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Across his 571 touchdown passes, Drew Brees never connected with tight end Rob Gronkowski. While the pair of former NFL superstars weren’t teammates on the field, they’ve teamed up as wingmen at Super Bowl LIX.

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Even though the duo isn’t suiting up on the gridiron anymore these days, Brees and Gronk will still be involved with Super Bowl LIX through their Wingman campaign partnership with Bounty.

With the big game headed to New Orleans, it’s only right Gronk tapped the people’s mayor and Saints legend Drew Brees to call the plays in the Big Easy. (Although, it is ironic to see Brees aligned with Bounty after being part of theSaints teams tied to the scandal that came to be known as “Bountygate.”)

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“I needed a guy that could show me around. Who’s better than Drew Brees? He’s the mayor of New Orleans,” Gronk tells Billboard. “Everyone knows who he is. He’s gonna bring me around town.”

Brees adds: “This is the 11th Super Bowl in New Orleans — the most of any city. There’s a reason they keep going back. It’s because it’s the greatest place to host the biggest event in all of sports. There’s no place that loves being able to host events [as much] and really takes pride in it.”

With the divisional round of the NFL Playoffs slated for this weekend, both of the future Hall-of-Famers’ Super Bowl predictions are still in tact, as Brees and Gronkowski expect the Detroit Lions and Buffalo Bills to face-off in New Orleans next month. (Gronk has the Lions lifting the Lombardi Trophy, while Brees believes it’s Buffalo’s year.)

As far as their pre-game playlists, Gronk was bumping plenty of Flo Rida — “My House” to be specific — while Brees opted for Dr. Dre and Eminem’s “Forgot About Dre.” Years later, Brees says he’s never heard Eminem sniping at him on 2020’s “The Adventures of Moon Man & Slim Shady.”

Check out the rest of our interview with Gronk and Brees touching on their favorite Super Bowl Halftime shows, Kendrick Lamar, getting shouted out in songs and more.

How’s it feel to still be involved with the Super Bowl post-career through a partnership like this?

Gronkowski: It’s really cool, man. When you have a successful career, all that hard work and dedication that you put in throughout the time you’re out on the field — it does pay off as well after, to be able to do endorsements and sponsorships still, because we had success. It means you had a legacy out on the field and people still love to hear about you, even if it’s through media, broadcasting or a commercial representing a brand. 

In this case, I’m the Bounty Man, and I’ve been with Bounty for three years now — and every year I have a wingman. Last year it was Julian Edelman, who was my teammate with the Patriots for nine years, so he was my ultimate wingman in many scenarios. I had to kick Julian to the curb, because he doesn’t run New Orleans. 

Brees: For a week, you have people walking, high-fiving and having a good time and restaurants and bars are open and live music venues. There’s this spirit and feeling when you walk down the streets, it’s unlike any other place. That’s why people talk about New Orleans like it’s own little country. It has its own heartbeat. We know how to have a good time. We know how to throw a great party. We look forward to having NFL fans everywhere embark on New Orleans for the week and make it the center of the universe. 

Do you have a favorite Super Bowl Halftime Show performance?

Gronkowski: I’ll go with Bruno Mars. I love the way Bruno performs. How he can sing and dance at the same time is incredible. I love his music. I’m a big Bruno Mars guy. It would be cool to see him perform at halftime again in the future. 

Brees: I thought Usher did a great job, man. I know it wasn’t a Super Bowl Halftime performance, but Beyoncé the other night on Netflix. Whoa. That was pretty good too. I was actually at the Super Bowl, Gronk, when you guys beat the Seahawks [in 2015] in Arizona. That was Katy Perry. She came out on the lion, it literally looked like it almost touched the ceiling. 

That was the first Super Bowl I went to — because before that I was like, “I’m only going unless we’re playing in it.” That one I wanted to go to — because it was the Patriots, who I had so much respect for, and I loved watching Tom [Brady], Gronk and that offense. They were playing against arguably one of the greatest defenses of all-time, being the Seahawks. Being on the NFC side, if we want to get back to this game, we’re gonna have to get past these guys. It was like, “I want to see this game in-person, so I can see every aspect of what’s happening on the field.” Then there’s the Katy Perry halftime show, which was next-level. Gronk’s fighting Michael Bennett at the end of the game. 

