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As exciting and whirlwind as her romance was with Jonas Brothers singer and solo star Joe Jonas was, looking back on it now Sophie Turner can kind of sketch out what went wrong. In a new Harper’s Bazaar 2024 Women of the Year profile, the former Game of Thrones actress said her upcoming 2025 psychological thriller Trust — in which she plays an actress on the run after a high-profile internet scandal — “really mirrored my life from this past year.”
She said filming the movie was a very “cathartic” experience and a chance to “let out some serious anger, which was fun.” Not as fun was the end of her four-year marriage to Jonas, whom she married in 2019 in a Las Vegas wedding overseen by an Elvis impersonator that was livestreamed by Diplo.
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The couple subsequently had two children together, daughters Willa and Delphine, before Jonas filed for divorce in Sept. 2023, saying that their marriage was “irretrievably broken” and requesting shared custody of their children. Asked what went wrong in the high-profile relationship that found the glamorous jet-setting couple lighting up red carpets around the world during their union?
“I’m going through a legal process right now where I can’t really say much, but it was incredibly sad. We had a beautiful relationship, and it was hard,” Turner said of the highs of the marriage, and the lows of its dissolution. One of the reported points of contention in their split was Turner’s desire for their girls to grow up in her native England, and now that she’s back in the U.K. she told the magazine that her life feels like it’s back on the rails.
“I’m so happy to be back. It felt as if my life was on pause until I returned to England,” she said. “I just never really feel like myself when I’m not in London, with my friends and family. I was away for so long – six years – and it was when my friends were getting engaged, and when I got pregnant. I went for dinner with someone the other day, and she said, ‘I never got to touch your belly.’ We didn’t have those key experiences with each other.”
Turner, 28, said she was homesick living in Los Angeles and Miami with Jonas, revealing that the first thing she would do in every city they lived in was “find a British shop and stock up on a month’s worth of chocolate,” comfort food that helped her feel settled, but still didn’t make up for the aspects of American society she found most troubling. “The gun violence, Roe v Wade being overturned… Everything just kind of piled on,” she said. “After the [May 2022] Uvalde [school] shooting, I knew it was time to get the f–k out of there.”
Now she’s got her own place in West London, though Turner said she’s currently staying with a friend while the girls are with Jonas in the U.S. because being home alone without her kids is “absolute agony” for her. Turner — who can be seen now in the ITV crime drama Joan — also revealed that before becoming a mother she was “very depressed and anxious,” and used to isolate herself a lot.
“Now, I think I live my life for them. I want them to see me having a social life and enjoying work and thriving in my career and relationships,” she said. “I want them to see a hard-working mum. I’ll come back and say, ‘This is why Mummy was away – it’s because she’s doing this for you, so Father Christmas can come with a big bundle of presents.’”
In September, a Florida judge declared Jonas and Turner officially divorced and single, approving a confidential, moderated agreement between the two that split their assets and detailed spousal support and custody of their children. In January, Turner dropped her “wrongful retention” suit when the ex’s reached a co-parenting agreement.
David Soul, the blonde-haired, blue-eyed star of hit 1970s cop series Starsky & Hutch and soft rock balladeer has died at 80. In a statement on Soul’s site, the actor’s wife, Helen Snell, wrote, “David Soul – beloved husband, father, grandfather and brother – died yesterday (4 January) after a valiant battle for life in the loving company of family. He shared many extraordinary gifts in the world as actor, singer, storyteller, creative artist and dear friend. His smile, laughter and passion for life will be remembered by the many whose lives he has touched.”
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The star born David Richard Solbert on Aug. 28, 1943 in Chicago bounced between acting and singing for much of his career following an itinerant childhood in which his family moved from South Dakota to Berlin, where his father, history and political science professor Dr. David Solberg, served as the senior representative for the Lutheran World Federation refugee relief organization in the early 1950s.
According to his official bio, the talented baseball player was offered a pro contract with the Chicago White Sox after graduating from high school, but opted instead to join his family in Mexico after his second year of college, where he befriended a group of radicalized students who gifted him a guitar and taught him their nation’s indigenous songs. Soul later hitchhiked back to the Midwest and auditioned for a gig singing folk songs at the Ten O’Clock Scholar, a Univ. of Minnesota coffee house which had once hosted a young Bob Dylan.
After co-founding the Firehouse Theater in Minneapolis in the 1960s and foreshortening his last name to the more pithy “Soul,” the actor hit upon a gimmick of performing his folk songs while wearing a ski mask and calling himself “The Covered Man.” That bit landed him agency representation from the William Morris Agency, “sight unseen,” and a recurring spot on The Merv Griffin Show, where he performed his masked act; he also signed with MGM Records and released his debut album, The Covered Man.
