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Following a fierce battle against throat cancer in 2014 that required two tracheotomies that robbed him of his signature honeyed voice, actor Val Kilmer died on Tuesday (April 1) at age 65. The Julliard School-trained star who got his start on the big screen in the comedies Top Secret! and Real Genius in the mid-1980s and went on to stardom after his biting turn as Iceman in 1986’s Top Gun passed away in Los Angeles from pneumonia surrounded by his family and friends, according to the Associated Press.
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The intense actor who also played Batman in 1995’s loopy Batman Forever and faced off with Al Pacino’s cop in the heist flick Heat that same year also lit up the screen in his mesmerizing, wraith-like portrayal of a tuberculosis-stricken Doc Holliday in 1993’s Tombstone. In a nearly four-decade career that spanned comedy, drama and historical epics, it was Kilmer’s eerily method portrayal of Doors singer Jim Morrison in Oliver Stone’s 1991 The Doors biopic that became one of his signature roles.
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Actress Jennifer Tilly — who auditioned for the movie for the role that Meg Ryan landed as Morrison’s girlfriend, Pamela Courson — posted a loving tribute to Kilmer on X following the announcement of his death.
“A long time ago, I was auditioning for the movie The Doors. It was kind of a cattle call. They paired together potential Jims with potential Pamela‘s. And they were running behind so we were spilling out of the casting office, sitting on the porch, the lawn, and the driveway,” she wrote.
“All of a sudden, a sixties convertible came screeching up, blaring Doors Music at top volume. And a guy jumped out and strode inside: He had wild hair and he was barefoot, shirtless, and wearing nothing but a pair of tight leather pants,” she added. “We all looked at each other like… Who is this guy? We were more than a little shook by the sheer audacity of his entrance. Well of course it was Val Kilmer and from that minute on, nobody else stood a chance. Rip King.”
Kilmer’s final movie appearance was a sentimental return for the 2022 sequel Top Gun: Maverick, in which he appeared after losing his voice to cancer, with his lines digitally enhanced due to the damage to his vocal cords following radiation treatment.
In a statement, Heat director Michael Mann paid tribute to the famously Method actor who threw himself full-bore into his roles, saying, “While working with Val on Heat I always marvelled at the range, the brilliant variability within the powerful current of Val’s possessing and expressing character.” On Instagram, friend and fellow actor Josh Brolin wrote, “See ya, pal. I’m going to miss you. You were a smart, challenging, brave, uber-creative firecracker. There’s not a lot left of those. I hope to see you up there in the heavens when I eventually get there. Until then, amazing memories, lovely thoughts.”
Cher, who dated Kilmer in the early 1980s, also honored the actor in her signature pithy way, posting on X, “VALUS Will miss u,U Were Funny,crazy,pain in the ass,GREAT FRIEND,kids U, BRILLIANT as Mark Twain, BRAVE here during ur sickness.”
Josh Gad also honored the “icon” who had a huge impact on him, posting a pic of Kilmer in his Top Gun uniform, writing, “RIP Val Kilmer. Thank you for defining so many of the movies of my childhood. You truly were an icon.” Director Francis Ford Coppola, who worked with Kilmer on the little-seen 2001 horror movie Twixt, said on Instagram, “Val Kilmer was the most talented actor when in his High School, and that talent only grew greater throughout his life. He was a wonderful person to work with and a joy to know — I will always remember him.”
In addition to the lightweight Batman Forever, Kilmer also appeared alongside Marlon Brando in the bizarre, famously troubled 1996 science fiction movie The Island of Dr. Moreau, played painter Willem de Kooning in the 2000 biopic Pollock, as well as 1970s porn star John Holmes in Wonderland and Phillip II of Macedon in Stone’s 2004 sword-and-sandals historical drama Alexander.
Kilmer continued to star in films throughout the early and mid-2000s, often in direct-to-video projects or in cameos in small films. His 2021 documentary, Val, featured footage Kilmer filmed from throughout his career, including during his throat cancer treatment, with his son, Jack Kilmer, narrating the project.
