Music News

St. Vincent Says She Paid Tribute to the ‘Beautiful, Poetic’ Producer Sophie With Forthcoming Song

With a title like All Born Screaming, you’d be forgiven for assuming St. Vincent’s upcoming new album might be a dark affair. But according to the artist, one song in particular pays loving tribute to a late icon.

Speaking to The Guardian in an interview published on Saturday (March 2), the singer — otherwise known as Annie Clark — said that a song called “Sweetest Fruit” off her new album serves as an ode to late electronic music pioneer Sophie, who died in 2021 after a fatal fall. Speaking about the song, Clark said that she felt compelled to write something that properly reflected the unusual circumstances of the influential artist’s death.

“The internet twists things, and I don’t want it to be seen like I’m trying to capitalize on somebody’s death. I was an admirer from afar; we never met, but I read about the way that she fell because she was trying to get a better look at the moon, which was just the most beautiful, poetic thing I’ve ever heard,” she told the paper, adding that the song is about “people trying for transcendence.”

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St. Vincent would be far from the first artist to pay tribute to Sophie. In the aftermath of her death, Sophie was eulogized by a wide range of fellow artists, including Rihanna, Nile Rodgers, Christine and the Queens, Rina Sawayama and Sam Smith. “The world has lost an angel,” Smith wrote in an X post at the time. “A true visionary and icon of our generation. Your light will continue to inspire so many for generations to come.”

The interview comes just after St. Vincent announced her self-produced new album with the release of her latest single “Broken Man” on Friday (March 1). In a press release accompanying the announcement, Clark shared that the album was all about reevaluating difficult feelings. “There are some places, emotionally, that you can only get to by taking the long walk into the woods alone — to find out what your heart is really saying,” she wrote in a statement. “It sounds real because it is real.”

Listen to St. Vincent’s new song below:



TOMORROW X TOGETHER Announces 6th Mini Album: Here’s When ‘TOMORROW’ Arrives

TOMORROW X TOGETHER is looking to the future. The K-pop quintet announced Sunday (March 3) that its sixth mini album, minisode 3: TOMORROW, is coming up fast on the horizon, marking the band’s first release of 2024.

Bandmates Yeonjun, Soobin, Beomgyu, Taehyun and HueningKai broke the news to fans on the second day of their live TXT FANLIVE PRESENT X TOGETHER event in Seoul, which celebrated the fifth anniversary of their 2019 debut as a group. Premiering the EP’s animated logo for the crowd, TXT confirmed that the project will arrive April 1.

The “Sugar Rush Ride” singers went on to share three differently colored variants of TOMORROW‘s cover art on Instagram. Each one features the band’s signature “X” logo adorned with drawings of angel wings, stars and roses.

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The boys also appear in individual concept videos teasing the new mini album on Instagram, with Yeonjun, Soobin, Beomgyu, Taehyun and HueningKai each wearing color-changing crowns and posing for the camera as wind blows through their hair. All five of the clips feature a snippet of angelic-sounding music composed of harp and string instruments.

Minisode 3: TOMORROW will serve as TXT’s first release since October’s 10-track album The Name Chapter: FREEFALL, which debuted at No. 3 on the Billboard 200. Based on the title, TOMORROW will become the band’s third installment in its “minisode” series, following 2020’s minisode 1: Blue Hour and 2022’s minisode 2: Thursday’s Child — both of which included five songs.

See examples of the covers and concept videos for minisode 3: TOMORROW, arriving April 1, below.

Watch Travis Scott Go Out of His Way to Say Hi to This TV Commercial Personality

It’s rare for Travis Scott to be in Iowa, but women’s basketball phenom Caitlin Clark tends to bring the stars out. With Clark breaking the all-time NCAA scoring record for men and women on Sunday (March 3), La Flame had to be in the building to see the historic moment himself from a courtside view.

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In videos shared online, Scott and his entourage are making their way to their seats at Carver-Hawkeye Arena for the Hawkeyes vs Buckeyes game when the Cactus Jack CEO notices another star courtside. That’s when he makes a point to stop and tap Jake From State Farm — whose real name is Kevin Miles — on the shoulder. The State Farm star, who was seated and didn’t see La Flame walking in, quickly turns around to say hello.

