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Justin Bieber’s Mom Is Overjoyed by Hailey’s Pregnancy News, But Denies This Rumor

There is no joy quite like the elation of a first-time grandma kvelling over the impending birth of her first grand baby. Which explains why Justin Bieber‘s mom, Patti Mallette, was absolutely glowing and bursting with pride in a driver’s seat video she posted on Thursday (May 9) in which she exhaled the great news after sitting on it for way too long.

“So, I have been waiting for this day and now that they have shared it I can finally celebrate with y’all,” she said excitedly into the camera. “Oh my gosh, I’m gonna be a grandma! Oh my goodness! YES!,” she squeals in a brief Instagram video captioned, “BABY BIEBER IS ON THE WAY!! I’m gonna be a GRANDMA!!??CONGRATULATIONS @justinbieber and @haileybieber !! My heart is so full. What an exciting new adventure. Love you so much!”

The video posted after Bieber and wife Hailey Bieber announced earlier Thursday that they were expecting their first child in a series of photos and videos from a film shoot in which Hailey cradles her growing baby bump as JB snaps pics of her. Mallette appeared to get a bit too excited at first when commenting on a post from her son’s father-in-law, actor Stephen Baldwin, on which she wrote, “Congratulations Grandpa! WE ARE GONNA HAVE THE CUTEST GRAND-BABIES EVER!”

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After the comments on Baldwin’s post blew up with Beliebers speculating that Mallette had accidentally revealed that the couple might be having twins, she quickly, and adamantly, clarified, “No not twins lol I wish. I just mean in general. Hopefully they will have more than one eventually. They will make beautiful babies whenever they have them. One is enough for now ?.”

The couple officially got married in September 2018 at a New York City courthouse, flying down to the Montage Palmetto Bluff hotel in South Carolina a year later to celebrate with friends and family for a more traditional wedding ceremony and star-studded party.

“Okay, Justin and Hailey you are gonna be the best parents ever!,” Mallette predicted in her video. “And I am sooo excited! Oh my goodness, praise God!”

Watch Mallette’s video below.

Behind the Big Broadway Return of ‘The Wiz’

From its 1975 debut on Broadway as “the super soul musical,” winning seven Tony Awards and spotlighting stars like Stephanie Mills, Hinton Battle, Dee Dee Bridgewater and Andre De Shields; to its Oscar-nominated screen adaptation starring Diana Ross and Michael Jackson among others; to its sing-along songs like “Ease on Down the Road,” “Home” and “Believe,” The Wiz has become a modern-day musical theater classic — and in its retelling of The Wizard of Oz through the lens of Black culture and music, a landmark in Broadway history.

Yet the show has only had one official Broadway revival, in 1984, which ran for a grand total of 20 performances — until now. A major new production of The Wiz is playing at the Marquis Theatre, and four of the stars of its cast and creative team — actors Wayne Brady and Deborah Cox; choreographer JaQuel Knight; and writer Amber Ruffin, who created additional material working with the show’s original book — stopped by Billboard News recently to talk about why the show is still a groundbreaker and a hugely entertaining crowd-pleaser.

For all four, The Wiz was a formative show, influencing their career paths in entertainment and showing what was possible for Black artists. “It was one of the drivers that made me go, ‘Oh, I think I can do this,’” says Brady.

“The film was just life-changing — it allowed me to see life as a choreographer and understand the essence and energy of movement,” adds Knight, known for his work with major pop artists including Beyoncé, Megan Thee Stallion, Zara Larsson, J Balvin and more.

For Ruffin, The Wiz was “a real introduction to Black weirdness not connected to Black pain…The Wiz is the thing that gives you permission to be your artsiest, weirdest self and just do what’s in your weird little heart.”

Brady, who’s starred in previous Broadway productions including Kinky Boots and Chicago, plays the showman titular character, while R&B veteran Cox displays vocal pyrotechnics as Glinda. Both discuss The Wiz‘s enduring significance as a universally welcoming show — and proof that Broadway can continue to diversify and evolve.

“This show is a testament to what you can do when you display Black people and Black culture not as a monolith,” says Cox. “We are all of it, and we are the origin of it, and I think this show is the beginning of what you’ll be seeing a lot more of on Broadway.” Adds Brady: “It’s a true display of Black excellence in every form. It’s so rich.”

To hear what else Brady, Cox, Knight and Ruffin had to say, watch the video above.