Kendrick Lamar’s movie with the creators of South Park has been pushed back into 2026, according to Variety. Paramount’s comedy debut for Lamar with Trey Parker and Matt Stone is now slated to arrive on March 20, 2026. The flick was scheduled to arrive on July 4 of this year. Explore Explore See latest videos, […]
The first cast announcement for the upcoming Beatles biopics has been confirmed, with Harris Dickinson (John Lennon), Paul Mescal (Paul McCartney), Barry Keoghan (Ringo Starr) and Joseph Quinn (George Harrison) set to play the Fab Four.
The quartet will assume the roles for what Sony Pictures is currently dubbing The Beatles – A Four Film Cinematic Event, directed by Sam Mendes (Skyfall, 1917). The group will appear in four separate biopics – one about each member – and all will be released in theatres in April 2028, in what Sony Motion Pictures Boss Tom Rothman’s called a “bingeable moment in cinema” (per Deadline). No further cast members have been announced at this stage, nor has the release order for the four films.
The news was confirmed on Monday night (March 31) at the CinemaCon event in Las Vegas, with Mendes and the all-star cast all appearing on stage to celebrate the announcement. See a photo of all four members together below.
Mendes said that the four separate films will provide “a chance to understand them a little more deeply.” Mendes added that the group “redefined the culture and stayed with you for a lifetime,” and called them “the most significant band of all time.” He also said that he had been trying to make a Beatles film “for years,” but struggled to fit the story into one movie and rejected the idea of a television series.
“There had to be a way to tell the epic story for a new generation,” he told the audience, adding: “I can assure you there is still plenty left to explore and I think we found a way to do that.”
On stage, Dickinson, Mescal, Keoghan and Quinn recited from the band’s song “Sgt. Pepper’s Lonely Hearts Club Band”: “It’s wonderful to be here, it’s certainly a thrill, you’re such a lovely audience, we’d like to take you home with us,” each saying a line.
The upcoming film has approval from McCartney and Starr, as well as Lennon and Harrison’s estates. It marks the first time the group and rights holders Apple have granted full life story and music rights for a scripted film.
The reveal confirms rumors that have swirled about the casting for months. Last year Starr hinted that Keoghan would be playing him in the film, saying “I believe he’s somewhere taking drum lessons, and I hope not too many.” Ridley Scott, who directed Mescal in Gladiator II, accidentally confirmed the latter’s casting in an interview in late 2024, with Mescal responding that it would be “a dream come true” to play McCartney.
Dickinson is best known for his roles in Babygirl (2024) and The Iron Claw (2023), while Quinn had a starring role alongside Mescal in Gladiator II, and also appeared in the most-recent season of Stranger Things.
The four Beatles films will follow the group’s trajectory from their 1960 formation through their time as a touring act and in the studio. The group hold the record for the most No. 1 LPs on the Billboard 200 (19 in total) and most No. 1 singles on the Hot 100 (20 in total).
A number of documentaries and smaller-budget films have been released chronicling the group’s career, including 2009’s Nowhere Boy which focused on Lennon’s early years, and starred Aaron Taylor-Johnson in the leading role. In 2022, The Beatles: Get Back documentary saw Peter Jackson compiling hours of unused footage for an eight-hour epic on Disney+.
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Source: Marvel Studios / Avengers: Doomsday
Marvel Studios did something entirely different by announcing that Avengers: Doomsday is in production and revealing the highly anticipated comic book movie with a huge cast.
X, formerly Twitter, was buzzing when the Marvel Studios account went live, leaving fans wondering what big announcement was coming. Little did they know they were in for five hours of watching chairs with names lined up to reveal who would be in the film.
The live stream began at 8 am PT Wednesday with Disney-owned studio slowly revealing each cast member by playing accompanying music associated with their characters while placing down the chairs.
