Music News

Watch Blake Lively Dance With Her Daughters at Taylor Swift’s Eras Tour Show in Madrid

The real-life namesakes of Taylor Swift‘s Folklore characters were in attendance at the Wednesday (May 29) Eras Tour show in Madrid, with Blake Lively bringing along her daughters — James, Inez and Betty — to see the pop star’s first of two performances at Estadio Santiago Bernabéu.  

Fan cameras captured the actress interacting with concertgoers before the show began, milling about in an enclosed VIP section on the stadium floor with her kids and the Haim sisters — Danielle, Este and Alana. During Swift’s three-hour performance, Lively took videos of her daughters and joyfully danced with them to tracks such as “Shake It Off.” 

During one special moment of the night for Lively and her kids — whom the Gossip Girl alum shares with Ryan Reynolds, as well as a fourth child whose name has not yet been revealed — the 14-time Grammy winner performed “Betty” on guitar. Swift named the three fictional people mentioned in her musical teenage love triangle after her friends’ daughters, and before playing the track Wednesday night, told the crowd with a smile: “On Folklore, some of my favorite characters are named James, Inez and Betty!”  

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Swift’s latest concert isn’t the first time Lively and her daughters have attended an Eras show. They were also at the singer’s performance in Philadelphia in May — where they got a special onstage shout-out from the headliner herself — and Reynolds said in a recent TODAY interview, “My wife and kids have been to five of them, five or six now.” 

Lively most recently starred in It Ends With Us, a film adaptation of Colleen Hoover’s bestselling novel of the same name. The project’s trailer dropped just a couple of weeks before the Eras concert, and it featured another one of Swift’s Folklore fan-favorites, “My Tears Ricochet.”  

See clips of Lively and her family enjoying the Eras Tour with HAIM below. 

Survivor’s ‘Rocky III’ Anthem ‘Eye of the Tiger’ Hits 1 Billion Views Mark on YouTube

It’s refrain has become universal shorthand for keeping your eye on the prize. And now Survivor‘s legendary Rocky III pump-up anthem, “Eye of the Tiger,” has crossed the one billion views mark on YouTube.

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The video for the song that begins with a repetitive picked guitar part over cymbal crashes is quintessential early ’80s, mostly consisting of the band’s five members power walking down city streets looking focused and fierce. Their double-time stroll takes them through an industrial warehouse filled with plumbing and construction parts and up into a loft packed with what looks like mothballed movie props as beret- and leather-jacket-wearing vocalist Dave Bickler sings the iconic refrain: “It’s the eye of the tiger/ It’s the thrill of the fight/ Rising up to the challenge of our rival/ And the last known survivor stalks his prey in the night/ And he’s watching us all with the eye… of the tiger.”

The billion club entry represents the first one of the band’s videos to cross that high-water mark.

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In addition to serving as the theme song for the threequel, the propulsive track was also a single from the band’s third studio album of the same name. Founding guitarist Frankie Sullivan — who co-wrote the song with founding rhythm guitarist/keyboardist Jim Peterik — confirmed to Guitar Player magazine in an interview in March of this year that Survivor was not Stallone’s first choice.

As Sullivan recounted, Stallone used Queen’s “Another One Bites the Dust” in an early cut of the film, but was unable to keep it in the final version. “I actually saw it on the film at the studio when I was there with Sly,” Sullivan said, who added that the deal to use “Tiger” was set in motion during a meeting at Roa’s Hollywood Italian restaurant by the owners of Survivor’s label, Tony and Ben Scotti of Scotti Brothers Records.

“They were all good friends,” said Sullivan of the siblings and Stallone. “Tony was real smart, and he said to Sly, ‘I’ve got this band, maybe we could help each other.’ Tony asked Sly to call me, which he did. That dinner was probably the best thing that ever happened to my career.” After watching the film, Sullivan said it became a scramble to finish the track, with the music taking “about 10 minutes,” while the lyrics bubbled for three days. “We had 90 percent of them, but we couldn’t come up with a title,” the guitarist recalled.

