Music News

David Beckham Hopes ‘Brutal’ Sports Fans Are Kinder to Taylor Swift Than They Were to Victoria

Before there was Taylor Swift and Travis Kelce, there was the ultimate sports-music crossover couple of David and Victoria Beckham, aka Posh Spice. And in a new interview with Variety, the soccer legend says he hopes that certain parts of history don’t repeat themselves when it comes to the “Anti-Hero” singer’s entrenchment in the sports world.

Recalling how football fans treated Victoria poorly throughout their relationship in the ’90s, David said, “Hopefully that’s improved.”

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“It’s ridiculous that we’re even talking about it,” he said when asked about Swift and Kelce. “I think back in the day with Victoria going to games, the fans were quite brutal. They sang songs about her.”

Though most of the world seems to be enamored with the “Karma” musician’s romance with the tight end, it has attracted a few complaints from NFL fans that some have deemed sexist. Whether the rhetoric surrounding the famous significant others of athletes has gotten better or worse, though, David says he’s “sure Taylor’s strong enough to handle whatever.”

The interview comes over a month after David helped his wife celebrate her birthday with a surprise Spice Girls reunion. It marked a rare instance of all five women being in the same room at the same time, and the group gave an impromptu performance of their hit “Mama” and re-created their dance routine to “Stop.”

As for whether the girls will make a comeback any time soon, David advises fans not to get their hopes up. “Unfortunately, that’s not happening,” he told the publication. “Victoria was so pleased to see the girls, and it was a massive part of her life, the girls, but obviously, all the girls have got their own things going on. They will do certain things together at certain times. But Victoria’s full on with her beauty and fashion businesses. If anyone’s busier than me, it’s her.

“There’s nothing more that I’d like to see than the girls on stage again,” he noted. “So I’ll still work at it, don’t worry!”

Cole Swindell Ties the Knot With Courtney Little: See the Photos

No more single Saturday nights for Cole Swindell!

The “She Had Me at Heads Carolina” singer-songwriter married his fianceé Courtney Little in a ceremony held on June 12 in Sonoma, California. The couple shared photos from the ceremony on their official Instagram pages. Swindell wore a black suit, boots and a black cowboy hat, while Little donned a bell-sleeve wedding gown with a floor-length veil.

Georgia native Swindell popped the question in May 2023. “Still couldn’t tell ya everything I said down on one knee…All I know is she said “YES”!” Swindell shared on social media after the couple became engaged.

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Little previously starred in Swindell’s music video clip for his song “Some Habits,” but they were friends prior to the video. In 2022, Swindell noted on The Bobby Bones Show that he and Little met several years ago. “I’m a big NASCAR fan and she works with [energy drink brand] Monster [Energy],” Swindell said. “We just kind of met and exchanged numbers and kept in touch over the years but it never was anything, you know, just kind of friends, randomly saw her here and there, but the [“Some Habits”] video kind of changed everything.”

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North Carolina native Little was previously an NBA dancer, and with her sister owns a boutique shop, The Little Sister Boutique.

Swindell’s current single, “Forever to Me” reached the top 40 on Billboard’s Country Airplay chart. He released his most recent studio album, Stereotype, in 2022, which included his hit song “She Had Me at Heads Carolina,” which picked up two ACM Awards wins, for single of the year and song of the year. Swindell has eight No. 1 Country Airplay hits to his credit.

Several of Swindell’s fellow country artists and friends responded to the photos the couple shared on social media, including Lily Rose, Morgan Evans, and Tyler Hubbard’s wife Hayley Hubbard.

Sir Deer on Upcoming 10th Anniversary & Hoping ‘The Next Decade Can Be Even Wilder’

On the eve of their Billboard China cover interview, the Sir Deer team decided to hold three impromptu campus performances in Henan province. Bei Bei, the lead vocalist of Sir Deer, described these fleeting moments at the campus concerts as always thrilling to him. In the past two years, Sir Deer has toured nearly 20 campuses.

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In Bei Bei’s view, every minor incident holds the potential to alter one’s life trajectory. The experiences of participating in the music club and organizing performances during their university days set the wheels of fate in motion, sowing the seeds that would eventually flourish into the band’s formation. On this campus tour, Sir Deer also encountered many young individuals who shared their passion for music, just as they had in the past. Bei Bei believes this performance will plant a seed of inspiration in these students’ hearts as well.

