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Missy Elliott Kicks Off Out of This World Tour, Sets ‘Party on the Plaza’ Event for July 10 in Los Angeles

Just after the launch of Missy Elliott‘s headlining tour, Out of This World — The Missy Elliott Experience, the star will be hosting a special event in downtown Los Angeles, on Wednesday, July 10.

Fans are invited to Missy Elliott Presents Party on the Plaza: An Out of This World Experience, presented in partnership with The Music Center and Gloria Molina Grande Park, at Jerry Moss Plaza this week.

Starting at 7 p.m. PST on July 10, it’s free and open to the public; you can RSVP and get all the details here. Elliot is expected to give an onstage welcome at 7:30 p.m. By the end of the dance party, a “can’t-miss surprise” is planned to wrap the hip-hop icon’s fun night.

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The party, which is set to feature live DJs and Elliott’s tour dancers, coincides with the Out of This World Dance Challenge Elliott recently announced, and takes place ahead of her duo of headlining dates at the Crypto.com Arena on July 11-12. Party on the Plaza is produced by Monami Entertainment and Wright Productions, and sponsored by adidas, PATRÓN EL ALTO Tequila. and Monster Energy.

“As a cultural destination in Los Angeles County where dancing and artistry thrive, The Music Center is proud to be a vital part of Missy Elliott’s OUT OF THIS WORLD Dance Challenge — it is an exciting opportunity to highlight L.A.’s vibrant dance community and encourage people to be creative and connect,” Rachel S. Moore, president and CEO of The Music Center, said in a statement released about the event. “Bring on your best dance moves, Angelenos, and get ready to share them with the world!”

Elliott’s 30-date North American tour kicked off on July 4 with a sold-out concert at Rogers Arena in Vancouver, with DJ Navarris, Timbaland, Ciara and Bust Rhymes featured on the bill.

She’ll next perform on Saturday night, July 6, in Seattle, before heading to California. Elliott’s tour, which — even with a decades-long career behind her — is actually her first headlining run, goes through Aug. 23: see what cities she’ll be heading to on her official website here.

Below, check out Missy sharing a behind-the-scenes preview of the tour.

Taylor Swift Plays ‘imgonnagetyouback’ Live for the First Time in Flirty ‘Dress’ Mashup at Amsterdam Show

Taylor Swift fans know they’re in for a good time when the Eras Tour mastermind says from the stage, “I’m gonna do one that I’ve never played live before.” Those were the words from Swift’s red lips Friday night (July 5) in Amsterdam, where she debuted “imgonnagetyouback” live during her acoustic set at Johan Cruyff Arena.

“imgonnagetyouback,” the sexy Anthology track about luring in an old flame (found on the 31-song edition of The Tortured Poets Department) starts off with Swift setting the scene: “Lilac short skirt, the one that fits me like skin.” She soon asserts, “I’ll tell you one thing, honey/ I can tell when somebody still wants me, come clean.”

“Whether I’m gonna be your wife, or/ Gonna smash up your bike, I haven’t decided yet/ But I’m gonna get you back,” goes the “imgonnagetyouback” chorus. “Whether I’m gonna curse you out or/ Take you back to my house, I haven’t decidеd yet/ But I’m gonna get you back.”

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“I hear thе whispers in your eyes/ I’ll make you wanna think twice/ You’ll find that you were never not mine/ You’re mine,” sang Swift on the Amsterdam stage, acoustic guitar in hand.

In the surprise song section of Swift’s Friday night show, when the hitmaker played “Imgonnagetyouback” live for the first time ever, she made the song even spicier by connecting it to Reputation slow jam “Dress.”

“Say my name and everything just stops/ I don’t want you like a best friend/ Only bought this dress so you could take it off/ Take it off, ah, ah, ah,” she sang in the flirty mashup, making her way from “Dress” back to the “imgonnagetyouback” bridge: “I can feel it coming, humming in the way you move/ Push the reset button, we’re becomin’ something new/ Say you got somebody, I’ll say I got someone too/ Even if it’s handcuffed, I’m leavin’ here with you.”

Post-guitar performance, Swift followed with a love story on piano.

She sang the delicate “You Are in Love,” a deluxe track from the 1989 era, weaved into the dreamy “Cowboy Like Me,” from Evermore.