Gronkowski: How about that? Throwing some haymakers out there. 

What did you guys think about Kendrick Lamar getting the nod in New Orleans?

Gronkowski: I think it’s dope, man. Kendrick’s hot right now. He’s got some great songs out there. He gets the crowd going and brings the energy. That’s what it’s all about. I think he’s gonna do a great job. Whatever show he has that’s gonna go down, I think it’s gonna get the fans out of their seats. I feel like it’s gonna be pretty legendary. There’s gonna be some beats dropping out there that are gonna get people going.

Brees: I love that Kendrick’s gonna be performing. I really hope that Lil [Wayne] makes his way out at some point and he brings him into the mix. Lil Wayne is obviously a New Orleans guy. I think the fans in the city of New Orleans would love to see him be a part of it in some way. There’s always a surprise guest or two that spring up, and you never know who it’s gonna be, and I’m hoping he’s gonna make his way in there.

Was there a song that was your go-to for pregame or something you had to listen to before you ran out or to warm up?

Gronkowski: I’m a Flo Rida guy. He’s had so many No. 1 hits throughout his career. He’s so under-the-radar, but he’s been producing like no other throughout his time in the music industry. My favorite song that I’ve always listened to before games and everything was “My House” by Flo Rida, because you don’t want anyone to come into your house. You want to be the one that controls it and what goes down in your house. I’m a big Flo Rida guy. I listen to all his songs. I love the beats and he brings the energy to the table. All his songs are uplifting as well. “My House” was definitely my favorite.

Brees: I’m kind of an old-school guy, so I like early ’90s hip-hop. Dr. Dre’s “Forgot About Dre,” that was like [that] kind of chip-on-the-shoulder they-forgot-about-us kind of mindset. Let’s show them what it’s all about.

What did you think about Eminem name-dropping you in a song around 2020?

Brees: I probably don’t know what you’re talking about. 

Rob Gronkowski: Really? You got Eminem to drop your name in a song and you don’t even know about it? 

Yeah, this was like 2020 — a song with Kid Cudi.

Brees: Oh yeah? He did? I gotta look into it. I’m gonna have to look it up. 

Gronkowski: I would be honored. I hope that happens to me one day. 

Do you guys have a favorite name-drop in a record?

Gronkowski: I would say Rick Ross [on “Pop That”]. It’s not a name-drop, [but] It’s an organization drop. “I’m ballin, ballin’ like I play for New England.” That was hot. We were winning Super Bowls at the time. When that was on at the club when I was in my mid-20s, it couldn’t have been any better for me. I’d get up on the stage and the DJ booth and “ballin’, ballin’ like I play for New England” and the whole club would be going crazy. I would think I’m the absolute s–t, and just the adrenaline rush and I’m hammered as s–t. It couldn’t have been any better of a moment when that song dropped. It was legendary. 

Brees: I want to see DJ Gronk. 

Gronkowski: DJ Gronk don’t know nothing. You want to see dancing Gronk on the DJ booth. That’s what you want to see. 

Before we go, what are your Super Bowl predictions?

Gronkowski: I got the Detroit Lions versus the Buffalo Bills. My hometown. I got the Detroit Lions winning. They just overcame so much adversity this year. I feel like they’re gonna continue that into the playoffs.

Brees: That’s my pick as well. I’d love to see the Lions win it all, but I think it’s Buffalo’s year to get over the hump. They’re gonna have to go through Arrowhead [Stadium] to get the job done.

Carmelo Anthony has finally explained the context behind the photo of him and Rihanna that went on to become a viral meme in the mid-2010s. He cleared the air during the Thursday (Jan. 16) episode of 7PM in Brooklyn podcast, where he detailed the situation that originated from a 2014 Met Gala afterparty. Explore Explore […]

Anxious by nature, Matthew Willems has always been a planner. Founder of the electronic music label Perfect Driver and an engineer, DJ and producer who makes music as Matthew Anthony, Willems spent much of Monday, Jan. 6 at his apartment window. There he observed the strong, strange wind howling through Altadena, the eastern Los Angeles neighborhood where he and his girlfriend, Nicole Perkins, had lived for years.  
Between the wind and lack of rain, Willems was uneasy. By 4 p.m. on Tuesday, he and Perkins packed go-bags with items including birth certificates, laptops and USB drives containing the source files for every track he’s ever produced and positioned them at the door of their one-bedroom apartment. At 6:50 p.m., they got the update Willems had been fearing. 