Intruder Apprehended During a Break-In Attempt at Drake’s Toronto Mansion

Drake’s Toronto mansion has been the site of two incidents prompting police involvement this week.

CityNews reports a break-in attempt at the Bridle Path property around 2 p.m. on May 8, with police back at the residence just one day after a security guard was shot outside.

“Officers were called after a person attempted to gain access to the property,” according to a police spokesperson. “The person was apprehended under the Mental Health Act.”

Police have not released any further details regarding the apprehended person, or any relation between the break-in and the shooting the day before. The shooting took place after 2 a.m. on May 7, with the victim taken to hospital for serious injuries.

A Google Maps image of Drake’s Toronto home was featured on the cover of Kendrick Lamar’s “Not Like Us” diss track aimed at Drake, part of a heated battle between the two rap titans.

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The location of the residence was already well known in Toronto, with the house featured in the video for “Toosie Slide” in 2020.

Police have said it’s too soon to comment on a motive behind the shooting.

Judge Finds Beach Boys’ Brian Wilson Needs Conservatorship Because of Mental Decline

LOS ANGELES (AP) — A judge found Thursday (May 9) that Beach Boys founder and music luminary Brian Wilson should be in a court conservatorship to manage his personal and medical decisions because of what his doctor calls a “major neurocognitive disorder.”

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At a hearing, Los Angeles Superior Court Judge Gus T. May approved the petition filed by the 81-year-old Wilson’s family and inner circle after the death in January of his wife, Melinda Ledbetter Wilson, who handled most of his tasks and affairs.

“I find from clear and convincing evidence that a conservatorship of the person is necessary,” May said at the brief hearing. The judge said that evidence shows that Wilson consents to the arrangement and lacks the capacity to make health care decisions.

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May appointed two longtime Wilson representatives, publicist Jean Sievers and manager LeeAnn Hard, as his conservators.

There were no significant objections raised.

Two of Wilson’s seven children, Carnie and Wendy Wilson from singing group Wilson Phillips, asked through their attorney that all the children be added to a group text chain about their father, and that all be consulted on medical decisions. The judge granted the stipulations.

The two daughters had asked for a delay in the process at an April 30 hearing while issues were worked out, but it was clear at the hearing that consensus had been reached.

A doctor’s declaration filed with the petition in February said Wilson has a “major neurocognitive disorder,” is taking medication for dementia, and “is unable to properly provide for his own personal needs for physical health, food, clothing, or shelter.”

Sievers and Hard have had a close relationship with Wilson and his wife for many years. In a report, Robert Frank Cipriano, an attorney appointed by the court to represent Wilson’s interests, said Wilson acknowledged the need for the conservatorship, and said he trusts the judgement of the two women.

Cipriano’s report to the court said he visited Wilson at his “impeccably well maintained residence in Beverly Hills,” where he lives with two daughters and a long-term live-in caregiver.

Wilson can move around with help from a walker and the caregiver, Cipriano said, and he has a good sense of who he is, where he is, and when it is, but could not name his children beyond the two that live with him.

He said Wilson was “mostly difficult to understand and gave very short responses to questions and comments.”

Cipriano said he approved of the conservatorship, mostly because of Wilson’s general consent.

Wilson credited Ledbetter with stabilizing his famously troubled life after they met in the mid-1980s and married in 1995.

Wilson, his seven children, his caregiver, and his doctors consulted before the petition was filed, according to a family statement at the time. It said the decision was to ensure “there will be no extreme changes” and that “Brian will be able to enjoy all of his family and friends and continue to work on current projects.”

Judges in California can appoint a conservator for a person, their finances — referred to as the estate — or both, as was the case with Britney Spears. Spears’ case brought attention — much of it negative — to conservatorships, known in some states as guardianships, and prompted legislative changes. Wilson’s case is closer to the typical traditional use of a conservatorship, which very often is installed for an older person in irreversible mental decline.

The Wilson petition did not seek a conservator of the estate because his assets are in a trust, with Hard as a trustee.

Deeply revered and acclaimed as a co-founder, producer, arranger and chief songwriter of the Beach Boys and a masterful innovator of vocal harmony, Wilson struggled with mental health and substance abuse issues that upended his career in the 1960s.

He was inducted into the Rock & Roll Hall of Fame in 1988 along with his bandmates, including his brothers Carl and Dennis and his cousin Mike Love.