“You can hear it in the silence/ You can feel it on the way home/ You can see it with the lights out/ You are in love, true love,” Swift reflected from “You are in Love,” before singing about falling for “a cowboy like me.”

“Now you hang from my lips, like the Gardens of Babylon/ With your boots beneath my bed, forever is the sweetest con,” she mused. “You had some tricks up your sleeve/ Takes one to know one.”

Tying the two moments together, she sang, “But you can hear it in the silence/ You can feel it on the way home/ You can see it with the lights out/ You’re a cowboy like me, and you were in love.”

The pop icon, whose The Tortured Poets Department album holds steady at No. 1 on the Billboard 200 chart, has now debuted most of her latest collection’s tracks live on tour. Which songs from the set have yet to get stage time? “So Long, London,” “Florida!!!” feat. Florence + The Machine, “Cassandra” and “Robin.”

Watch Swift’s July 5 surprise song clips, captured by fans at Friday night’s Amsterdam show, below.

Pepe Aguilar Honors Family, Tradition & Mexican Pride at Jaripeo Hasta Los Huesos Spectacle

Pepe Aguilar is all about tradition, Mexican pride and family, and that’s exactly what takes centerstage at his Jaripeo Hasta Los Huesos Tour.

With back-to-back performances by the Aguilar dynasty, including Antonio Aguilar Jr. (Pepe’s brother), and Leonardo and Ángela Aguilar (Pepe’s children), the show is an homage to the legendary Don Antonio Aguilar, who pioneered the jaripeo-style spectacle back in the ’60s alongside singer and actress Flor Silvestre, his wife and mother to Pepe and Antonio Jr.

“Antonio was a visionary,” Pepe said about his father on Friday, July 5, during a tour stop in Chicago’s Allstate Arena. “To present my family and culture in this way is honestly the best. I don’t do these shows for the money. It’s to honor my parents and pride for my culture.”

Pepe and his son Leonardo further honored Don Antonio by singing “Bandido de Amores,” his collaboration with another late legend, Joan Sebastian, originally recorded more than 30 years ago. The new version, included in Leonardo’s Soy Como Quiero Ser, a tribute album to Sebastian, most recently hit No. 1 on Billboard‘s Regional Mexican Airplay chart (dated July 6).

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Before singing it alongside Leonardo, Pepe explained the backstory of how the original collaboration came about. “My dad and Joan didn’t get along,” he said candidly. “But I made them get together for a song. I had to do it. I mean I really admired Joan and, well, Antonio was my dad. And now, 30 years later, I record it with my son, and now it’s No. 1 thanks to you all.”

Leonardo and Antonio Jr. each performed a set of approximately 30 minutes before Ángela took the stage to a roaring crowd, riding a majestic white horse as she wore a gorgeous, long black dress adorned with pink, orange and yellow flowers. She sang “Que Agonía” and the fan-favorite “Dime Como Quieres,” her collaboration with recently-confirmed boyfriend Christian Nodal. “I miss you, my love,” she said in the middle of the song.

Inspired by Mexico’s Día de Muertos, the three-hour show — with a 360-degree-style stage filled with altars, catrinas that come to life and colorful Mexican artesanía — features all four artists singing while horseback riding (no easy feat) and charros who literally risk their lives riding bulls. At one point, one of the Mexican cowboys was kicked by the bull he rode for a competition and had to be taken out on a stretcher. Pepe assured concertgoers he was “fine,” adding, “Thank God nothing major happened and we can go on with the show.”

Pepe was the last to take the stage and did it to a packed house filled with multi-generational families who applauded his commitment to put Mexican music, culture and tradition at the forefront of his shows. His children, who had performed him, watched their father from afar in admiration. “I promise to bring you a different show each year if you let me,” Pepe declared.

After an encore show in Chicago on Saturday (July 6), the Jaripeo Hasta Los Huesos Tour continues with two back-to-back stops in Los Angeles on July 13-14.

Camila Cabello Hangs Out With Drake at Michael Rubin’s White Party

Camila Cabello celebrated the Fourth of July at billionaire Michael Rubin’s annual White Party in the Hamptons, and she took to Instagram to share a series of snaps from the star-studded bash.

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In the photos, the “I Luv It” singer is seen posing in a white backless top and matching maxi skirt, with her newly blonde hair in a messy updo. In one of the pictures, she’s sitting in a chair opposite Drake, who’s smiling from ear-to-ear while enjoying a cocktail.

See the photos here.

