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For the third month in a row, KPop Demon Hunters controls Billboard’s Top Movie Songs chart, powered by Tunefind (a Songtradr company), with music from the Netflix juggernaut ruling the top seven of the 10-position September 2025 tally.
Rankings for the Top Movie Songs chart are based on song and film data provided by Tunefind and ranked using a formula blending that data with sales and streaming information tracked by Luminate during the corresponding period of September 2025. The ranking generally includes newly released films from the preceding three months, with exceptions given to movies whose music is still experiencing a high volume of public interest.
That last part is key here: While KPop Demon Hunters was originally released on June 20, a date that might normally make it ineligible for the September 2025 Top Movie Songs chart, the film’s continued stranglehold on pop culture is difficult to ignore. In fact, its top dog, HUNTR/X’s “Golden,” reigned on the weekly Billboard Hot 100 for the entirety of September, a reign that began in August and continued into October; it ranks at No. 3 on the latest survey.
So it’ll be unsurprising that “Golden” is No. 1 on September 2025’s Top Movie Songs list, too. That month, the song accumulated 160.2 million official on-demand U.S. streams and sold 36,000 downloads, according to Luminate. While other songs from the soundtrack racked up sizable metrics, no other broke 100 million streams or even more than 15,000 downloads in that span.
It’s the third month at No. 1 for “Golden,” which initially debuted atop the July 2025 tally alongside other songs from the movie. Saja Boys’ “Soda Pop” remains at No. 2 for a second month (it was No. 4 on the July list) as the top “Golden” competitor, earning 92.7 million streams and 14,000 downloads.
The sum-of-its-parts soundtrack even ruled the Billboard 200 for the first time in September, rising to No. 1 on the Sept. 20 ranking after six weeks in a row at No. 2. It’s since crowned the Oct. 11 chart, too.
All of which is to say: Don’t expect the KPop Demon Hunters dominance to wane on Top Movie Songs anytime soon.
After holding down the top seven, the remainder of the September 2025 tally features music from Gabby’s Dollhouse, Weapons and The Wrong Paris. The former leads at No. 8 thanks to its synch of ROSE and Bruno Mars’ “APT.” (29.9 million streams, 5,000 downloads), a No. 3 hit on the Hot 100 in February.
See the full top 10 below.
Rank, Song, Artist, Movie
“Golden,” HUNTR/X, KPop Demon Hunters
“Soda Pop,” Saja Boys, KPop Demon Hunters
“How It’s Done,” HUNTR/X, KPop Demon Hunters
Your Idol,” Saja Boys, KPop Demon Hunters
“What It Sounds Like,” HUNTR/X, KPop Demon Hunters
“Takedown,” HUNTR/X, KPop Demon Hunters
“Free,” EJAE & Andrew Choi, KPop Demon Hunters
“APT.,” ROSE & Bruno Mars, Gabby’s Dollhouse
“Beware of Darkness,” George Harrison, Weapons
“Getaway,” Harper Grace, The Wrong Paris
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Kim Kardashian and Ye (formerly Kanye West) finalized their divorce in 2022, but sharing four children means they will be involved in one another’s lives for the foreseeable future.
The Skims mogul opened up about the fallout from her relationship with West during the season seven premiere of Hulu‘s The Kardashians on Thursday (Oct. 23), which she says “tested” her in ways she didn’t see coming as she wanted to “protect” her kids as best she could.
“I was pretty tested, I will say. Very tested,” she said. “I mean, I have psoriasis again. I felt it. I mean, I felt more stressed, probably just because I had to super protect what I had to protect. My kids are involved now.”
Kardashian added that she’s most worried about how the kids will handle their father’s public outbursts. “My poor kids,” she continued. “Everyone around can handle it, but … protect my babies. They’re gonna know things. They’re gonna grow up. They’re gonna see. So my job as a mom is to just make sure that at a time when that behavior is happening, is just to make sure that they are protected.”
She explained how it isn’t as easy as “walking away” from the relationship with Ye since they have children together. “I’m happy it’s over,” the reality star said. “My ex will be in my life no matter what. We have four kids together.”
