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Not many cops can say they’ve arrested a supermodel, but Sabrina Carpenter can. The pop star added Gigi Hadid to her list of Juno girls on Thursday night (Oct. 23) as SC kicked off the final leg of the Short n’ Sweet Tour in Pittsburgh.
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Ahead of performing “Juno,” Carpenter walked toward the front of the stage where Hadid was standing and the model’s face was broadcast on the arena jumbotron when the police sirents went off. “What’s your name,” she asked. “Gigi, does that stand for gorgeous girl? Oh my God. Gigi, wow, where are you from?”
Rocking a leopard print top over a white t-shirt, Hadid replied: “Bucks County.”
Carpenter, being a fellow Pennsylvania, responded: “Bucks County? I’m kinda from there too. That’s so crazy. Maybe we are soulmates. Gigi, I’m getting so hot and flustered. Oh my God, s—t, that always happens when I get excited about love.”
The singer handed over the signature hot pink handcuffs to Hadid as the “Juno” beat began playing. “This one is for Gigi, everybody,” Carpenter exclaimed, as the model blew her a kiss.
Hadid reposted the clip of her arrest to her Instagram Story. “Guilty as charged,” she fittingly wrote.
It’s been a busy last week for Gigi Hadid, who returned to the runway as an Angel in the 2025 Victoria’s Secret Fashion Show on Oct. 15. However, she’s far from the first famous face to be arrested by Carpenter. Some previous celebrity Juno girls include Millie Bobby Brown, Margaret Qualley and Emma Bunton.
Sabrina Carpenter will hit the stage for a second Pittsburgh show on Friday (Oct. 24) before heading to New York City next week. Watch Sabrina arrest Gigi Hadid here.
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A Jamaican man who allegedly stole and resold more 900 tickets to Taylor Swift‘s Eras Tour has pleaded guilty to a New York criminal charge.
Tyrone Rose, 20, was arrested in March over allegations that he used backdoor access as an employee of a StubHub contractor to steal the pricey tickets, before forwarding them to a Queens-based accomplice who resold them for more than $635,000 in illegal profit.
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At a court hearing Thursday (Oct. 23), Rose pleaded guilty to a single count of grand larceny in the second degree over the alleged scalping scheme, while a sentencing hearing on that charge was set for January. Rose could face up to 15 years in prison.
The guilty plea was likely part of a deal under which prosecutors could recommend less than the maximum. Rose was also charged with five additional counts, including computer tampering, money laundering and conspiracy, which were not included in Thursday’s guilty plea.
Swift’s Eras Tour wrapped up last year with a record-breaking haul of more than $2 billion in face-value ticket sales over a two-year run that featured 149 stops in 51 cities across 21 countries. Massive demand for tickets led to a chaotic presale in November 2022, sparking calls for ticketing reform; it also created an infamously pricey secondary market, with even basic seats selling for thousands.
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The Eras Tour has also been big business in the courtroom. Swift fans filed class actions against Ticketmaster over the presale, and the Federal Trade Commission is suing a ticket broker for allegedly using bots to buy tickets that it resold for more than $1 million in profit. Just this month, an angry Swiftie sued StubHub for giving her “inferior” seats after she dropped $14,000 on Eras tickets.
In March, Queens prosecutors charged Rose with stealing more than 900 Eras tickets while working at a StubHub contractor in Jamaica called Sutherland. He allegedly abused his position to access a restricted area of StubHub’s network that houses URLs for event tickets that have already been sold, then re-directed them to New York-based co-conspirators who resold them for a windfall.
“These defendants tried to use the popularity of Taylor Swift’s concert tour and other high-profile events to profit at the [expense] of others,” Queens District Attorney Melinda Katz said at the time. “They allegedly exploited a loophole through an offshore ticket vendor to steal tickets to the biggest concert tour of the last decade and then resold those seats for an extraordinary profit.”
