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Common Rejected ‘At Least 10’ Beats Kanye West Used on ‘Graduation,’ ‘Late Registration’: ‘I Got More Memories of Joints I Passed On’

Common has been a legend in the game for more than three decades. But even with all his success in hip-hop and on the big and little screens, there’s always that nagging “what if?” question about the doors you didn’t open as well as the ones you did.

Sitting down on the 7PM in Brooklyn podcast with Carmelo Anthony and Kid Mero this week, the 52-year-old Chicago-bred MC, chopped it up about the NBA playoffs and his favorite ballers — as well as getting seriously trash-talked to by Chicago Bulls legend Michael Jordan — but he also shared some previously unheard stories about working with Ye, including the mountain of Kanye West beats he passed on early in his career.

“It’s at least, 10 Ye beats out there that I passed on,” he said of the tracks he didn’t take from fellow Windy City native West. “Even on one of those albums, he like, ‘Common passed on the beat, I turned it into a jam,’” he added in quoting the chorus from “Everything I Am” from Ye’s 2007 Graduation album.

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That wasn’t it, either. Common said he also took a pass on such future Ye tracks as “I Wonder” and “Heard ‘Em Say.”

“It’s crazy because I didn’t take any Ye beats, like in that ’96-’97, when-I-met-him era. But then in 2003, I’m like, ‘Ye, lemme get some beats, like come on!,’” Common said. “I felt like at the time No ID was at such a higher level that I was just like, ‘Ye, these beats ain’t doing it for me yet. You gettin’ there, but you ain’t there yet’… I got more memories of joints I passed on, beats that he made for me, that ended up being, like… a lot of his Late Registration album.”

For example, Common said Ye made the beat for ‘Heard ‘Em Say” just for him, writing the song in front of him in 10 minutes. “I was like, ‘This beat dope.’ He was like, ‘You want it?’ and I was like, ‘Man I gotta…’ because it didn’t feel like it was fitting in my album [Be]… So I was like, ‘Nah, you good.’ He said, ‘Are you sure?’ I was like, ‘Nah I’m good.’” Looking back now, he told the hosts, yes, of course “that beat was dope.”

The pair have worked on plenty of other songs, including 2004’s “The Food” single and 2005’s “The Corner,” as well as Ye appearing alongside Common and John Legend on “They Say” from Common’s 2006 Be album, which was produced by West, how also had a heavy hand in writing the entire LP.

The deep-dive round ball talk also found Common saying that if he had to pick a baller to represent him as a rapper, he’s torn between retired three-time NBA champ Dwayne Wade or power forward-turned-broadcaster and round mound of rebound Charles Barkley. “I say that because D Wade had a lot of success too… but I think sometimes D Wade don’t get all the love [he deserves],” Common said, praising both men for pivoting to other careers after they hung up their jerseys.

For the record, asked how he felt about the recent Drake-Kendrick Lamar lyrical battle, Common said now that the war is over he’s confident calling it a “good heavyweight fight… I respected what each one delivered.”

Watch Common on 7PM in Brooklyn below (Ye talk begins around 51-minute mark).



Which Is Your Favorite New Music Release of the Week? Vote!

A slew of new music releases hit streaming services right on schedule Friday (May 17), from fresh pop albums to standout rap and country singles.

Arguably the most highly anticipated project to arrive this week, however, is Billie Eilish’s third studio album Hit Me Hard and Soft, a 10-track follow-up to 2021’s Happier Than Ever produced by Finneas. The LP finds the 22-year-old star at her most comfortable and mature state, from the reflective songs “Wildflower” and “Skinny” to the lovey-dovey ballad “Birds of a Feather” and promiscuous dance-floor banger “Lunch.”

Zayn Malik has also returned with his latest full-length, Room Under the Stairs. Recorded at home in rural Pennsylvania, the former boy band star embraces a rootsier direction with tracks such as “What I Am” and “Alienated” to reflect his newfound independence as a solo artist and single dad.

Plus, Luke Combs — fresh off an ACM Award for single of the year win thanks to his hit cover of Tracy Chapman’s “Fast Car” — dropped new song “Ain’t No Love in Oklahoma.” Bronx rapper A Boogie Wit da Hoodie also shared 21 new tracks on Better Off Alone — which features collaborations with Future, Lil Durk, Young Thug and more — while Saweetie emerged with a strong song of the summer contender titled “NANi.”

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From polished pop to classic country and hip-hop, this week is absolutely saturated with exciting new music releases — and Billboard wants to know which one is your favorite. Whether it’s Eilish, Malik, Combs, A Boogie Wit da Hoodie, Saweetie or someone else, vote for your top pick in the poll below.