“My friend who lives a mile down the hill said, ‘Dude, get out of your house immediately. The sky above it is red. I can see flames,’” he recalls.  

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A minute later, the couple and their dog, a pittie mix named Honey, were driving away. On the road they passed six fire trucks heading into the neighborhood, the sirens and wind creating an urgent duet. An hour later, they’d made it to a friend’s house across town in Venice, at which point their phones blasted the emergency alert to evacuate Altadena. By the next morning, their entire neighborhood — the hardware store, the dive bar, the restaurants and houses, including their own — was destroyed.  

“It was like a plane crashed, or a bomb went off, or like we were attacked in an active war zone,” Willems says of the scene he witnessed after he crossed police barricades and went to assess the damage on the evening of Jan. 8. As he left that night, he saw the president’s motorcade entering his neighborhood to tour the devastation. 

Willems, like so many others in Los Angeles this month, lost everything: clothing, keepsakes and all his studio equipment. At the same time, thousands of residents of Pacific Palisades and Malibu were fleeing their own homes as another monster inferno devoured city blocks. And his story is an all-too-familiar one across the city, as the fires continue raging into their second week with definite end, much less a timeline to repair the damage or rebuild. 

On Jan. 11, California Governor Gavin Newsom told Meet the Press that these fires will likely be considered one of the worst natural disasters in United States history. At least 27 people and countless animals died and approximately 12,300 structures were damaged or destroyed, to the cost of an estimated $250 billion so far. These numbers are stunning. They also do little to fully relay the feelings of panic, shock and devastation permeating Los Angeles during a week when ash rained even on parts of the city that weren’t actively aflame.  

Like many other groups in Los Angeles, the city’s music community has been hit hard, and is suffering. A widely circulated spreadsheet of music industry professionals who have lost their homes contains more than 360 names — of musicians, publicists, engineers, studio techs, podcast hosts, photographers, record executives and more, along with numbers tallying respective spouses, children and pets. The list includes legendary producer Bob Clearmountain, Griffin Goldsmith of the band Dawes, the musician Poolside and many others, both well-known and rank-and-file industry members; many entries include GoFundMe links, as people search for ways to try to rebuild at least some semblance of the lives they led before the flames.  

“Every piece of gear. Every guitar. Every flier I saved. Every record I dug for years and years. It’s all gone in an instant,” Poolside, whose real name is Jeffrey Paradise, wrote on Instagram while sharing videos of his smoldering home.  

Some are finding solace in a determination to be helpful to those in need, and both the music community and the general population have taken quick action to support survivors. Within hours of the first fires, a dizzying number of volunteer opportunities were created to provide shelter, food, clothing and other support. The operators of Zebulon, an independent venue in the city’s Frogtown neighborhood, have transformed the space into a donation hub where volunteers have spent days accepting and sorting clothing, diapers, sleeping bags and other necessities. Guitar Center’s non-profit Music Foundation is helping musicians replace lost instruments, while We Are Moving the Needle is offering micro-grants to early and mid-career creators.  

Outside of official organizations, a quick scroll through Instagram after the fires first broke out found individuals offering services ranging from free acupuncture to sketches of the homes people lost.

“The response has been immediate,” says Alejandro Cohen, director of music content at the city’s globally influential NPR affiliate, KCRW. “It’s been heartwarming to see the outpouring of support in the form of something as simple as saying, ‘I’m here thinking of you,’ to financial donations, to material donations in the form of instruments or in the form of saying, ‘I have a recording studio. Do you want to come and finish the job you were working on?’ Any form of support you can imagine, everyone is offering it up.”  

