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Sabrina Carpenter couldn’t contain her excitement over Halle Bailey’s recent cover of her mega-hit “Please Please Please.”
In the 45-second clip posted on July 24, Halle is seen effortlessly belting the chorus while playing the guitar, adding her own vocal runs to some of the lyrics. “woke up with this song in my headdd i love itt,” she captioned the post.
Sabrina was quick to repost the video on her Instagram Story, writing, “Heart eyes and heart ears !!!” On the post, Carpenter commented, “heavenly perfect angel.”
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Halle’s unique spin on the track, which is set to feature on Carpenter’s upcoming album Short n’ Sweet, also received praise from artists like Perrie Edwards, GloRilla, Kehlani, as well as her sister Chlöe.
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“Angelic!!!! My angel,” wrote her sister Chlöe. “Wow,” wrote singer Perrie Edwards. “My goodness,” commented Kehlani. “Yessss,” added GloRilla.
Sabrina Carpenter celebrated her first No. 1 on the Hot 100 with “Please Please Please,” which topped the chart on June 29.
The pop star took to Instagram to share the news, posting a three-item carousel featuring the Hot 100 graphic, and a video of her performing the song’s signature claps with co-writer and producer Jack Antonoff, co-writer Amy Allen, and engineer Laura Sisk.
“MY FIRST #1 on the @billboard HOT 100!!!!!!!” reads Carpenter’s caption. “And espresso at #4.. I’m very immensely grateful so i will surely always remember this day for the rest of my life! @jackantonoff @amyallen i deeply love this song and i love you both!!!!! I love our pitchy claps!!!!! I love @sharp_stick [Sisk] !!!! good things come in three’s. thank you everyone who’s listened and made it so much fun to have these songs out in the world. more to come soon.”
Currently, Sabrina Carpenter boasts the top song in the world, as “Espresso” rebounds for a third week at No. 1 on the Billboard Global 200 chart and brews up an eighth week atop the Billboard Global Excl. U.S. survey.
Notably, “Espresso” ties for the longest command on Global Excl. U.S. this year, matching the No. 1 run of Benson Boone’s “Beautiful Things.”
Snoop Dogg is set to carry the Olympic torch on its final leg through Paris, adding a touch of West Coast cool to the City of Light.
The legendary rapper, known for hits like “Gin and Juice” and “Drop It Like It’s Hot,” will join the ranks of torchbearers as the flame makes its way to the opening ceremony of the 2024 Paris Olympics.
The 52-year-old, whose real name is Calvin Broadus Jr, posted a photo to social media on Tuesday (July 23) of himself standing outside the city hall Hotel de Ville alongside the caption: “U Ready? Paris 2024 Olympics ya digggg”, with gold medal and boxing glove emojis.
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He added, “U gots to do it!! Will u be watchin?? #FollowTheDogg #ParisOlympics.”
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Snoop will carry the torch through the streets of Saint-Denis, the northern Paris suburb that houses the Stade de France Olympic Stadium, as confirmed by the town’s mayor, Mathieu Hanotin.
It comes following the BTS star Jin also served as an Olympic torch bearer as a representative for South Korea on Sunday (July 14), which also happened to be Bastille Day.
The Doggfather’s latest roles as Olympic torch bearer and guest correspondent add to his already impressive list of side quests that have seen him dabble in everything from cooking shows with Martha Stewart to commentary on his own wildlife series, Planet Snoop.
On being an NBC correspondent for the 2024 Olympics, Snoop said: “I grew up watching the Olympics and am thrilled to see the incredible athletes bring their A-game to Paris,” he said in a statement at the time. “It’s a celebration of skill, dedication, and the pursuit of greatness.”
“We’re going to have some amazing competitions and, of course, I will be bringing that Snoop style to the mix. It’s going to be the most epic Olympics ever, so stay tuned.”
And it seems he’s taking his prestigious Olympic guest correspondent role seriously. In June, he participated in the 200m trial run in Oregon over the weekend.
Rocking a Team USA shirt honoring the late Kobe Bryant to go with his American flag-themed pants, the Doggfather laced up his Nike kicks for the race against Ato Boldon and Wallace Spearmon. Unfortunately, Snoop’s competition ended up leaving him in the dust as he finished the race in a distant third place with a time of 34.44 seconds.
For comparison, the 2020 Olympic gold medalist clocked in at 19.62 seconds.
“34.44 for a 52-year-old? Ain’t bad,” he said, clapping in approval when he saw his time.
The 2024 Olympic Games will run from Friday, July 25 to Sunday, Aug. 11.
In a season already brimming with talent, 9-year-old Journeyy stepped into the spotlight of America’s Got Talent on Tuesday night (July 23) and delivered a performance that left both judges and the audience deeply impressed.