Lil Yachty Doesn’t Think Drake ‘Won or Lost’ to Kendrick Lamar

On the latest episode of his podcast A Safe Place, Lil Yachty spoke on a variety of topics pertaining to his proximity to the Drake and Kendrick Lamar feud. The Atlanta rapper wasn’t too into being name-dropped by Kendrick on “Euphoria,” telling his producer, “I really didn’t want anything to do with it,” after revealing he received a ton of excited calls and texts from friends. He also knew his name was going to be mentioned before the song came out adding, “I knew that my name was mentioned before it came out. I didn’t hear the record but I had got word that I was mentioned. I wasn’t surprised.”

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However, Boat was also able to appreciate two of rap’s most important figures battling it out, saying, “I got a ton of respect for both of these guys. Honestly, it was a cool thing to watch. I learned so much. It was an honor and blessing to be able to experience it firsthand.”

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In another clip, he gives his opinion on who won or lost, and as of right now, Yachty has it as a draw because the cards were stacked against the Toronto rapper. “Drake dropped great records. But also, let’s be fair: Drake was deemed a loser in this battle before it started because people don’t like him and haven’t,” he said after suggesting Kendrick’s apparent “animosity.” He continued by admitting he thinks Drake will be fine: “I don’t think people are gonna stop listening to Drake and Drake’s career is gonna flush.”

Boat then said he told Drake “I don’t feel like you won or lost” before adding, “Rappers have lost, and then lost everything. But this hasn’t happened to Drake. He will still be in everybody’s Spotify Wrapped at the end of the year and he’ll still drop hits and control the summer. I think Kendrick made very smart moves and I don’t think Drake would disagree.”

Drake and Yachty work together frequently, for what it’s worth.

T-Pain Delivers Powerful Message About Self-Love With New Song ‘On This Hill’

Shortly after gracing Billboard’s digital cover issue this month, T-Pain hopes to achieve self-love on his latest song, “On This Hill.”

“On This Hill” evokes powerful emotion, with T-Pain singing around a bonfire: “I’m telling you, I’ll die on this hill/ You can’t talk me off the ledge/ And I just gotta lock you out my head/ And baby, how do I love you still.”

“This song is really about refusing to be gaslit anymore. It’s about coming to a realization that I have to stand up for myself,” Pain tells Billboard. “Over the years, that has just been something I’ve had to open my eyes to and learn how to deal with it. So yeah, I’ll die on this hill, ha!”

In a candid conversation with Billboard earlier this month, T-Pain shared some surprising insights. He revealed that he initially had reservations about recording some of his biggest hits, including the chart-topping ‘Buy U a Drank,’ which soared to the top of the Billboard Hot 100 in 2007. 

“I didn’t want to do ‘Freeze,’ I didn’t want to do ‘Buy U a Drank,’ I didn’t want to do most of the songs that are my biggest hits. Because, you know, I’m an artiste,” he revealed. “Back then, when I got done with a song, I was always thinking, ‘People are going to like this,’ and not, ‘I like this.’”

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Watch T-Pain’s live performance of “On This Hill” below, and check out his Billboard digital cover here



Ariana Grande’s ‘We Can’t Be Friends (Wait for Your Love)’ Hits No. 1 on Pop Airplay Chart

Ariana Grande’s “We Can’t Be Friends (Wait for Your Love)” lifts to No. 1 on Billboard’s Pop Airplay chart (dated May 25).

With the track, from Grande’s Republic Records album Eternal Sunshine, she notches her 10th Pop Airplay leader, becoming the sixth act to amass a double-digit total. Taylor Swift boasts a record 13 No. 1s, followed by Maroon 5, Katy Perry, Rihanna (11 each), Justin Bieber, Grande (10 each), Bruno Mars and P!nk (nine each).

(The Pop Airplay chart, which began in October 1992, ranks songs by weekly plays on over 150 mainstream top 40 radio stations monitored by Mediabase, with data provided to Billboard by Luminate.)

Grande co-wrote and co-produced “We Can’t Be Friends (Wait for Your Love)” with Max Martin and ILYA.

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Here’s a recap of Grande’s 10 Pop Airplay No. 1s:

  • “We Can’t Be Friends (Wait for Your Love),” one week to date, May 25, 2024
  • “Die for You” (The Weeknd & Ariana Grande), two weeks, beginning Feb. 11, 2023
  • “34+35,” three weeks, beginning Feb. 13, 2021
  • “Positions,” seven weeks, beginning Dec. 26, 2020
  • “7 Rings,” six weeks, beginning March 16, 2019
  • “Thank U, Next,” one week, Jan. 26, 2019
  • “God Is a Woman,” one week, Nov. 10, 2018
  • “No Tears Left to Cry,” one week, July 21, 2018
  • “Side to Side” (feat. Nicki Minaj), five weeks, beginning Dec. 24, 2016
  • “Problem” (feat. Iggy Azalea), two weeks, beginning July 12, 2014            



“We Can’t Be Friends (Wait for Your Love)” launched at No. 1 on the Billboard Hot 100 dated March 23, becoming Grande’s ninth leader. The same week, Eternal Sunshine soared in as her sixth No. 1 on the Billboard 200.