The station itself is serving the community by quickly building a robust online resource hub for how to get and give support, along with, Cohen says, just “sharing the music that provides comfort, companionship and sometimes even just a way to escape for a moment.”

The fires have upended the city’s event schedule and rippled through the music industry at large. The Weeknd cancelled his Jan. 25 show at the Rose Bowl and postponed the release of a new album, while Beyoncé postponed an announcement scheduled for Jan. 14. Many shows have been cancelled or postponed, with others shifting gears to become fundraisers. Meanwhile many large and small-scale benefits by a genre-spanning collection of artists and promoters will happen throughout the city in the coming weeks.  

A Jan. 8 photo of a mobile home park that destroyed during the Palisades Fire.

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On Jan. 13, while firefighters were still working to contain the Palisades and Eaton Canyon fires, the Recording Academy announced the Grammy Awards ceremony will still happen on Feb. 2 at Los Angeles’ Crypto.com Arena, along with myriad related events such as the annual MusiCares fundraiser, which will raise funds for relief efforts. (Amid some backlash, the statement by the Academy stressed that all of the events “will have a fundraising element.”) MusiCares tells Billboard that it has already received more than 2,000 requests for assistance from music professionals affected by the fires, with the volume of need exceeding $4 million.

Universal, BMG, Sony and Warner, among other music companies including Billboard, subsequently cancelled their parties and events around the ceremony, with some of the money used to host these parties being diverted to fire aid support. Meanwhile, artists including Metallica, the Eagles, Doja Cat and Beyoncé have pledged millions to help support victims, as have corporations like Amazon, YouTube, Netflix and more.  

But so far, Willems says the only immediate assistance he’s received has been from his GoFundMe. The day after his home was destroyed, he spent three hours on the phone with FEMA trying to access a $770 grant the organization is offering to fire victims; FEMA’s support team ultimately wasn’t able to provide the money. Willems says his email to MusiCares has not yet been answered, given the sheer volume of requests for assistance.

“Our team is working tirelessly to process these requests with the utmost care and urgency,” says Laura Segura, executive director of MusiCares. “Each individual’s request is carefully reviewed to ensure effective and equitable support is provided. For those with more significant needs — such as individuals experiencing medical challenges, the loss of essential music equipment, or longer-term displacement — we are conducting additional follow-ups to offer tailored assistance.” 

“The minute I heard the apartment was gone I wrote copy [for my GoFundMe], found a compelling image then emailed the fundraiser to my music friends,” says Willems. “That’s the real community backing me up.” Willems has thus far been offered help by headliner level DJs he’s never spoken to before, along with many fellow artists and industry professionals who are sending money, helping him and his girlfriend find a new place to live and just checking in daily to make sure they’re okay.

Among the many things Willems lost in the fire was a jacket he got while working at electronic digital download platform Beatport. “I was really proud of that coat,” he says. “The someone else who works there was like, ‘Hey man, you can have mine.’ So now I own one coat.”

He calls such acts of kindness stabilizing in a deeply stressful and uncertain moment, when he and others have lost their homes, all their belongings and the sense of safety created by these things. Many of these people have reported bumping into price gouging as they re-enter the city’s already expensive rental market. Willems, like many others, observed looters rooting through burned down homes in Altadena before the fire was even out. He says he and Perkins will not be returning to the neighborhood, largely due to concerns about air quality during the coming cleanup.  

“It’s not a day, and it’s not a week,” says Willems. “This is a recovery that’s going to take us years. We haven’t stood in front of our apartment to have a good cry. We haven’t had a chance yet. We’re too busy trying to not get f–ked.” 

For more information or to apply for support, contact MusiCares at MusiCaresRelief@musicares.org or call 1-800-687-4227. To donate, visit musicares.org/firerelief.

Chappell Roan has returned to No. 1 on the U.K. Official Albums Chart with The Rise and Fall of a Midwest Princess, 15 months after its initial release in September 2023. Explore Explore See latest videos, charts and news See latest videos, charts and news The debut LP from the Missouri singer has spent 40 […]

Gracie Abrams continues her reign over the U.K.’s Official Singles Chart, landing her eighth week at No. 1 with “That’s So True.”
The track, from the U.S. songwriter’s second LP The Secret Of Us, first hit the top spot in November, where it remained for five consecutive weeks until Wham!’s festive classic “Last Christmas” reached the summit. “That’s So True” marked Abrams’ first No. 1 in the U.K., and has stayed in the top spot following the holiday season.

