Music
Trending on Billboard Yungblud’s 2026 Australian tour dates will move ahead as scheduled, even as the U.K. singer halts all remaining performances for the rest of 2025 due to medical advice. Explore See latest videos, charts and news The Doncaster-born artist revealed over the weekend that recent vocal and blood test results prompted doctors to […]
Swift recorded namesake songs for seven of her 12 studio albums.
11/17/2025
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Ashley Gorley and Shaboozey won top honors at the 2025 ASCAP Nashville Songwriters Celebration, with Gorley winning ASCAP country music songwriter of the year for a record 12th time. That’s more times than anyone has won songwriter of the year at an ASCAP awards celebration in any genre.
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ASCAP celebrated the winners at an invitation-only party on Monday (Nov. 17) in Nashville. ASCAP chairman of the board and president Paul Williams, ASCAP CEO Elizabeth Matthews, ASCAP executive vp and head of creative membership Nicole George-Middleton and ASCAP vp of Nashville membership Mike Sistad handed out awards.
Among ASCAP’s most-performed country songs of the year, penned by Gorley, are “Fix What You Didn’t Break” (Nate Smith), “I Am Not Okay” (Jelly Roll), “Liar” (Jelly Roll) and “Park” (Tyler Hubbard). In June, Gorley was inducted into the Songwriters Hall of Fame.
Shaboozey received the ASCAP country music songwriter/artist of the year honor. In addition to his “A Bar Song (Tipsy)” earning ASCAP’s country music song of the year, his “Good News” (co-written by Sean Cook) is also among ASCAP’s most-performed country songs of the year.
“A Bar Song (Tipsy)” was co-written by Sean Cook, Jerrell “J-Kwon” Jones, Joe Capo Kent and Mark “Tarboy” Williams. It was published by Sony Music Publishing, Essancy Music, Seeker Music, Range Music Publishing, Tarpo Music Publishing, Hood Hop Music, Kreshendo and Warner Chappell Music. The song topped the Billboard Hot 100 for 19 weeks, tying Lil Nas X’s “Old Town Road” (featuring Billy Ray Cyrus) as the longest-running No. 1 song in Hot 100 history (which dates to 1958).
Additionally, “A Bar Song (Tipsy)” won a CMA Award for single of the year, a Billboard Music Award for top country song and top-selling song, and a Brit Award for international song of the year. Shaboozey is nominated for new artist of the year at Wednesday’s CMA Awards and recently received Grammy nominations for best country solo performance, best country duo/group performance and best country song.
Sony Music Publishing is the ASCAP country music publisher of the year. Among their awarded titles are “A Bar Song (Tipsy)” for the second consecutive year, “Fix What You Didn’t Break” (Nate Smith), “Hard Fought Hallelujah” (Brandon Lake, Jelly Roll), “Good News” (Shaboozey), “Cowboys Cry Too” (Kelsea Ballerini, Noah Kahan), “Coming Home” (Old Dominion), “Country House” (Sam Hunt), “I Am Not Okay” (Jelly Roll), “4x4xU” (Lainey Wilson) and “Love You, Miss You, Mean It” (Luke Bryan).
The ASCAP writers and publishers of the most-performed Christian music songs also received their awards at the celebration.
A complete list of ASCAP country music winners can be found at the ASCAP site.
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The Game Awards, which celebrates achievements in the video game industry, revealed its 2025 nominees on Monday (Nov. 17). Clair Obscur: Expedition 33 leads the way with 12 nominations, making it the most nominated game in the show’s 12-year history.
This year’s game of the year nominees are Clair Obscur: Expedition 33 from Sandfall Interactive; Death Stranding 2: On the Beach from Kojima Productions; Donkey Kong Bananza from Nintendo; Hades II from Supergiant Games; Hollow Knight: Silksong from Team Cherry; and Kingdom Come: Deliverance II from Warhorse Studios.
Over the past year, several popular video games and franchises have crossed over into television and film. The following films and streaming shows are nominated for best adaptation: A Minecraft Movie, Devil May Cry, The Last of Us: Season 2, Splinter Cell: Deathwatch and Until Dawn.