All Billboard charts dated May 25 will update Tuesday, May 21, on Billboard.com.

Watch Billie Eilish Get Flirty in ’90s-Inspired ‘Lunch’ Music Video

Just 12 hours after dropping her third studio album, Hit Me Hard and Soft, at midnight Friday (May 17), Billie Eilish has unveiled the project’s first music video: a flirty, ’90s-inspired visual for the song “Lunch.”

Filmed with an overexposed, grainy filter, the ’90s-inspired video finds the 22-year-old pop star singing along as she models a variety of her signature oversized outfits, accessorized with baggy jerseys and snapbacks. As the song intensifies, Eilish’s backdrop changes from a blank white space to vivid primary colors, the singer dancing with clones of herself onscreen.

“I could eat that girl for lunch, she dances on my tongue,” Eilish sings on the upbeat dance track. “Tastes like she might be the one/ And I could never get enough/ I could buy her so much stuff/ It’s a craving, not a crush.”

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Produced by Eilish’s older brother and longtime collaborator Finneas, Hit Me Hard and Soft features a total of 10 tracks. (See them ranked here.) It follows the two-time Oscar winner’s debut album When We All Fall Asleep, Where Do We Go? and sophomore effort Happier Than Ever, both of which spent three weeks at No. 1 on the Billboard 200.

“This whole process has felt like I’m coming back to the girl that I was,” she told Rolling Stone in April of Hit Me Hard and Soft. “I’ve been grieving her. I’ve been looking for her in everything, and it’s almost like she got drowned by the world and the media. I don’t remember when she went away.”

Watch Billie Eilish’s “Lunch” music video above.

BTS’ RM Reveals Full Track List for ‘Right Place, Wrong Person’ Solo Album

With just a week to go before BTSRM releases his second solo album, Right Place, Wrong Person, on Friday (May 17) the singer finally revealed the full track list for the 11-song LP.

The album (out May 24) described in a release as a collection of “alternative genre-based tracks… that reflect a raw and host presentation of RM’s distinctive sensibility, aesthetics and beliefs,” will feature collaborations with British rapper/singer Little Simz on “Domodachi,” and singer/guitarist Moses Sumney on “Around the world in a day.” In addition to dreamy first single “Come Back to Me,” the album contains the title track as well as “Nuts,” “Groin,” “Heaven” and “LOST!”

“Come Back to Me” features lyrics by RM, as well as guest musicians OHHYUK from South Korean band HYUKOH — who composed and arranged the song — and guitar and bass from Kuo of Taiwanese band Sunset Rollercoaster and contributions from singer/songwriter JNKYRD and San yawn of Balming Tiger.

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Other contributions come from Kim Hanjoo of South Korean band Silica Gel, who produced “LOST!,” and alt jazz duo DOMi & JD Beck, who helped with production on “? (Interlude).”

RM recently released the trippy, seven-minute-long video for “Come Back to Me,” which was written and produced by Beef creator Lee Sung Jin. In it he croons, “Come back to me/ Like you used to/ Now, I could see/ What a life is about/ I told you I’m fine tonight/ Staying good/ Spring always been here/ I will sleep in her eyes,” over acoustic guitar and whistling in the clip in which he plays several different roles.

Check out the full Right Place, Wrong Person track list below.

Chris Stapleton Reveals His Surprise Dua Lipa Duet at 2024 ACMs Came Together ‘in the Last 2 Days’

Chris Stapleton took home four awards at the 2024 ACM Awards Thursday night (May 16), but he may as well have won a fifth: best-kept secret, which he unofficially earned for his surprise duet with Dua Lipa during the ceremony.

Viewers were shocked to see the pop star take the stage with the country crooner at the Ford Center in Frisco, Texas, with the pair teaming up for a reimagined version of his “Think I’m in Love With You” midway through the show. (Sources onsite told Billboard that the pair is planning to release a collaboration together in the future, but neither musician has publicly confirmed the news.)

After the performance, Stapleton revealed on the Winner’s Walk carpet that he was almost equally surprised to see the duet materialize, telling Billboard‘s Melinda Newman that it came together in as little as two days.

“[Lipa] contacted the ACMs, and the ACMs contacted us,” he said, noting the “Houdini” singer’s dedication to making the partnership happen. “She’s very busy promoting her own record [Radical Optimism] right now. We kind of created this thing together in the last two days.”

Lipa also opened up to Billboard about the performance after the show, which was produced by Dick Clark Productions. “Lots of zip-up hoodies and running in and out of the arena [were involved],” she told reporter Lyndsey Havens of how she kept her appearance under wraps. “We were all so in on making sure that this stays a surprise to make the moment even more special. I don’t know how we did it, I’m glad we did it because it’s really special when it happened tonight on stage.”