Abrams’ closest challengers also maintain the same chart positions as the tally datedJan. 10. ROSÉ and Bruno Mars team-up “APT.” stands at No. 2, while Lola Young’s “Messy” comes in once again at No. 3. 

Gigi Perez’ previous chart-topper “Sailor Song” lands at No. 4, while “The Days” from Bolton-born DJ and producer Chrystal rounds out the top five.

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2025 BRITs Rising Star winner Myles Smith continues his hot streak with “Nice to Meet Ya” rising to No. 6. It marks his second top 10 single in recent months, with silvery pop anthem “Stargazing” having peaked at No. 4 last year before being named by the Official Charts Company as the biggest single by a British act of 2024. 

Sabrina Carpenter’s “Bed Chem” (No. 10) returns to the top 10 for the first time since November, while Chappell Roan’s “Pink Pony Club” is also enjoying a comeback moment, leaping six places back into the top 20 (No. 16). 

Elsewhere on the chart, Hozier’s BBC Live Lounge cover of Arctic Monkeys’ “Do I Wanna Know?” – initially released in 2014 – enters at No. 26, having recently taken off on TikTok. This marks the fifth top 40 single from the Irish musician. “Push 2 Start” from Afrobeat superstar Tyla, meanwhile, earns a brand new peak this week (No. 23). Notably, influential alt-pop artist Imogen Heap earns a major career first, as she gains her first-ever U.K. top 40 entry as a solo act with “Headlock” (No. 37). Originally featuring on 2005 LP Speak for Yourself, the track’s resurgence is thanks to its inclusion in the 2024 horror game Mouthwashing.

ROSÉ of BLACKPINK had no choice but to get honest about her relationship with Jaden Smith in a new interview with Vanity Fair.
While hooked up to a lie-detector test for the Thursday (Jan. 16) episode of the publication’s web series, the K-pop star first addressed whether her song “Toxic Till the End” is about the Karate Kid star — with whom she’s previously been spotted hanging out. The track — which appears on ROSÉ’s December debut album rosie — finds the performer singing about a manipulative ex who was “jealous and possessive.”

“No, it’s not about Jaden Smith,” ROSÉ clarified, passing the lie detector’s assessment with flying colors. “He’s a good friend, though.”

“Hi, Jaden,” she added, waving to the camera. “Miss you lots.”

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The musician was then asked point-blank if she and Smith have ever dated, to which she gave a straightforward “no.” When the test administrator quickly confirmed that she was telling the truth, ROSÉ nodded and laughed.

“Toxic Till the End” became ROSÉ’s third Billboard Hot 100 entry in December, reaching No. 90 on the chart. rosie also spawned the girl group star’s first-ever top 10 hit with Bruno Mars duet “APT.,” which peaked at No. 5 earlier this month.

When the “Locked Out of Heaven” hitmaker and ROSÉ first announced in October that they had a collaboration in the works, Mars revealed on Instagram that the song’s title had been inspired by a Korean drinking game his duet partner had taught him one night. “Soon after, she tried to kiss me, and I was like ‘woah Rosie! what part of the game is this?’” he wrote at the time, to which ROSÉ replied, “what’s wrong with uuuu.”

To VF, ROSÉ confirmed that she, in fact, never tried to kiss him. “He’s a liar,” she said, laughing. “Bruno Mars is a liar.”

Watch ROSÉ talk about Smith, Mars and more above.

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Mac Miller’s beautiful mind shines once again, Central Cee debates currency with 21 Savage, and Lucy Dacus might break with “Ankles.” Check out all of this week’s picks below:

Mac Miller, Balloonerism 

If 2020’s Circles, the first posthumous Mac Miller release, provided fans a sense of closure following his tragic 2018 passing at the age of 26, Balloonerism — a long-sought-after collection of songs that date back over a decade — serves as a reminder of his wonderfully unruly creativity, with songs ranging from the shimmering piano-rap anthem “Funny Papers” to the nearly 12-minute closing exploration “Tomorrow Will Never Know.”