Kardashian also pushed back against West’s narrative that she’s attempting to keep the children from seeing him.
“As much as people think that I have the luxury of walking away and not dealing ever again, that’s not my reality. This person — we have four kids together,” she said on the reality show. “It’s very confusing because it’ll be all this talk on the internet of like, ‘I’m keeping the kids.’ He’s never once called and asked [to see them].”
She added: “But then I’ll wake up, and it’s on Twitter that I’m keeping the kids. So it’s just … When it’s not true and not rational, I just have to like … I can’t engage all the time. It’s a divorce, not a kidnapping. We haven’t left! We’re in the same spot. We have the same address, so he knows where his kids are.”
Elsewhere in the episode, Kardashian opened up about health issues she’s suffered as a result of the stresses in her life. Her psoriasis flared up for the first time since getting divorced, and she was also diagnosed with a brain aneurysm.
When it comes to Ye’s troubling issues, Kardashian always felt it was a reflection of her, but recently, that hasn’t been the case.
“It was the first time I think one of my kids knew what was happening,” she said on The Kardashians. “I’ve been able to hide it for so long. I always felt like I had a little bit of like Stockholm syndrome, to where I always felt really bad and always protected and always wanted to help … And this was the first time I didn’t feel that responsibility personally.”
West and Kardashian share four children: North, 12; Saint, 9; Chicago, 7; and Psalm, 6. Kardashian filed for divorce in early 2021, and the case was settled in November 2022.
Watch the season seven trailer of The Kardashians below.
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Halle Bailey takes Tetris out for a vegan lunch at H.O.P.E. Healthy Organic Positive Eating! While nibbling, they chat about the highs and lows of her first solo album, ‘Love? Or Something Like It,’ new collaborations with her girls, the legacy of ‘The Little Mermaid’ and growing up in the industry.
Halle Bailey:
Hi! Welcome!
Tetris Kelly:
Thanks for hanging out with me today.
Of course, thanks for having me here.
It’s like, what they know about you, we’re about to find out, okay? All right, Ms. Bailey, tell me about H.O.P.E. What is your connection to this restaurant?
Oh my goodness, okay. So, I was vegan when I first moved out to California about, oh my gosh, like, 14 years ago now. Geez, it’s been a long time since I’ve been here!
You’re a local now!
I was vegan for 13 years, but now I’m not anymore. When I got pregnant, I wanted to eat meat. But this place? I still go to this place. I swear by it—it’s so good. So, the fact that we’re here today is really freaking awesome, so thanks.
I love that. And then you said that when you got pregnant, you wanted meat. What was the first thing you needed so badly?
I needed… Oh, why are we saying this in this restaurant?
Oh, sorry.
It was Chick-fil-A nuggets.
You’re right, you’re right. Okay, I just needed to know—for my own research. I needed to know what the item was. Hey, how’s it going?
Waitress:
Hi! Great!
Okay, so can we please start with your spring rolls, then your green curry dumplings, and your Muay Thai wings, because I want him to try it just to see.
Waitress:
Of course.
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Trending on Billboard Grimes is known for changing up her appearance in unorthodox ways, but even she was surprised when no one batted an eye at her riskiest alteration yet: a face tattoo. On Wednesday (Oct. 22), the singer-producer shared a selfie showing off the ink, which appears to be a faded ring around her […]
Bruce Springsteen is continuing to speak out against Donald Trump, with the rock star offering up a “prayer” for “no kings” amid the ongoing protests against the president. At the American Film Institute Opening Night Gala on Wednesday (Oct. 22) — where Springsteen was in attendance to support new biopic Deliver Me From Nowhere — […]
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The Foo Fighters are gearing up for their next era. After teasing a typically hard-hitting new song earlier this month with a brief fist-pumping instrumental snippet, the veteran Dave Grohl-led band dropped the blistering “Asking For a Friend” single on Thursday morning (Oct. 23).