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“I just didn’t expect that me recording videos at my house would lead to me being here right now. When I grow up, I want to be a pop singer,” Journeyy said in a backstage interview ahead of his performance according to NBC.
Performing his own original song “Paradise,” the New Jersey native wowed the crowd with not just exceptional songwriting skills but also an incredible stage presence and vocal ability that belied his young age.
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As he began to play the opening notes of “Paradise,” the room fell into a hushed anticipation. His voice, soulful and rich, had a haunting quality reminiscent of Lana Del Rey, drawing listeners into his imaginative world of “purple clouds” and “automatic lullabies”.
The judges’ reactions were unanimously positive. Heidi Klum was the first to speak, telling Journeyy, “I’m very impressed by you. Nine years old, your parents must be super proud of you. I’m proud of you. I hope you’re proud of yourself. Very well done, you have a beautiful voice.” Journeyy’s parents and sister stood in the wings, wiping tears away and nodding in agreement.
Sofia Vergara, clearly moved, stated, “I love you,” prompting a giant grin from the young talent.
“I think this season we have so many cool kids. Super cool kids, you’re one of them,” she enthused. Howie Mandel, always ready with a quip, joked, “A long time ago, I was nine years old for almost a year, and I think you’re amazing.”
Simon Cowell, often the toughest critic, was full of praise. “You’ve just got it, haven’t you? I love hearing people write their own material. It’s a glimpse into who you are, and I really like you. Great things are going to happen to you. I can feel it.” He added, “You are somebody who has a God-given talent. And it’s rare.”
The impressive performance not only earned him a standing ovation but also four enthusiastic “yes” votes from the judges, securing his place in the next round.
Journeyy’s path to “America’s Got Talent” was not just a lucky break. Simon Cowell revealed that one of his friends had discovered Journeyy’s talent online and recommended him to the show.
“A couple of days ago, ‘You’ve got to see this video.’ And it was you. Anyway, we sent the video to the production team and then we found out that they’d already found you,” Simon said.
Despite his young age, Journeyy has already garnered a significant social media following, where his viral cover of Hillsong United’s “Oceans” caught the attention of both fans and industry insiders, paving his way to the show.
Check out Journeyy’s America’s Got Talent performance below.
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It’s no secret that Halle Bailey can sing anything flawlessly, and she proved it once again when she took to social media to put her spin on Sabrina Carpenter’s “Please Please Please.” Explore See latest videos, charts and news See latest videos, charts and news In the 45-second clip, the 24-year-old star is seen effortlessly […]
07/23/2024
The BTS star’s sophomore solo release explores romance in all its facets while pushing the singer’s musical, creative and vocal limits.
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Taylor Swift and Beyoncé have faced off in the album of the year category at the Grammys just one time, when Swift’s Fearless won out over Bey’s I Am… Sasha Fierce at the 2010 ceremony. The duo could meet again on Feb. 2, 2025, if The Tortured Poets Department and Cowboy Carter receive album of […]
John Mayall, the British blues musician whose influential band the Bluesbreakers was a training ground for Eric Clapton, Mick Fleetwood and many other superstars, has died. He was 90.
A statement on Mayall’s Instagram page announced his death Tuesday (July 23), saying the musician died Monday at his home in California. “Health issues that forced John to end his epic touring career have finally led to peace for one of this world’s greatest road warriors,” the post said.
He is credited with helping develop the English take on urban, Chicago-style rhythm and blues that played an important role in the blues revival of the late 1960s. At various times, the Bluesbreakers included Eric Clapton and Jack Bruce, later of Cream; Mick Fleetwood, John McVie and Peter Green of Fleetwood Mac; Mick Taylor, who played five years with the Rolling Stones; Harvey Mandel and Larry Taylor of Canned Heat; and Jon Mark and John Almond, who went on to form the Mark-Almond Band.
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Mayall protested in interviews that he was not a talent scout, but played for the love of the music he had first heard on his father’s 78-rpm records.
“I’m a band leader and I know what I want to play in my band — who can be good friends of mine,” Mayall said in an interview with the Southern Vermont Review. “It’s definitely a family. It’s a small kind of thing really.”
A small but enduring thing. Though Mayall never approached the fame of some of his illustrious alumni, he was still performing in his late 80s, pounding out his version of Chicago blues. The lack of recognition rankled a bit, and he wasn’t shy about saying so.
“I’ve never had a hit record, I never won a Grammy Award, and Rolling Stone has never done a piece about me,” he said in an interview with the Santa Barbara Independent in 2013. “I’m still an underground performer.”