Akin to their performances in theaters and live houses, Sir Deer’s campus concerts employ a full-scale touring production. For many students, this concert may not only mark their first live performance, but also their inaugural encounter with Sir Deer live. “The pressure of performing on campus is truly immense, as it could impact a student’s life. So we also feel a burgeoning sense of responsibility within.”

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Bei Bei hopes that Sir Deer’s campus tour can present students with “another possibility”: “The college entrance exam is like a mountain, and postgraduate studies are exceedingly difficult… but what vistas await on the other side of that peak? Let music become a process to help everyone resolve their troubles. Perhaps the anxieties they currently grapple with will gradually dissipate after a night’s performance. At least in the realm of music, we wish to reveal to students the greater potentialities of life.”

Transcending Adversity, Uncovering the Self

Over the past tumultuous two years of the pandemic, not only Sir Deer, but all of humanity has endured trying times. In Bei Bei’s perspective, this arduous period represented a form of “spiritual cultivation” unfolding both internally and externally.

At the year’s outset, bassist Li Si penned a heartfelt message on Weibo: “During this stage where both our bodies and souls require restoration, we must all march forth hand-in-hand.” For Li Si, the “team spirit” of Sir Deer is the most paramount facet in his life: “These bonds of friendship have aided me in traversing an enormously difficult time and have imbued me with the impetus to progress and look ahead.”

Sir Deer’s rhythm guitarist Yang Songlin is a quintessential “science and engineering type.” Within this ensemble, where artistic and emotional sensibilities form the principal creative axis, Yang candidly admits that his rationality serves as a tool to safeguard everyone’s childlike spirit: “I comprehend my role in the team is to ensure the stability of the rhythm.”

In the digital era, a band can no longer simply perform songs, they must also actively explore social media attempts. As Sir Deer’s lead guitarist, Dong Bin has contributed countless “firsts” for the band. Dong Bin’s primary vocation is architectural design. “I brim with excitement before the performances, and when I revert to my work post, my heart settles. I cannot control the duration of my life, but I can seize the breadth of my life.”

Keyboardist Bing Bing completed the female vocal overdubbing for a new Sir Deer composition alongside her mother, which she deems a career highlight. “Being able to collaborate with my closest family member to imbue emotion into the band’s work, this emotional connection within the musical context is an unforgettable lifetime experience.”

After drummer PP’s maternity leave this year, several different drummers have successively joined Sir Deer’s roster of guest musicians. As for Sir Deer’s in-depth cooperation with Tencent Music Entertainment Group, it has imbued each band member with a renewed creative drive. These new partnership ventures have imbued Sir Deer’s future with an abundance of novel, undiscovered possibilities.

Sir Deer on Billboard China cover

Sir Deer on Billboard China cover

Sanke Ren/Billboard China

The Tides of Time Flow Onward, Embracing a “Wilder” 10th Anniversary

The sands of time are ever-shifting, and Sir Deer’s evolution has mirrored this restless progression. Mastering the art of embracing change is a lesson Bei Bei has imparted to himself and the band: “The crux is that when you make certain decisions, you must also accept the other facets that come with it. If you possess the courage to transform, there will be no issues.”

Founded on Aug. 31, 2015, Sir Deer will soon commemorate its 10th anniversary next year. Traversing these 10 years, there have been myriad triumphs and tribulations. How will the bandmembers celebrate Sir Deer’s decadelong journey? Dong Bin states there will undoubtedly be a commemorative performance: “I hope this retrospective concert can present our evolution and some reflections, providing a proper account for the 10th anniversary.”

This 10-year milestone will render Li Si unable to resist reminiscing about the year Sir Deer was first formed, in 2015. At that time, all the members convened at Bing Bing’s residence for a meeting, discussing the title of their inaugural song, the overarching creative direction, recording plans, rehearsal schedules. In Li Si’s recollection, they have held countless such work sessions over the past 10 years, but in each one, everyone participated earnestly and diligently, never absent.

Regarding this year’s plans, Bei Bei shared that they intend to release a collection that is “a bit wilder” than the original Sir Deer: “We still harbor many unrealized artistic ambitions, hoping to soar even faster and higher. Participating in the 31st College Student Film Festival made me cognizant of the importance of visual elements for music. I feel immensely honored that these 10 years with everyone have not been in vain, and I hope the next decade of Sir Deer can be even wilder.”