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Drake recently appeared on two tracks on Camila Cabello’s recently released album, C,XOXO: “Hot Uptown” and “Uuugly.”

Cabello opened up about collaborating with Drizzy in an interview with Apple Music’s Zane Lowe, noting that it all started in the DMs. “I feel like, at least from what I know of myself, I feel like we’re musically aligned in a lot of ways,” she said of herself and Drake. “I think we have a lot of the same taste, and lyrically as well. I actually slid into his DMs too, and I was like, ‘I’ve been listening to you so much for this album,’ a lot of the wordplay and my aspiration for bars.”

She continued, “I DMed him and then I played him my album and he f—d with it. I sent the idea for ‘Hot Uptown,’ and I wrote my part. I sent it back to him, and we chopped it to it felt like a duet. Then when he re-worked on his parts again, he gave me an outro which was the ‘UUUgly part,’” she recalled.

Tommy Richman Parties in Paris for VHS-Styled ‘Million Dollar Baby’ Video: Watch

Tommy Richman became a household name with “Million Dollar Baby” almost instantaneously upon its April arrival. Over two months later, with his breakout anthem remaining a chart staple, the DMV native delivered a visual to the catchy hit on Friday (July 5).

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Richman and his team mobbed across the world for the video shoot, which took place in Los Angeles, Paris and his home state of Virginia.

The 24-year-old makes it rain in the nightclub and then hangs out in front of the Eiffel Tower before also heading to the very Queen’s Gambit in Virginia that he name-drops on “Million Dollar Baby.” Although, from a style standpoint, Richman reps the Big Apple with a New York Jacket and signature Yankees fitted cap.

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Tommy adds the VHS effect to give the clip an edgier and vintage aesthetic through the fish-eye lens. He released a VHS-styled version of “Million Dollar Baby,” which some fans preferred to listen to the rougher cut.

“It was the combination of the sound of the VHS camera, the vibe of the people in the studio, how short the snippet was and how in your face the audio was,” Richman told Billboard of his smash catching fire on TikTok before is release. “The audio is really loud. I compare the audio to my other TikToks, and the one snippet is in your face. I think that’s why it caught on.”

“Million Dollar Baby” exploded onto the music scene upon its April 26 arrival and has been ubiquitous since. The track debuted at No. 2 on the Billboard Hot 100 and currently sits at No. 6 in its ninth week on the chart.

The banger has also continued to be a viral force on social media as “Million Dollar Baby” spends an eighth week atop the TikTok Billboard Top 50, a new record.

Looking to shed the one-hit wonder label, Tommy Richman followed-up “Baby” with “Devil Is a Lie” in June, which boosted to No. 35 on this week’s Hot 100. He’s currently hard at work finishing up his debut album, Coyote.

Watch the “Million Dollar Baby” video below.



‘Back to Black’ Music Supervisor Iain Cooke Opens Up About Capturing Amy Winehouse’s Musical Essence: ‘She’s a Classic Forevermore’

Amy Winehouse was portrayed by Marisa Abela in the much-buzzed about biopic, Back to Black, which hit theaters back in May. The film is now heading to streaming services, and is available to watch on Peacock beginning on Friday (July 5).

The biopic follows the life of the beloved Grammy winner, who is best known for her groundbreaking sophomore album Back to Black, which included the Hot 100 hits “Rehab” and “You Know I’m No Good.” Winehouse, who battled drug and alcohol addiction, died in 2011 at age 27 from alcohol poisoning.

The Studio Canal film directed by Sam Taylor-Johnson (A Million Little Pieces) and written by Matt Greenhalgh (Nowhere Boy) was made with the support of the Winehouse estate, Universal Music Group and Sony Music Publishing and features a number of the singer’s most beloved hits.

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Iain Cooke, the film’s music supervisor, worked closely with Abela as well as Winehouse’s former band and her estate to capture the late superstar’s unique musical essence on film. See below for Billboard‘s chat with Cooke on all things Back to Black, and catch the film on Peacock now.

Bring me back to when you got the call to be the music supervisor on the biopic. What was it like?

It was it was really exciting. I also saw it immediately as a challenge, and one that would be sort of a journey to bring to life. I actually came on board 10 months before we shot — a long, long time before and there was only really the director, the producers and the writer. They hadn’t crewed up because it wasn’t officially greenlit. The first thing I was tasked with doing was to actually negotiate the rights for the Amy songs in order for the film to get greenlit and that was that was quite an intense few months negotiating. Once we got the approval, we began to prep.