Millions of fans tuned in to the 5 hour live stream in hopes their patience would eventually be rewarded, but nope, it was just chairs, and it also just proved how much of stranglehold Marvel Studios still has on the culture.
Out of all of the 27 cast members announced, there was only one person in the exceptionally large soundstage, Robert Downey Jr. himself who was revealed to be playing Dr. Doom in the Russo Brothers directed superhero epic.
Almost Everybody And Their Momma’s Are In Avengers: Doomsday
Some of the names revealed to be in the film should have come as a surprise, especially to those who follow Marvel Studios. Those names include:
Chris Hemsworth as Thor
Vanessa Kirby as Sue Storm / Invisible Woman
Anthony Mackie as Captain America
Sebastian Stan as Bucky Barnes
Letitia Wright as Shuri / Black Panther
Paul Rudd as Ant-Man
Wyatt Russell as John Walker / U.S. Agent
Tenoch Huerta Mejía as Namor
Ebon Moss-Bachrach as Ben Grimm / Thing
Simu Liu as Shang-Chi
Florence Pugh as Yelena Belova
Lewis Pullman as Sentry
Danny Ramirez as Falcon
Joseph Quinn as Johnny Storm / Human Torch
David Harbour as Red Guardian
Winston Duke as M’Baku
Hannah John-Kamen as Ghost
Tom Hiddleston as Loki
Pedro Pascal as Reed Richards / Mister Fantastic
Robert Downey Jr. as Doctor Doom
The biggest surprised had to be the announcement of the return of OG X-Men from the Fox movie franchises, Patrick Stewart (Professor X), Ian McKellen (Magneto), Alan Cumming (Nightcrawler), James Marsden (Cyclops) and Rebacca Romijin (Mystique).
A huge surprise was the announcement of Channing Tatum reprising his role of Gambit we met in Deadpool & Wolverine which was a hit. So clearly he did make a name for himself.
Glaring Ommissions
There were some glaring omissions, no Halle Berry Famke Janssen, or Anna Paquin. Also, Ryan Reynolds and Hugh Jackman were also missing plus, fans couldn’t help but bring up Chris Evans, the original Captain America in the MCU.
But chances are high that Kevin Feige has plenty up his sleeve in terms of cameos and other easter eggs when it comes Avengers: Doomsday, so we don’t think these announcements begin to scratch the film’s surface.
But, like with the poster reveal for Avengers: Endagame which became a hilarious meme, the cast reveal for Doomsday has also spawned jokes with users on X, formerly Twitter adding random pop culture characters to the film’s cast.
Lol bruh.
You can always count on social media to deliver some laughs.
Hit the gallery below for more reactions to the Avengers: Doomsday cast reveal.
After their second go-round as a couple produced endless reams of tabloid press coverage, Ben Affleck and Jennifer Lopez have been relatively quiet about the dissolution of their marriage. The couple first began dating in 2002 and got engaged before calling it off in 2004 and famously reuniting in 2021 and getting married the following year.
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But, after less than two years, Lopez filed for divorce just months after the February 2024 release of her film This Is Me Now: A Love Story, a movie co-written by the couple that was loosely based on their love story. A surprisingly candid behind-the-scenes doc, The Greatest Love Story Never Told, was also released at the time, featuring a scene in which it was revealed that Affleck kept Lopez’s love letters even while he was married to his ex-wife, Jennifer Garner.
In a new GQ feature about Affleck’s plans to shake up Hollywood wit his artist-friendly Artists Equity company, the actor/director opens up for the first time about the couple’s split and makes it clear that despite the drama, he has a deep and abiding affection for his ex.
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“You asked me about Jen and the documentary and I talked about that and my sort of personal life a little bit, which I don’t mind doing as long as my actual feelings and intentions and beliefs are communicated, which I hope I was clear that really this is somebody I have a lot of respect for,” he said. “And I get wanting to divine or explore the kind of differences in perspective that we have in terms of how a person feels comfortable approaching the line between public and private life. But I really hope that whatever you use doesn’t suggest that I have any negativity or judgment or anything regarding that.”