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The song opens with a gentle guitar figure and Grohl singing, “Save your promises until we meet again/ You can save all your promises until the bitter end/ What is real, I’m asking for a friend/ What is real, I’m asking for a friend.” Then, as is their wont, the loud-quiet-even-louder band explodes into a giant riff mania, with Grohl howling, “Or is this the end?” as the song picks up steam.
Over pounding drums and layers of guitar, Grohl pleads, “Lay your worry down/ Save your promises til we meet again/ Save all your promises until the bitter end,” later wondering, “when you’re alone, am I a part of you?/ Am I a part of you?,” before assuring, “You’re not alone/ I am a part of you/ When I’m apart from you.” The four-and-a-half-minute song’s see-saw journey explodes at the three-minute mark, picking up the pace and launching into a blitz of howling Grohl vocals and a barrage of speed-metal-like riffs as it sprints to a close.
At press time a spokesperson for the band had not returned Billboard‘s request for confirmation that former Nine Inch Nails drummer Ilan Rubin plays on the track, though artwork for the song posted by the band on their Instagram on Wednesday (Oct. 22) included Rubin’s photo alongside the other members.
The dark rocker is a follow-up to the more upbeat previous one-off single, the emotional “Today’s Song,” and, after playing a series of intimate club shows with Rubin, the group also announced the first dates of their 2026 Take Cover stadium tour, their first run of stadium gigs since the 2023-2024 Everything or Nothing at All run.
The tour is slated to kick off on Aug. 4 at Rogers Stadium in Toronto and then hit Detroit, Chicago, Cleveland, Philadelphia, Nashville, Washington, D.C., Fargo, N.D., Regina, Saskatchewan, Edmonton and Vancouver before wrapping up at Allegiant Stadium in Las Vegas. Queens of the Stone Age will open all the dates except for the Fargo stop, with Mannequin Pussy and Gouge Away also lined up to perform on select dates. A release announcing the shows suggested that “many more shows” are on the horizon.
A general on-sale for all shows will launch on Friday (Oct.31) at 10 a.m. local time, with details available here. Fans can sign up for an artist pre-sale now through Sunday (Oct. 26) at 11:59 PT.
In a lengthy Substack post announcing the shows and the new song, Grohl wrote about finding inspiration for the track while in Japan staring at the majestic, cloud-shrouded Mt. Fuji. “As the clouds slowly clear and life comes into view, there are many reasons to be grateful. And humbled. I know this and I feel this everyday,” he wrote.
“Since our return to the stage in San Luis Obispo five weeks ago, we have been reminded of why we love and are forever devoted to doing this Foo Fighters thing,” he continued. “From reconnecting as a band and staring at a list of 30 years worth of songs to brush off, to reimagining versions with the incredible blessing of the one and only Ilan Rubin behind the drums, to reuniting with our amazing fans and blasting them with everything we’ve got (no matter the size of the venue) because we would not be here without them, we have the most solid core. And the sun is finally rising over the horizon.”
The post also touched on his long friendship with QOTSA singer/guitarist Josh Homme and the many special moments they’ve had together over the past 33 years as they gear up to rock stages together again. “I have shared some of my life’s most rewarding musical moments with my dear friend, Josh. A lifelong bond that goes far beyond the sound we’ve made together,” Grohl wrote. “So it is with great happiness that we can share this next chapter together with his almighty Queens of the Stone Age.”
Then, seemingly teasing that the band has follow up to their 2023 album But Here We Are in the works, Grohl warned fans to “take cover,” adding, “But none of this would be complete without new music to share from Pat [Smear], Nate [Mendel], Chris [Shiflett], Rami {Jaffee], Ilan and I. ‘Asking for a Friend’ is a song for those who have waited patiently in the cold, relying on hope and faith for their horizon to appear. Searching for ‘proof’ when hanging by a wish until the sun shines again. One of many songs to come.”
Check out the Take Cover Tour poster and listen to “Asking for a Friend” below.
Billboard’s Live Music Summit will be held in Los Angeles on Nov. 3. For tickets and more information, click here.
