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Here’s Steve Miller’s Reaction to Eminem Interpolating ‘Abracadabra’ in New Single ‘Houdini’

Steve Miller is sharing his thoughts on Eminem‘s new song “Houdini.”

On Saturday (June 1), the Steve Miller Band frontman praised Em after his group’s chart-topping song “Abracadabra” was interpolated in the rap superstar’s latest single.

“There is a long chain of stories, poetry, lyrics, and musical roots that have crossed cultures and generations inspiring the whole world for hundreds of years and in all those lines of thought, music, and rhythm there are special artists who take it all in and create new original ideas from their own feelings and experiences,” Miller wrote in a lengthy message on Instagram. “You are one of those timeless originators building something new on a long musical legacy of original artists.”

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The Rock and Roll Hall of Fame inductee continued, “I have always tried to credit, honor, and respect the major influencers in my life and to always credit, honor royalties and share knowledge of their work through my own work. I didn’t know it would be this way when I was a kid trying to make a living playing music and making records, I only knew I had to respect the art that came before me and fight for it too among all the crooks, thieves, and imposters.”

“Abracadabra” spent two weeks at No. 1 on the Billboard Hot 100 chart in 1982. Miller’s music has been sampled by numerous artists over the years, including other hip-hop stars like Nas, Lil Wayne, Ice Cube, Beastie Boys, and N.W.A.

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The rocker added that Eminem is one of the few artists “who take the time or make the effort to stand up for themselves and credit and respect their influencers at the same time.” He concluded his letter, writing, “Marshall Mathers you are an exception and on my short list of people who respect the art. To be included in your process feels good while I’m still singing and playing the music I love. I’m Honored.”

“Houdini” is the lead single off of Eminem’s 12th studio album, The Death of Slim Shady (Coup De Grâce), which is expected to arrive this summer. The upcoming set follows 2020’s Music to Be Murdered By, which debuted at No. 1 on the Billboard 200 albums chart. 

“Houdini” hit streaming services on Friday (May 31). The star-studded accompanying music video features cameos by Dr. Dre, Snoop Dogg and 50 Cent, among others.

Eminem announced plans for the new album shortly after his appearance at the 2024 NFL Draft, which happened to be in his hometown of Detroit. He used a clip in the mold of an Unsolved Mysteries episode featuring a cameo from 50 Cent. However, it was actually Dr. Dre who spilled the beans on Em’s next album during a late-night appearance on Jimmy Kimmel Live! in March.

Read Miller’s full reaction to Eminem’s “Houdini” on Instagram below.

Lainey Wilson Cements Hitmaker Status With Opening Night of Country’s Cool Again Tour in Nashville

Lainey Wilson showcased her progression into one of country music’s foremost entertainers during the opening concert of her headlining Country’s Cool Again tour on Friday night (May 31) at Nashville’s Ascend Amphitheater (the first of two nights at the venue). Wilson, the reigning entertainer of the year at both the ACM Awards and the CMA Awards, and one of country music’s hardest-working artists, proved just why she’s worthy of those accolades during her headlining show.

She also made good on the tour’s namesake declaration, welcoming two openers whose sets were steeped in twang, fiddle and steel guitar. Zach Top sailed through a solid lineup of songs with a decidedly ’90s country influence including “I Never Lie,” “There’s the Sun” and his album’s title track, “Cold Beer and Country Music.” Like country stalwarts Alan Jackson and George Strait, Top remained close to the center stage mic for the bulk of the performance, acoustic guitar in hand and letting the music flow into the open evening. Ian Munsick brought “the West to the rest” with his high-energy set that celebrated imagery of his Wyoming roots, melding in lyrics of tumbleweeds, cattle, and open ranges. His opening music was Eddy Arnold’s “Cattle Call.”

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“It’s official — country’s cool again,” he told the Nashville crowd, as he sailed through “I See Country Everywhere,” “More Than Me,” and the Cody Johnson collab “Long Live Cowgirls” (sans the Texan hitmaker). He highlighted his Rocky Mountain Fever Band, which was clad in turquoise shirts and bolo ties, as they ripped it up playing songs including Ricky Skaggs’ “Country Boy” and offering up a searing fiddle on a version of Alabama’s “Fiddle in the Band.” He offered up a new song, “Heartbreak King,” before playing the fan favorite, “Cows–t,” as well as the namesake from a recent album, “White Buffalo,” and “Horses are Faster.”