Sony Interactive Entertainment is The Game Awards’ most nominated publisher in 2025 with 19 nominations across its combined portfolio, followed by Kepler Interactive with 13 nods, and Electronic Arts and Microsoft, each with 10. The nominees for The Game Awards are selected by a global jury of more than 150 media publications and creator outlets.
From today through Dec. 10 at 6 p.m. PT, fans will be able to help choose the winners in all categories via authenticated online voting on the Game Awards site. In China, fans can vote for their favorites on a variety of platforms including Bilibili.
The Game Awards will air live from the Peacock Theater in Los Angeles on Thursday, Dec. 11, with awards, world premiere new game announcements, and musical performances by The Game Awards Orchestra, conducted by Lorne Balfe. The Scottish composer, 49, won a Grammy three years ago for best compilation soundtrack for visual media for Top Gun: Maverick and has been nominated for two Primetime Emmys.
Tickets to attend The Game Awards in-person can be purchased on the AXS site. At press time, available tickets ranged from $251 in the upper mezzanine to $1,506 for loge seats.
This year’s show will stream live on Prime Video for the first time and will once again stream for free across more than 30 digital video platforms including Twitch, YouTube, Steam, X (formerly known as Twitter), Facebook and TikTok Live. The Game Awards 2024 broke viewership records with an reported 154 million global livestreams, up 31% over 2023’s record-setting showcase, which reached 118 million livestreams. In addition, more than 15,000 individual content creators and online influencers co-streamed the show to their audiences, according to show organizers.
The Game Awards is executive produced by Geoff Keighley and Kimmie Kim. Richard Preuss is the director, LeRoy Bennett is the creative director, and Michael E. Peter is co-executive producer.
Here are nominees in seven key categories for the 2025 Game Awards. For the full list of nominees, visit the Game Awards site.
Game of the Year
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Death Stranding 2: On The Beach (Kojima Productions/Sony Interactive Entertainment)
Donkey Kong Bananza (Nintendo EPD/Nintendo)
Hades II (Supergiant Games)
Hollow Knight: Silksong (Team Cherry)
Kingdom Come: Deliverance II (Warhorse Studios/Deep Silver)
Best Score and Music
Christopher Larkin, Hollow Knight: Silksong
Darren Korb, Hades II
Lorien Testard, Clair Obscur: Expedition 33
Toma Otowa, Ghost of Yōtei
Woodkid and Ludvig Forssell, Death Stranding 2: On The Beach
Best Audio Design
Battlefield 6 (Battlefield Studios/EA)
Clair Obscur: Expedition 33 (Sandfall Interactive/Kepler Interactive)
Death Stranding 2: On the Beach (Kojima Productions/Sony Interactive Entertainment)
Ghost of Yōtei (Sucker Punch Productions/Sony Interactive Entertainment)
Silent Hill f (NeoBards Entertainment/KONAMI)
Best Performance
Ben Starr, Clair Obscur: Expedition 33
Charlie Cox, Clair Obscur: Expedition 33
Erika Ishii, Ghost of Yōtei
Jennifer English, Clair Obscur: Expedition 33
Konatsu Kato, Silent Hill f
Troy Baker, Indiana Jones and the Great Circle
Best Family
Donkey Kong Bananza (Nintendo EPD/Nintendo)
LEGO Party! (SMG Studio/Fictions)
LEGO Voyagers (Light Brick Studios/Annapurna Interactive)
Mario Kart World (Nintendo EPD/Nintendo)
Sonic Racing: CrossWorlds (Sonic Team/Sega)
Split Fiction (Hazelight Studios/EA)
Best Adaptation
A Minecraft Movie (Legendary Pictures/Mojang/Warner Bros)
Devil May Cry (Studio Mir/Capcom/Netflix)
The Last of Us: Season 2 (HBO/PlayStation Productions)
Splinter Cell: Deathwatch (FOST Studio/Ubisoft/Netflix)
Until Dawn (Screen Gems/PlayStation Productions)
Content Creator of the Year
Caedrel
Kai Cenat
MoistCr1TiKaL
Sakura Miko
The Burnt Peanut
Trending on Billboard YoungBoy Never Broke Again returned to deliver his “Zero IQ Freestyle” over the weekend, and the Baton Rouge rapper didn’t mince words when addressing some of his exes — and possibly sent a few shots in NLE Choppa’s direction. YB released an accompanying video shot from the comforts of his Utah mansion. […]
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Omarion has spoken about the few years he spent practicing celibacy as part of a spiritual experience.
