meant some old-people shit that’s in elevators,” André said. “Q-Tip found a way to make it actually cool. The jazz guys were actually the rap guys of that time. They were doing heroin, they were in clubs. Years from now, people are going to listen to trap music and think, ‘Oh, that’s nice.’ It happens. It happens.”

New Blue Sun hit hard when it dropped in November, with “I Swear” — which clocked in at a robust 12 minutes and 20 seconds — entering the Hot 100 at No. 90 on the Dec. 2-dated chart. That made it the longest-running song ever to have hit the chart, surpassing Tool’s “Fear Inoculum,” at 10:21 in length. André’s track – an instrumental, which is also unusual for a modern Hot 100 hit – also bested the August 2019 No. 93 peak of Tool’s track.

2024 MTV European Music Awards Set for New Co-Op Live Arena in Manchester

The 2024 MTV European Music Awards will return to the U.K. for the first time in seven years in the fall when the show touches down at the country’s newest venue on Nov. 10. The 30th anniversary edition of the EMAs will take place at Manchester’s brand-new Co-op Live — which will be the U.K.’s largest indoor arena when it opens in April — also marking the event’s first visit to that city.

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The show will be broadcast from the 23,500-capacity multi-purpose arena to more than 150 countries and air in a number of territories on Pluto TV and on-demand on Paramount+. “The MTV EMAs is one of the biggest global music celebrations, bringing together local and international artists to create iconic performances for fans around the world,” said Bruce Gillmer, president of music, music talent, programming & events, paramount, and chief content officer, music, Paramount+ in a statement. “With music at the very heart of Manchester’s rich creative heritage, this vibrant city – with the state-of-the-art Co-op Live – will guarantee a supercharged 2024 show.”

The northern English town that birthed such music legends as the Smiths, the Stone Roses, Joy Division/New Order, Oasis, the Chemical Brothers and the Verve, among many others, is the perfect choice for this year’s event according to Manchester City Council leader Councillor Bev Craig.

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“As a city that is known the world over for our legendary music scene, MTV could not have picked a better place for this year’s EMAs,” Craig said in a statement. “With the expertise, experience and reputation we also have for delivering successful, world-class events, we’re confident Manchester will provide a superb platform for the best MTV EMAs yet, and look forward to welcoming MTV and the global music community to our city for what is set to be an epic celebration of music and artists. Manchester meets MTV – we can’t wait!”

At press time a host and musical lineup for the show had not yet been announced.

Last year’s EMAs were called off just two weeks before the show was set to take place in Paris due to what MTV called the “volatility of world events” in the wake of the brutal surprise attack by Hamas militants on Israel and the subsequent war. The network later released a list of winners on the planned show date, with Taylor Swift taking home three awards and Nicki Minaj, Måneskin and BTS’ Jung Kook all doubling-up on honors.

Tones And I Creates History as ‘Dance Monkey’ Passes 3 Billion Streams on Spotify

Tones And I enters the history books once more, as the Australian artist’s monster hit “Dance Monkey” ticks past 3 billion streams on Spotify.

With that feat, Tones (real name: Toni Watson) becomes the first female artist to achieve that streaming milestone.

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Since its commercial launch in 2008, Spotify has entered just eight songs into the three billion streams club; with the exception of “Dance Monkey,” all of them are recorded by male artists from North America or the United Kingdom.

At the top of the tree is The Weeknd’s “Blinding Lights” (4.092 billion streams), ahead of Ed Sheeran’s “Shape of You” (3.796 billion) and Lewis Capaldi’s “Someone You Loved” (3.239 billion), respectively.

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Since “Dance Monkey” dropped in May 2019, nothing has been quite the same. The single logged 24 non-consecutive weeks at No. 1 on the ARIA Chart, an all-time record, and spent 11 weeks at No. 1 on the Official U.K. Singles Chart, a record for a solo female artist.

Konstantin Kersting produced and mixed the song, which hit No. 1 in more than 30 countries around the world.

Tones, a one-time busker, also nailed a Billboard Hot 100 hit with “Dance Monkey.” The second single from her debut EP The Kids Are Coming, “Dance Monkey” swung to No. 4 on the Billboard Hot 100, earned the artist her first top 10 hit on Billboard‘s Pop Airplay, Hot Rock & Alternative Songs and Dance/Mix Show Airplay charts, and Tones claimed top spot on the Hot 100 Songwriters Chart.

Apple, owner of music recognition app Shazam, has named “Dance Monkey” as the most-Shazamed song of all time, with users of the app identifying the track more than 44.4 million times. And in April 2023, the official music video for “Dance Monkey” clocked two billion views on YouTube.



Global streams across Tones’ catalog, which includes 2021’s “Fly Away,” which peaked at No. 11 in the U.K.