The TV commercial personality has seen his profile grow over the last year or two thanks to his repeated appearances with celebrities in State Farm commercials. Rocking a customized Caitlin Clark puffer vest, Jake’s courtside appearance at the Iowa-Ohio State game wasn’t too random, as he recently starred in a State Farm commercial alongside the women’s college basketball star.

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Fans expressed their surprise when they saw the clip of Scott greeting Jake From State Farm at the Iowa game.

“you won’t believe who he daps up,” a viral fan wrote in response to the footage on X.

Scott appeared to have a blast watching Clark break Pete “Pistol Pete” Maravich’s all-time scoring record for the NCAA on Iowa’s way to a 93-83 victory over rival Ohio State.

“We’re out to see C.C. handle business tonight,” Travis told NBC Sports in a courtside interview. “You know Caitlin Clark — she’s one of the greatest humans of all time. So we’re out here to see some good Iowa basketball … I’ve been in a lot of buildings, but this Iowa energy is like no other. I think they need to bottle this energy and bring it around the world.”

Scott seemingly had the time of his life out in Iowa as he posed for photos with Clark as well as the entire team. He jammed out with the marching band and was spotted hyping up the crowd on the jumbotron during his All-American hoops Sunday.

Find some of the highlights of Scott at the game below.

Selena Gomez on the ‘Liberating’ Experience (and Reese Witherspoon Approval) of New Single ‘Love On’

One week after releasing the sparkling, disco-tinged pop single “Love On,” Selena Gomez has watched the song’s optimism spread across her fan base, and has enjoyed witnessing a positive personal moment translate to her listeners via a new single.

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“It’s been lovely,” Gomez tells Billboard about seeing the general reaction to “Love On” following its Feb. 22 release. “I try not to read too much into things, but I think the whole idea was to make a song that felt good. I feel like I’m in such a light and happy place, and that’s reflected in the song.”

Among the admirers: a certain Oscar-winning actress that Gomez ran into at the SAG Awards last month. “It was really sweet — Reese Witherspoon came up to me and said the song made her really happy and she loved it,” Gomez recalls. “It was a huge compliment, I was glowing. Those messages mean the world to me.”

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“Love On” came together last spring, when Gomez was “in and out of the studio” in April while shooting a film in Paris. Feeling inspired by the City of Light, as well as content within her personal and professional life, Gomez called up longtime songwriting collaborator Julia Michaels and came up with a lyrical concept at once airy and flirtatious.

The standout lyric: “Why we conversin’ over this steak tartare?/ When we could be somewhere other than here/ Makin’ out in the back of a car/ Or in the back of a bar?” Yes, Gomez has seen the flood of TikTok clips dedicated to the “steak tartare” line, and says, “It brings me a lot of joy.”



The music video for “Love On” captures the song’s romantic effervescence, with French director Greg Ohrel surrounding Gomez with opulent parties, ballet dancers and couples sucking face. “It’s so liberating to not worry about how I look,” Gomez says of filming the video, “and I just wanted it to feel like I was having a good time. I didn’t need it to feel very intense or dramatic. It was just a blast, and I wanted it to convey that — I was genuinely that happy.”

Gomez says that she “definitely” has more material with the “Love On” creative brain trust of Michaels, who has helped pen some of her biggest pop hits, and production/songwriting collective The Monsters & Strangerz, which has worked with Gomez dating back to her Stars Dance album in 2013.

“I feel like I have moments where I hit these strides, and we’re just writing song after song, just in the zone, and I tend to do that when I’m with that dynamic group,” she says. “With Julia and I — for some reason the universe has put us in each other’s lives, because we go through so many similar things in our lives. It just feels so nice to have someone who knows me, knows my voice really well. That’s kind of what I feel like the goal is when I work with that gang — I’m always like, ‘How can I make another song that feels kitschy and fun?’”