The B2K singer opened up to Boyz II Men’s Shawn Stockman on his On That Note podcast and said that as a young man, being celibate was an intense experience because of how he was “spiritually searching for strength and personal control over myself and my body.”
“I did it for three years. Now I look back, I be like, sheesh,” he says around the 45-minute mark below. “‘Cause I love women. I love women in all [their] splendor, friendships, best friends, lovers, all that.”
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He continued, “I think that that’s when I was being introduced to a form of telepathy. Feeling closer to someone even when they’re away. I just had the power to say no to anything. Like yo, if I don’t want to do something, I could stop today. And I think that that’s the power of discipline — [it] really turns your life into just another level. … So I think more than anything that I was just really just practicing discipline of self, and it really served its purpose. I always say I’m one of the few guys that I could turn my discipline on and off, and it’s like it’s a cheat code for certain things. … I really know how to focus and commit to something because of that discipline.”
Omarion has been very open about his intense celibacy experience in the past, previously discussing it last summer during a sit-down with the Know Thyself podcast. “‘Do you want to have a career? Or do you want to be out here making babies?’” Omarion said of his peers at the time allegedly asking him. “And we’re like, ‘Huh?’ You know 15, 16, we’re not thinking about that, but it’s a real thing.”
In other news, Omarion caught up with Zoe Spencer & Jerah Milligan at Billboard’s R&B/Hip-Hop Power Players 2025 back in September and said his new album O2 is on the way.
“I’m so excited, I just announced my collaboration with Create Music Group,” Omarion said. “I got a new album titled O2, and I’m ready to give the world some new music…vibes all the way.”
Check out the full conversation below.
Trending on Billboard Chappell Roan might be a midwest princess, but Mexico City just stole her heart. In a new post on Instagram, the pop star reflected on headlining the Corona Capital festival over the weekend and revealed that — despite feeling anxious ahead of the show — the city welcomed her with open arms. […]
Trending on Billboard Two hands on the steering wheel, because Tate McRae’s sports car is about to drop off a four-pack of brand-new songs. The pop star revealed the track list for her upcoming So Close to What deluxe edition on Monday (Nov. 17), which is set to arrive later this week. In addition to […]
Trending on Billboard Rolling Loud co-founder Tariq Cherif says they’ve made the “max offer” to Drake to perform at the festival, but no dice. In a livestream with Adin Ross and DJ Akademiks over the weekend, Cherif spoke about Rolling Loud headliners and took a minute to address why Drizzy hasn’t performed at the popular […]
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Being part of HYBE’s conglomerate naturally puts artists in a position of visibility from day one. The company’s financial and structural size is undeniable, but in K-pop, where competition is fierce, money doesn’t buy talent or guarantee a lasting impact. With only two months in their career, CORTIS is attracting attention on its own merit.
With a sharp stage presence and charisma that breaks the rigid molds of the industry, the quintet formed by James, Juhoon, Keonho, Martin and Seonghyeon secured a prominent position among the year’s rookies with a lot of personality. Aged between 16 and 20, the young men form the first group launched by BIGHIT MUSIC in six years – after TXT in 2019 and BTS in 2013 – with the motto of being a creative team and self-producing.
The group’s first EP, Color Outside the Lines, was released on Sept. 8 and debuted at No. 15 on the Billboard 200 – the weekly ranking of the most popular albums in the United States. The project has been on the World Albums chart for 10 weeks. “It still seems surreal to think that we’re actually on the charts. We hadn’t even noticed. One day, our manager told us, ‘You’re on the Billboard chart!’ I was like… ‘Wait, really?’ And when I checked, we were at No. 15,” Martin tells Billboard Brasil in a video call for the new digital cover story. “It’s a matter of gratitude to our fans and listeners. I’m very grateful for all of this, and we want to continue growing and be remembered for a long time.”