When Wilson took the stage just minutes after 9 p.m., it was clear that she was intent on showcasing just why she’s been lauded with entertainer-level accolades of late, blending high-quality production, country songs with heart and an edge, and a high-energy persona that’s still down-to-earth.

The show’s production made top-tier use of two of her truck-themed hits, “Heart Like a Truck” and the HARDY collaboration “Wait in the Truck,” by showcasing a red, rotating, retro truck center stage throughout the show.

Clad in her signature bell bottoms, Wilson first appeared on top of the truck as she belted out “Straight Up Sideways” and “Smell Like Smoke.” She sang “Heart Like a Truck” while screens focused on Wilson as she sang from inside the retro auto,” while she performed “Watermelon Moonshine” seated on the truck’s tailgate.

Throughout the evening came across as not only an entertainer whose songs chronicle stories of love, ambition, and loyalty to home — but a mentor, aspirational role model, and the best friend who can be both supportive and give a motivating kick in the rear when needed. It’s clear the audience has responded — the crowd was filled with crowd members paying homage to Wilson’s signature style by wearing hats, sparkly bell bottoms and flared jeans.

“I’m not going to lie ya’ll, lately life has been a whirlwind,” she told the crowd. “That’s the world that I keep using, the word that keeps coming to my mind, out of my mouth, trying to keep one foot on the ground. We have literally been everywhere… with all the craziness, I will say, I have fought like hell to keep one foot on the ground and that’s been hard at times. I know a lot of y’all have been here from the beginning and I have a lot of people in my life who remind me who I am and where I come from and I know no matter where I go, no matter what I do, no matter where this job takes me, I’m always gonna be me, I’m always gonna know who I am right in here. I’m always going to find my way back home,” she said, launching into “Good Horses Come Home.”

During the sassy “Bell Bottoms Up,” she nodded to her growing empire as an entertainer — her new Lainey Wilson’s Bell Bottoms Up bar in Nashville, which opened that same day.

While Wilson’s openers for the evening were two traditional country-leaning male performers, Wilson’s guests during her headlining set were two ’90s hitmakers that Wilson called mentors and friends during her set — Terri Clark and Wynonna Judd. Judd teamed with Wilson to perform a rendition of Tom Petty’s “Refugee,” from the upcoming tribute album Petty Country. Wilson’s piercing soprano was a stellar match for Wynonna’s bluesy growl, making for a show-stopping moment of clear friendship and respect between the two performers.

“I can’t believe I’m on stage with Wynonna,” Wilson told the crowd, while Wy replied, “I’d open for you any day.”

Meanwhile, Clark teamed with Wilson to perform Clark’s 1996 hit “Poor, Poor Pitiful Me” from her new album Take Two, with Wilson playing cowbell.

Wilson often spoke of her Louisiana roots, while her intro music included Creedence Clearwater Revival’s “Born on the Bayou.” “My heart is filled with gratitude,” she told fans at one point, adding, “Tonight let’s be proud of where we are from and fired up about where we’re going!”

Wilson’s set blended music, theatrics, homespun stories and almost spiritual-minded words of encouragement throughout the evening, as she regularly related to and lifted up her “Wildhorses,” as she affectionately calls her fans. At one point, she crowned one concertgoer Cowgirl of the Night, but not before leading her — and the rest of the crowd — in lifting themselves up with affirmations including “I am smart. I am talented. I am beautiful.”

Wilson also offered up a medley of cover songs — but keeping in line with the tour’s name, instead of a lineup of rock covers, she paid homage to her inspirations with a medley of classic country songs, including Hank Williams’ “Hey, Good Lookin’,” Loretta Lynn’s “You Ain’t Woman Enough,” Johnny Paycheck’s “Take This Job and Shove It,” Randy Travis’s “Forever and Ever, Amen,” Reba McEntire’s “The Night the Lights Went Out in Georgia,” Miranda Lambert’s “Kerosene,” Alan Jackson’s “Gone Country” and her own “Country’s Cool Again.”

Though none of her bevvy of hit collaborators Jelly Roll, HARDY or Cole Swindell were surprise guests, Wilson did those songs justice, seated on the tailgate of the truck and offering acoustic versions “of the songs “Never Say Never,” “Wait in the Truck” and “Save Me,” with the latter song in particular turning into a redemptive, soul-cleansing crowd singalong.