While looking through the script he spotted a line where rival Apollo Creed (Carl Weathers) reminds Rocky that he used to have the eye of the tiger. “And that was our title,” Sullivan said.

Watch the “Eye of the Tiger” video below.



Shaboozey Reveals Tracklist For Third Album, ‘Where I’ve Been, Isn’t Where I’m Going’

Shaboozey is ready to blow out what has already been an epic year so far. The 29-year-old Virginia country rapper who was featured on two songs from Beyoncé’s Cowboy Carter album (“Spaghetti” and “Sweet Honey Buckin’”) is riding high with his solo single “A Bar Song (Tipsy)” — which hit No. 3 on the Billboard Hot 100 — and now he’s revealed the tracklist for his about-to-drop third album.

Where I’ve Been, Isn’t Where I’m Going is out on Friday (May 31), and in addition to his breakthrough single, it will feature the tracks “Horses & Hellcats,” “East of the Massanutten,” “Let It Burn” and “Vegas.” The 12-track album will also have a number of songs with guest features, including “Last of My Kind” with Paul Cauthen, “My Fault” with Noah Cyrus and “Drink Don’t Need No Mix” with BigXThaPlug.

Shaboozey also dropped a two-minute album trailer this week that takes place in a dusty Wild West town and opens with a crusty cowboy pulling down an flyer for a Shaboozey show from a telephone pole before tossing aside a newspaper with a full-page profile of the singer/rapper. Unable to escape the ‘Boozey, the crotchety cowpoke gets frustrated in his truck when a radio announcer talks up “Bar Song,” then tosses his portable radio into the lake after hearing another promo for the smash hit while fishing.

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His attitude changes, however, when Shaboozey steps off a tour bus and the two men meet face-to-face on a lonely highway.

Check out the cover and tracklist for Where I’ve Been, Isn’t Where I’m Going and the promo video below.



JoJo Siwa Is Amped in Teaser For ‘Choose Ur Fighter’ Single: ‘Ready or Not… Here It Comes’

JoJo Siwa is used to be in the red hot spotlight. The Dance Moms alum who began her career a decade ago is in the midst of what she has described as a new musical era, one that she promised will continue to evolve with her next single.

In a cheeky video posted on Wednesday (May 29), Siwa is seen sitting on the floor of a dance studio in black sweats while hyping up her team. “For the last few weeks the world has been f–king brutal. They’ve been talking so much s–t… but I don’t give a f–k,” Siwa says before shouting the title of her upcoming single, “Choose UR Fighter!”

If you listen closely you can hear the uptempo, new wave-sounding bop in the background, though no official release date has been announced yet for the track. Siwa’s caption for the post promised, “Ready or not… here it comes” and an accompanying image features Siwa rocking a glittery, futuristic outfit accessorized by bedazzled pink gloves. The singer’s official website has also been splashed with the song’s title and an old-school “content loading” bar.

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The singer celebrated her 21st birthday on May 21 with a blow-out party at Disney World, sharing a tipsy video before things got super wild. “It’s my 21st birthday. I’m drunk as f— right now,” she said in a TikTok video in which she appeared to be in her kitchen, with bottles on bottles of alcohol arrayed on the counter behind her. Off-camera, a friend lobbed a piece of bread JoJo’s way, which Siwa picked up off the ground and ate.

“I got punched in the eye,” Siwa giggled into the camera while zooming in on a bump on her left eye. “It was really bad, but I’m OK,” she added while stumbling around.

In April, Siwa began rolling out her new look and attitude with the single “Karma.” But, after talking to Billboard about how she thought she basically invented “a new genre of music… it’s called gay pop.” The singer then clarified her controversial comment in a TMZ video in which she said, “I think I just want to make it more clear that gay pop is a genre. I am not the inventor of gay pop, for sure not. But I do want to be a piece of making it bigger than it already is. I Want to bring more attention to it.”

Check out Siwa’s “Choose UR Fighter” tease below.