However, “Love On,” as well as 2023 track “Single Soon,” may not make the track list to her next album, which will follow her excellent 2020 full-length Rare. Similar to how Gomez preceded Rare with a string of singles (including “Bad Liar,” “It Ain’t Me” with Kygo and “Wolves” with Marshmello) that didn’t make the proper album’s track list — they were later included on the Deluxe edition — Gomez says that these recent singles might just exist on their own.

“I think objectively, I would like to say that I am working towards an album, but I don’t know if those songs would be on that project,” she says. “I feel like I’m brewing, and I’m in the process of really creating some great songs, hopefully. I don’t know if they would fit with what I’m gonna go with.”

However the track list shakes out, Gomez simply wants “to make a great album” in 2024, in addition to continuing her film work. She recently returned to the Only Murders in the Building set, as filming on season 4 of the hit Hulu series has gotten underway.

“I want to continue working towards my goals,” she says. “In the acting field, I feel like I haven’t even started. And with music, it’s always evolving. It’s such a therapeutic experience for me.”

Justin Timberlake Unveils ‘Everything I Thought It Was’ Tracklist: See All 18 Song Titles

With less than two weeks to go until his new album arrives, Justin Timberlake unveiled the full tracklist to Everything I Thought It Was via an enormous Spotify billboard in Los Angeles Monday (March 4).

Plastered atop The Reef event building in Southern California, the digital billboard confirms that the pop star’s March 15 record will include a total of 18 songs. Three of them will find the star collaborating with guest artists: Fireboy DML is credited on track 7, “Liar”; Tobe Nwigwe has billing on track 10, “Sanctified”; and Timberlake’s *NSYNC bandmates will appear on track 17, “Paradise.”

Previously released singles “Drown” and “Selfish” are listed at Nos. 6 and 15, respectively. Other song titles include “Memphis” — aka Timberlake’s home city — “F–kin’ Up the Disco,” “No Angels,” “Play,” “Technicolor,” “Infinity Sex,” “Love & War,” “My Favorite Drug,” “Flame,” “Imagination,” “What Lovers Do,” “Alone” and “Conditions.”

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Everything I Thought It Was will mark the “Mirrors” singer’s first proper album since his 2018 effort, Man of the Woods. The project has already been making a splash in the weeks leading up to its arrival, with lead single “Selfish” coming in at No. 19 on the Billboard Hot 100 upon its release in February, becoming Timberlake’s highest debuting song on the chart in six years.

The former boy bander — who’s been performing a select few “One Night Only” shows to gear up for the release of his new album — is scheduled to embark on his Forget Tomorrow World Tour in April. After first unveiling dates in the U.S. and Canada, he announced a number of shows in Europe Feb. 23, writing at the time, “When I said WORLD tour, I meant it.”

See Timberlake’s Everything I Thought It Was tracklist announcement with Spotify below.

Sam Smith Tears Down the Runway as a Model During a High-End Paris Fashion Week Show

Sam Smith got to show off a different side of their performing skills on Saturday (March 2), when they stomped down the runway for Paris Fashion Week.

Serving as one of the models for the Vivienne Westwood Womenswear Fall/Winter 2024-2025, Smith modeled two distinct, punk-inspired looks in the iconic fashion brand’s latest collection.

In one look, Smith was draped from tip to toe in all black, featuring a black patterned top under a long black, partially shredded coat. Finishing off the look were a pair of fingerless black gloves, a slick black bag and a black hat featuring a small veil.

Their second eye-catching ensemble saw Smith embracing one of Westwood’s favorite patterns — tartan. Over an olive-green V-neck sweater, Smith stunned in a deconstructed red tartan shawl-jacket, with a high-waisted green tartan bottoms, knee-high red tartan socks over a pair of muted, towering tartan platform heels. To finish out the look, Smith wore a green tartan headpiece and walked with a large stick.

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PARIS, FRANCE - MARCH 02: Sam Smith walks the runway at the Andreas Kronthaler for Vivienne Westwood Womenswear Fall/Winter 2024-2025 show as part of Paris Fashion Week on March 2, 2024 in Paris, France. (Photo by Dave Benett/Getty Images)

Sam Smith walks the runway at the Andreas Kronthaler for Vivienne Westwood Womenswear Fall/Winter 2024-2025 show as part of Paris Fashion Week on March 2, 2024 in Paris, France.