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Central Cee feat. 21 Savage, “GBP” 

Considering the success of “BAND4BAND,” Central Cee’s team-up with Lil Baby, it’s no surprise that the UK rapper has previewed his imminent album Can’t Rush Greatness with another high-wattage collaboration — but “GBP,” featuring 21 Savage, iterates on the formula of Cench’s biggest hit, with similarly eerie production but a more spacious flow, which nicely counterbalances 21 Savage’s twitchy delivery.

Lucy Dacus, “Ankles” 

Boygenius has become a supergroup that has elevated all three of its members’ profile, and Lucy Dacus’ next album, Forever is a Feeling, will arrive in March with much more fanfare than any of the singer-songwriter’s previous projects; it also helps that “Ankles,” a driving love song with beautiful harmonics on the hook, may be Dacus’ most accessible single to date, and bring in even more fans ahead of the new full-length.

Marshmello & Jonas Brothers, “Slow Motion” 

Four years after scoring a hit together with “Leave Before You Love Me,” Marshmello and Jonas Brothers have reunited for “Slow Motion,” which veers toward country-pop territory more than its predecessor: after the JoBros croon the wide-reaching chorus together, their masked producer swoops in a sparkly beat drop, making for a charming bit of pop interplay.

John Summit feat. CLOVES, “Focus” 

John Summit’s upward trajectory continues with “Focus,” a hypnotic new dance track with Melbourne singer-songwriter CLOVES, in which the producer tosses out a collection of pulsating rhythms and lets his collaborator weave them into a yearning cry; “Focus” runs for nearly four minutes, but begs for repeat listens (or, fingers crossed, an extended mix).

Mumford & Sons, “Rushmere” 

Mumford & Sons have gone back to basics with “Rushmere,” which previews the band’s first album in seven years and finds Marcus Mumford, fresh off a recent debut solo album, leading his group (now a trio, following the departure of banjoist Winston Marshall) toward the stomping, crowd-pleasing folk-rock that made them mega-sellers at the turn of the 2010s.

Hailey Whitters, “Casseroles” 

On her first new single in two years, country star Hailey Whitters offers a nuanced reflection on grief and recovery with “Casseroles,” with the Iowa native wondering how people move on from loss once loved ones stop checking in and the comfort food stops arriving. Whitters, who lost a brother over a decade ago, imbues the song with an unsettled sense of hurt, her voice prodding at an uneasy questions for herself and others.

Editor’s Pick: Rose Gray, Louder, Please 

The cover of Rose Gray’s debut album depicts the British pop singer on a beach, listening to a Walkman and seemingly screaming along to her favorite song while the strangers around her ignore her cries; Louder, Please will inspire similar fits of passion from pop listeners, with songs like “Everything Changes (But I Won’t),” “Free” and “Tectonic” providing sophisticated beats and top-notch sing-along fodder.

SZA promised fans updates and new songs would be added to her Lana project earlier this month, but nothing has changed yet 11 days later. Fans voiced their frustrations with the Grammy-winning singer on X, and she clapped back in a series of messages posted shortly after midnight ET. “Punch was right,” she began by […]

Ethel Cain‘s posts about the murder of UnitedHealthcare CEO Brian Thompson have sparked outrage from a panel of Fox News hosts, who likened her words to “terrorism” and are calling on fans to “boycott” the singer. 
On a recent episode of the network’s The Big Weekend Show, panelists Jason Chaffetz, Jackie DeAngelis, Anita Vogel and Guy Benson opened a segment about the “American Teenager” singer’s comments by summarizing what she wrote on Instagram Stories Jan. 10. In addition to using the hashtag “#KillMoreCEOs,” Cain had said that peaceful protesting is no longer enough to solve corporate greed in the United States and posited, “It’s simple, you make them fear for their lives and hit them in the only place they hurt or nothing will ever get done.” 