Cardi B, Megan Thee Stallion and GloRilla Dropping New ‘Wanna Be’ Remix

They told you it was coming and now it’s almost here. Just days after Megan Thee Stallion, Cardi B and GloRilla teamed up on stage during Meg’s Madison Square Garden Hot Girl Summer show in New York last week, Cardi revealed that a remix of “Wanna Be” will drop on Friday (May 31).

Unlike the original that dropped in April with Glo and Meg, however, this revamp will feature all three women. “AHHH… Wanna Be Remix out Friday!!,” Cardi tweeted on Wednesday (May 29) along with the artwork from the single, which features cartoon images of all three women chilling in front of a chain-link fence.

Cardi was the surprise guest at Meg’s MSG show, joining the headliner for a run through their NSFW collabs, “WAP” and “Bongos,” with Cardi also dropping her verse on Glo’s “Tomorrow 2” and before Glo and Mega performed “Wanna Be” as Cardi twerked along.

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According to NME, Glo then let the cat about of the bag when she told the crowd, “We got a muthaf–kin’ announcement. I’m a need y’all to stay tuned.” Megan then urged GloRilla to cough it up, so she asked the audience, “Y’all wanna hear ‘Wanna Be’ with muthaf–kin’ Cardi B?”

Meg then made it crystal clear. “‘Wanna Be’ the muthaf–kin’ remix about to drop, ya’ll. Be Ready.”

The original version of “Wanna Be” was featured on GloRilla’s second mixtape, Ehhthang Ehhthang, which dropped in April. The 12-track follow-up to Glo’s Anyways, Life’s Great EP — which launched the breakthrough hits “F.N.F. (Let’s Go)” and “Tomorrow 2” — featured the burner “Yeah Glo!” as well as the Moneybagg Yo collab “All Dere.”

Check out Cardi’s “Wanna Be” tease below.

Kelis Is Heading to Australia For a Keynote at Bigsound 2024

Kelis, the “Milkshake” master, Le Cordon Bleu-trained chef and author is heading to the land Down Under, where she will deliver a keynote presentation for Bigsound conference.

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On Thursday, Sept. 5, the Harlem-born artist will deliver “an honest conversation on the importance of being authentic and her fearless approach to transformation,” subjects that strongly align with the Bigsound 2024 themes, organizers say. And later, on Saturday, Sept. 7, she’ll perform live and exclusively at QLD Music Trails’ Sweet Relief! Music Festival.

Twenty-five years on from the release of her 1999 debut studio album, Kaleidoscope, and 21 years on from her commercial breakout LP Tasty, Kelis has expanded her repertoire into cooking, helming several specials on Netflix and elsewhere and penning her own cookbook, “My Life on a Plate.”

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Set for Sept. 3 – 6 in Brisbane, the 2032 Olympic city, Bigsound’s conference and showcase extravaganza “lights up the heart of the Fortitude Valley each year with a flurry of music lovers, brilliant minds and world class performers,” comments Kris Stewart, CEO of QMusic and Bigsound, which is teaming up with QLD Music Trails to bring Kelis to Australia.

“It’s a pleasure to get to partner with QLD Music Trails,” adds Stewart,” to bring to the city someone who encompasses all these things and more, Kelis, for what will undoubtedly be an incredible Keynote speech and festival performance.”

Kelis has landed seven songs on the Billboard Hot 100, led by Tasty cut “Milkshake,” one of many early recordings she created with The Neptunes’ Pharrell and Chad Hugo. “Milkshake” peaked at No. 3.

Also, five Kelis albums have impacted the Billboard 200 chart, including a top 10 for 2006’s Kelis Was Here, which peaked at No. 10.

At the 2024 edition of Bigsound, Kelis joins previously announced keynote speaker Amy Taylor, singer with ARIA Award-winning punk rock act Amyl & The Sniffers, plus a lineup of international speakers including Korda Marshall (Mushroom Group), Bradly Palmer (Concord Music Publishing), Elliott Lefko (AEG / Goldenvoice).