Known for his blues harmonica and keyboard playing, Mayall had a Grammy nomination, for “Wake Up Call” which featured guest artists Buddy Guy, Mavis Staples, Mick Taylor and Albert Collins. He received a second nomination in 2022 for his album The Sun Is Shining Down. He also won official recognition in Britain with the award of an OBE (Officer of the Order of the British Empire) in 2005.
He was selected for the 2024 Rock & Roll Hall of Fame class and his 1966 album Blues Breakers With Eric Clapton is considered one of the best British blues albums.
Mayall once was asked if he kept playing to meet a demand, or simply to show he could still do it.
“Well, the demand is there, fortunately. But it’s really for neither of those two things, it’s just for the love of the music,” he said in an interview with Hawaii Public Radio. “I just get together with these guys and we have a workout.”
Mayall was born on Nov. 29, 1933 in Macclesfield, near Manchester in central England.
Sounding a note of the hard-luck bluesman, Mayall once said, “The only reason I was born in Macclesfield was because my father was a drinker, and that’s where his favorite pub was.”
His father also played guitar and banjo, and his records of boogie-woogie piano captivated his teenage son.
Mayall said he learned to play the piano one hand at a time — a year on the left hand, a year on the right, “so I wouldn’t get all tangled up.”
The piano was his main instrument, though he also performed on guitar and harmonica, as well as singing in a distinctive, strained-sounding voice. Aided only by drummer Keef Hartley, Mayall played all the other instruments for his 1967 album Blues Alone.
Mayall was often called the “father of British blues,” but when he moved to London in 1962 his aim was to soak up the nascent blues scene led by Alexis Korner and Cyril Davies. Mick Jagger, Keith Richards and Eric Burdon were among others drawn to the sound.
The Bluesbreakers drew on a fluid community of musicians who drifted in and out of various bands. Mayall’s biggest catch was Clapton, who had quit the Yardbirds and joined he Bluesbreakers in 1965 because he was unhappy with the Yardbirds’ commercial direction.
Mayall and Clapton shared a passion for Chicago blues, and the guitarist later remembered that Mayall had “the most incredible collection of records I had ever seen.”
Mayall tolerated Clapton’s waywardness: He disappeared a few months after joining the band, then reappeared later the same year, sidelining the newly arrived Peter Green, then left for good in 1966 with Bruce to form Cream, which rocketed to commercial success, leaving Mayall far behind.
Clapton, interviewed for a BBC documentary on Mayall in 2003, confessed that “to a certain extent I have used his hospitality, used his band and his reputation to launch my own career,”
“I think he is a great musician. I just admire and respect his steadfastness,” Clapton added.
Mayall encouraged Clapton to sing and urged Green to develop his song-writing abilities.
Mick Taylor, who succeeded Green as a Bluesbreaker in the late 1960s, valued the wide latitude which Mayall allowed his soloists.
“You’d have complete freedom to do whatever you wanted,” Taylor said in a 1979 interview with writer Jas Obrecht. “You could make as many mistakes as you wanted, too.”
Mayall’s 1968 album Blues From Laurel Canyon signaled a permanent move to the United States and a change in direction. He disbanded the Bluesbreakers and worked with two guitars and drums.
The following year he released The Turning Point, arguably his most successful release, with an atypical four-man acoustic lineup including Mark and Almond. “Room to Move,” a song from that album, was a frequent audience favorite in Mayall’s later career.
The 1970s found Mayall at low ebb personally, but still touring and doing more than 100 shows a year.
“Throughout the ’70s, I performed most of my shows drunk,” Mayall said in an interview with Dan Ouellette for Down Beat magazine in 1990. One consequence was an attempt to jump from a balcony into a swimming pool that missed — shattering one of Mayall’s heels and leaving him with a limp.
“That was one incident that got me to stop drinking,” Mayall said.
In 1982, he reformed the Bluesbreakers, recruiting Taylor and McVie, but after two years the personnel changed again. In 2008, Mayall announced that he was permanently retiring the Bluesbreaker name, and in 2013 he was leading the John Mayall Band.
Mayall and his second wife, Maggie, divorced in 2011 after 30 years of marriage. They had two sons.
Italian producer Anyma has today (July 23) announced selling out all six of his upcoming Sphere shows, for a total of 100,000 tickets sold. Tickets went on sale earlier today, with a pre-sale event happening yesterday. The first show of the run, on New Year’s Eve, was announced just last week, with five additional dates […]
Desert Daze is returning to Lake Perris, California, after taking 2023 off with one of its most stacked lineups since launching in 2012. This year’s festival is being headlined by rock icon and former White Stripes frontman Jack White, next-gen shoegaze pioneers Cigarettes After Sex, singer-songwriter Alex G, reunited Latino prog rock masters The Mars Volta, bassist and singer Thundercat, ’90s icon Liz Phair and hip-hop legends De La Soul. Desert Daze also includes Death From Above 1979 performing a 20th-anniversary performance of You’re a Woman, I’m A Machine.