But the 26-year-old musician’s words were several steps too far for the Fox commentators, with Benson calling her message “sick” and “depraved.” “The message there is violence is the answer,” he continued. “You know who used that exact same mentality, that type of language? Terrorists. That is actual terrorism, what she’s talking about here … This should be a very clear black-and-white moral issue, and it is scary to see how much support that type of sentiment has gotten.” 

“It’s absurd, it’s gross,” agreed Vogel, who then brought up how Meta previously banned Donald Trump from its platforms following the insurrection on Jan. 6, 2021. “Are they going to remove this woman for calling for murder?” 

“People need to boycott her,” added DeAngelis, with Chaffetz saying, “I hope people call her out for this.” 

Billboard has reached out to Cain’s reps for comment. 

The “Crush” artist’s posts — and Fox News’ response — are part of a broader discussion that’s played out since Thompson was shot and killed on a New York City street. Suspect Luigi Mangione was taken into custody shortly afterward and is now facing state murder and terror charges, to which he’s pleaded not guilty. He’s also facing federal murder and stalking charges; if convicted on the murder charge, he could face a death sentence.  

In addition to her incendiary hashtag Jan. 10, Cain had also shared a post quoting former U.S. Secretary of Labor Robert Reich’s assessment that institutions such as the NRA, Big Oil and insurance companies contribute to corruption in Congress. In Reich’s words: “Money in politics is the root of our dysfunction.” 

“I genuinely mean what I say. Corporations giggle at protesting,” Cain had added at the time. “Why would anyone ever willingly come down off their throne that they’ve spent years building off the suffering of their fellow man? … It seems quite straightforward to me. ‘Violence is never the answer’ wrong. Sometimes it is.” 

Two days prior, Cain released her highly anticipated album Perverts. It followed 2022’s Preacher’s Daughter. 

Skrillex is joining the lineup for Ultra Music Festival 2025. The festival confirmed the news Friday (Jan. 17) by adding the artist’s name to the festival lineup poster on its website.
This news follows Skrillex and Ultra teasing the appearance on X this past Wednesday (Jan. 15), when the producer responded to a tweet from the festival’s account reading “Happy birthday Skrillex, we miss [hands raised emoji]” with a message on the platform of his own reading, “See you in March.”

The performance will mark the first time the artist, who turned 37 on Jan. 15, has played the festival as a solo act since 2015. He last appeared at Ultra Music Festival Miami in 2019 as part of Dog Blood, for which he plays alongside Boys Noize. Skrillex also played Ultra’s debut festival in Abu Dhabi in March of 2023.

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Ultra Music Festival is happening at Miami’s Bayfront Park March 28-30. The previously announced lineup includes Four Tet, Gesaffelstein, Armin van Buuren, Carl Cox, Afrojck, Tiësto, Martin Garrix and Hardwell, along with pairings including John Summit and Dom Dolla playing as Everything Always, Anyma b2b Solomun and Knife Party playing both solo and b2b with Deadmau5, with the latter artist also performing his first ever career-spanning “retro5pective” set, which will see the producer playing his classic hits.

On Jan. 15, Skrillex also posted a note to his social accounts reading, “If you like my music leave me your email at Skrillex.com/FUS and I’ll send you some things.” The note was signed with the producer’s real name, Sonny Moore. An email submission to this address on Jan. 15 has not yet yielded a response.

Skrillex first teased new music last fall, writing on X in November that “I’ve never felt more inspired and in lockstep with my intentions as an artist. As I’m nearing completion of my next work and my final project for Atlantic Records I can’t help but feel very existential about it all… I’m thrilled to get this out and focus on more release[s] in 25 as an ‘independent’ artist. But ‘independent’ is such a strange term because I still depend on my team as well as all the other creatives and executives to do what I do.

“But now I’m able to rethink/relook at how the structures are designed,” his posts continued. “I want to find ways to simplify [disseminating] music and art.” The producer’s last albums, Quest for Fire and Don’t Get Too Close, came out within days of each other in February of 2023.

The artist, who’s originally from Los Angeles, also recently used X to respond to the ongoing fires in L.A., writing on on Jan. 10: “We’ve been devastated here in Los Angeles. My phone has been unmanageable so to all my friends, I’m safe and bless you for checking in. So many close ones have lost their homes so being there for each other has never been this critical.”