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With Clint Bentley’s new film focusing on the life of a railroad worker laboring at the heart of the United States’ industrial revolution, the director needed a composer who understood the complexity of Americana — so he tapped Bryce Dessner.
The National guitarist is, at this point, an expert in soundtracking the American experience throughout historical periods, with his résumé including The Revenant and Manhunt. That’s why he was the perfect person to craft the score for Bentley’s Train Dreams, which — after earning rave reviews at Sundance and the Toronto International Film Festival — is headed to Netflix on Nov. 7.
And, following the release of the film’s Nick Cave-assisted title track in August, Billboard can exclusively share the first piece of music on the Train Dreams soundtrack. Dropping Thursday (Oct. 23), “Passageways I: Ahead, Trembling” gives fans a taste of the swelling strings and analog techniques — including the use of ribbon microphones from the 1930s and 40s — that Dessner employed while creating the musical world of the project.
Speaking to Billboard about the track, Dessner explains, “‘Passageways’ is one of the main themes of the film and comes back four or five times throughout the film in different moments and iterations.”
“The emotion in this music is lyrical but halting, like an aria that never really fully reaches completion,” he continues. “This idea is mirrored in the minimalism of the film, which is beautifully restrained.”
Featuring performances from members of the Oregon Symphony, “Passageways” is just one piece of the broader sonic landscape that Dessner created with main character Robert Grainger (who is played by Joel Edgerton) in mind. The full soundtrack will drop on the same day as the film
“I wanted to find music that was emotional but not overtly sentimental, like [Robert],” Dessner says of the film’s rugged protagonist.
He also took inspiration from Denis Johnson’s original Train Dreams novella, on which Bentley’s film was based. “There’s also a feeling of light and dark in the film which I tried to access in the music, balancing the heavier more intense moments with moments of levity and lighter sounds,” the two-time Grammy winner adds. “The music for the score exists between American folk music and more orchestral writing.”
Other credits on Dessner’s film scoring résumé include The Two Popes, We Live in Time and Cyrano. In addition to his work as a composer, he is a member of one of indie rock’s most beloved groups, as well as a producer and frequent contributor to twin brother Aaron’s projects (such as Taylor Swift’s Folklore and Evermore, to name a couple of Billboard 200 chart-toppers).
But despite his full plate, Dessner has a passion for scoring for which he has continued to make room — and Americana-focused pieces have a particularly special place in his priority list. “I find the subject matter really inspiring for creating music,” he tells Billboard.
The interview with Dessner comes two weeks after Bentley and company dropped the trailer for Train Dreams, immediately sparking Oscar buzz. The film’s soundtrack will arrive Nov. 7, the same day the movie comes to Netflix.
Along with Edgerton, the project also stars Felicity Jones, Kerry Condon and William H. Macy.
Listen to “Passageways I: Ahead, Trembling” below.
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In a historic panel, Daddy Yankee returned to the 2025 Billboard Latin Music Week for a candid conversation with Billboard’s Leila Cobo for the “Superstar Q&A” panel on Wednesday (Oct. 22).
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During the one-hour-long conversation, the Puerto Rican artist opened up about his personal and professional rebirth; his latest album, Lamento en Baile; as well as God’s purpose with him.
“I feel reborn, reenergized, and truly joyful with everything I’m experiencing,” he told Cobo. “The personal, spiritual, and faith-based change certainly feels good in my heart. Each person has a different purpose and design. Everyone has a purpose to fulfill in their lives, and mine was this path: to forefront popular culture, announcing the Kingdom — that’s a challenge. My father is so strategic that he’s calling many people.”
The Puerto Rican artist also reacted to his uplifting song “Sonríele” reaching No. 1 on the Billboard Latin Airplay chart this week.
“I never imagined it would have the huge impact it has had because music is different now,” he expressed. “Seeing it reach people’s hearts fills me with joy because that purpose is being seen. This song is medicine… it’s celebrating life. That’s the true No. 1.”
And though he “feels reborn with new energies and very happy” with his personal and spiritual change, he admits that it’s still a learning process for him.
