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Before becoming a Billboard Hot 100-topping singer/songwriter, Teddy Swims was dominating in a different arena: the football field. But just like Zac Efron’s High School Musical character before him, Swims had to take a break from sports to follow his musical dreams.
On the next episode of Mythical Kitchen’s Last Meals web series, premiering Tuesday at 6 a.m. ET, Swims sits down with host Josh Scherer to eat their way through some of the musician’s all-time favorite foods and talk about his life story. When Scherer compared Swims’ teen days growing up in Conyers, Georgia, to High School Musical — in which Efron’s Troy Bolton is the basketball star who harbors secret musical aspirations — Swims immediately related to the Disney analogy.
“I call myself the fat Troy Bolton, you know?” Swims laughed. “I wanted to quit football to do music, focus on theater. I remember my mom was so bummed out about it. She had [saved] all my stuff, all my trophies … since 6 years old. She was like, ‘Baby, we’re a football team. We’re a football family. Why would you do this to us? We’ve always done football!’ She was so confused. I just told her, ‘I want to do music. I really like music.’”
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His mom’s mind changed when she saw him onstage for the very first time. “I remember her coming to my first performance. We did this show called Damn Yankees, and I had, like, all of two lines in it. As soon as it got done, I remember her coming to me and saying, ‘Baby, I’m so sorry. This is where you belong. You’re a superstar.’ It just flipped. Just watching me onstage, it just flipped it upside down for her.”
Last month, Swims shared the news via Instagram that he’s expecting his first child with his partner, fellow musician Raiche Wright, and he sees fatherhood as an opportunity to revisit the world of sports.
“We’re gonna get back on that field,” he tells Scherer. “I just want to be the coach of something. Hopefully I’m gonna have a son and I can coach a football team. I want to do the Snoop Dogg, like, youth league Netflix series. That’s what I’m trying to do eventually: Teddy Swims little league, and like coach my son. Hopefully I get that opportunity. Maybe a daughter wants to play football, or maybe I’ll do the Teddy Swims cheerleading league … chess league. Whatever they’re into, I’m into.”
Teddy Swims released his second studio album, I’ve Tried Everything But Therapy (Part 2), on Jan. 24 — debuting atop Billboard‘s Top Album Sales chart and at No. 5 on the Billboard 200 — ahead of his Feb. 2 performance at the 2025 Grammy Awards, where he was nominated for best new artist.
Father John Misty had a timely reaction to Kendrick Lamar’s Super Bowl Halftime Show performance on Feb. 9, which happened to coincide with the 10th anniversary of his second studio album I Love You, Honeybear.
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The singer-songwriter, born Josh Tillman, took to X (formerly Twitter) on Feb. 9 to acknowledge the moment with a dry, understated jab. “Had to do his super bowl performance today of all days nice,” he wrote, referencing Lamar’s blockbuster set.
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The timing of Lamar’s high-profile performance was particularly on brand for Tillman, who has joked about his albums frequently dropping in the same years as Lamar’s.
In response to a fan pointing out the pattern, he previously noted, “It’s okay only other times it’s happened was 2012, 2015, 2017 and 2022.”
The playful back-and-forth between the two artists resurfaced in November when Lamar surprise-released GNX on the same day as Tillman’s Mahashmashana. Misty responded by posting a mock “diss track” titled “God’s Trash” on Instagram, featuring parody cover art inspired by Lamar’s recent diss records aimed at Drake.
The I Love You, Honeybear anniversary wasn’t just marked by social media quips. The album, originally released in 2015, was praised upon arrival for its satirical, deeply personal take on love and existentialism. It debuted at No. 17 on the Billboard 200 and became a defining release of the indie-folk singer’s career. To celebrate its milestone, Misty recently announced a remastered reissue, set for release on Feb. 14.
Meanwhile, Lamar’s Super Bowl set was widely discussed for its inclusion of his Grammy Award-winning “Not Like Us,” the Mustard-produced track that became a viral cultural moment in 2024.
His halftime performance also made headlines when Serena Williams joined him onstage, dancing to the song’s most cutting lyrics—fueling further speculation about the ongoing tensions between Lamar and Drake, who is currently in Australia for his Anita Max Win Tour.