We put Marisa in with a team, a vocal coach and a guitar tutor to work on the material and then we brought on our music producer, Giles Martin, who did a wonderful job. It was really an amazing process from pre-prep through the shoot, through the post production and the edit and on all the way to the final mix. It was about two years work.

What was it like working with Marisa to capture Amy’s unique essence?

She honestly was phenomenal. I’ve got nothing but praise and admiration for her because she works so hard. She was a complete joy to work with and really positive and she just immersed herself in it. She had phenomenal pitch and timing and she just really studied Amy as an artist and also studied some of her influences. She was great.

How do you preserve the authenticity of such a sensitive and widely told story?

All the filmmakers and collaborators involved just felt really passionate about the story and wanted to be the guardians of that authenticity. It was really important to preserve the integrity of her legacy and we all wanted to do the right thing by her. One of the things that we did was we approached her old live band early on — and we would have completely understood if they didn’t want to be involved — but we approached them to see whether they would like to come in and pre-record the live backing tracks and they did. It was just incredibly special and incredibly moving. It was her real band that played that those gigs who pre-recorded the music, and you can’t get more authentic than that.

Is there a scene in the film that you’re excited for people to see?

There’s a moment very early on in the film that Marisa sings ‘What Is It About Men’ — she’s just in her bedroom and it’s just a one-shot with nothing to hide behind. We knew that if we got that moment right, that the audience would be really in the film with us and in the journey. Marisa just did incredible.

I also absolutely love Glastonbury. You know, credit to the sound team. They did an amazing job in the mix. If you watch it, you get that spirit. You know, it’s wild and free. Chaotic, but just the energy of it is magic. Amy was one of the most important recording artists of all time, and she’ll stand up in history alongside the greats that influenced her. She had lyrical wit and one of the greatest recording voices and most distinctive recording voices on record. I hope that we’ll go back and listen to her again, and rediscover and keep listening to her because she’s a classic forevermore.

Lastly, what’s your favorite Amy Winehouse song?

“Love Is a Losing Game.” It’s a timeless, beautiful song.

SZA Admits Her ‘Kill Bill’ Lyrics Were ‘Crazy & Harsh’ on ‘Chicken Shop Date’

SZA is a great example of why not all song lyrics should be taken literally.

While appearing on Amelia Dimoldenberg’s Chicken Shop Date, the R&B-pop superstar confessed that her smash hit “Kill Bill” — which became her first-ever solo No. 1 on the Billboard Hot 100 last year — was a little bit over the top, especially that part about murdering her ex-boyfriend.

“Oh my God, after I said that, I was like, ‘That was so crazy and harsh,’” SZA admitted on the Friday (July 5) episode, laughing. “I was just randomly slightly enraged.”

The Grammy winner also walked back on the lyric “rather be in jail than alone.” “‘Cause I sung that, it has to be true?” she quipped sarcastically, clarifying that she definitely wouldn’t prefer prison time over solitude.

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The standout track on SZA’s Billboard 200-topping SOS was just one of many topics she broached with Dimoldenberg. The pair also opened up about falling in love, something the “Snooze” artist revealed comes easily to her.

“It’s tragic,” she said. “I don’t even know if I’m meant to fall in love. ‘Cause who’s actually doing it and sustaining it? I think we’re just supposed to be in fleeting states of loving.”

“I can catch ’em, but I can not keep them,” she added of her dating life — but that’s where things started to take a slightly bizarre turn. “They get in there and then realize I’m f—in’ weird. [My] butt makes it seem like [I’m] normal. On the outside I wanna shake a– and do all the normal things, but I also wanna just swim in the swamp, and I wanna, like, collect methane gas with my man. That’s my type of sh–.”

As for whether she’d ever run for president, SZA declared “absolutely not.” “I want nothing to do with politics and I just want to be left alone,” she said.

Watch SZA’s full Chicken Shop Date above.

The 20 Best K-Pop Songs of 2024 (So Far): Critic’s Picks

As K-pop acts continue to set new records on charts like the Billboard Hot 100, the Billboard Global 200 and World Digital Song Sales, the artists are doing so with material that showcases them at their best and the unstoppable chart force that is K-pop.