The event is supported by the Queensland government through Tourism and Events Queensland, and is presented by Oztix and Brick Lane.

ITZY Share Mental Health Tips, Reflect on Team Growth Ahead of U.S. Dates For ‘Born to Be World Tour’

From journaling and meditating to watching Wes Anderson movies and taking vitamins, ITZY ensures they prioritize their personal well-being amid the K-pop girl group’s massive 2024 Born to Be World Tour, hitting the U.S. next month.

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Taking a moment to share their experiences on the road during a few (busy) non-tour days in Korea, the K-pop girl group famous for dynamic performances and self-love anthems pauses to reflect. While ITZY admits traveling across six continents so far requires vast amounts of physical and mental energy, it’s the audiences and the members themselves they can depend on to replenish them every night.

But for the times they aren’t connecting with their fans — affectionately known as MIDZY — or one another, the group finds ways to balance the demanding lifestyle with mental health as a priority for the members. As individuals, Yeji practices honesty, Ryujin enjoys her free time to the fullest, Chaeryeong journals to process her emotions, and Yuna meditates. The group’s strong bond is evident even in a makeup-free evening Zoom call from the JYP Entertainment offices in Seoul as the four members finish one another’s sentences, crack smiles over each other’s answers, and also share how they keep in touch with fellow member Lia, who has been focusing on her mental health after taking an extended hiatus from the group since last September regarding “tension and anxiety.”

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As ITZY gears up for 10 North American concerts, commencing on June 6 at Seattle’s WAMU Theater, the girls look forward to bringing their latest Billboard 200 album Born to Be album to life, showing off their live band for the first in the States, and communicating on a deeper level with local fans.

As May is Mental Health Awareness Month, who better than the honest barrier-breakers of ITZY to share how they’ve matured? While mental health still faces stigma and prejudice around the world — and is not as widely discussed in Korea compared to America —Yeji, Ryujin, Chaeryeong and Yuna speak candidly about the ways they have matured, aspects they are working on and, perhaps most importantly, the bond that keeps them going together.

“The biggest source of motivation for me is our members, ITZY,” Chaeryeong says. Read for more from the quartet about this vital topic and plans for their upcoming concerts.



Billboard: Thanks for taking time in the middle of your world tour. You’re between dates before the Japan and U.S. concerts start, so how has the tour been so far?

Yuna: It was our first time in Europe and Latin America, so it was really, really like a new experience for us. There were some really beautiful cities and we really enjoyed that time. For me, I really liked Amsterdam. The weather and the people are really good — and the views were so good. Everyone should go.

You had 13 days off from your May 4th concert in Madrid to your May 17 concert in Toyko. What do you do during this time? 

Yuna: We are super busy! [Laughs]

Ryujin: There are many things that we are working on, but also we’re preparing for these big shows and our Japanese comeback [with “Algorithm”]. We’re always practicing or doing something to help us achieve things, I think?



I’ve heard artists share a range of different feelings about touring. From it being too exhausting to fans being their energy. What are your experiences?

Chaeryeong: To speak honestly, it’s definitely true that we’ll expend a lot of our physical and mental energy [on tour]. But once we go on stage, I think it gets all deleted — we get that much energy from our fans. So, it’s a wonderful experience for me.

Yuna: When I visit new cities to do concerts, I try to do my best on the stage for our fans. But I also spend as much time as I can with my members. That’s kind of the healing point for me, as well as the way I heal during touring. Just their existence really helps me. When I’m onstage and see our members’ faces, that’s all the support I need.

Are there specific ways you work to stay healthy on the road — physically, mentally, or emotionally?

Yeji: There is a physician who was with us on tour for every spot we go. The physician recommended I take a vitamin powder that’s supposed to help the body with energy. She said that it’s really helpful if we keep it in our throat and swallow it all at once, and I’ve found that’s been really helpful in keeping me healthy, so I keep following that advice.

Chaeryeong: To keep my vocals strong, I carry propolis with me — it’s a gel type of medicine that you put on your throat. It can be minty and soothing; I think it’s famous in New Zealand? That’s good for your throat.