Misty and Lamar both remain booked and busy this year. The former Fleet Foxes drummer will hit the road for a UK and Ireland tour in June and August, making stops in Liverpool, Nottingham, Leeds, Glasgow, and Dublin. Lamar, on the other hand, is gearing up for a North American tour with SZA, set to take place this spring.
Canadian rocker Bryan Adams’ sold-out show at Perth, Australia‘s RAC Arena was unexpectedly canceled on Sunday night (Feb. 9) after a massive fatberg—an accumulation of fat, grease, and rags—caused a significant blockage in the city’s sewer system.
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The unforeseen issue led to water overflow near the venue, making it unsafe for concertgoers to attend.
Fans were left waiting outside the venue for hours as updates trickled in. Initially, the delay was attributed to a leak in the septic tanks, but at around 9 p.m.—the time Adams was scheduled to take the stage—officials confirmed the show’s postponement.
“Last night’s concert could not proceed due to an external Perth Water Corporation issue, which was unable to be fixed in time. The issue, which impacted all of Wellington Street, meant that it was deemed unsafe for patrons to enter RAC Arena,” Frontier Touring said in a statement. “Tickets will be automatically refunded in full (including refundable ticket purchase, if relevant) to the original payment method used for purchase and patrons do not need to take any action.”
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“Patrons should allow approximately 30 business days for the refund to appear in their account. (Please do not contact Ticketek regarding your refund.)”
“The cancellation of show is bitterly disappointing, and we thank fans for their understanding that while every effort was made for the show to proceed, this matter was outside of the control of Bryan Adams, Frontier Touring and RAC Arena.”
The Water Corporation, which manages Perth’s water and sewage systems, confirmed the blockage was due to a fatberg. CEO Pat Donovan explained the situation to 6PR on Monday morning: “I assure you that our people worked really hard to clear a large blockage, which is called a fatberg, in one of our key water mains under Wellington Street.”
He added that while alternative solutions, such as transporting the wastewater away, were explored, officials ultimately concluded they would not be able to keep up with the needs of 16,000 attendees inside the venue.
Adams, who is in Australia as part of his So Happy It Hurts tour, is set to continue with scheduled performances in Sydney, Brisbane, and Melbourne later this week.
While Adams himself has yet to publicly comment on the incident, the unexpected cancellation will undoubtedly go down as one of the most bizarre reasons for a postponed arena show in recent memory.
Drake’s Anita Max Win Tour in Australia continues to generate headlines Down Under, and his first Melbourne show at Rod Laver Arena on Feb. 9 was no exception.
Midway through the set at Rod Laver Arena on Feb. 9, the Canadian rapper surprised two audience members with a combined $50,000 in cash gifts during his performance. The moment, which was caught on video that has since circulated on social media, occurred when Drake spotted a sign in the crowd that read “Adonis for President,” a reference to his seven-year-old son.
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“You’re showing a lot of love to my son,” he told her. “On behalf of me and Adonis … we’re going to give you 25 grand for your family.”
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To another fan whose sign read “Kiss me, it’s my birthday”, the rapper said, “I can’t really see you from here… It’s a tough read on the kiss, but what I am gonna do is I’m gonna give you 20 grand and I’m gonna pay for a birthday dinner for you and all your friends.|
“And if you want, you can come back to the show again. Both of y’all, if y’all want, we’ll get you tickets,” he told both lucky fans.
“Australia, I love y’all. Melbourne, this is real love,” Drizzy added.
Later in the show, the “Energy” hitmaker told fans: “It really touches my heart that—through all of that, you still take your hard-earned money, and you spend some of that money on tickets to this show to see this kid from Canada get up here and talk s–t. I really appreciate you. I would be nothing without you.”
These moments follow similar instances earlier in the tour. At his Perth show, Drake handed out another $40,000 to fans in the crowd.
“Put the light on this family right here… For both of y’all, I’m gonna give you $20,000 each to go wherever you want in the world because that’s what we do out here in Perth,” he said as per The Music. “You gotta show love… You see, it’s nights like these that we can never take for granted; it’s 14,000 people inside one building, and we all got here safe.”