Here’s Why Fans Think Taylor Swift Added a Sweet Tribute to Travis Kelce in Her Paris Eras Tour Setlist

He knows how to ball, she knows Aristotle – but swag surfing they have in common. Taylor Swift‘s first show back on the Eras Tour Thursday (May 9) featured multiple surprises as she debuted several new numbers from The Tortured Poets Department, including what appeared to be a subtle tribute to boyfriend Travis Kelce. 

While performing “So High School” for the first time ever at La Defense Arena in Paris, the pop star joined her backup dancers on a set piece designed to look like bleachers (perhaps the ones at Arrowhead Stadium, where Swift was a mainstay during the 2023-24 NFL season to support the tight end). At one point in the choreography, she and the group started swaying left to right with their arms forming wave-like motions — aka swag surfing, a game day dance adopted by Kansas City Chiefs fans. 

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Posting a clip of Swift doing the dance on TikTok, one fan wrote excitedly, “THE SWAG SURFING.”  

“taylor swift swag surfing at the eras tour oh how I love her,” added another Swiftie on X

“i cannot wait for the day that [Travis] gets to watch taylor sing so highschool to him while swag surfing,” a third person tweeted. “he’s going to be like a kid in a candy shop.” 

“So High School” is one of two tracks on the extended anthology version of Tortured Poets Department that fans believe is about Kelce, along with “The Alchemy.” On the latter, she makes references to football games and sings, “Beer sticking to the floor, cheers chanted ’cause they said/ There was no chance trying to be the greatest in the league/ Where’s the trophy? He just comes running over to me.” 

The Paris show isn’t the first time Swift has partaken in a round of swag surfing. The singer and Brittany Mahomes — who is married to Kansas City quarterback Patrick Mahomes — enthusiastically did the dance with the rest of Chiefs Kingdom at a game in January, just a few weeks before the team earned its second Super Bowl title in a row in Las Vegas (which Swift was also there for). 

Watch Swift swag surf at her Eras show in Paris below. 

Avril Lavigne Reveals Track List for First-Ever Greatest Hits Album

Avril Lavigne revealed the track list for her first-ever hits compilation, Avril Lavigne: The Greatest Hits, on Friday morning (May 10). The 20-track collection due out June 21 will feature such iconic favorites as 2002 breakthrough anthems “Complicated” and “Sk8er Boi,” as well as 2004’s “Don’t Tell Me,” 2007’s “Girlfriend” and 2011’s “What the Hell,” among others.

Several collaborations are in the mix as well, including “I’m a Mess” (feat. Yungblud), “Bois Lie” (feat. Machine Gun Kelly) and “Love It When You Hate Me” (feat. blackbear), as well as the Eragon soundtrack single “Keep Holding On.”

The Legacy Recordings collection will be available on 12″ vinyl — including a Target-exclusive neon green version — CD and digital formats, with the album packaging featuring new photos and a personal note from the singer to her fans.

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The singer will take her chart smashes on the road this summer with the 2024 Avril Lavigne: The Greatest Hits tour, which is slated to kick off on May 22 in Vancouver, BC at Rogers Arena and include stops in Las Vegas, Phoenix, Ottawa, Toronto, Nashville, Milwaukee, Chicago, Minneapolis and Winnipeg before winding down on Sept. 16 at Rogers Place in Edmonton; the shows will feature support from All Time Low, Royal & the Serpent, Simple Plan and Girlfriends on select dates.

Before hitting the road Lavigne will make her debut performance at the May 16 59th ACM Awards alongside best new male artist nominee Nate Smith. Also coinciding with the hits LP, four of Lavigne’s studio albums — 2004’s Under My Skin, 2007’s Best Damn Thing, 2011’s Goodbye Lullaby and 2013’s Avril Lavigne — will be released on 12″ vinyl editions including bonus recordings previously available as digital-only tracks.