Sir Deer on Billboard China cover

Sir Deer on Billboard China cover

Sanke Ren/Billboard China

–This article was written by Jifan Wang for Billboard China

Young Thug’s Father Had a Ball at Gunna’s Atlanta Concert: Watch

Despite rumors of beef between Young Thug and Gunna, Thug’s father, Jeffery Williams Sr., continues to publicly support Gunna while his son is embroiled in a RICO trial.

During Gunna’s Bittersweet Tour stop at Atlanta’s State Farm Arena on Tuesday (June 11), Thug’s dad could be seen in the VIP pit in front of the stage enjoying the Atlanta rapper’s performance of his and Thugger’s song “Ski” from the YSL compilation album Slime Language 2.

With a big smile on his face, Thug Sr. raps along with the song’s chorus while doing the #SkiChallenge as the crowd around him goes crazy.

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Back in December 2022, Gunna agreed to a so-called Alford plea, which allows a defendant in a trial to enter a formal admission of guilt while still maintaining their innocence. He was released from jail with time served and probation conditions that include 500 hours of community service.

“While I have agreed to always be truthful, I want to make it perfectly clear that I have NOT made any statements, have NOT been interviewed, have NOT cooperated, have NOT agreed to testify or be a witness for or against any party in the case and have absolutely NO intention of being involved in the trial process in any way,” the rapper said in a statement the day of his release in 2022.

Thug’s father has confirmed on multiple occasions that he still supports Gunna. Last December, during an interview with Infamous Sylvia, Williams Sr. adamantly defended the rapper, saying, “I love Gunna… Let me try to help the attorney clarify that a little simpler. Gunna hasn’t done anything whatsoever that can hurt us on this case, period.”

When asked about Lil Baby telling a DJ to stop playing his “Drip Too Hard” collab with Gunna during a concert and saying, “F—k the rats, turn this s—t off,” he reiterated his position on the matter. “He need to shut the f—k up ’cause he don’t know what’s going on,” he told Infamous Sylvia in another interview. “Ask Lil Baby has he ever came to a court date?”

Recently, one of Thug’s lawyers in the ongoing RICO trial was held in contempt and sentenced to 20 days in jail. However, the Georgia Supreme Court granted an emergency motion, pausing the jail sentence until they review the controversial decision. Prior to that, a witness called by the prosecution went viral for referring to Young Thug’s song “Lifestyle” as a “banger.”

Watch the clip of Young Thug’s father dancing at Gunna’s Atlanta show below:

Johnny Canales, Tejano Music Legend & TV Icon, Dead at 77

Johnny Canales, the iconic television host who dedicated his career to promoting Norteño and Tejano music in the United States, has died at 77. The announcement was made on his Facebook page Thursday (June 13).

“He was more than just a beloved husband, father, TV host, musician, and entertainer; he was a beacon of hope and joy for countless people,” reads the message. “His infectious charisma and dedication to promoting Latino music and culture left a large mark on the world. Johnny’s spirit will continue to live on through the countless lives he touched and the legacy he built.”

The Johnny Canales Show was an important platform for regional Mexican music artists, including Los Tigres del Norte, Los Relámpagos del Norte and Intocable, and was the prime mover of Selena’s career. “You got it, take it away” was one of the most famous phrases Canales used in his broadcasts to encourage artists in their nascent careers.

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Born in Nuevo Leon, Mexico, he moved to the Corpus Christi, Texas, area at a very young age. From childhood, he showed his passion for music and became a singer. However, it was in television hosting where he found stardom.

From 1988 to 1996, his program was broadcast on the Univision network, which allowed him to reach thousands of Mexicans living in the United States and become a cultural standard bearer for migrants. In 1997 he joined Telemundo, where he remained for several years, and later, his own show would be broadcast would be through their networks.

However, Canales’ health began to deteriorate in 2008 after suffering a stroke that led to loss of mobility, and forced him to give up television broadcasting. At the beginning of 2024, he appeared in networks in delicate health, reporting himself stable from his home. However, he would become weaker and weaker until his last days.

Below, watch a clip of Johnny Canales in action.

Tyla Reflects on Curving Kai Cenat With ‘We Friends Though’ Comment Going Viral: ‘The Thing Stretched’

Tyla joined popular streamer Kai Cenat for a livestream in March surrounding the release of her eponymous debut album, and when Cenat asked to go on a date with the South African singer, she curved him.

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We friends, though,” she replied when attempting to let him down easy. However, the friend-zoning took on a life of us its own in the last few months and has continued to pop up around Kai.