He continued, “I pray to God that you’re healthy; I pray to God that you’re happy, but I promise you that everybody in this room is not happy. There’s a lot of people in here that might be going through some shit, you know, it might be a f—d up time for you.
“Maybe you don’t get treated right by your parents or your boss, or maybe you don’t have that many friends. Maybe your boyfriend is f—-d up; maybe your girlfriend is a little toxic; you never know what the next person is going through, so this is what I want you to do… I want you to turn to somebody that you don’t know, and I just want you to give them a hug [and] say something nice to them.”
Prior to his first official concert in Perth, he also made an appearance at Melbourne’s Maison Batard’s Le Club, performing a surprise 90-minute set featuring deep cuts such as More Life’s “Do Not Disturb.”
Musically, the Anita Max Win Tour showcases a broad range of Drake’s catalog, blending chart-topping hits with fan-favorite deep cuts. His Melbourne setlist included tracks such as “Hotline Bling,” “Rich Baby Daddy,” and “Jimmy Cooks,” alongside earlier classics like “Marvins Room” and “Over.”
The production features an expansive floating catwalk stage that spans the arena, allowing for an immersive experience. His entrance at the Perth show, where he walked through a cloud of smoke wearing a hoodie adorned with bullet hole graphics, immediately sparked speculation among fans regarding its intended symbolism.
Drake’s Melbourne performance took place one day before Kendrick Lamar’s Super Bowl Halftime Show, during which the Grammy-winner performed “Not Like Us,” the viral Mustard-produced track widely believed to be a diss toward Drake. The moment, which featured guest appearances from SZA, Serena Williams, and Samuel L. Jackson, quickly became a focal point of online discussion.
Despite the ongoing discourse surrounding Lamar’s performance, Drake remains focused on his tour, with upcoming Anita Max Win Tour dates in Sydney and Brisbane through March. Beyond his Australian tour, Drake’s upcoming collaborative album with PARTYNEXTDOOR, $ome $exy $ongs 4 U, is set for release on Valentine’s Day.
Over the weekend, he teased a new track, “Crying In Chanel,” sharing a clip of PARTYNEXTDOOR in front of a wedding chapel while the song played. “Shorty right here crying in the middle of Chanel,” Drake sings in the snippet. “Are those tears of joy? I can’t tell.”
$ome $exy $ongs 4 U marks another chapter in Drake and PARTYNEXTDOOR’s decade-long musical partnership, which began with 2013’s “Over Here” and through hits like “Recognize” and “Loyal.”
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From the superstar’s most fleet-footed moment to an unexpected stage crasher, these in-stadium moments were missed by the millions of TV viewers.
02/10/2025
The entire stadium sang the controversial “Not Like Us” line in unison.
Bad Bunny, Becky G, Seal, Ludacris and more musical stars appeared in ads during the big game.
If you’re planning to see Jack White and hoping for a marathon effort from the musician, it might be time to temper your expectations.
White took to Instagram on Saturday (Feb. 8) to reflect on the attitudes he’s noticed regarding the lengths of the sets he has performed. According to sites such as Setlist.fm, White has an average performance time of 90 minutes, with recent sets ranging from 16 to 22 songs.
“Been hearing a lot of chatter throughout the year of this glorious electric touring about how long our sets are ‘supposed to be’ on stage,” he began. “As if the length of a show determines how ‘good’ it is. I know that we’re living in a current era where people like to say ‘so and so played for 3 hours last night!’, and brag about it the next day hahaha, I’ll let our fans know now that my mind has no intention of ‘impressing’ y’all in that context.
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“The Beatles and Ramones played 30 minute (ish) sets, and If I could, I would do the same at this moment in my performing life,” he added. “That’s actually the kind of show I’d like to put on right now. But there becomes this chatter that the cost of a ticket ‘entitles’ people to some kind of extra long show…uh…ok (hahaha) so I’m bridging the gap. I’m not sure y’all are knowing (or maybe remembering?) what a real rock or punk show is like though if you’re thinking that way, I think you’re talking about an arena laser light show with pyro, huge screens with premade videos, singers flying over the crowd, t shirt cannons, etc, that’s not the kind of shows we’re performing.”