Yeji: I also try to change my vocalizations and the way I make sounds on the stage. Lots of time, I have to try to do less to not strain my throat and [save my voice for the next concert date].



May is Mental Health Awareness Month, and I think it’s a great opportunity to share how you support your mental and emotional health. What are some things you do individually to take care of yourself?

Chaeryeong: For me, I write in my diary. I write things that I like or very detailed happy memories so I can memorize, like, every little detail for a long time. But there are also things I write when I’m having a hard time, the sad or negative memories, to drop those feelings off from my heart.

Yuna: I always try to make time for self-focusing time — writing and meditating. I really focus on myself and that’s how I stay centered. But it’s so hard. When I meditate, I tend to always fall asleep. [Laughs] It’s also a good way to fall asleep!

Ryujin: I don’t really do anything special for my mental health, but I give free time to myself. As you know, a tour and our performances require a lot of energy, and also we have a job that we have to meet many people. So, I think when I have free time, I use that time to regain my energy again and do the things that I like — watching a movie in a theater or rewatching a series or drama again. There are so many great movies and dramas, but if I had to recommend one, I would choose The French Dispatch. It’s a Wes Anderson movie. It’s really touching, but at the same time, there’s a lot of variety in it.

Yeji: These days, I’m trying to be honest about my own feelings and what I feel. If something sad happens, even just slightly, I feel that emotion enough and then can just “let it go.” I’m trying to react fully on my feelings and laugh at the small things, too.

Yeji, it’s interesting to hear that you’re being honest with your feelings now. As ITZY’s leader, did you sometimes dismiss your feelings when leading a team?

Yeji: Since our debut and our early stages, there were some times I did try to hide [my feelings] because the team is very important. But these days, even if I try to hide everything, the members know me so well — we’re family — that even if I try, they know first how I feel and think. So, I don’t have to actually hide — and that’s why I’m trying to get more honest with expressing my feelings.

Thank you for sharing those, ITZY. She’s not here with us right now because she’s also focusing on her mental health, but how are you keeping in touch with Lia?

Yeji: Just the other day, I watched a video from the past with all five of us and I texted it to Lia. So, we talked and chatted. We are all keeping in touch with her often.

Looking wider, being an artist—in K-pop especially, but anywhere in the world—requires a strong mentality. You were all teenagers when you debuted and now you’re adults. How have you seen yourselves maturing since then?

Ryujin: We were all teenagers and it was our first experience to have a team like this where we stuck with each other 24-7. At first, when we were all together, it was a little bit hard to be with and work with people different than me. ITZY was just five, but it was really hard to understand each other — despite that it was only five. Understanding one another took time. But I think after struggling with the members and talking a lot, the biggest difference from that time and now is my understanding of others. There has been a much wider range of people I feel like I can understand now.

Yuna, as the youngest member who debuted when you were 15, what have you learned?

Yuna: It’s been quite a while since we’ve debuted, so I think I learned to become more used to circumstances and people — what’s needed in the atmosphere of our lives [as K-pop stars]. So, I got to understand these realities much more deeply. But the biggest thing I try to maintain is my passion — the passion I got and the feelings I had at my first stage [performance]. My biggest thing is trying to keep that.



Thank you for discussing an important topic. The U.S. leg of the Born to Be Tour begins in June. Have you prepared anything special or different for these shows?

Yuna: English! We are preparing 100 percent of our audience talking in English to communicate more.

Yeji: Not only are some of the venues bigger and the concerts feel bigger in scale, but we paid a lot of attention and poured a lot into the directing of the concert. So you can see a new direction in the stages as well as the VCR too. While we have taken many dancers who have been with us on past tours, I think the variety of performances has also been upgraded a little more than the last world tour, Checkmate.

Chaeryeong: We also have a live band which is a big point for the new tour.

This is the Born to Be World Tour centered around your album of the same name, including ITZY’s first-ever solo songs you all wrote, composed, and perform in concert. How was the experience, and will we see more songwriting?