From there, Wilson showcased a song, “4x4xYou,” from her upcoming August album Whirlwind, a song she noted is inspired by her beau Devlin Hodges.

The show concluded with “Wildflowers and Wild Horses,” as rainy, hurricane-themed imagery swirled on the screens behind Wilson as she stood atop the truck, belting out the empowering song that touched on her familial legacy of “five generations of blazin’ a trail.” In the final moments of the show, she stood tall, lowered her cowboy hat and raised one arm in the air. It’s a confident power stance used by so many headlining male country entertainers — but one that entertainer of the year winner Wilson now claims for her own.

BTS Announces 2024 Festa in Seoul to Celebrate 11th Anniversary

BTS has announced plans for its 2024 FESTA celebration.

This year’s event, to be held June 13 at Seoul Sports Complex in South Korea, will mark the superstar K-pop group’s 11th anniversary.

The 2024 FESTA will feature an official appearance by BTS’ Jin following the completion of his military mandatory obligation. The singer-songwriter will be giving a hug (or handshake, if preferable) to 1,000 lucky fans at the complex’s Jamsil Arena, according to a news release. Jin will also deliver a message “consisting of a variety of segments promising an unforgettable experience for ARMY,” the release says. The artist’s message will be livestreaming to those with ARMY Membership through Weverse Live.

In addition to Jin’s appearance, this year’s FESTA will offer a variety of activities, including a sketch diary to commemorate BTS’ 11th anniversary.

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On Saturday (June 1), BTS unveiled the official timeline for the 2024 FESTA. Leading up to the main event, the boy band share a collection of unreleased photos, stream previous concerts, and post handwritten content from each of the seven members.

BTS’ Jin, RM, SUGA, J-Hope, Jimin, V and Jung Kook are currently serving in the South Korean military, which mandates an 18-month military enlistment for all able-bodied men by the time they turn 28. A few of the members have pursued various solo projects amid their service, and the full group is planning to reconvene for band activities in 2025.

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BTS made its first Billboard chart appearance in 2013, when “No More Dreams” debuted at No. 14 on World Digital Song Sales (before climbing to No. 2 seven years later). Since then, the group has broken numerous records, including the most Billboard Hot 100 No. 1 debuts among groups and the most top 10 debuts among groups. It’s been an exciting few years for the BTS boys individually as well, as all seven members of have now scored solo hits on the Hot 100.

Further information about the 2024 FESTA, which is open to the public, will be revealed at a later date. See the BTS’ announcement on X (formerly Twitter) below.

Karol G & Silvestre Dangond Working on New Music Together, Plus More Uplifting Moments

From career milestones to new music releases to major announcements, Billboard editors highlight uplifting moments in Latin music. Here’s what happened in the Latin music world this week.

Karol G & Silvestre Dangond in the studio

Karol G is working hard in the studio, and she’s not doing it alone. The Colombian hitmaker took to social media to announce that her and Silvestre Dangond are working on new music together. It would mark the first time Karol and the vallenato singer collaborate.

“No one knows what this means to me,” Karol wrote in Spanish on Thursday (May 30). “Yesterday I was in the studio working with Silvestre Dangond on a song that has us both in love, that demands us both and most importantly that represents home, Colombia!!!! What a great vallenato … to cry, to feel, to live!!!! Long live music! Long live the things we can feel with it and the things we can make you feel through it! THANK YOU for this invitation Silvestre !!!! WHAT A MOMENT.”

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Karol G is set to embark on her Mañana Será Bonito European Tour, with her first show June 8 in Zurich. She wraps the European leg July 23 at the Santiago Bernabéu Stadium in Madrid.

Check out the photos from Karol and Dangond in the studio.

Danna is the new face of MAC’s Viva Glam

The Mexican singer and actor has been unveiled as the new face of MAC Cosmetics’ Viva Glam campaign. On Friday (May 31), the beauty brand announced that Danna stars in the 30th anniversary of #MACVIVAGLAM. She’s also debuting a philanthropic new hue called M·A·Cximal Silky Matte Viva Glam Lipstick.

“It’s an honor to be a part of the #VIVAGLAM story,” Danna captioned an Instagram post. “VIVA GLAM supports a number of charities working to make the world a better place, sexual equality, gender equality, racial equality and environmental equality. All funds from the sale of the lipsticks go 100% to local organizations in each country.”

See Danna’s lipstick here.