Check out the track listing for Avril Lavigne: The Greatest Hits:

Side A
1. “Sk8er Boi” (Let Go/single – Arista 2002)
2.” Girlfriend” (The Best Damn Thing/single – RCA 2007)
3. “What the Hell” (Goodbye Lullaby/single – RCA 2011)
4. “Complicated” (Let Go/single – Arista 2002)
5. “Don’t Tell Me” (Under My Skin/single – Arista/RCA 2004)
 
Side B
6. “I’m A Mess” (with Yungblud) (Love Sux Deluxe/single – Elektra/DTA 2022)
7. “He Wasn’t” (Under My Skin/single – Arista/RCA 2005)
8. “Losing Grip” (Let Go/single – Arista 2003)
9. “My Happy Ending” (Under My Skin/single – Arista/RCA 2004)
10. “Bite Me” (Love Sux/single – Elektra/DTA/2021)
 
Side C
11. “Nobody’s Home” (Under My Skin/single – Arista/RCA 2004)
12. “I’m With You” (Let Go/single – Arista 2002)
13. “When You’re Gone” (The Best Damn Thing/single – RCA 2007)
14. “Bois Lie” (feat. Machine Gun Kelly) (Love Sux/single – Elektra/DTA 2022)
15. “Smile” (Goodbye Lullaby/single – RCA 2011)
 
Side D
16. “Love It When You Hate Me” (feat. blackbear) (Love Sux/single – Elektra/DTA 2022)
17. “Rock n Roll” (Avril Lavigne/single – Epic 2013)
18. “Here’s To Never Growing Up” (Avril Lavigne/single – Epic 2013)
19. “Keep Holding On” (The Best Damn Thing/”Eragon” soundtrack/single – RCA 2006)
20. “Head Above Water” (Head Above Water/single – BMG 2018)

The Game Sparks Rick Ross Feud With Explosive ‘Freeway’s Revenge’ Diss Track

Move over, Drake and Kendrick Lamar: There’s another feud entering the fold in hip-hop. The Game took aim at Rick Ross with the fiery “Freeway’s Revenge” to ignite his beef with the MMG boss on Friday (May 10).

Premiered by DJ Akademiks, Game forces his way into the conversation while all eyes on Drizzy and Kendrick to lyrically snuff Rozay after Ross has spent the better part of the last month trolling the 6 God.

“You 12 lemon pepper wings from a heart attack/ Akademiks, give this n—a an Ozempic starter pack,” he raps.

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Game sniped Ross about taking his rap name from a real Florida street hustler and claims he took The Notorious B.I.G.’s style. “You stole your name, I pulled your file/ You looked at B.I.G. and stole his style/ I smell p—y, that odor foul/ You ain’t sold no birds, you trolled the owl,” he spews.

Prior to the diss track’s arrival, the “My Life” rapper taunted Ross with a post to his Instagram Story featuring what appears to be an A.I.-generated image of Rozay in a police uniform — jabbing at his corrections officer past — running outside KFC while holding a bucket of fried chicken.

Rick Ross and The Game haven’t always been enemies, as they worked together in the past on tracks such as “Ali Bomaye” from the West Coast rhymer’s 2012 Jesus Piece album.

As of press time, Rick Ross is yet to address The Game’s “Freeway’s Revenge” diss track on social media.

Listen to “Freeway’s Revenge” below.


https://youtube.com/watch?v=paVruQHvtLQ&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

BTS’ RM Plays Multiple Roles (Including a Baby Man) in Cinematic Video For Solo Single ‘Come Back To Me’

BTSRM is a big baby in the trippy video for his single “Come Back to Me.” The cinematic clip directed, produced and written by Beef creator Lee Sung Jin that dropped on Friday morning (May 10) features a scene where the singer plays an adult-sized infant, one of several roles he takes on in the twisty, nearly seven-minute mini-movie.

“Come back to me/ Like you used to/ Now, I could see/ What a life is about/ I told you I’m fine tonight/ Staying good/ Spring always been here/ I will sleep in her eyes,” the 29-year-old K-pop star sleepily croons over acoustic guitar and whistling. Elsewhere in the visual, RM is a devoted dad and a man at odds with his girlfriend.

The single from RM’s upcoming 11-track second solo album, Right Place, Wrong Person (May 24) was first performed last August during a surprise appearance at BTS bandmate Suga’s Seoul concert on his SUGA | Agust D Tour ‘D-DAY’ The Final outing. “Through ‘Come Back To Me,’ RM explores the central theme of the new album, ‘right and wrong,’ delving into the paradoxical desire to venture into new territories while longing to remain content in the present,” reads a statement announcing the video that co-stars actress Kim Minha (Pachinko).