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White’s own history as a touring musician has been peppered with shows of varying lengths. Famously, on July 16, 2007, as a member of The White Stripes, Jack and Meg White performed the shortest show of their career so as to fulfill their goal of playing every province and territory of Canada. The one-note show in St. Johns, Newfoundland was denied inclusion into the Guinness Book of Records, sadly.
However, this short concert is in line with White’s own critique of expectations from audiences. While artists such as Bruce Springsteen may average three-hour sets, and Phish and Dead & Company might be creeping towards four hours on average, White explains it’s all about what best suits the audience gathered before him.
“I’ve seen a plethora of rock and roll gigs that lasted 45 minutes and blew my mind and inspired me beyond belief,” he explained. “Read the room, leave everyone exhausted and inspired (hopefully) and most of all wanting more, without needing 3 hours to do it. That’s like saying a film is supposed to be better cause they spent 300 trillion making it, well I’ve never seen that movie.
“Love to all of our fans, I see your faces every night and you can be assured I’ve never phoned it in in my life, whether its 20 minutes or 2 hours, I’m giving the room what the room is prompting me to do and share and that doesn’t mean if people cheer louder it’s going to be longer either! haha. There’s no setlist, and it’s not a Marvel movie, or a Vegas residency, it’s rock and roll and it’s a living breathing organism.”
White is currently in the midst of a lengthy global tour that began in 2024 in support of his latest solo album, No Name. Much like the length of his live sets, White had initially planned for the majority of his touring plans to be relatively impromptu, though a more concrete run of dates was detailed in November.
As soon as the NFL announced Kendrick Lamar as the Super Bowl LIX Halftime Show headliner, fans and haters alike began to surmise just what the Compton MC would do with the 10 to 15 minutes allotted to him. Would he take time to honor some of rap legends who hailed from the Super Bowl host city of New Orleans? A small contingent believed Lil Wayne should have gotten the tap instead of Lamar, so, some thought, perhaps Lamar would bring out 504’s own as a show of respect.
Or would Lamar go the complete other direction and take time to really beef up his pop-star bonafides by bringing out some friends who are much more famous than he is? After learning that Jack Antonoff helped to produce his latest album, GNX, some thought maybe Taylor Swift would make her way down from the Chiefs box to the field. But, nah. What we got instead was an unadulterated Kendrick Lamar show. That is to say: Over 120 million people were treated to the first ever real and true rap concert masquerading as a Super Bowl Halftime Show.
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During his Apple Music interview with Ebro Darden and Nadeska Alexis, Lamar said all the success of the past year was “just a continuum of who I am.” And if you’ve somehow missed out on what happened in rap in 2024, here’s a quick rundown: On the first of Future and Metro Boomin’s two collaboration albums, Kendrick Lamar hopped on a tracked called “Like That” and called out Drake, and, to a lesser extent, J. Cole for claiming to be the best. The song went No. 1 on the Billboard Hot 100 and reignited a long simmering beef with Drake that resulted in over six diss tracks between the two. The highlight of the battle was the DJ Mustard-produced “Not Like Us,” which also went No. 1 on the Hot 100 and saw Lamar cap off the beef with an incredible West Coast-tinged party track that garnered him five Grammys.
But, as Kendrick said, this was just a continuum of who he is. Almost more than any other rapper working today, Lamar embodies the ethos of hip-hop. He works to make each album and song count — making sure they not only make a statement about the times and the people living them, but say something different than the ones that came before them. He realizes the power of the position he holds and tries to make the most of the opportunities afforded to him. So it wasn’t a surprise to see Kendrick Lamar put on the most hip-hop halftime show we’ve ever seen. Only Kendrick Lamar would start a show on the biggest stage in the world with a verse from an unreleased song, a verse that ended with him rapping, “the revolution about to be televised, you picked the right time, but the wrong guy,” a bar that gives a wink and a nod to the situation at hand: Lamar being the first rapper to headline the Super Bowl Halftime Show on his own.
After performing “Squabble Up,” Samuel L. Jackson, playing an Uncle Sam character, chastised Lamar for making his performance “too ghetto” and asked him if he really knew “how to play the game.” The rapper answered by performing two of his other Hot 100 chart toppers, “Humble” and “DNA” before going straight into “Euphoria.”