Yeji: After working on my solo song [“Crown on My Head”], I came to know that it’s quite a very difficult process and not very simple. So, I got to thank the staff, composers, writers, and those people around me who always write and make songs for us. So, actually, this song became even more precious to me because I recognized how difficult this process is and that’s why I can perform on the stage with my whole passion. As for future songs, I’ll always try if I have a chance. Yeah, if I have a chance.

Anything else you want to share with fans before the U.S. tour dates?

Ryujin: First of all, we’re coming to you in June so please come to our concert. We’re always thankful for you supporting us despite the hundreds of miles of distance. We will try our best to see you guys much more often. Thank you.

Yuna: Also, it’s our second world so it will be more…more…there will be much more things to see so please come to our concert!

Nicole Moudaber Releases Statement on Her Canceled Movement 2024 Set: ‘I Can Now See That No One Is to Blame’

This past Sunday (May 26), a severe thunderstorm moved through the Detroit area, forcing the city’s Movement festival to temporarily shut down during its second day. The festival issued an evacuation notice to attendees at approximately 6:45 p.m. on Sunday evening, then reopened later that night at 10:00p.m. after the storm had passed.

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The temporary closure forced organizers to move a few of the Sunday night sets, including a scheduled 7:00p.m. performance by techno mainstay Nicole Moudaber, who ultimately did not end up playing.

After the festival, Moudaber explained the situation, writing on X this past Monday (May 27) that “After the rain stopped they called me up to come play at 10pm, I rushed over there, my table was ready to be plugged in but the dj that was supposed to play after me didn’t want to move his set up to accommodate me. As a result, I didn’t play, there was complete silence for a whole hour while people were waiting for the music to start again.

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“I have dismantled set ups in the past because of rude behaviour [sic],” Moudaber continued. “I did not do it this time because I love Movement and the people behind it Absolutely shocking to say the least. I know a lot of people came to see me and I’m sorry this has happened.”

Richie Hawtin played this 10:00 p.m. Sunday night slot, debuting his new stage show DEX EFX XOX.

Now, following her initial comments, Moudaber has today (May 29) issued a statement acknowledging that “Having talked with everyone involved, I can now see that no one is to blame for what happened — if anything, we can blame it on the weather!

“Severe storms meant that the festival was evacuated for 3.5 hours before I returned to play my 10pm set,” her statement continues. “Naturally, this threw everything into chaos. The set up for the person playing after me was complicated, and I can appreciate why they needed to keep it intact for their own set.

“Additionally, while the team at Movement did everything possible to accommodate me, they were under a lot of stress following the storm and it wasn’t easy to source the additional monitors required. I have nothing but love for this festival and for the city of Detroit, where I have made so many wonderful memories over the years, and I look forward to returning to play ASAP (ideally the sun will be shining next time)! Love, Nicole”

Movement Festival continued without issue for the rest of the weekend, closing out its third day on Monday, May 27 with performances from Fatboy Slim, Honey Dijon, Indira Paganotto, Seth Troxler and a host of other electronic artists. Festival producer Paxahau also offered free Monday festival entrance for Sunday ticket holders.

Post Malone, Tyler, the Creator, The Killers, Sturgill Simpson to Headline 2024 Outside Lands Festival

Update: Outside Lands revealed its single-day lineup on Wednesday (May 29). The Killers, Daniel Caesar, JUNGLE, Gryffin, and Young The Giant will kick off Friday’s primetime performances. Saturday will feature Tyler, The Creator, The Postal Service, Grace Jones, Chris Lake, ScHoolboy Q and FLETCHER to Golden Gate Park and Sunday will close the weekend with Sturgill Simpson, KAYTRANADA, Teddy Swims, Victoria Monét, Chappell Roan, Slowdive, Killer Mike and more. Post Malone’s country set will also take place on Sunday. Check out the single-day lineup below.