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In a post to their Instagram, the brand shared an image of all the models — including Smith — posing in their outfits after the show, with a captioned quote from 19th century author Henry James. “A tradition is kept alive only by something being added to it,” the brand wrote.

Smith also shared their gratitude via an Instagram post — calling themself “The Tailor,” as a play on their fan army’s name the Sailors, the “Unholy” singer specifically offered appreciation to the brand’s creative director Andreas Kronthaler (the late Westwood’s husband) for including them in the presentation. “Thank you Andreas for having me to walk in such a beautiful show,” they wrote.

Check out Vivienne Westwood’s post below:

Taylor Swift Is Distantly Related to Emily Dickinson, Genealogy Site Reveals

Turns out, Taylor Swift isn’t the only tortured poet in her family tree. According to a new genealogy study from the company Ancestry, the 34-year-old pop star is distantly related to American literary icon Emily Dickinson, whom Swift can now call “cousin.”

More precisely, the two women are sixth cousins, three times removed. Ancestry’s findings, which were announced Monday (March 4), show that both Swift and the poet — who was born in 1830 and passed away at 55 years old in 1886 — are descended from the same 17th century English immigrant. The early settler of Windsor, Conn., was the “Anti-Hero” singer’s ninth great-grandfather and Dickinson’s sixth great-grandfather.

The musician’s ancestors reportedly stayed in Connecticut for six generations before moving to northwestern Pennsylvania, where they married into the Swift lineage. Many years later, Scott and Andrea Swift welcomed their firstborn daughter on Dec. 13, 1989, in West Reading before eventually moving to Nashville — and the rest was history.

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News of Swift’s connection to one of history’s most acclaimed poets comes at an uncanny time in the Grammy winner’s career, given that her next album is titled The Tortured Poets Department. The 16-track LP, along with its four exclusive bonus versions, arrives April 19.

Swift announced the final version of Tortured Poets at her March 3 Eras Tour show in Singapore, revealing that the fourth issue will be titled “The Black Dog.” It follows announcements for “The Manuscript,” “The Albatross” and “The Bolter,” each of which include one exclusive bonus track.

During the rollout cycle for her new record, Swift has been referring to herself as “The Chairman of the Tortured Poets Department.”

“And so I enter into evidence/ My tarnished coat of arms/ My muses, acquired like bruises/ My talismans and charms,” reads a handwritten note posted by Swift after she first announced the album. “All’s fair in love and poetry …”

Ancestry also shared that note in announcing the pop superstar’s connection to Dickinson in an Instagram post Monday.

Watch Drake Promise to Cover Fan’s Late Mother’s Six-Figure Mortgage Payment

The season of giving never ends for Drake. The OVO boss has been feeling generous on his It’s All a Blur – Big As the What? Tour with J. Cole, where he’s given away thousands of dollars to fans in need. The latest came on Saturday (March 2) during a Kansas City stop, when a fan threw a letter on stage explaining their mother passed away and left them with an outstanding mortgage with no way to pay for it.

Drake paused the action at the T-Mobile Center to read the letter to the rest of the audience.

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“You said, ‘[Pay] off my mom’s house, rest in peace.’ Your mom passed away? Alright. And you owe …,” Drake said before briefly pausing in shock. “Oh, this is the outstanding balance right here. This is a lot of money right here.”

Drizzy took the moment in, then revealed he’d be offering to pay off the six-figure debt in full for the fan out of his own pockets.

“But you know what, Imma pay off your mama’s house for you,” Drake asserted. “That’s gonna come from me. Rest in peace to your mama. Hold on, wait. Rest in peace to Jennifer Schumer. Rest in peace. I love you.”

It’s far from the first time Drake has been charitable with his fans while on tour. In February, Drizzy blessed a fan with $100,000 for finishing chemotherapy after seeing her sign in the Nashville concert crowd that read: “Just finished chemo.”

“I hope my manager doesn’t kill me ’cause I’ve never really done this much, but, listen, I want you to cash this in at the end of the night,” he said to the cancer survivor. “We’re gonna give you $100,000.”