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StubHub was not accused of any wrongdoing. When Rose was arrested, the company said it had promptly reported the scheme to both Sutherland and to law enforcement when uncovered, and had replaced or refunded all affected orders. Sutherland was also not accused of any wrongdoing.
Both an attorney for Rose and a spokesperson for the Queens DA did not return requests for comment on the guilty plea on Friday (Oct. 24).
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Common sits down to talk about creating the new track for the NBA on Prime, “Victory.” He opens up about his work with the NBA, his favorite players, his favorite collaborations, working with Erykah Badu, his new project with Madlib, ‘Piece of the Struggle,’ and more!
Common: NBA is one of my favorite things in life because I just love basketball. I’m always paying attention to it. I look forward to it after working being able to come watch a basketball game the NBA like I was a Bulls fan growing up, but I think at a certain point, I just started gravitating towards the players like, players I like. So Steph Curry is one of my favorites. Kyrie is one of my favorites. I love- I like Anthony Edwards. I like Kevin Durant, LeBron.
But some of the new guys, I really like, too … I really like this young dude Jeremiah Fears, he’s coming up on the New Orleans Pelicans and Cooper Flagg got game too. I think V.J. [Edgecombe], he plays hard. I like his game too.
I like to dream high. So I would like to say Kyrie Irving, but then I was talking to Carmelo one time on his podcast, and he was like, bro, let’s think realistic. Who is your player comparison? I’m still gonna fly high and say D. Wade, Dwayne Wade, I mean, but I’m thinking about comparisons on and off the court when I say him.
Man, being a ball boy was like it was something I don’t even know if I really grabbed on to what that experience was, but I was there when Michael Jordan, when he first came to the Bulls, so I just got to see a star really becoming like a superstar to becoming one of the greatest players of all time. Magic Johnson and Isaiah Thomas and Charles Barkley. I used to get, like, sneakers from them, and they would sign them, but at the time, I was kind of like just I was selling them or giving them to giving them to my teachers.
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Trending on Billboard Diamonds are still dancing on Drake. The 6 God celebrates his 39th birthday in style on Friday (Oct. 24) with 16 new RIAA certifications, including six diamond plaques. Among the diamond certifications are Take Care and hits like “Nice for What,” “The Motto” featuring Lil Wayne, “Headlines,” “Passionfruit” and “Nonstop.” The OVO […]
Trending on Billboard Megan Thee Stallion is head over heels for Klay Thompson. The Houston Hottie gushes about her NBA boo throughout her new single, “Lover Girl,” and she delivered a stunning accompanying visual on Friday (Oct. 24). Between the stylish ’90s glamour wardrobe, sharp visuals and storytelling, Megan spared no expense in this video. […]
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BOYNEXTDOOR returned this week with their fifth mini album The Action. When the group spent time in Chicago last August for their Lollapalooza performance, fans caught glimpses of them filming a music video — signaling early on that the album would carry a ‘movie’ concept. On the day of release, the group held a showcase event in Seoul to mark their return.
The album’s title draws inspiration from the term “Hollywood Action,” referring to large-scale films — or metaphorically, to bold, exaggerated and daring attitudes. The track “Hollywood Action” is ultimately about taking action itself. During the media showcase, leader MYUNG JAEHYUN said, “We’ve worked hard, making four comebacks over the past year including our Japanese promotions. I hope that people who find it difficult to take the first step will be inspired by our actions to challenge themselves.” The youngest member WOONHAK added, “This song is for anyone who hesitates or feels intimidated about trying something new.” TAESAN elaborated, “If our last album’s keyword was No Genre, this time it’s about breaking all limits and diving right in.”
Released at 6 p.m. KST on Monday, The Action captures the emotions and moments BOYNEXTDOOR’s six members are currently experiencing. Built around the cinematic theme, the album consists of five tracks that vividly translate their present selves into sound. While their previous record No Genre leaned toward smoother, genre-fluid tracks (with the exception of the title song “I Feel Good”), this new release explores a broader range — from acid jazz and hip-hop to ballads. Sonically and thematically, it succeeds in expressing BOYNEXTDOOR’s distinctive emotional world.