Tones is currently opening for Pink’s Summer Carnival stadium tour of Australia which, too, should bust records. When it completes its final show in late March, the trek, produced by Live Nation, is expected to pass 900,000 ticket sales for Australia and New Zealand, a box-office record for a solo female artist.

Earlier in the month, Tones shared the new single “Dreaming,” co-written with Sam Nelson of X Ambassadors and co-produced alongside Nelson and Randy Belculfine.

“Dreaming” will appear on her sophomore album, due out later this year and the followup to 2021’s Welcome to the Madhouse, which debuted at No. 1 on the ARIA Chart.

TWICE Open Up on ‘With YOU-th’ Album Themes of Growing Up & Beyond K-Pop

It takes around 30 minutes, but eventually, TWICE relaxes enough in their New York City hotel room to chitchat and laugh out loud among their nine-member huddle — a stark difference from the professionally guarded and admittedly “nervous” girl group that Billboard spoke with at their first U.S. appearance in 2016.

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Ever the humble professionals, the K-pop heroines and their loyal fans have earned the right to comfortably settle into a new, happier routine after growing for nearly nine years together.

Nearly immediately following TWICE’s entry into the K-pop scene in late 2015, members Jihyo, Nayeon, Jeongyeon, Mina, Sana, Momo, Dahyun, Chaeyeon and Tzuyu became reliable chart-toppers and commanded the industry’s attention with every release. Not only did they set the standard for their generation of K-pop acts with nine consecutive No. 1 singles on South Korea’s Circle Chart, the nontet replicated their prominence in the Japanese market (with 20 top 10 entries in the Billboard Japan Hot 100) with a next natural step in cracking the world’s largest industry, the United States.

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With a lineup from South Korea, Japan, and Taiwan, the U.S. is a trickier and far less obvious market to embrace TWICE. In K-pop’s ongoing global crossover, where more acts have fluent English speakers and Billboard-charting girl groups are trending towards six or fewer singers, TWICE remains strong with all nine of its original members. After taking over K-pop with the viral performances and dances accompanying singles like “Cheer Up” and “TT,” and solidifying a deeper connection with tracks like their biographical “Feel Special” and the encouragement anthem “Talk That Talk,” now is the moment for the group to let the material strengthen the bond with U.S. audiences.

“‘I Got You’ was influenced by TWICE,” leader Jihyo explains of their latest original English single that kicked off their new era in early February. “It’s us speaking to each other and encouraging each other, which is really great that we can do this together because there are members who can help me when I’m having a hard time, there are members who see me when I’m in a good mood — just being together is encouraging…just like how PD [producer-director J.Y. Park] first made ‘Feel Special,’ the album concept itself is putting together our story. We wanted to showcase how the fans look at our teamwork, and that’s why we chose this song.”



The JYP Entertainment founder and producer behind TWICE hits like “Signal,” “What Is Love?” and “Alcohol-Free,” Park previously told Billboard how a teary meeting discussing relying on their team mates through the hardships of K-pop idol fame inspired him to write the No. 1 single on the spot in 2019. But if “Feel Special” was birthed from TWICE’s hardships and growing pains, “I Got You” and its quick-selling accompanying mini album EP With YOU-th comes from reaching a point of happy stability.

“Up ’til now, we’ve never done a song like this before,” Jihyo adds. “We’ve always been singing songs about the theme of love, and this is more about our friendship, kind of similar to ‘Feel Special,’ and it was really comforting to us because of that…It was actually one of the songs on the album that the members reacted to really well. I thought it was new, but it also felt comfortable. We liked the lyrics [for] the fans and thought the fans would like the lyrics as well.” Momo adds, “While we were performing this song outside [in Mexico City] on tour, the weather was nice, it went so well with the song — just seeing the fans’ expressions was really great to see.”

The sentiment extends to their upbeat lead single, “One Spark,” released alongside With YOU-th on Feb. 23, originally in Korean before the English version dropped days later for maximum global consumption. Lyrics in both versions speak to a unique, undeniable ally through an effervescent tempo-hopping pop jam: “If I lose my rhythm/ Then your beat goes on and on,” Mina and Tzuyu sing on the pre-chorus, with the English version’s chorus shouting out “My favorite person, it’s our golden days/ My heart is burning, burning, burning/ Don’t lose this spark, baby.”

“Actually, we were thinking a lot about which title song [single] we should do between ‘One Spark’ and ‘I Got You,’” explains youngest member Tzuyu, sharing the group’s opinion heavily influences their musical path today, but joke they’ll take 100 percent creative control at 10 years. “We voted between the two songs of what should be the title track single. I think ‘One Spark’ is actually a great song performance-wise and we can put on quite a powerful stage performance.”