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RM wrote the lyrics for the song, which also features guest musicians OHHYUK from South Korean band HYUKOH — who composed and arranged the track — as well as guitar and bass from Kuo of Taiwanese band Sunset Rollercoaster and contributions from singer/songwriter JNKYRD and San yawn of Balming Tiger.

“The music video captures the uncanny yet familiar sensation of feeling like a stranger in different surroundings, echoing the theme of the upcoming album,” adds the statement of the clip that ends with a surprise twist.

RM’s first solo LP, Indigo, was released in Dec. 2022, and peaked at No. 3 on the all-genre Billboard 200 and featured guests including Anderson .Paak, Erykah Badu and others. The members of BTS are all in the midst of completing their mandatory military services in South Korea, which RM enlisted in in December alongside band mates V, Jimin and Jung Kook.

Watch the “Come Back to Me” video below.



Blessing Offor Calls on Dolly Parton for Uplifting ‘Somebody’s Child’ Ballad & Video

Dolly Parton is delving into CCM/gospel anew, teaming with “Brighter Days” hitmaker Blessing Offor for his song “Somebody’s Child,” a soulful piano ballad that nods to finding solace and belonging in faith.

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Two-time Grammy nominee Offor, who just completed the first leg of shows opening for Lauren Daigle’s national tour, wrote the piano ballad with Joy Williams and Josh Ronen. The accompanying music video, starring Offor and Parton, begins with Offor playing and singing at a piano. He’s soon joined by Parton and a choir, heightening the emotion, while the video is interspersed with footage of various real-world situations of both joy and struggle, highlighting the need for compassion and empathy.

“We’re all ‘somebody’s child,’” Blessing said of the song in a statement. “It’s such a simple concept, but I hope it’s the beginning of us all realizing that there’s always a point of empathy, there’s always common ground if we want to find it. And there’s no better embodiment of finding common ground, finding relatability, than Dolly Parton. I’m so honored and humbled to have her on this project.”

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In January 2023, the Nigerian-born, Connecticut-raised Offor released his debut album My Tribe. He was nominated for the GMA Dove Awards’ new artist of the year in 2022 and that same year, earned a three-week Christian Airplay No. 1 hit with his TobyMac collab “The Goodness.” Offor has been featured on albums by Lee Brice and Chris Tomlin, while his song “Brighter Days” reached No. 2 on the Christian Airplay chart.

Ten-time Grammy winner Parton added in a statement, “I know it’s too easy to say it was a blessing singing with Blessing,” Dolly says, “but it was. I love the song ‘Somebody’s Child’ and I am very proud to be a part of it.”

Parton, of course, has teamed with a few other CCM/gospel artists in recent years, partnering with for King & Country on “God Only Knows,” as well as partnering with Zach Williams for “There Was Jesus” and “Lookin’ For You.”

See the video for “Somebody’s Child” below:



Beabadoobee Preps Rick Rubin-Produced ‘This Is How Tomorrow Moves’ Album, Drops Dreamy ‘Take a Bite’ Single

Beabadoobee is getting ready to release her most intimate album yet. The 23-year-old singer announced on Thursday (May 9) that her third studio LP, This Is How Tomorrow Moves, is due out on August 16. “My most personal record, made with love from bea, jacob, rick and shangrila studios,” she wrote on Instagram, shouting out the album’s producers, Rick Rubin and Jacbo Budgen, and Rubin’s legendary Malibu studio.

She also dropped the video for the dreamy first single, “Take a Bite,” in which she casually takes a stroll through the city in a high-fashion outfit as day turns to night — and all hell breaks loose — and she sighs the chorus, “I wanted to see the world in color/ Through your eyes and through your mind/ I think that I like to sit and wonder/ Through the night, I think I might/ Wanna do it all over again.”

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“It’s me feeling introspective about unhealthy way of living,” the singer said in a press release announcing the follow-up to 2022’s Beatopia. “It’s finding comfort in a familiar place – finding comfort in chaos, because that’s what I know. So, I bring it into every aspect of my life, especially with relationships. It’s just tapping into this part of my brain where I just jump straight to the most negative, most chaotic thought ever known to man and make and make that into my reality.”

The upcoming collection from the singer who was a featured guest on a dozen shows on the spring 2023 run of Taylor Swift’s 2023 North American Eras Tour, follows on the heels of two live albums she dropped laste last year, Live in L.A. and Live in London.

Watch the “Take a Bite” video below.