Duki’s metro station

Ahead of his historical show at the new Santiago Bernabéu Stadium on June 8, the Santiago Bernabéu metro station will be renamed “Estación Duko” in his honor. Duki is set to sing in front of 65,000 people, becoming the first urban artist to fill this iconic stadium.

The Spanish capital has played a fundamental role in the career of the Argentine rapper, who has mentioned it in several of his songs, such as “Don’t Lie” with Quevedo. Duki returns to Madrid since performing there for his Desde el Fin del Mundo tour in 2023, selling out two dates at the WiZink Center.

Estación Duko

Estación Duko

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Gustavo Dudamel receives honorary degree from Harvard

It’s graduation season and Gustavo Dudamel couldn’t help but show off his new milestone. The Venezuelan conductor received an Honorary Doctor of Music degree from the prestigious University of Harvard. Following the ceremony, Dudamel captured the special moment on social media with a heartfelt message.

“Receiving an honorary degree from Harvard University thrills me deeply,” Dudamel captioned an Instagram post. “As a child in Barquisimeto, I could not have imagined that I would one day be recognized by this extraordinary institution.”

He continued: “Education is perhaps the greatest gift we can give. Throughout my life, it has helped me establish my sense of identity, both as an individual and as a member of a global community. When the challenges of the world begin to overwhelm us, I believe the best way to persevere is to approach one another with curiosity, empathy and a desire to learn. It is only through knowledge and understanding that we can heal, inspire and lead the world to a more compassionate future.”

Karol G to be honored at Billboard Latin Women in Music

The Colombian hitmaker is set to be honored with Woman of the Year at the Billboard Latin Women in Music 2024. Karol G will be recognized on June 9 for her extraordinary milestones and unparalleled impact on the music industry. The show will air exclusively on Telemundo at 9 p.m. ET, and will be simultaneously available on the Telemundo app and Peacock.

See who else will be honored during the ceremony here.

Dead & Company Honor Late NBA Legend Bill Walton During Las Vegas Sphere Show

Beyond his illustrious career as an NBA legend and sportscaster, Bill Walton was a massive Deadhead. The 6′ 11″ center died on Monday (May 27) at age 71 following a battle with cancer, and the surviving members of the Grateful Dead paid tribute to their biggest fan during Dead & Company’s residency show at Las Vegas’ Sphere on Thursday (May 30).

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During their performance of 1978’s “Fire on the Mountain,” the screen of the Sphere showed a montage of photos of Walton hanging out with the band, wearing the merch and more. The tribute also featured a stunning display of Walton’s jersey number, 32, adorned in tie dye and roses.

See the photos via Dead & Company’s Instagram here.

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Earlier this week, following the news of Walton’s death, the band paid tribute to the late athlete in an Instagram post on the Dead & Company feed, saying, “Fare you well, fare you well, we love you more than words can tell. Bill was an irreplaceable force and spirit in our family. Father Time, Rhythm Devil, biggest deadhead ever. Over 1000 shows and couldn’t get enough. He loved this band and we loved him.”

The post continued, “We will miss our beloved friend, @BillWalton, deeply. Rest in peace and may the four winds blow you safely home. ??⚡️.” The post included several pics of Walton in tie dye outfits at Dead shows over the years, including times he’s worn elaborate, colorful costumes — most notably a “Father Time” outfit for Dead shows on New Year’s Eve.

aespa’s ‘Armageddon – The 1st Album’: All 10 Songs Ranked

Ready to captivate our present-day world and across dimensions, Armeggedon marks an artistic evolution in aespa‘s musical journey by taking their narrative into an expansive multiverse to blur the boundaries between reality and virtual realms.

While the K-pop girl group is known for blending their real and virtual personas, their first full-length album explores parallel worlds, giving KARINA, GISELLE, WINTER and NINGNING infinite possibilities as both otherworldly idols and relatable young women navigating adulthood.

The adventurous spirit of Armageddon was set through the pre-released buzz track “Supernova,” when the group speaks of opening doors to different dimensions and brought to life by the title track single’s music video establishing the aespa multiverse.

Last year, aespa saw Drama: The 4th Mini Album peak at No. 33 on the Billboard 200, a far drop from their two prior entries landing in the Top 10. But already “Supernova” has been well super received by listeners: debuting at No. 5 on the World Digital Song Sales chart last week for the group’s highest position since 2021’s “Next Level,” plus rising to No. 19 on this week’s Billboard Global 200 for their first Top 20 single. With the promising start, a larger amount of tracks ready for streaming, and a larger range of sounds and themes tackled in the LP, Armeggedon looks poised to boost aespa back up the album charts to reestablish the girls’ place as a leading force in K-pop.