In addition to performing, Stapleton also won male artist of the year, artist-songwriter of the year and album of the year for his 2023 record Higher at the ACMs. When Billboard asked him and his wife/collaborator Morgane which pop artist the country star would like to work with next, he replied, “I’d always say someone like Paul McCartney.”

He then added, “Harry Styles. [Morgane has] mentioned [him] a few times.”

DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldridge. PMC is the parent company of Billboard.

Jelly Roll Says ACM Win With Lainey Wilson Was Meant to Be: ‘What a Great Year for Me to Have a Song With Her!’

The year just keeps getting better for Jelly Roll. The “Son of a Sinner” singer added another notch to his gilded belt on Thursday night (May 16) at the 2024 ACM Awards when he shared the music event of the year prize with Lainey Wilson at the Ford Center at the Star in Frisco, Texas.

“First time nominated, first award and it couldn’t have happened for a more meaningful song,” Jelly Roll said of his win for “Save Me” with Wilson at the show produced by Dick Clark Productions. Speaking to Billboard after the event, Jelly said he decided to add Wilson to the song after he recorded it solo because he wanted to “hear it from a woman’s point of view.”

As an example of why that was definitely the right call, he said his stylist told him she listened to the track “1,000 times and loved it,” but when she heard the version with Wilson she cried because, as she told him, “it felt like it was one of us singing it. I was like, ‘WOW,’ it just covered me in chills. I knew then that it was going to be a special song.”

Jelly said he had a premonition that Wilson was going to be the biggest star on the planet, but after the breakout year she’s had, he thought, “What a great year for me to have a song with her!”

While Jelly Roll has been at the game for a while before his big blowup began taking hold over the last 24 months, he said he and pal Wilson talk all the time about the wild rocket ride of fame they’ve both been on lately and love to share notes and advice. “It’s been so awesome. We’ve been so paralleled and everything. We talk about it openly and honestly,” he said of the small group of fellow artists — which also includes Cody Johnson — that he huddles with to “lay it all on the table.”

In the midst of a red-hot streak that has had anyone and everyone knocking on his door for a collaboration, Jelly Roll had no problem naming the one call that wowed and delighted him the most. “Whenever I got the call to do the MusiCares with Jon Bon Jovi and then I met Sir Paul McCartney at the same time,” he said of the February gala honoring the Bon Jovi founder at which the country star performed a gritty cover of the Jersey rockers’ “Bad Medicine.”

“There’s a picture that exists on the Earth of me meeting Sir Paul McCartney and Jon Bon Jovi at the same time… that was the one that was like, ‘get out of here man!,’” he joked about the pic he keeps sending around to friends and swearing is not a PhotoShop job. Now that he’s been awarded for his Wilson collab, Jelly Roll said the next duet partner on his bucket list is definitely Jersey giant Bon Jovi. Or James Taylor, or Bob Seger.

Watch Jelly Roll talk about his big night and his pinch-me photo op above.

DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldridge. PMC is the parent company of Billboard.

Miley Cyrus’ ‘Psycho Killer’ & More Talking Heads Covers Unveiled on New A24 Tribute Album: Listen

A24’s full compilation album Everyone’s Getting Involved: A Tribute To Talking Heads’ Stop Making Sense has finally arrived, featuring new covers of the quintessential rock band’s music by Miley Cyrus and more artists. 

The “Flowers” singer contributed a rendition of Talking Heads’ 1977 hit “Psycho Killer” to the project, which dropped Friday (May 17). Singing over oscillating synths and intense percussion, Cyrus — who previously sang a live cover of the song during her November performance at the Chateau Marmont in L.A. — injects her own flair and pop-star energy into David Byrne’s sauntering original. 

“Psycho killer, qu’est-ce que c’est?” she sings with her signature rasp. “Run, run, run, run, run, run, run away.” 

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The 16-track LP also features The National’s version of “Heaven” and The Linda Lindas’ take on “Found a Job,” as well as covers by Blondshell, Él Mató a un Policía Motorizado, DJ Tunez, Jean Dawson, The Cavemen, BADBADNOTGOOD, Kevin Abstract and Chicano Batman. A few of the recordings were released prior to the full album, including Paramore’s rendition of “Burning Down the House,” Lorde’s performance of “Take Me to the River,” Girl in Red’s “Girlfriend Is Better” and Teezo Touchdown’s “Making Flippy Floppy.” 

Spearheaded by A24, the honorary project celebrates the 40th anniversary of Talking Heads’ innovative 1984 concert film Stop Making Sense, which was restored for special screenings in theater last fall.   

Listen to Everyone’s Getting Involved: A Tribute to Talking Heads’ Stop Making Sense, featuring Cyrus’ cover of “Psycho Killer,” below.