Affleck also makes it clear that he has “nothing but respect” for Lopez, lamenting the need by some to dissect break-ups in search of the “root causes” of a split. “But honestly, like I said, the truth is much more quotidian than probably people would believe or would be interesting,” he said.
“There’s no scandal, no soap opera, no intrigue. The truth is, when you talk to somebody, ‘Hey, what happened?’ Well, there is no: ‘This is what happened,’” he added. “It’s just a story about people trying to figure out their lives and relationships in ways that we all sort of normally do. And as you get older, this is true for me, I assume it’s true for most people, there is no ‘So-and-so did this’ or ‘This was the big event.’ It’s really, it sounds more like a couple’s therapy session, which — you would tune out of someone else’s couple’s therapy after a while. For one thing, you start going, ‘Okay, clearly this person has got these issues. Clearly they have these issues.’ And the reason I don’t want to share that is just sort of embarrassing. It feels vulnerable.”
The piece delves into the fact that despite appearances, Affleck has a well-thought-out, nonchalant attitude about being pictured in public picking up his copious Dunkin’ order, or wearing an outfit a star might not want to be shot by paparazzi wearing. He talks about his strategies, such as wearing the same look every day so the pap pictures of him are indistinguishable, or looking “like a slob” on purpose and how he just doesn’t really care, or sweat it that much.
“Then you become the sad Affleck meme spilling the coffee. Which I have to say I think is kind of funny,” he said. “So I think it’s just a function of the fact that I’ve spent time thinking about really trying to figure it out.”
Affleck was also asked about some moments in the widely panned Greatest Love Story Never Told doc, in which the now ex-couple repeatedly claimed they were private people, even as Lopez revealed some intimate moments and aspects of their relationship via the letters and footage of them at home. In those scenes, the writer suggests that Affleck seems to both be taking a deep “here we go again” breath, even as he’s clearly expressing his love and support for Lopez.
“Part of it was, ‘Okay, if I’m going to participate in this, I want to try to do it in an honest way and in a way that’s interesting,’” Affleck said. “Because I thought it was an interesting examination. Like I mentioned to you before, there are a lot of people who I think have handled celebrity more adeptly and more adroitly than I have, Jennifer among them. My temperament is to be a little bit more reserved and private than hers. As happens in relationships, you don’t always have the same attitude towards these things. And so I thought, ‘Oh, this is interesting because how do you reconcile that?’ Because exactly what you said is true. I love and support this person. I believe in them. They’re great. I want people to see that.”
Affleck recalled that the doc used his line “You don’t marry a ship captain and then say, ‘Well, I don’t like going out in the water,’” saying that you have to “own what you knew going into any relationship.” And, for the record, Affleck assures readers that the movie wasn’t the cause of “some major fracture. It’s not like you can watch that documentary and go, ‘Oh, now I understand the issues that these two had.’”
Affleck will next be seen in The Accountant 2, which will hit theaters on April 25.
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Snow White, the new live-action film starring Rachel Zegler and Gal Gadot, is being panned online by those assumed to be in the MAGA nation, accusing the motion picture of “wokeness.” On X, the reactions to Snow White have been passionate, and other film fans are joining the pile-on to blast some of the acting and more.
Snow White was released last Friday (March 21) and is one of the early big-budget films of the spring season. Zegler stars as the title character, while Gadot plays a contrasting role as the Evil Queen. At issue for the MAGA meatheads is Zegler’s role and the fact that the American actress is Polish and Colombian. Some of the more extreme racist trolls have attacked Zegler’s racial identity, and other film fans are critical of Gadot’s acting and her political positions.
Beyond the culture war being waged over the movie, the early reports are leaning towards the fact that Snow White’s box office opening numbers are a bit underwhelming. With a budget reported to be between $240-270 million, the film had a worldwide weekend opening of about $86 million, according to The Numbers website.