After his first TV role in the light children’s series Flipper, Soul got a spot on the comedy I Dream of Jeannie and appeared in a 1967 episode of Star Trek, which led to his next gig playing Joshua Bolt on the comedy Western Here Come the Brides from 1968-1970. Soul appeared in a few more small screen gigs before Clint Eastwood cast him as a police officer in the gritty 1973 crime drama — and Dirty Harry sequel — Magnum Force.
That cop turn led to the defining role of Soul’s career as detective Ken “Hutch” Hutchinson on the police procedural Starsky & Hutch (1975-1979), where he starred alongside Paul Michael Glaser’s David Michael Starsky in the popular series in which the men tore around the fictional city of Bay City, CA in their signature red Ford Gran Torino with a white stripe on the side.
Soul went on to make cameos in a number of other popular 1970s dramas and comedies — Cannon, Gunsmoke, Ironside, Medical Center, The Streets of San Francisco and All in the Family, among many others — while also directing and and producing films and theater productions throughout the 1980s and staring in a number of West End production after moving to London in the 1990s.
He also launched a parallel music career with a series of soft rock hits under his stage name, beginning with his 1976 self-titled debut album, which featured a mix of originals and covers of songs by Leonard Cohen and Dr. Music. His 1976 ballad “Don’t Give Up On Us” hit No. 1 on the Billboard Hot 100 (while also topping the UK charts) and was followed by the 1977 No. 1 UK hit “Silver Lady” (which hit No. 5 on the U.S. charts). Several more albums followed, with diminishing returns, including 1977’s Playing to an Audience of One, 1979’s Band of Friends, 1982’s The Best Days of My Life and his final full-length, 1997’s Leave a Light On.
Listen to “Don’t Give Up On Us” below.
Google released its list of the biggest trending searches of 2023 and when it comes to music, Jason Aldean‘s controversial “Try That in a Small Town” led the list of search inquiries for songs, with Aldean also hitting No. 1 as the top trending musician.
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In a year when Taylor Swift and Beyoncé were perpetually in the news thanks to their massive tours and the live concert films, the high placement for Aldean was not totally surprising given the weeks of attention he got for “Small Town,” which was pulled from CMT and labeled by some detractors as being pro-gun, pro-violence and akin to a “modern lynching song” after the release of the track’s video.
The visual found Aldean performing the song in front of the Maury County Courthouse in Columbia, TN, the site of the 1927 lynching and hanging of 18-year-old Henry Choate over allegations that he sexually assaulted a white girl, as well as the spot of a 1946 race riot in which two Black men were killed. Aldean rejected detractors’ claims about the song whose video featured images of an American flag burning, protesters clashing with police, looters breaking a display case and thieves robbing a convenience store; the video was later seemingly edited to remove images of a Black Lives Matter protest following the backlash.
Right behind Aldean was buzzy rapper Ice Spice, followed by “Rich Men North of Richmond” country singer Oliver Anthony, Peso Pluma, Joe Jonas, Sam Smith, The 1975’s Matty Healy, Kellie Pickler, Kim Petras and Sexxy Red.
Google’s data shows the top trending searches in the U.S., referring to trending queries as searches that had a major spike in traffic over a sustained period in 2023 versus 2022, which is why despite being a near-ubiquitous search term who has a consistently high search interest, TIME‘s Person of the Year Swift (and Beyoncé) didn’t top the ranking for musicians; click here for Gizmodo‘s explanation.
The year’s most buzzed-about movies, Barbie and Oppenheimer (combined as Barbenheimer by fans) came out on top, followed by the controversial anti-trafficking movie Sound of Freedom and Oscar-winner Everything Everywhere All At Once, as well as Guardians of the Galaxy Vol. 3, The Super Mario Bros. Movie, Creed III, John Wick: Chapter 4, Five Nights at Freddy’s and Cocaine Bear. The No. 1 trending actor was Jeremy Renner, who suffered serious injuries in a snowplow incident in January.
Jamie Foxx, who was sidelined most of this year after an unexplained “medical complication” in April, was just behind Renner, followed by disgraced That 70’s Show actor Danny Masterson, comedian Matt Rife, Pedro Pascal, Jonathan Majors, Sophie Turner, Russell Brand, Ke Huy Quan and Josh Hutcherson.
The trending people list had Buffalo Bills safety Damar Hamlin at No. 1 following his scary on-field cardiac incident during a Cincinnati Bengals game in January, followed by Renner and Kansas City Chiefs tight end Travis Kelce, likely due to his romance with Taylor Swift; Kelce was also among the top five most-searched athletes.