Kevin Hart even made a “we friends tho” sign for Kai Cenat when he showed up at his house for their sleepover stream with Druski earlier this week.

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Tyla made her debut on The Breakfast Club on Thursday (June 13), where Charlamagne Tha God asked her about the viral curving of the streamer.

“Guys, the thing stretched,” she said, which drew a laugh from CTG. “Don’t put me on the spot, guys. I’ll embarrass [myself].”

Envy hopped in to see if Tyla and Kai joke about the viral exchange, but that doesn’t seem to be the case.

“We don’t really talk about it,” she replied with a chuckle. “We met in New York for the first time around New Year’s. Then I went on the stream, and it actually was really fun.”

Elsewhere in the interview, Charlamagne asked her about the debates regarding Tyla being a “colored person” from South Africa. She refused to answer, looking for help from her team, and her publicist stepped in to have them move on to another question.

Tyla exploded onto the music scene last year with her “Water” single. The amapiano track won best African music performance at the 2024 Grammys, and reached No. 7 on the Billboard Hot 100.

“Once it was booming on TikTok, I was in shock. I was in a different country for something else,” she told the radio show of seeing “Water” blow up.

Watch Tyla’s Breakfast Club interview below. Talk of the Kai Cenat interaction starts just shy of the 16-minute mark.



See Never-Before-Revealed Photos of Avicii From Upcoming Book

The flurry of commemorative material that’s been released in the wake of Avicii’s 2018 death expands today (June 13), with the release of a new photobook, Avicii: The life and music of Tim Bergling.

The book comes from publisher Bokförlaget Max Ström, which producers large-format photobooks, and features more than 200 images of the artist born Tim Bergling. Through these photos, many of them which have never before been made public, the book traces the artist’s life from his childhood in Sweden to global superstardom. See exclusive images from Avicii: The life and music of Tim Bergling, below.

The book, which is currently available in Europe (with a U.S. publishing date to be announced soon), was created in collaboration with the Tim Bergling Foundation, a nonprofit founded by Bergling’s parents, Klas Bergling and Anki Lidén, in the wake of his 2018 death. Based in Sweden, the organization advocates for mental health wellness and suicide prevention among young people.

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The new book comes days after the debut of a new Avicii documentary, Avicii – I’m Tim at the Tribeca Festival in New York City. The book includes a foreword by Swedish journalist Måns Mosesson, the author of the 2022 Avicii biography Tim: The Official Biography Of Avicii. Read an exclusive excerpt of this foreword about the producer’s time at an Ibiza rehabilitation facility in 2015 below.

Tim Bergling

Tim Bergling at three years old.
Photo from the book “Avicii, The Life and Music of Tim Bergling” Max Ström Publishing 2024.

PrivateAvicii Music AB

The moment of reckoning arrived deep in the Ibizan woods, surrounded by tall pines and fragrant orchards. Following a difficult conversation with concerned friends and colleagues, Tim Bergling entered rehab in the autumn of 2015, just as his second album Stories was finally released.

At long last he had time to catch up on his sleep at the facility, which was located on a converted farm. The garden, with its bright palm lilies and hibiscus bushes, stretched out beyond his window. A few stone steps led down to the consulting rooms.

Tim built a little campsite for himself up on the rooftop, staff helped him lug a sun lounger up there. At dusk he would gaze out over the Mediterranean shrouded in autumn mist, considering his life and all the experiences that had led him to that particular place.

One day, the treatment director took a book off the shelf in the consulting room. It was by Eckhart Tolle, a German self-help author. Entitled The Power of Now: A Guide to Spiritual Enlightenment, it set out the principles of living in the present moment, also called mindfulness.

Tim liked what he read. He sought out the roots of these ideas and learned that much of Tolle’s writings drew on ancient Buddhist teachings – concepts that Tim enjoyed discussing in therapy. The Eastern practice was based on paying attention to the sensations flowing through one’s body, recognising difficult or embarrassing feelings without judging or repressing them. By acknowledging stress, the idea was that one could gradually free oneself from it.

Tim practiced sitting silently in meditation. He tried to tune in to every smack against the punching bag down by the pool. Boxing also helped him to let go of what had become a highly destructive lifestyle. During his nightly excursions among the wild rabbits in the surrounding woods, a new idea started to emerge in his head. It was a decision even he had not anticipated. An idea that would previously have seemed so impossible, he would have waved it away before it had a chance to establish itself in his consciousness.

He would stop touring.