The opening track “Live in Paris” reflects the creative struggles of the group, echoing the light self-reflection found in “Twenty” from their EP 19.99. The rock-driven “Bathroom” delves into the pain of a romantic relationship, reminiscent of the poetic metaphors in “Gonna Be A Rock.” Meanwhile, “JAM!” captures the members’ playful energy while keeping things ‘chillin’ within the rules,’ much like the clever self-awareness shown in the line “I never cross the line, trust me” from “Dangerous.”
Knowing how to perform freely while still respecting boundaries — that’s the essence of BOYNEXTDOOR, and it’s what sets them apart in today’s K-pop scene. From the synchronized choreography of “Hollywood Action” to the album’s varied soundscape, The Action offers plenty to see and even more to hear.
All four of BOYNEXTDOOR’s previous albums have charted on the Billboard 200, and fans are eager to see whether The Action will extend that streak. Judging by the strength of this EP, the outlook looks bright — and Billboard Korea has ranked every track on the project.
“Bathroom”
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Muni Long’s former managers are suing the singer for refusing to pay more than $600,000 worth of promised fees, though the Grammy-winning R&B star’s team calls the claims “unfounded.”
Long (Priscilla Renea Hamilton) is facing breach of contract claims from Ebony Son Entertainment, the Atlanta-based management company run by Chaka Zulu and Jeff Dixon. The duo is best known for managing Ludacris, with whom they started the record label Disturbing Tha Peace in 1998.
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Ebony Son claims in a Thursday (Oct. 23) federal court complaint that Zulu and Dixon’s hard work was instrumental to Long’s success, including her win for Best R&B Performance at the Grammy Awards this year. But Long fired her managers in January and now owes hefty commissions from live shows and recording and writing gigs, according to the complaint.
“Defendant Priscilla Renea Hamilton is publicly known as the musical artist ‘Muni Long’ but her less well-known performances are as a serial grifter,” reads the lawsuit. “After taking the benefit of plaintiff’s elite and highly sought-after management services for more than a year, Muni Long shamelessly reneged on her promises to pay plaintiff the agreed-upon, customary percentage of revenue she earned, and only earned because plaintiff assisted in obtaining those engagements.”
Long’s team denies the claims as “unfounded” in a statement to Billboard on Friday (Oct. 24). The team says it’s “deeply unfortunate that the matter could not be resolved privately and professionally,” claiming Long made “good faith” settlement offers even though “no formal contract ever existed” with Ebony Son.
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“The situation has been particularly distressing, as it involves the same team that took possession of the artist’s phone and sought to have her involuntarily committed to a mental health facility, despite medical confirmation that she was suffering from a Lupus flare-up,” says Long’s team in the statement. “All appropriate avenues are being pursued to ensure that the truth is fully and fairly defended. The artist hopes this underscores the importance to all those in creative fields to safeguard their personal and professional boundaries and be discerning about those they trust to represent them.”
Zulu and Dixon have been battling with Long in court since July, when the managers first leveled allegations over the unpaid commissions in a California state court complaint. That state court case was withdrawn just days before Ebony Son took the claims to federal court.
Long broke onto the R&B scene in 2022 with her hit single “Hrs and Hrs,” which spent 20 weeks on the Billboard Hot 100 and peaked at No. 16 on the chart. She signed with Def Jam Recordings that year, and “Hrs and Hrs” won the Grammy for Best R&B Performance at the 2023 ceremony.
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According to Thursday’s lawsuit, Long had her first meeting with Zulu and Dixon at New Orleans’ ESSENCE Festival of Culture in July 2023. During this meeting, the managers say, Long allegedly agreed to pay the duo 20% of all her gross revenue and reimburse all management-related expenses.