From the singles “Armageddon” and “Supernova” to what are sure to become new beloved b-sides like “Live My Life,” “Prologue,” and the fan-dedicated anthem “Melody,” here’s our ranking of the songs on aespa’s first full-length album Armageddon.

Jelly Roll Serenades Wife Bunnie XO (Plus an Entire Sushi Restaurant) With CeeLo Green’s ‘F— You’

Jelly Roll took Harry Styles’ “Music for a Sushi Restaurant” to a whole new level.

The “Need a Favor” superstar’s wife, Bunnie XO, took to TikTok to share a hilarious video of her husband taking the opportunity during their sushi date to stand up and serenade the whole restaurant with a rendition of CeeLo Green’s 2010 hit, “F— You” — complete with pointing a middle finger to the camera and standing on a chair to finish out the chorus. Bunnie is heard laughing in the background as she pans the video to the patrons in the restaurant. “Sorry, sorry,” the Dumb Blonde podcast host tells the fellow restaurant goers.

“Why did he do this to me,” Bunnie jokingly wrote over the video.

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Bunnie and the “Save Me” musician have been quite active on TikTok as of late, with the couple giving followers a look at one of Jelly’s morning workouts last week. In a video posted on Bunnie’s account, he went for a swim in their home pool before declaring that he wants to run a “5K by Turkey Day!”

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Last month, Bunnie took to TikTok to shut down trolls who have negative things to say about her and her husband Jelly Roll. “How we walk thru life together knowing we make ppl smile & others sooo mad,” she wrote over a video of the duo arriving to the CMT Music Awards earlier this month, smiling and dancing together, before sharing a sweet kiss.

“Can never dull our shine baby,” she captioned the clip. The longtime couple tied the knot back in 2016.

Rihanna Makes History for Most Diamond Singles by a Female Artist: See Her Reaction

They say diamonds are a girl’s best friend, and Rihanna continues to collect crown jewels. The Recording Industry Association of America (RIAA) awarded RiRi with four more diamond plaques, which brings her total to seven diamond certifications.

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Per the RIAA website, Rih and Jay-Z’s “Umbrella,” the Drake-assisted “Work,” Anti‘s “Needed Me” and 2012’s “Stay” are all diamond-certified as of May 31. The announcement comes on the heels of 2012’s “Diamonds” fittingly also going diamond in April.

Roc Nation congratulated Rihanna on now holding the record for the most diamond-certified singles of any woman artist in music history with seven plaques to her name. “Ain’t no back n forth,” Rihanna wrote to X while reposting the graphic featuring her latest accolades while seemingly brushing her shoulders off.

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The Navy flooded Rihanna’s replies with congratulatory messages, but were quick to remind her she hasn’t delivered R9 and it’s been eight years since her last full-length album, Anti.

“Congrats rih,” one fan wrote. “I know you don’t ever have to release music again but do us a solid ONE MORE TIME. just that album please.”

Jay-Z hopped on Good Girl Gone Bad‘s “Umbrella” in 2007 and the hit worked its way up the charts to give Rih her second No. 1 entry atop the Hot 100. “Work” featuring Drake arrived in January 2016 and also soared to No. 1 on the Billboard Hot 100.

However, Unapologetic‘s “Stay” reached No. 3 on the Hot 100 while the Mustard-produced “Needed Me” peaked at No. 7.

Outside of the four new diamond certifications and last month’s “Diamonds” also entering the exclusive club, Rihanna’s 2010 “Love the Way You Lie” featuring Eminem (certified on May 9, 2013) and her 2011 “We Found Love” collaboration with Calvin Harris (certified on April 27, 2023) round out her seven-carat diamond collection.

Find Rihanna’s reaction on X below.

Pat Boone at 90: Six Things You Didn’t Know About One of the Rock Era’s Most Successful Artists

Pat Boone — the second most popular artist of the first five years of the rock era, according to rock historian Joel Whitburn — turns 90 on June 1. He’s been in the spotlight since his Billboard chart debut on April 2, 1955, but surprisingly, even after 69 years, there are at least a few things you probably don’t know about the singer famous for his white buck shoes and clean-cut image.