Professional critics largely called the film a refreshing update on the classic tale, and it manages to put forth some progressive themes here and there. Also present in the film is the goal of female empowerment and other stylistic and source material changes. It is there where MAGA and online trolls are having the most issues.
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Legendary actor Wendell Pierce is excited about the summer, and he should be because he will be in two of the biggest films this year.
The Wire star is the textbook definition of “booked and busy” these days. You can’t turn on your televisions and not see Pierce’s face in one of your favorite television shows.
This summer, the same can be said about the big screen as well. Pierce will star in James Gunn’s highly anticipated Superman reboot, which is set to jumpstart Gunn’s newly created DCEU. He also popped up in the trailer for the upcoming Marvel Studios film Thunderbolts*.
Speaking alongside his girlfriend and Power Book III: Raising Kanan co-star, Erika Woods with CASSIUSLife’s Bernard “Beanz” Smalls, Pierce expressed excitement about being a potential summer blockbuster and being in a rare space because he will be in both comic book movie universes.
Pierce Says He’s Looking Forward To This Summer
“I’m looking forward to this summer. It’s going to be a great summer, ” Pierce said to CASSIUSLife. “As an actor, you tried to build a body of work. And while you’re doing it, you’re not conscious of it. You want to build a body of work where you can look back and then appreciate how many different things you did and how diverse and eclectic your body of work is. It shows your range and how one of the things you want to be as a character actor is an actor of character that has the ability to do a multitude of things, and still bring something to it, and it affects people.
Pierce Reveals He Didn’t Realize How Big The Comic Book Movie Universe Was
Pierce continues, “I did not know how big the comic book world and the movie universe world was until I was shooting these movies. And so I’m looking forward to the response. Good and bad, is going to come from all sides. The affinity that people have for the material and the worlds, I really appreciate it. I was not of the world. I wasn’t the comic book guy, but the thing I love about the fandom is the fact that you see the fervor that people have, and if you don’t have it, you’re envious of it.
“You want to be a part of it. It’s infectious. And that’s the thing that I love about it. It’s so infectious that even though I may not have been a part of that fandom, I am drawn to it and now want to know more and to now be a part of that, a small part of that is going to be exciting. And actually it’s been really interesting being in both of the worlds. I’m one of the few rare people who have gotten to be in both, so I’m looking forward to that as well.”
We hope Mr.Pierce keeps that schedule clear, he’s going to be in a lot of comic book movies.
Universal Pictures Content Group announced on Friday (March 14) that it has begun production on a documentary chronicling heavy metal icons Iron Maiden‘s 50-year career. The currently untitled film is slated for release internationally in the fall, with U.S. theatrical distribution details to be confirmed later.
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According to a release, the long-awaited doc is an “emotive journey through Iron Maiden’s 50 Year history told from the perspective of both the band and some of their most devoted followers – from longstanding superfans to established names from the worlds of film and music such as Javier Bardem, Lars Ulrich and Gene Simmons.”
In addition, the doc is slated to feature exclusive interviews with key band members and the final interview with original vocalist, Paul Di’Anno, who died in October 2024 at 66 from a tear in the sac around his heart. In addition to rare archival footage of the group, the doc will also include all-new animated sequences with Maiden’s fan-favorite ghoulish grin zombie mascot Eddie, who has appeared on all their album covers.
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“We’re proud Universal Pictures Content Group has chosen to share the unique story of Iron Maiden with the world,” said Maiden manager Rod Smallwood in a statement about the film that will be directed by Malcolm Venville (Churchill At War). “We have given them unrestricted access to the band, our fans and musical peers. We trust that they will excite not only music fans but also anyone who loves a story of an underdog beating the odds to become and remain one of Britain’s biggest musical exports since our first record released 45 years ago.”
The movie description continues, “The film offers a unique visual experience that highlights Iron Maiden’s widespread impact and the strong connection between the band and their truly global army of fans. The film also explores the cultural movement Iron Maiden has helped shape and their enduring legacy in both music and fan culture, challenging common perceptions of the wider significance of rock music and heavy metal.”