It was a drastic move, but it immediately felt right. Playing live sets did not benefit him as a person. They were just a source of stress and drained him of joy. He would probably always love making music. In fact, that was one of the reasons why he needed to make a change. If he stopped touring, that would free up energy for composing music, which was what he really longed to do.

He also decided to split from his manager Arash Pournouri. Their relationship had been growing increasingly fraught for some time. After three months in rehab, Tim Bergling left Ibiza in great shape and full of confidence. He posted an announcement on Instagram for his three million followers.

My path has been filled with success, but it hasn’t come without its bumps.
I know I am blessed to be able to travel all around the world and perform, but

I have too little left for the life of a real person behind the artist.

A new life began to take shape. Tim continued travelling around the world, but he no longer did so as a one-man entertainment industry. Instead, he hung out with monkeys on Madagascar, took selfies with gorillas in Uganda and floated on a barge along the Amazon deep into the jungle.

In the spring of 2016, he embarked on a special bus trip with a bunch of Swedish musicians. They set off from the west coast of the USA and headed east. They stopped off in national parks and carried their instruments across the rugged terrain. In the great outdoors, they wrote elegant, laid-back songs filled with rediscovered freedom. Many would later end up on Avīci (01), an EP Tim wanted to centre on the human condition. He outlined how he wanted the project to be presented. Ambitious films, inspired by the teachings of Buddhism, would trace a human journey from darkness into light.

This was his focus now: people’s destructive thought patterns and ways to break out of them. How to emerge from addiction and find a peaceful existence.

A new life, in other words.

Bergling in the southern Swedish province of Skåne, where his family had bought a run-down cottage with a view of the sea in the fishing village of Skillinge.
Photo from the book Avicii, The Life and Music of Tim Bergling” Max Ström Publishing 2024.

Private family photo

Avicii

In April 2012, Bergling sent this photo to his mom Anki from the Caribbean island of Saint-Barthélemy. This was also Bergling’s first post on Instagram.
Photo from the book Avicii, The Life and Music of Tim Bergling” Max Ström Publishing 2024.

Private/Avicii Music AB

Avicii

Avicii’s crew started taking a private plane in the summer of 2012 to save time getting from one gig to another. Their 10-seater Cessna sported decals that read “Air Vicii” and “Ash Alliance.”
Photo from the book
Avicii, The Life and Music of Tim Bergling” Max Ström Publishing 2024.

Rukes/Avicii Music AB

Avicii

A performance in Osaka, Japan, on June 4, 2016.
Photo from the book
Avicii, The Life and Music of Tim Bergling” Max Ström Publishing 2024.

Sean Eriksson/Avicii Music AB

Avicii

Bergling photographed in Nevada while filming a 2015 commercial for Volvo.
Photo from the book
Avicii, The Life and Music of Tim Bergling” Max Ström Publishing 2024.

Gustav Johansson

Eminem Snags His First Streaming Songs No. 1 Since 2018

Eminem’s “Houdini” launches at No. 1 on Billboard’s Streaming Songs chart dated June 15, the rapper’s first ruler since 2018.

“Houdini” debuts with 48.8 million official U.S. streams earned in the week ending June 6, according to Luminate.

It gives Eminem his first No. 1 on Streaming Songs, which began in 2013, since “Lucky You,” featuring Joyner Lucas, which premiered atop the Sept. 15, 2018, tally.

Eminem boasts one other ruler: “The Monster,” featuring Rihanna, which led for a week in 2014.

Between “Lucky You” and the reign of “Houdini,” Eminem’s top peak was a pair of No. 2-charting songs: “Killshot” later in 2018 and his featured turn on Logic’s “Homicide” in 2019.

The No. 1 Streaming Songs debut of “Houdini” extends to similar premieres atop R&B/Hip-Hop Streaming Songs and Rap Streaming Songs. It’s Eminem’s fifth ruler on each (2013’s “Berzerk” and “Rap God” are added to the tally).

Concurrently, as previously reported, “Houdini” debuts at No. 2 on the multimetric Billboard Hot 100, with 4 million radio audience impressions and 49,000 digital downloads in addition to its stream count. The song marks Eminem’s second leader on Hot R&B/Hip-Hop Songs, following “The Monster,” and sixth on Hot Rap Songs.

“Houdini” is the lead single from The Death of Slim Shady (Coup de Grace), Eminem’s upcoming 12th studio album, due sometime in 2024. It’s his first LP since Music to Be Murdered By, which debuted at No. 1 on the Billboard 200 dated Feb. 1, 2020, and has earned 2.6 million equivalent album units to date.