He Was Signed to Motown

Most of his songs on Billboard’s pop singles charts were released on Randy Wood’s Dot label, followed by one solitary title on the brief-lived Tetragrammaton imprint. Then Boone was signed to Berry Gordy’s legendary Motown label. The company had many different imprints, the best-known being Motown, Tamla and Gordy. In 1974, Motown launched Melodyland, a country label. The very first single, released in October of that year, was Boone’s “Candy Lips.” That was followed in Feb. 1975 by “Indiana Girl” and six months later with “I’d Do It With You,” a duet with Pat’s wife, Shirley. The B-side was Pat’s solo cover of Stevie Wonder’s “Yester-Me, Yester-You, Yesterday.” A fourth single, “Glory Train,” was issued in Feb. 1976.

By the time Motown issued Texas Woman, the first of two Boone albums for the company, the name of the Melodyland label had been changed to Hitsville, due to a lawsuit from the Melodyland Church, a Pentecostal institution in Anaheim, Calif.

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Motown didn’t just sign Pat; his wife Shirley and his four daughters also joined the roster. “Mike Curb proposed that my family and I join Motown,” Boone told Billboard in an unpublished 2019 interview. “I was excited because I knew Mike was great at marketing and Berry had a marketing machine. I was looking forward to doing more R&B, which is what I started out doing. Instead, Berry started this country label with Suzanne de Passe. Ray Ruff produced my first album, which is the reason I ended up on the cover of Rolling Stone. Jann Wenner took notice that I was back on the charts on Motown, so he sent John Anderson down to do the story, which was very complimentary.”

When Wenner was asked why Boone was on the cover of the Jan. 29, 1976 issue of Rolling Stone, the singer says Wenner replied, “We sent a writer to turn over the rocks to see what would crawl out and all I can say with Pat is what you see is what you get. He’s been the same for almost 40 years. Hardly anything else has stayed the same so we tip our hat to a guy who’s been consistent. You may not like his music but you have to credit him with having success after all this time.”

To thank Wenner for the tone of the story, Boone sent 40 cartons of milk to the office in San Francisco. “I packed them in ice so everybody could enjoy a drink. He sent me a nice note saying they all lifted a carton and said, ‘Here’s to a nice guy.’”

As for his Motown tenure, Boone says, “They didn’t spare any expense recording me, with arrangements by Don Costa. Suzanne took a personal interest in me but Berry was busy making movies with Diana Ross. Suzanne had her hands full with the Jackson 5 but I made stuff I was very proud of. Berry signed me to a three-year deal with a provision that the masters would revert to me, which is how I know I recorded over 100 songs for Motown.”

He Has Something In Common With Superman and Batman

“I was a cartoonist in high school,” Boone revealed. “Nobody knows that. I drew cartoons for our high school paper. I was good with a pencil and could draw. I signed my cartoons with ‘Poo’ with two little eyes in the O’s. It was a combination of Pat and Boone. I had thoughts of pursuing a career as a cartoonist.”

Although Boone didn’t become a cartoonist, he did become illustrated, appearing as a guest in Superman’s Girl Friend, Lois Lane #9, dated May 1959. On the Curt Swan-drawn cover, Boone is playing guitar and Lois is sitting at the piano as Superman is flying into the scene, saying, “Pat Boone and Lois Lane are singing a new song about me! It’s a great tune, but I must use all my super-powers to prevent it from becoming a hit!” The big reveal in “Superman’s Mystery Song” is that the last son of Krypton wrote the lyrics, and subconsciously started each line with letters that spell out, “Clark Kent is Superman.” Oops!

“I was flattered to be in the comic book, because I’d been a comic book guy. I wish I had kept all my comics. My favorite was Plastic Man. I don’t know how many people remember Plastic Man. He could make himself into anything. And there was another one called Snuffy Smith. His super ability was his nose. Hardly anybody gets to appear in a Superman comic. I guess there have been a few. I can’t think of any. I’d like to think I was the one exception. (Ed. Note: Among the real-life personalities who have guest-starred in DC Comics’ Superman books are President John F. Kennedy, Muhammad Ali, Candid Camera creator Allen Funt, Perry Como, Jerry Lewis, Orson Welles, Don Rickles and This Is Your Life host Ralph Edwards).

Four months after Lois Lane #9 was published, Boone joined the ranks of Superman, Batman, Flash and Green Lantern with his own self-titled comic book. Pat Boone #1 was issued in September 1959 and was followed by four more issues. The book featured a fictional version of the popular singer and short text pieces about the real Pat Boone.