ILLIT managed to set a new standard in the first half of 2024 when their “Magnetic” debut single broke into the Hot 100 — a first for a K-pop artist’s first-ever single. The feat spotlighted the increasingly strong material coming from the latest roster of rookie acts hitting the scene, including TWS, RIIZE and Gyubin.

On the Billboard Global 200, K-pop continues to make its presence known worldwide, as artists like ZICO and BIBI earn their first entries on the ranking. Meanwhile, Crush, (G)I-DLE, aespa and NewJeans earned additional entries on the chart, including aespa’s best ranking yet, with their super-charged “Supernova” nearing two months on the Global 200.

Plus, ZICO and Jennie of BLACKPINK hit No. 1 on the U.S.-based World Digital Song Sales, marking ZICO’s first time topping the chart and Jennie’s second after over five years. Meanwhile, Huh Yunjin of LE SSERAFIM also made her debut on the chart this year, showing the growing impact of her solo work that’s included top-notch collabs with the likes of BTS’ J-Hope, MAX, Groovyroom and Crush just in 2024 alone.

With so many major musical moments from the K-pop scene already this year, which songs stand out to rise among the best? Below, we offer our picks of the 20 best songs from the Korean pop industry released in 2024.

Bunnie XO Smooches Jelly Roll & Shares Jennifer Coolidge Impression at Fourth of July Celebration

It looks like Bunnie XO and Jelly Roll had an excellent time celebrating America’s birthday this year. On Thursday (July 4), the podcaster shared a video on TikTok of her fun-filled Independence Day with the country star and their family, featuring swimming, grilling and, yes, lots of fireworks.

Jelly kicks off the clip by greeting Bunnie’s followers. “Hi everybody,” he says, smiling and waving at the camera. “Happy Fourth of July!”

The video then cuts to clips of the couple enjoying poolside festivities with what appears to be their extended family — pet dogs included. The group swims and enjoys food made on the grill before sunset before watching a colorful firecracker display after nightfall.

In the dark, the Dumb Blonde host plants a kiss on her husband’s cheek before Jelly turns to kiss her on the lips. At the end of the video, Bunnie shows off a surprisingly convincing Jennifer Coolidge impression by quoting one of the actress’ iconic Legally Blonde 2 lines: “You look like the Fourth of July. It makes me want a hot dog real bad.”

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“My heart is full,” Bunnie wrote in her caption, with Jelly adding in the comments, “Love this family.”

The Fourth of July festivities come at an exciting time for the couple, who recently started their IVF journey. Last month, Bunnie shared a video of Jelly talking about their goal to become parents together on the Bussin’ With the Boys podcast and wrote: “We had planned on doing this privately, but decided our IVF journey needed to be shared because we’ve always been so open.”

“And w/ all odds stacked against us, it’s already been hard and we have only just begun,” the mogul added at the time. “We have been meeting with IVF doctors & exploring all our options to add to our family.”

Watch Bunnie’s TikTok video below.

Chrissy Teigen Shares Adorable Footage of Baby Esti Making Fourth of July Cookies

Chrissy Teigen’s family is getting festive!

The Cravings author took to her Instagram Stories on the Fourth of July to share an adorable video of her one-year-old daughter Esti rolling out dough to make cookies. “Good job,” Teigen is heard encouraging her daughter, before husband John Legend sweetly chimes in, “Smart girl!”

See Teigen’s Instagram Stories before they disappear here.

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Last June, Legend and Teigen announced they welcomed their fourth child, a baby boy named Wren, via surrogate. With the process of IVF — which the couple also employed when becoming pregnant with Miles and his older sister Luna — Teigen became pregnant with baby girl Esti, whom the couple welcomed in January 2023.

Teigen revealed in an Instagram post that around the time she became pregnant, the couple met their surrogate, a woman named Alexandra who has since become a close friend. “Just minutes before midnight on June 19th, I got to witness the most beautiful woman, my friend, our surrogate, give birth amidst a bit of chaos, but with strength and pure joy and love,” Teigen wrote, thanking Alexandra for the “incredible gift.”

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Legend told E! News that the Esti’s unique moniker was intially the brainchild of wife Chrissy Teigen, but it also has surprising roots in his family tree. “It turns out, my great-grandmother was named Esther,” he said. “It wasn’t intentionally after someone, but once Chrissy told me that idea, I was like, ‘Oh, my great-grandmother’s name was Esther.’”