Iron Maiden formed in East London in 1975 and helped spearhead a resurgent wave of British metal on their way to selling more than 100 million records worldwide thanks to such hard-charging hit singles as “Run to the Hills,” “The Number of the Beast,” “Aces High,” “Flight of Icarus,” “The Trooper” and “Hallowed Be Thy Name.”
“We’re thrilled Iron Maiden have entrusted us to bring their legacy to cinemas around the world,” said Universal Pictures Content group executive vice president Helen Parker. “Working closely with the band and their passionate fans has been an unrivalled experience allowing us to tell their story in a unique way and celebrate their incomparable fearless creativity in their 50th anniversary year.” The film will be produced by Dominic Freeman (Spirits in the Forest – a Depeche Mode Film), with Parker serving as executive producer.
Iron Maiden will launch their 50th anniversary Run For Your Lives tour in Budapest on May 27, with 32 other dates currently scheduled throughout Europe through August 2.
Director Ezra Edelman spent nearly five years meticulously piecing together his sprawling, nine-hour documentary about Prince. In an appearance this week on the Pablo Torre Finds Out podcast, the Oscar-winning director of O.J.: Made in America called the decision by Netflix and the Prince estate to pull the plug on the film a “joke.”
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“The estate, here’s the one thing they were allowed to do: Check the film for factual inaccuracies. Guess what? They came back with a 17-page document full of editorial issues — not factual issues,” Edelman said. “You think I have any interest in putting out a film that is factually inaccurate?”
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The Yale-educated director known for his deep-dive process, spent years developing and meticulously editing his six-part The Book of Prince doc for Netflix — after being hand-picked for the project by former Netflix VP of independent film and documentary features Lisa Nishimura — only to have the Prince estate object to the way the late singer was depicted in the film; the estate announced last month that the project would never be released and that it was working on its own documentary featuring “exclusive content” from the archive of the singer who died of an accidental fentanyl overdose in April 2016 at age 57.
“This is reflective of Prince himself, who was notoriously one of the most famous control freaks in the history of artists,” said Edelman of the Rock and Roll Hall of Fame icon known for fiercely protecting his name, image and likeness. “The irony being that Prince was somebody who fought for artistic freedom, who didn’t want to be held down by Warner Bros., who he believed was stifling his output. And now, in this case — by the way, I’m not Prince, but I worked really hard making something, and now my art’s being stifled and thrown away.”
Before the public saw even a frame of the film, it was in the headlines last September when a New York Times magazine profile described elements of the project that touched on Prince’s alleged physical and emotional abuse of his partners, as well as allegations that the singer had suffered abuse as a child. At the time, the two companies that control Prince’s assets, Primary Wave Music and Prince Legacy, said that they were “working to resolve matters concerning the documentary so that his story may be told in a way that is factually correct and does not mischaracterize or sensationalize his life.”
Following the shelving of the film, Edelman said that he believes Netflix is “afraid of [Prince’s] humanity.” Torres, who has seen the movie, said he came away with the takeaway that “this is one of the most impressive artists that has ever lived.”
That sentiment appeared to confirm Edelman’s feelings about the project. “This is the thing that I just find galling. I mean, I can’t get past this — the short-sightedness of a group of people whose interest is their own bottom line,” Edelman said.
“The lawyer who runs the estate essentially said he believed that this would do generational harm to Prince. In essence, that the portrayal of Prince in this film — what people learn about him — would deter younger viewers and fans, potentially, from loving Prince,” the director added. “They would be turned off. This is, I think, the big issue here: I’m like, ‘This is a gift — a nine-hour treatment about an artist that was, by the way, f–king brilliant.’ Everything about who you believe he is is in this movie. You get to bathe in his genius. And yet you also have to confront his humanity, which he, by the way, in some ways, was trapped in not being able to expose because he got trapped in his own myth about who he was to the world, and he had to maintain it.”