Superman's Lois Lane

Superman’s Lois Lane

Courtesy of DC

Elton John Was Afraid Boone Would Sue Him

In 2005, Boone met Sir Elton John at the Society of Singers’ annual Ella Awards (named for the first recipient, Ella Fitzgerald). Boone helped found and fund the organization, with a mission to provide health and welfare benefits to singers in acute financial need and establish scholarships for students seeking master’s degrees in voice.

“I was in line to take a picture with him and when it was my turn I introduced myself, ‘Sir Elton, Pat Boone.’ He was happy but looked sheepish. He said, ‘I was afraid you were going to sue me.’ I knew what he was talking about. ‘Yes,’ I replied. ‘Because of my recording of “Speedy Gonzales.” You copied the “la-la-la-la-la-la” for “Crocodile Rock.”’ I told him I took it as a compliment, and you can’t copyright ‘la-la-la.’ He told me when he only went by Reginald Dwight that he bought all of my records. He named six titles, including “Love Letters in the Sand” and “April Love.” He said, ‘When I heard “Speedy Gonzales” it really clicked with me and I wanted to use the “la-la-las” sometime and it fit in “Crocodile Rock.”‘”

You Don’t Need 23andMe to Know His DNA

When he was 19 years old in 1953, Pat Boone married Shirley Foley, the daughter of country star Red Foley. Pat and Shirley were married for 65 years, until her passing at age 84 in 2019. That means their four daughters have the DNA of two of the most successful singers of their eras, Pat Boone and Red Foley. On Sept. 1, 1979, Pat and Shirley’s daughter Debby (who topped the Billboard Hot 100 for 10 weeks in 1977 with “You Light Up My Life”) married Gabriel Ferrer, the son of actor José Ferrer and singer Rosemary Clooney. Their children have the DNA of Pat Boone, Red Foley and Rosemary Clooney. In a separate interview held a few days after Billboard spoke with her father, Debby addressed the role genetics plays in people’s lives.

“I often think talent is genetic. When I listen to my dad’s older records, I completely hear a tonal quality that I have. And with my grandfather, it isn’t so much a similarity in the tone, but there is a friendliness that either I learned because I was just exposed to it so much because my dad was a huge fan of Red and that influenced the way he started to sing and how he treated an audience from the stage. I was onstage with the family watching and learning from my dad and then I married a guy whose mother had that same gift.”

Considering what musical genetic material might be in their DNA, do any of Debby’s children sing? “It’s funny to watch what happens with kids and who they become. My youngest has that heatseeking missile attention that she was born with. So now she’s a successful actress, and she can sing. She is nervous. She doesn’t sing with confidence because there are so many singers that are around, but she can sing.

“You don’t have to have a perfect voice or an impressive range to touch people musically. You have to have a point of view and an ability to communicate something that makes people identify and I’m sure that she has that. It’s in her toolshed, and I’m sure she’ll use it. I saw her use it to my surprise in high school in plays and then an acting showcase. Suddenly she’s on the piano doing the theme from The Fabulous Baker Boys. So she continues to surprise me. My son has a great voice and does not have any desire to sing. He’s an art director for television and movies and he came out drawing. He loved to draw. That’s his passion, but when he plays around or does karaoke, I think, ‘If you had wanted it, you could’ve been Justin Timberlake.’”

Jump Shot: Boone Can Ball

Boone was 79 in 2013 when he joined the Virginia Creepers, a basketball team based in Arlington, Va., for senior men 75 and older. Creepers player James Martin was a personal friend of the singer and invited him to join the team at the National Senior Games in Cleveland that year. Team captain Del Martin told a local Arlington reporter, “Even though we didn’t bring home a medal, it was a successful trip and a once-in-a-lifetime experience to play with Pat Boone. Pat still draws the ladies and was so gracious to everyone. Plus, he’s not a bad player.”

In 1978, It Was the FTC vs. PB

Normally, the Federal Trade Commission is involved in heavy matters like anti-trust issues. But in 1978 the Commission went after the popular singer, claiming false advertising of Acne Statin, a lotion produced by a company called Cooga Mooga, Inc. Boone endorsed the product in commercials, saying it helped his four daughters with their skin problems. The FTC required Boone to pay 25 cents for each of the 13,000 bottles the company had to refund to customers.