“I’m still under construction,” he said. “I’m far from perfect. I’m vulnerable, I have weaknesses, I’m going to make mistakes, but I know my faith is in the Lord, and that he’s in control of that.”
Spanning 36 years, Latin Music Week is the single largest gathering of Latin artists and industry executives in the world. This year’s event — which also features Carín León, Daddy Yankee, Ivy Queen, Gloria Estefan, Kapo, Laura Pausini, Netón Vega, Ozuna, Pablo Alborán, and Xavi, among others — hosts panels, marquee conversations, roundtables, networking and activations, in addition to its celebrated Billboard En Vivo showcases.
Latin Music Week also coincides with the 2025 Billboard Latin Music Awards, set to air Thursday, Oct. 23, on Telemundo and Peacock, where Bad Bunny will be honored as Top Latin Artist of the 21st Century.
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During the third day of activities at 2025 Billboard Latin Music Week, the new stars of regional Mexican music discussed the changes the genre is experiencing as it captures global attention. During the panel “The Future of Regional Mexican Music,” presented by Walmart and moderated by Isabela Raygoza of Billboard Español, five of the talents revolutionizing the genre came together: Xavi, Netón Vega, Estevie, Oscar Maydón and Codiciado.
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Fusions have been one of the main factors driving the shift in sounds for the new generation. Netón Vega — who gained recognition as a composer of corridos tumbados — has experimented with trap and reggaetón, releasing his album Mi Vida Mi Muerte this year, which is nominated for eight Billboard Latin Music Awards. “The lyrics can be about romantic themes, like in my case, but the sounds of a song with charcheta are very different from those of an urban sound. That’s where creativity comes in, knowing how to use the voice and experiment with the rhythms,” explained the artist, who was born in La Paz, Baja California Sur.
Maydon, who rose to fame through his collaborations with Peso Pluma, Natanael Cano, Junior H, and Fuerza Regida, is also part of the corridos tumbados wave. Like his peers, he has had to adapt his music due to restrictions placed on the genre in some Mexican states. “We, as the new generation, grew up listening to things like trap. Before, with singers like Vicente Fernández, everything was different,” he said. “But now we can collaborate with anyone. In corridos, you have to be a bit more careful about how you say things, whereas in reggaetón and urban music, for example, you can be more open.”
The new faces of Mexican music have also grown up in the U.S., though they carry in their veins the heritage of the country in which their parents were born, inheriting those traditions and musical tastes. That is the case for Estevie, who is making waves with her unique style of performing danceable music. “In 2021, I listened to ‘Ay Papasito’ by Alicia Villreal and realized there wasn’t music like that, but with more modern beats, and that’s when I created my first cumbia called ‘Canela,’” she explained about the path she chose for her career.
For his part, Xavi, born in Phoenix and known for revolutionizing social media with his hit “La Diabla,” shared his formula for writing successful songs: “The most important thing is to reflect what comes from the heart; the message you convey through your music is what makes you connect with people,” said the artist, who has caught the attention of major stars like Grupo Frontera and, more recently, Manuel Turizo, for collaborations.
The most experienced participant on the panel, Codiciado — part of the generation that emerged in Tijuana during the pandemic that predates the corridos tumbados movement — shared valuable advice with his peers. “You must always believe in yourself. If you fall, you get back up,” said the artist, who is about to release his first album in three years. “A career is built by being genuine and working hard every day. The most important thing is to find what you can contribute to music and the industry. We can ride the waves and do well, but there’s nothing like stirring the waters.”
With over 30 years of history, Latin Music Week is the most important and largest gathering of Latin artists and industry executives worldwide. The event also coincides with the 2025 Billboard Latin Music Awards, set to air on Thursday (Oct. 23) on Telemundo and Peacock, where Bad Bunny will be honored as Top Latin Artist of the 21st Century.
Trending on Billboard Like Adele, Lorde has leaned into taking time off to live her life out of the spotlight between album releases. And, also like Adele, the “Man of the Year” singer has been fine with long gaps between those releases. But after the usual four-year gap between this Virgin and her previous LP, […]