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This summer’s Outside Lands Festival (Aug. 9-11) in San Francisco’s Golden Gate Park will feature headlining sets from Tyler, the Creator, The Killers and Sturgill Simpson, as well as a special country performance from Post Malone.

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Tickets for the 16th edition of the Another Planet Entertainment/Superfly production will go on sale on Wednesday (April 24). Other acts on this year’s lineup include: The Postal Service, Grace Jones, Kaytranada, Jungle, Snoh Aalegra, Gryffin, Young the Giant, Schoolboy Q, Chappell Roan, Reneé Rapp, Victoria Monét, The Last Dinner Party and others.

This year will mark the return of the Dolores Stage, an inclusive dance floor that celebrates the kinds of queer and trans communities that are part of the city’s fabric, with the full Dolores lineup slated to be announced soon. In addition, the SOMA stage will mark a return to the Marx Meadow, ditching the tent format for an extended, open air dance space spotlighting house and techno stars, including actor/DJ Idris Elba, Uncle Waffles, The Blessed Madonna and Shiba San b2b CID, among others.

The general public on sale will kick off on Wednesday at 10 a.m. PT on Outside Lands’ website, with options including three-day GA tickets ($465 plus fees), three-day GA+ ($715 plus fees) and three-day VIP ($1,075 plus fees), as well as three-day Golden Gate Club passes ($5,095 plus fees), as well as payment plan options for those who prefer installments.

As always, the festival will spotlight music as well as the best of the Bay Area’s culinary experiences in the Taste of the Bay Area, and Grass Lands, the first curated cannabis experience at a major American music festival.

Other acts on this year’s lineup include Teddy Swims, Slowdive, Killer Mike, TV Girl, Charley Crockett, Men I Trust, Ben Howard, Amyl and the Sniffers, Kevin Abstract, Romy, Badbadnotgood, Strfkr, Corinne Bailey Rae, Snakehips, Allen Stone and more.

Check out the full lineup poster below.

https://www.instagram.com/p/C6HJdeDLrFG/

Flea Calls Vince Staples’ New Album ‘So Deep and Good’

Flea of the Red Hot Chili Peppers is always putting on for California. It’s no secret the legendary rock star is a huge Kobe Bryant and Lakers fan, but now we know he’s a fan of Vince Staples as well.

Like a lot of us, Flea took the weekend to really get into the Long Beach rapper’s new album Dark Times, and he loved it, posting on X, the social media network formerly known as Twitter, that he felt the album is “so deep and good.”

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Flea is no stranger to hip-hop. The Red Hot Chili Peppers came up during the era when MTV ran the world and Flea was a mainstay on the Rock N’ Jock B-Ball Jam court alongside rappers like Queen Latifah, MC Lyte, Michael Bivins and Marky Mark.

Back in 2016, he appeared in an episode of Amoeba Music’s What’s in My Bag alongside writer and producer Amy-Jo Albany. They both talked about the records they picked at Amoeba Music’s store in Hollywood, including the handful of J Dilla records Flea purchased. He referred to the late Detroit producer as “an absolutely transcendent, phenomenal musician” and decided to zero in on the 2007 reissue of Dilla’s Ruff Draft. The bassist got emotional recalling a time he listened to the project while on a hike. “I was in Big Sur by myself and I had on headphones and I was walking around these trails in the mountains listening to it, and it just touched this thing in me so deeply. I just couldn’t stop crying. It was so powerful,” he said as he held back tears.



Coincidentally, Vince Staples gives a nod to L.A.-based Stones Throw Records (the same label that released Ruff Draft) on the track “Radio” from his new album, rapping, “A better day was just a stones throw away/KDAY would play the records that my sister would say/Was realer than whatever I listened to/When I got older, I realized it was true.”

And in 2019, during an interview with New York’s ALT92.3 radio station, Flea mentioned Thundercat when asked about his favorite new artist. Obviously Thundercat is genre-bending in his own right, but the musician famously worked on To Pimp a Butterfly and was very close with the late Mac Miller. In short, he’s hip-hop too.

The world could use more rap reviews from Flea.