For James, entering the charts has a positive impact on the group. “It represents a great milestone. And it’s just the beginning. We can only improve from here on out, and we’re working hard, as always, to make even better music.”
The success of their first EP raises expectations for CORTIS’ next steps. And they themselves acknowledge this. Martin describes the pressure as a responsibility that guides what they will do next. Seonghyeon admits that the pressure exists (“Without a doubt!” he says).
“The goal of the first project was to express our emotions, and that resonated with many people. Over these months, we’ve changed. With the second album, we’re thinking: ‘What do we have to say now?’ What story will we tell the fans, and how will we remain as authentic as possible? That’s the goal,” says James.
Even though they’ve only recently debuted, they already have thousands of fans in Brazil. On social media, they went viral for their passion for açaí and for reading the Brazilian nickname of their fandom, “Cortinas” (curtains in Portuguese), during a recent livestream. When asked about their interactions with the Brazilian audience, the question generates a slight commotion, and they speak at the same time.
“It’s incredible [to receive messages from Brazil],” says Keonho. “I can’t wait to visit Brazil,” says Juhoon. “We are big fans of Brazilian culture, especially the festivals [like Carnival]. We want to go to Brazil to do a show,” adds Martin. “We know you guys are fun,” adds James. “We know about açaí, we need to try it [in Brazil],” completes Seonghyeon.
The contrast between who CORTIS was before their debut and who they are today is discussed during the chat. For Martin, the biggest change is emotional. “It’s difficult because we’ve changed a lot since last year,” says the rapper. “When we were working on the album, nobody knew us. Now, we have fans and when we go out, people recognize us at the convenience store and everywhere. I’m enjoying the moment and very happy to see the reactions to my music.” For Keonho, the main difference is part of maturing. His biggest change? “My voice [laughs], the range of my voice.”
They seem to handle the group’s rapid rise well. James explains that, as cliché as it may sound, what keeps them grounded is remembering why they started. “I think we’ll never forget that. Although we have many different things happening along the way, ultimately, the reason we do this work is that we love music, and we love expressing ourselves in our unique way.”
Daily rituals like riding bikes, strolling in a park, listening to music, and playing basketball help the members deal with personal doubts and growing up in the public eye. They often talk about “embracing their awkward sides,” laughing at their own embarrassment to evolve, and using creativity as a way to discover who they are. “Over time, I’m starting to understand who I am. Now I know what I really love to do, what my musical taste is, what my taste is. This is making my personality more vivid and distinct,” says Juhoon.
“I think that accepting yourself in every way is also an important point, even your weird sides,” James says. “There’s a saying that goes ‘to be cringe is to be free’. It’s a great phrase. If you want to improve at something, you need to feel uncomfortable. You need to be ashamed of yourself to gain confidence. And I think that’s the mentality we bring to the music.”
“We’re still teenagers, and we’re growing up,” Martin adds. “Finding our style in music or visuals is like finding ourselves, investigating ourselves.”
CORTIS
Courtesy Billboard Brasil
Puzzle Pieces
Their individual stories reinforce the discourse of self-worth. Keonho uses the competitive mind-set from swimming to evolve as an artist, always focusing on surpassing himself. Seonghyeon moved to Seoul at a young age to be a trainee, and the process never intimidated him – it only motivated him more. Juhoon, on the other hand, sees his diverse background in sports, studies and fashion as a foundation that helped him better understand his abilities.
The quintet’s leader Martin is Korean-Canadian and spent six years working toward their debut in September. In addition to producing CORTIS’ music, he composed singles for other HYBE groups – such as “Magnetic” (ILLIT), “Deja Vu” (TXT), “Pierrot” (LE SSERAFIM) and “Outside” (ENHYPEN).
“To be honest, when I start to lose confidence or doubt myself, I try to focus on small things. I play basketball, ride my bike, do something fun, go for a walk, and listen to music,” says Martin. “It’s a goal I want to have. To remember that [music] is something I really want to do for the rest of my life, that I really love, and that I do it for fun. That’s why I chose this path. I never doubted myself, I never wanted to be anything else. So, trusting myself and finding small hobbies helps me distance myself from those insecure thoughts.”