Boone released a statement saying, “This whole experience with the Acne Statin matter has greatly improved my prayer life. I’ve had to turn the other cheek so often in the FTC situation that I’m getting punchy.”

The FTC displayed some humor about the situation. Spokesperson Susan B. Ticknor was laughing when she told The New York Times, “It’s a hell of a lot more interesting than mergers.” Maureen Reagan, daughter of President Ronald Reagan, supported Boone when she said that the lotion helped her with her skin problems during her father’s campaign for the highest office in the land. And after Boone reported that independent laboratory testing backed his claims about the product, the singer said he was going to make more commercials for Acne Statin.

Pat Boone is still active. He is the host of The Pat Boone Hour, airing on SiriusXM’s ’50s Gold (channel 72) Saturdays at 3 p.m. ET with encores on Sundays at noon ET, Tuesdays at 10 p.m. ET and Thursdays at 2 p.m. ET. The show is also available on the SiriusXM app for on demand listening. SiriusXM will celebrate Boone’s 90th birthday on June 1 with a town hall. “We’ll have a career-spanning conversation and in-studio audience members will have a chance to speak with Pat,” Lou Simon, vp/music programming for SiriusXM, tells Billboard. The Pat Boone Town Hall will premiere on ’50s Gold at 3 p.m. ET and will encore on June 2 at noon, June 4 at 10 p.m. and June 6 at 2 p.m., all times ET.

From a Hit Cover of ‘Ain’t That a Shame’ to Decades of Fame: Pat Boone in Billboard’s Back Pages

When Pat Boone turns 90 on June 1, it will be almost 70 years since he debuted on a Billboard chart. Back then, he was pushed as clean-cut counterprogramming to Elvis Presley — so successfully that he became bigger than the King, as measured by Billboard Hot 100 hits from the Aug. 4, 1958, debut of the chart through the end of the decade. From his first hits to his recent work with veteran artists, Pat has always been a boon to Billboard.

He’s So Square, We All Care

“Pat Boone, Dot’s new young find, comes off as a potential bobby sox grabber,” noted the May 21, 1955, Billboard when “Two Hearts” hit No. 16 on the Most Played in Juke Boxes chart. After “Two Hearts,” Boone didn’t miss a beat: His cover of Fats Domino’s “Ain’t That a Shame” (hailed as a “flavorsome number” in the June 18, 1955, issue) became his first No. 1. “He is unassuming, generous and should go far,” predicted a retailer in the Aug. 20, 1955, issue.

Pat, Pending

The July 9, 1955, Billboard described Boone as a “fledgling performer, a pleasant-looking lad who’ll do much better when he loosens up his platform manner.” The “Love Letters in the Sand” singer may have taken note. A review of his Los Angeles concert in the June 19, 1961, issue hailed his “easy and relaxed patter.” “Hope this one brings us another gold record,” Boone said of “Moody River” at the show; in that same issue, it became his first No. 1 of the Hot 100 era.

Trending on Billboard

Jesus Christ + Superstar

Boone’s religious convictions eventually supplanted his pop aspirations. “Pat Boone is creating a ‘Jesus Music’ center,” reported the June 3, 1972, Billboard, “for the myriad of small Jesus youth groups which record their own works but do not have the machinery for national distribution.” Two years later, Boone got soul. When Motown planned a country imprint, he was its first artist, according to the Oct. 26, 1974, issue, which said “not only Boone but Boone’s family will be represented.” Three years later, daughter Debby Boone went solo on Arista, and her “You Light Up My Life” topped the Hot 100 for 10 weeks.

Pat Sabbath

Boone “blasted back on the Billboard album chart after a record 34-year, 2-month absence,” reported the Feb. 15, 1997, issue, as his In a Metal Mood: No More Mr. Nice Guy hit the Billboard 200 at No. 125. Crediting his American Music Awards appearance with Alice Cooper as “one of the many publicity efforts” that fueled this success, Billboard said the album, released on Universal’s Hip-O, was “about as far out in left field as you can go without hitting the wall.”

Gold in Years

In 2019, Boone celebrated the 20th anniversary of The Gold Label, which he formed to help veteran hitmakers ignored by major labels. “We were out there still performing the songs that helped build those labels, and those labels were still selling those old records,” Boone said in the July 27, 2019, issue, but those acts found it harder to get new label deals. “It’s a real labor of love, just like everything else I do with music.”

This article appears in the June 1, 2024 issue of Billboard.