Though neither Netflix nor the Prince estate have detailed what specific issues they have with the doc, among the controversial allegations reportedly featured in the project are claims from one of the singer’s former lovers, Jill Jones, who allegedly describes a night when Prince slapped and punched her in the face. Another former paramour, Susannah Melvoin — musician and twin sister of Prince and the Revolution guitarist/singer Wendy Melvoin — reportedly told the director that after she moved in with Prince he would not let her leave the house, monitored her phone calls and tried to keep her from seeing her sister. It also reportedly featured accounts of Prince asking Wendy Melvoin to renounce her homosexuality as a prerequisite for getting the Revolution back together.
“The whole point of it is the journey. And the whole point of it was actually reflecting a journey that he went through,” Edelman told Torres. “Prince’s whole thing was that he was a Gemini and so this sort of push-and-pull of who he was in all these facets, male/female, black/white, artist/businessman, it goes on and on. In terms of this binary in his head was this idea of good and evil, which, sorry, God and sex, and that was another basic dichotomy of his art. He was always sort of weighing his moral account of how he was going through the world and he believed in karma in terms of how he treated people.”
The movie also reportedly features an interview with Prince’s ex-wife, Mayte Garcia, in which she alleges that he left her alone after the couple’s son died six days after his birth due to a rare genetic disorder. At press time it did not appear that Netflix or the Prince Estate had responded to Edelman’s interview; at press time a spokesperson for Prince had not returned Billboard‘s request for comment.
“The image I’ve had in my head is the last show of Raiders of the Lost Ark, of just a huge warehouse somewhere in Netflix. A crate and just like put away,” Edelman said, noting that viewers will never see his work because he doesn’t “feel like getting sued.”
Watch Edelman discuss the doc’s cancellation below.
Taylor Lautner has no time for your body-shaming hate speech. The Twilight actor posted an Instagram Story on Wednesday (Feb. 26) in which he hit out at recent cruel comments about Selena Gomez that were re-posted influencer Alex Light. The British podcaster and body positivity advocate shared a before-and-after shot of the singer/actress that included harsh internet comments about Sel’s weight alongside her own statement about the “impossible” beauty standards society puts on women in the spotlight.
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While Light’s caption leaned into the theme of “out bodies are ours, not up for public discussion,” the inclusion of a round-up of unkind online statement’s about Gomez’s fluctuating weight appeared to set Lautner off.
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“It’s a cruel world full of hate out there,” wrote the actor, who in 2023 opened up on his podcast The Squeeze about how the focus on his physique during his Twilight years has had a lasting effect on his body image. “You can never please everyone nor should you have to. In my experience it doesn’t make the words sting less, it just refocuses you onto what matters,” Lautner continued. ” And it sure isn’t the shape, color or appearance of your body. Daily reminder to all of us to not forget how beautiful you are inside and out…and be a little bit nicer.”
Lautner’s post was cued to the 2011 Selena Gomez & the Scene song “Who Says,” which features the empowering lyrics: “I wouldn’t want to be anybody else/ You made me insecure/ Told me I wasn’t good enough/ But who are you to judge?/ When you’re a diamond in the rough.”
Gomez has repeatedly knocked down body shaming comments during her career, including speaking about her “weight fluctuation” following a 2015 lupus diagnosis and a kidney transplant in 2017 in a 2023 TikTok Live post addressing critiques of her body.
As a result of the diagnosis and other health struggles, Gomez explained in the Live that her medication causes her to hold on to water weight. “And that happens very normally,” she said at the time. “And then when I’m off of it I tend to kind of lose weight.” She also shared a positive message with her fans about their inner beauty and her focus on health first.
“I just want people to know that you’re beautiful and you’re wonderful,” Gomez told fans. “And yeah we have days where maybe we feel like s–t but I would much rather be healthy and take care of myself and my medications are important and I believe they are what helps me. So, yeah, not a model, never will be. And I think they’re awesome, mind you, I just, I’m definitely not that.”
You can see Light’s original post here.