“Compared to, let’s say, ‘Set Me Free,’ the choreo is a bit more complicated with a lot more movement to consider with our stage outfits,” Chaeyoung adds about bringing the new single to life. “It’s a faster song. It’s tough, but we worked hard on this choreo and felt like we grew, so I’m glad we’re doing it. Even in the music video, once we’re together and partying, the mood explodes. Of course, people can take it in this way, and others might see it a little bit differently, but overall, we just wanted to showcase the good energy among us and how much synergy we have within the group.”

But alongside the celebratory mood, a poignant moment in the music video comes during a flashback when viewers see Dahyun crying in the dance studio with several members trying to cheer her up. While Dahyun admits she had a tear dropper on set just in case, she ultimately “really wanted to express my own emotions, so I just cried by myself without any tools.”

“The music video shows us in their past during our trainee times when we were going through a hard time,” Jihyo says. “We wanted to showcase how we push each other throughout those hard times working as a team.”

Admitting that the trip down memory lane brought back “sad emotions,” Nayeon adds how “even if this didn’t happen during that trainee time exactly, we thought about how, throughout our history, there were a lot of these kinds of moments.”

Momo says the new album process brought back her experiences with Sixteen, the 2015 singing competition show that created the group. “I was actually remembering when I was first eliminated on Sixteen and crying,” she shares. “All the members were there with me. And when we were filming, one of us had to go to the emergency room and all the members were together.”

Exploring a deeper connection with each other and their loyal fans — affectionately known as ONCE — is a central theme in With YOU-th.

A teaser video previewing all six new tracks on the EP shows what one might imagine a longtime superfan’s room may look like, with different memorabilia, imagery, and visual references from past eras accompanying the audio. With YOU-th is not just a message of togetherness but marks them moving and maturing through the years.

“Around our debut, or even a few years ago, many of our fans still went to school and now go to work. Or there may have been a few in middle school and now in high school,” Sana reflects. “We take a lot of pride in seeing them and how they grow. We’re really thankful that we have fans who have been with us throughout their time as we grew with our career.” TWICE even know two ONCEs who ended up marrying each other.

TWICE

TWICE

Courtesy of JYP Entertainment

Three B-side tracks on With YOU-th feature three TWICE members as sole songwriters sharing their experience of growing more mature and fearless in their creative processes.

‘Bloom’ is a song about asking someone to wait,” Jeongyeon shares of the track she wrote. “Referencing a flower, the last step would be when the flower blooms, meaning I will come to grab you then and hold you.”

Chaeyoung felt inspired by alt-pop star PinkPantheress while writing “Rush.” “While I was listening, I felt like a Jersey Club rhythm, kind of like PinkPantheress’ music, and thought the sound itself was quite cute and lovely, so I wanted to bring that in the emotions in the lyrics in a fun way,” the Seoul native says. “Lyric-wise, it’s about approaching something or someone, so I wrote it in a more fun way.”

Bringing the record full circle, With YOU-th closes with the Dahyun-penned “You Get Me” that connects to “I Got You” by expanding on a relationship more profound than words.

“The lyrics say how ‘even if we don’t say anything, you already know me,’” explains Dahyun. “It’s a warm, easy-listening song, and I really wanted to write the lyrics as soon as I heard it. I was able to do that, so I’m really happy about that and can’t wait for the fans to listen.”

While teasing that “ONCEs are going to be really busy this year,” there is certainly a concerted focus on ensuring TWICE can and will keep developing.

“The biggest thing is that K-pop has become so global,” reflects Mina, as TWICE moves into contention for their first No. 1 on the Billboard 200 — an arguably overdue feat as they hold the largest U.S. sales week for a female K-pop act when Ready to Be earned 153,000 equivalent album units last year. “I think that teams’ lifespans have generally been extended a lot and that we’ll be able to do much more in the future. There have been a lot more opportunities to take advantage of because of the global expansion of K-pop. If there’s something wrong, we’ll tell the company, but as long as the fans want to meet us, we want to go until the end.”

“There’s not so much meaning behind setting goals now; we put a bigger priority on promoting longer and spending meaningful time with the fans,” Jihyo adds. “Of course, the company might have a goal. But personally, we think that having a happy time with fans is the goal right now.”

Despite the warm contentment felt inside With YOU-th, and within the TWICE members’ tight-knit cluster after nearly an hour of chatting, there’s one quick glimmer of hesitancy from Jihyo after a mention of their exciting chart prospects in their latest crossover push into America.

“You know how you mentioned, ‘Isn’t it time for America to focus on TWICE?’” the group leader says quietly but firmly, as their final word. “Please do focus on us.”