Zulu and Dixon say they began putting in work for Long “within days of being hired,” ensuring that her 2024 album Revenge was released before the Grammys cutoff date. This made it possible for Long to win another Best R&B Performance Grammy that year for her song “Made for Me,” the lawsuit claims.
The managers allege Long paid her required commissions and reimbursements for over a year, but that she “purportedly became unhappy” with the amount of the fees and ultimately stopped all payments in October 2024. In January, they say she officially cut ties with Ebony Son.
“Plaintiff, who worked tirelessly to advance Muni Long’s career, [has] secured over $5 million in revenue for defendants to date,” says the complaint. “But as to a significant percentage of this revenue, defendants have failed to pay plaintiff the corresponding commission payments as required by the agreement.”
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Zulu and Dixon claim Long owes more than $600,000 worth of commissions and expenses from the money she made via live shows, a $1 million ASCAP publishing deal, songwriting agreements with Shenseea and Tiwa Savage, and features on tracks by Teddy Swims and Toosi.
The lawsuit says Long also owes fees on other sources of revenue that Zulu and Dixon have not yet been able to fully audit, including the money she made opening for Chris Brown on the 11:11 Tour in 2024.
Unrelatedly, Zulu was criminally charged with murder in 2022 for shooting a man during an altercation in Atlanta. The charges were later dropped after prosecutors determined that Zulu was acting in self-defense.
The Rolling Stone-hosted event took over the Beacon Theatre in New York City.
10/24/2025
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With just one week to go before Halloween weekend, a wide range of artists fired off new music releases just in time for spooky season.
Megan Thee Stallion unveiled her second single of 2025, “Lover Girl,” a Total-sampling ode to her basketball star boyfriend, Klay Thompson. The new track leads a busy week for hip-hop and R&B releases, including new projects from Bruce Springsteen (Nebraska ’82), Miguel (Caos), Daniel Caesar (Son of Spergy), Leon Thomas (Pholks) and Halle Bailey (Love?… Or Something Like It).
Notably, Bailey’s album marks her debut solo full-length efforts following years of solo singles such as “In Your Hands” and the Grammy-nominated “Angel,” as well as acclaimed turns in movie musicals including 2023’s The Little Mermaid and The Color Purple. Thomas’ Pholks EP arrives on the heels of his “Mutt” success — and a week before his Mutts Don’t Heel Tour launches — while Caesar’s latest LP is the follow-up to 2023’s Never Enough, which became his highest charting effort on the Billboard 200 (No. 14). As for Miguel, Caos marks his first album in nearly eight years.
To coincide with Springsteen: Deliver Me from Nowhere finally hitting U.S. theaters, The Boss shared an expanded edition of his landmark 1982 Nebraska album. The record, whose conception the Jeremy Allen White-led film chronicles, reached No. 3 on the Billboard 200 during its original chart run. This new 4LP version of Nebraska features acoustic demos, little-known B-sides and the six long-rumored, E Street Band-assisted “Electric Nebraska” tracks.
On the pop side, Demi Lovato returned to dance-pop stomping grounds with her new album, It’s Not That Deep, and Alessia Cara issued a deluxe edition of her Love & Hyperbole LP. Brandi Carlile is also back with a new solo album, Returning to Myself, months after sharing a joint album with Elton John, and Shenseea, Hayley Williams, Sampha, Tee Grizzley and Samara Cyn all shared new tracks.
That’s a lot of new music to digest as we enter the penultimate month of the year, but Billboard still wants to know which new release you can’t get enough of. Tell us by casting your vote in the poll below.
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Trending on Billboard The All-American Rejects have dropped off their new song, “Eggshell Tap-Dancer,” the third single off their upcoming album. The indie rock sweetheart playful new track follows the singles “Search Party” and “Easy Come, Easy Go,” which all dropped earlier this year. “‘Eggshell Tap-Dancer’ is about performing tenderness until your feet bleed,” lead […]