According to a report from The Tennessean, the fan was identified as Lauren Schwallie and she has been fighting breast cancer since 2022.

“One thing led to another and I was at the front of the stage and Drake blew me a kiss and told me that he loved me! That’s all I was focused on … And then just like the money on top of it is just insane,” she told the publication of the surprise.

He wasn’t done there, as he went to St. Louis later in February and promised to cover a fan’s surgery bills.

“You got a sign that says, ‘Please help me with my surgery.’ I don’t know what kinda surgery you need, sir. I really don’t but I’ma let you know from me to you St. Louis love, we gon’ take care whatever the surgery is,” Drake said. “We gonna help you out because we want you to be at the next show with us. You gotta show us love.”

The fan’s face appeared on the Enterprise Center jumbotron as he reacted to the rapper’s promise.

Drizzy and J. Cole’s Big As the What? Tour continues this week with a pair of shows in New Orleans before heading to Kentucky.

Watch a video of the moment Drake offers to pay off the mortgage below:

Taylor Swift’s New ‘Eras Tour’ Trailer Reveals ‘Maroon’ Will Be One of Four Bonus Songs on Disney+

Taylor Swift‘s blockbuster Eras Tour concert film is finally coming to Disney+, complete with four brand new bonus surprise songs previously left out from the project’s theatrical release.

The 34-year-old pop star unleashed a new trailer teasing the film’s upcoming arrival on the streaming service Monday (March 4), featuring scenes from the Eras Tour‘s stay at SoFi Stadium last year. Toward the end, the minute-long teaser reminds fans that the Disney+ version of the film — which is set to drop March 14 — will feature a quartet of additional acoustic tracks performed by Swift during the trek’s nightly surprise song section.

The trailer then cuts to a snippet of the 14-time Grammy winner playing the Midnights fan-favorite “Maroon” on piano, seconds after telling the crowd in Inglewood, Calif., that the track is one of her “favorites.” The ballad debuted at No. 3 on the Billboard Hot 100 in October 2022, one of 10 songs on Swift’s 10th studio album that made her the first artist to occupy all of the top 10 slots on the chart.

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In addition to the four new acoustic songs, the extended Disney+ version of Eras Tour will include footage of Swift performing “Cardigan,” which was cut from the film’s previous releases. The three-hour-plus showcase first opened in October in partnership with AMC Theatres and instantly became the top-grossing concert film in history with more than $92.8 million after just one weekend.

In December, Swift made the film available to rent on-demand in celebration of her 34th birthday. That expanded cut featured performances of “Wildest Dreams,” “The Archer” and “Long Live.”

Watch the new trailer for the Eras Tour‘s March 14 arrival on Disney+ above.

Tems: Photos From the Billboard Women In Music Shoot

In just a few years, Tems went from working a digital marketing job to becoming a globally known hit-maker who rubs shoulders with stars like Beyoncé, Rihanna and Drake — all without losing her cool or confidence. “When I make music, I don’t really think about where it’s going to end up,” she explains nonchalantly. “I just leave it all in the studio.”

To a certain extent, she doesn’t even have time to think about where her songs will end up — since once she releases them, they tend to immediately spread everywhere. Ever since she was featured on Wizkid’s 2020 smash, “Essence,” which reached No. 9 on the Billboard Hot 100 a year later (with the help of a Justin Bieber remix) and earned a Grammy nod for best global music performance, the 28-year-old Nigerian artist’s rich, velvety voice has traveled far beyond the African continent and become a mesmerizing fixture in popular music. Drake put up billboards in Tems’ hometown of Lagos to announce she would be featured on his 2021 album, Certified Lover Boy; a year later, they appeared together again on Future’s Hot 100 No. 1 “Wait for U,” which samples “Higher” from Tems’ 2020 debut EP, For Broken Ears. She was one of only three featured artists on Beyoncé’s 2022 Renaissance album. And she earned Golden Globe, Academy Award and Grammy nominations for co-writing Rihanna’s 2022 comeback single, “Lift Me Up,” from the Black Panther: Wakanda Forever soundtrack.

Read the full story on Billboard’s 2024 Women In Music Breakthrough here.