James is Thai-Chinese. He was born in Hong Kong but grew up in Taiwan. He was a trainee for about five years before debuting with CORTIS. Besides choreographing and composing for his group, he was a backup dancer for Jung Kook (BTS) and also wrote for other groups like ILLIT and TXT.
“In general, my tastes and preferences are quite broad… To be honest, even food. Growing up in different countries, going back and forth between them, always encouraged me to try new things. It opened me up to new experiences and I think that really helped me discover new music, movies, and see things I had never seen before,” says James. “Was it difficult moving around so much?” I ask the singer. “No, but it’s difficult when part of the family speaks one language and the other half speaks another… You’re in the middle and become the link that speaks all the languages and has to adapt every second.”
Juhoon was born in South Korea. A sports prodigy, he excelled in basketball and soccer. He was a child model and learned English at an international school. As a trainee preparing to debut with CORTIS, he underwent got classes and training for less than two years.
“Every moment influenced me in some way, and all these experiences made me who I am,” says the singer. “Playing sports taught me to be competitive, and at school I learned to communicate. Fortunately, I had the opportunity to explore various things and always focused on how much I enjoyed each one. I tried to discover what interested me, and that’s how I got into music.”
South Korean Seonghyeon was recruited on his birthday in 2018 while strolling through an amusement park. He is credited as a composer on all tracks of CORTIS’ EP: “What You Want,” “GO!”, “Joyride,” “Fashion” and “Lullaby.”
“When I moved to Seoul to be a trainee, it wasn’t very difficult. I really enjoyed the process, and my mother encouraged me by telling me to try,” recalls Seonghyeon. “The more I trained, the more interested I became. I want to be someone cool. Someone who is laid-back inside and out, and good at what they do, with confidence. I’m still figuring out what ‘cool’ means, but I hope to keep learning as I grow.”
Keonho spent three years as a trainee. The South Korean singer was a swimmer and participated in championships in the country before deciding to pursue a career in music. He also composed tracks for CORTIS’ first release.
“I learned that the real competition isn’t with others, but with yourself. And I think I always want to maintain that mindset and keep striving,” says Keonho, who smiles a lot. “I thought about it a lot because I wanted to be a swimmer and be part of the group. But my parents advised me: ‘It’s good to try new things, so why don’t you give it a try?’ I followed their advice and fulfilled my dream of becoming an artist. I’m really enjoying it.”
CORTIS’ members share the stage and also the dorm. They live together in Seoul and receive support from a dedicated team. The backstage routine also becomes content on their YouTube channel. “We grew closer naturally while preparing for our debut and also composing music. We live together 24/7,” says Seonghyeon. “Is it difficult living together?” I ask. “Yes, sometimes, but it’s fun. We usually resolve things by talking. For example, when it comes to washing dishes, we have a rule that each person washes their own after using them. This keeps things simple and fair.”
The advice they received from other artists also helps shape the group’s work. James keeps the phrase “one step at a time” as a mantra, a phrase he got from Teezo Touchdown’s autograph on a pair of sneakers.
“That’s my phone’s background. It always reminds me not to rush, and that sometimes you really don’t know what to do and end up rushing everything. You need to go slowly, one step at a time, and focus on what’s coming next,” says James.
“The most important thing for me is the passion and intensity I have on stage. I want every performance to have the same passion and intensity as the first time. It’s on stage where I feel most free. I want to remember that in the future, even if some days I’m not feeling well.”
Martin cites his meeting with the BTS members: remaining humble, caring for the team, keeping the passion alive even in the face of difficulties.
“They said, ‘Always be grateful and humble.’ And they also told us to take good care of the people around us, especially the team and those we will be working with for a long time. ‘Take good care of them, treat them with kindness, and keep the passion and energy alive. Even if big challenges arise, just keep persevering and enjoy the process.’ That’s what they said, and that’s how we’re living, day after day,” says Martin. CORTIS hasn’t gone on tour yet, but the “cortinas” in Brazil are already waiting for them with plenty of açaí.
—This article was written by Isabela Pacilio for Billboard Brasil
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