The lineup also includes Fleet Foxes, 100 gecs, Sleep, Marc Rebillet, Molchat Doma, The Kills, Floating Points, Power Trip, Beach Fossils, DIIV, Unwound, Shintaro Sakamoto, Danny Brown, All Them Witches, Mount Kimbie, Otoboke Beaver, Say She She, Converge, Souls Of Mischief and many more.
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A few of the special appearances at Desert Daze 2024 include original riot grrrl and punk-rock heroine Kathleen Hanna reading from her New York Times bestselling memoir Rebel Girl: My Life as a Feminist Punk and in conversation with Cedric Bixler-Zavala and Temples’ 10th-anniversary performance of their debut album, Sun Structures.
New this year, Los Angeles venue, recording studio and hotel Gold Diggers will curate a tent featuring acclaimed Chicago-based jazz drummer, composer and producer Makaya Mccraven, Tortoise’s Jeff Parker, musician and skateboarding icon Tommy Guerrero, acclaimed British singer Carina Round (Tears for Fears, Puscifer), and more; and Los Angeles-based label and promoter Jazz Is Dead will showcase their artists including Ebo Taylor + Pat Thomas, and co-founder Adrian Younge.
For additional info & tickets, visit desertdaze.org
DESERT DAZE
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On Monday, Snoop Dogg took to Instagram to share the sad news about the death of his older cousin, illustrator Darryl “Joe Cool” Daniel, the artist behind his Doggystyle album cover.
The post simply says “R.I.P. my big cuzn joe cool” along with a video Daniel took while hanging out at the studio with Snoop’s 2017 song “Promise You This” playing in the background.
Joe Cool, as cousins Snoop and Daz Dillinger called him, was instrumental in Snoop’s branding. Signing his work under the name Joe Cizzool, he illustrated the iconic artwork for the Long Beach rapper’s seminal debut album Doggystyle. Daniel was also responsible for the Gin and Juice single artwork, as well as the back of The Doggfather CD and the cover art for The Last Meal.
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Daz also paid tribute to his late cousin with a picture of him, Snoop and Joe Cool hanging out as well as a couple pics of Daniel highlighting his art.
The caption reads, “REST N PEACE DARYL JOE COOL DANIEL. MY BIGG CUZZN THIS REALLY HURTS WE GREW UP TOGETHER U WAS THERE FROM DAY ONE IM GONE REALLY REALLY MISS U BIGG CUZ.”
According to an interview with HipHopDX in 2013, Daniel said he was incarcerated and on drugs when his younger cousin asked him to do his album cover, but he didn’t believe Snoop was rapping with Dr. Dre at first. While he was doing a bid in California State Prison, he sent his sister a drawing of Snoop, and when his little cousin was visiting Daniel’s sister, Snoop hopped on the phone.
“He told me he was rapping with Dr. Dre,” Joe Cool told HipHopDX. “I told him, ‘That’s a goddamn lie. Blow that smoke up somebody else’s ass. Put my sister back on the phone, lyin’ ass n—a.’ He’s like, ‘I’m serious, man. I’m rapping with Dr. Dre.’ I’m like, ‘OK. All right.’ I said to my sister, ‘He rapping with N.W.A Dr. Dre?’ She said, ‘Yeah, he come out and get ’em.’ I said, ‘No sh–. Put him back on the phone.’ I said, ‘Give me 25 dollars.’ He said, ‘All right. I ain’t got no money right now, but I’ll send it to you… Joe, I’mma be the sh—, man.’”
Daniel started to believe his cousin when he played an early version of “Nuthin’ But a ‘G’ Thang” over the phone; he then made good on his word and sent the money. “Then he sent me that $25, that’s when I believed him.”
He said Snoop pleaded with him to stop using drugs. “‘Get yourself off that sh–,’” Joe Cool says Snoop told him. “’I want you to do my album cover, man. I’m doing Dre’s album. Then my album gonna come out.’ He said, ‘Get your sh– together, Joe Cool.’”
That conversation changed both of their lives. “I didn’t think it would be iconic, man,” Daniel said of Doggystyle. “And then when it sold as many as it sold, and I seen my sh– up there, it just gave me…like damn. I can’t believe it. My artwork is out there, ’cause Snoop let it come. He gave me the opportunity, man. He got me a little bit of 15 minutes of fame up in the world. It’s been 20 years, man. He gave me that opportunity. Man, I love him for it.”
Rest in peace, Joe Cizzool.
State Champ Radio