Creepy Nuts’ ‘Bling-Bang-Bang-Born’ Scores 17th Week Atop Japan Hot 100 as NCT DREAM Debuts at No. 2

Creepy Nuts’ “Bling-Bang-Bang-Born” rises again to No. 1 on the Billboard Japan Hot 100, climbing 4-1 on the chart released June 12 to extend its record to 17 weeks atop the tally.



The return of the hip-hop duo’s long-running hit to the top spot follows Billboard Japan’s 2024 mid-year report, where the MASHLE Season 2 opener was crowned the top song on 13 different lists, a first for any song in the history of the Japan charts. Perhaps due to the impact of this news, points for radio airplay increased 1.8 times from the previous week, which helped keep the decrease in point total for the track at a minimum. “BBBB” returns to No. 1 after three weeks.

NCT DREAM’s “Moonlight” debuts at No. 2. The title track off the K-pop boy band’s second single launched with 253,965 copies to hit No. 2 for sales, while also coming in at No. 4 for radio.

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Mrs. GREEN APPLE’s “Lilac” follows at No. 3. The song climbs 5-3 with increases in downloads, streaming, karaoke, and radio points. Mrs. GREEN APPLE ruled the mid-year Japan Artist 100 chart and currently still has 12 tracks charting on the Japan Hot 100 this week. The three-man band dropped a new song called “Columbus” digitally on Wednesday (June 12), which will likely join the list of the popular trio’s hits.

Omoinotake’s “IKUOKUKONEN” also rises 9-4 this week. The piano trio released “Tsubomi” on June 12, the track being featured as the ending theme of the anime series My Hero Academia Season 7, and has been promoting it through various channels including Instagram Live.

Bowing at No. 5 on the Japan Hot 100 is Strawberry Prince’s “Chikai no hanataba wo ~With You~.” The track hit No. 1 for sales with 502,921 CDs sold but didn’t score any additional points in the other metrics of the chart’s measurement.



Sakurazaka46’s “Jigoujitoku” debuts at No. 10. The popular girl group’s ninth single dropped digitally on June 5 and came in at No. 14 in downloads, No. 5 for streaming, and No. 9 for video views. 



The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from June 3 to 9, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.

BLACKPINK’s LISA Declares Herself ‘a Rock Star’ in Edgy New Teaser: Listen

LISA is keeping fans on the edges of their seats. Shortly after teasing that her next solo era is imminent, the BLACKPINK star posted what appears to be a snippet of new music on TikTok Thursday (June 13).

In the clip, LISA models a white baby tee and black miniskirt while posing for photos on the beach as boats cruise by behind her. At the end, she can be heard saying faintly, “Baby, I’m a rock star.” The global pop star paired the 14-second video with an original sound labeled “TEASER.”

The uptempo snippet pairs racing percussion with edgy, slightly distorted synths, seemingly a portion of the 27-year-old musician’s next project.

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Needless to say, fans are freaking out. “IM SCREAMING I CANT WAITTT,” one person commented, while another listener wrote, “LISA DONT PLAY WITH US.”

The teaser comes a week after the Thai rapper updated her websites and social media accounts with a cryptic message reading, “Coming soon: LISA.” She also appeared to signal the start of a new era by posting a video on TikTok at the time, paired with a gritty synth beat titled “Coming Soon.”

LISA first dropped her own music in September 2021, releasing the singles “Lalisa” and “Money” via YG Entertainment and Interscope Records. The latter track became the first solo K-pop hit to surpass a billion streams on Spotify in 2023, and its music video recently became the singer’s first to reach a billion views on YouTube.

Also in 2021, LISA joined DJ Snake Ozuna and Megan Thee Stallion on a single titled “SG.” Last year, she hopped on a track with BIGBANG’s Taeyang titled “Shoong!”

LISA and her BLACKPINK bandmates JENNIE, JISOO and ROSÉ are currently on a break from full-band activities following the release of their Billboard 200-topping album Born Pink in 2022. In April, the former signed with RCA Records in anticipation of her upcoming solo efforts, inking a deal that will allow her to retain ownership of her master recordings.

“I’m super excited to be joining the RCA family, and I am confident they are the best team to create a bigger movement in my solo career,” LISA said in a statement at the time. “Looking forward to showing the world everything we have been preparing.”

Check out LISA’s TikTok below.