The conversation leading up to the show was whether or not Lamar would perform “Not Like Us.” In the months since its release, Drake has sued Universal Music Group — Kendrick Lamar and Drake’s record label — for allegedly defaming him by releasing and promoting a song that claims he fraternizes with pedophiles. Very few people thought for a moment that he would perform “Euphoria,” despite the release reaching No. 3 on the Hot 100. But he did, with a group of dancers stepping to impeccable choreography. From there he went into a GNX medley including “Man at the Garden” and “Peekaboo” before telling the audience, “I want to perform their favorite song, but you know they love to sue” as the beat for “Not Like Us” quickly pulsated in and out.
He took the temperature down by instead going into his and SZA’s most recent hit “Luther” from GNX, and their former hit “All the Stars” from the Black Panther soundtrack. “Tell me what you gone do to me, confrontation is nothing new to me,” he rapped before SZA belted the cinematic chorus. As that wrapped, Uncle Sam popped back up, pleased that Lamar opted for a more pop-oriented direction. It was then that Kendrick began to freestyle a call-and-response verse with some of the dancers asking him, “You really about to do it?” and Lamar answering, “They tried to rig the game, but you can’t fake influence.”
Then, the moment millions were waiting for: Kendrick Lamar performed “Not Like Us” to over 100 million people around the world. There was a lot to take in as this was all happening: The dancers draped in the colors of the American flag all stepping in metronomic precision. The camerawork reminiscent of his “Pop Out” concert from last year. Serena Williams crip walking. Or Lamar looking directly at the camera as he rapped, “Say, Drake, I hear you like ‘em young.” After months of speculation, it felt like an incredible cap on an incredible run that started nearly a year ago.
Was it a perfect halftime performance? Perhaps not. Despite him seemingly rapping without a backing track, playing a few of his chart-topping hits and bringing out a fellow chart-topper in SZA, the set would have benefited from a real and true surprise — something that would have made even the most hardened Kendrick hater say “wow.” But even without pulling a rabbit out of a hat, Kendrick Lamar managed to pull of the rarest feat: He brought an unfiltered hip-hop show to the Super Bowl. Who knows when we’ll see something like this again.
Ed Sheeran might be in love with the shape of you, but police in the Indian city of Bengaluru weren’t in love with the sound of him, shutting down a recent street performance from the musician.
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Sheeran, who has been in the midst of a run of dates in India since Jan. 30, found himself in Bengaluru over the weekend, where he was performing two shows at the city’s NICE Grounds. On Sunday (Feb. 9), however, a seemingly-impromptu street performance from the English chart-topper was shut down by local law enforcement, with The Times of India reporting it was due to a lack of requisite permissions.
In footage of the incident shared to social media, police can be seen interrupting Sheeran’s performance of “Shape of You” by unplugging his instruments. “We have permission to be here, but this policeman is shutting it down,” Sheeran can be heard telling the crowd. “See you later!”
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Responding to the incident, the Church Street and Rest House Association’s president Sanjay Kumar explained that local police were within their right to intervene as they did. “Even abroad, performances require permission,” Kumar explained. “Sheeran’s team could have approached us, and we would have arranged a private space in a restaurant or an open venue for Bengaluru to enjoy.”
Despite Sheeran’s claim in videos of the performances, police from Bengaluru’s Cubbon Park denied that permission had been given. “No one can perform on the footpaths or roads as it causes inconvenience to others,” they explained. “Our team asked them to stop, and when they didn’t comply, the officers at the spot unplugged the mic connection.”
Sheeran has since responded to the shuttered performance, taking to his Instagram Stories to again assert that permission had been arranged. “We had permission to busk btw, hence us playing in that exact spot, was planned out before, it wasn’t just us randomly turning up,” he wrote. “All good though. See ya at the show tonight x.”
Indeed, Sheeran went ahead with his second performance of the weekend in Bengaluru that same night, with his remaining performances in India scheduled for Feb. 12 in Shillong, and Delhi on Feb. 15. He’ll head to China for six dates later in the month.
In December, Sheeran revealed to Variety that he had finished his forthcoming record, shot two music videos, and was planning to complete two more in 2025 during his travels to India, China and the Middle East. It’s unclear, however, if his axed performance was being filmed for inclusion in a potential video.