The TV tally featured mostly Netflix projects, including its originals Ginny & Georgia, Queen Charlotte: A Bridgerton Story, Wednesday, That 90’s Show, Kaleidoscope, Beef and The Fall of the House of Usher. Other shows that got in the mix included Daisy Jones & the Six (No. 4) and The Weeknd’s one-and-done HBO series The Idol (No. 9).
Late Friends star Matthew Perry was No. 1 on searches for celebrity deaths, followed by Tina Turner, Jerry Springer, Jimmy Buffett and Sinead O’Connor, with Lisa Marie Presley coming in at No. 8. The news headlines that we searched the most were those related to the war between Israel and Hamas, followed by the sinking of the Titanic tourist submarine, Hurricanes Hilary, Idalia and Lee, as well as a mass shootings in Maine and Nashville, the Maui wildfire, the Idaho college campus murder trail and the Canadian wildfires.
If Netflix, HBO, Disney, The CW and others slash their budgets for TV and movie content, as they’ve been suggesting for more than a year, the music industry could take a hit in the steady song-placement business that generates hundreds of millions of dollars annually for rightsholders.
“We’ve been in a boom period. Cutting back on production would cut down on that revenue, for labels and publishers,” says Kier Lehman, a music supervisor who works on Abbott Elementary and Spider-Man: Across the Spider-Verse. “It’s a pretty direct effect.”
After the COVID-19 quarantine ended, the decrease in demand helped create some problems for the streaming business. That has created challenges for the video streaming business: Netflix’ spending on content declined in 2022, after company officials announced a “pulling back”; HBO Max removed dozens of streaming titles last summer to cut costs; and Disney announced $5 billion in cuts two months ago, including 7,000 jobs, although newly returned CEO Bob Iger has emphasized streaming growth. The CW, Showtime and others have also removed content or cut costs.
“We’re trying to be smart about it and prudent in terms of pulling back on some of that spend growth to reflect the realities of the revenue growth,” Spencer Neumann, Netflix’s CFO, said last year.
So far, executives at labels and publishers – which generally split revenue from synch licenses 50-50 – say they haven’t noticed a change in licensing volume or rates, but in a wobbly economy beset with entertainment layoffs, they’re bracing for a harder business. “The idea of less content is always going to be a concern for us,” says a source at a major label. “If there’s going to be a slowdown in content production, it’s going to be a slowdown in music usage — it’s definitely something we’d be keeping an eye on.”
While its impact won’t be felt for a while, the ongoing Writers Guild of America strike has already pushed the pause button on numerous productions, including Stranger Things, Saturday Night Live and Loot.
Synchs have been a remarkably consistent revenue stream for the record business over the last five years, as Netflix, Hulu, HBO and others competed for viewers and created a content boom. Synch revenues for recorded music hit $285.5 million in 2018 and, after a slight dip, rose to $318 million last year. (Publishing revenue has been even more robust in recent years, growing from $696 million in 2018 to more than $1.2 billion in 2021, according to the National Music Publishers Association; synch makes up nearly 26% of that total revenue.) Synch executives at labels and publishers say they’re preparing for more challenging times. “I don’t think anybody’s not going to be affected by cutbacks,” says Oscar Martinez, creative director for film, TV and Hispanic advertising with publisher peermusic. “We expect to feel a little bit of it.”
How will labels and publishers contend with content cuts once they kick in? “We have a plan in place,” Martinez says, predicting a pivot to placing music in games such as Fortnite and FIFA. “There’s still content being made and opportunities to be had.”
Amy Hartman, svp of creative services for film and TV music at Spirit Music Group, adds that the publisher is emphasizing “budget-friendly” moves — remixing classic hits such as Billy Squier’s “The Stroke” for the Air trailer, and encouraging songwriters to create originals that can be licensed more affordably than familiar hits. “That’s one way we can make up loss of synch revenue,” she says.
Sara Torres, sync and licensing supervisor for ASAP Clearances, which works with labels and publishers to clear songs, suggests the number of scripted shows may decline in favor of reality shows — which tend to use more tracks on tighter budgets. A scripted show might blow its budget on one big song, by, say, the Beatles, then try to round out its song lineup with more affordable music by indie artists or “library music.” The reality shows Torres works with have “most favored nations” clauses, so all synchs receive the same fees. “There’s always a whisper of cutbacks with any network, so you just have to be ready,” she says.
For now, label executives say they’re not worried about content cutbacks or more inflexible network demands for lower rates. “It’s business as usual. It’s not doomsday,” says Esther Friedman, Sony Music Publishing’s svp of creative marketing for film and TV, although she adds: “This could be a different conversation in six to nine months.”
Those who work every day with production companies say labels and publishers should prepare for cutbacks. “You might be looking at the same amount of TV shows, but they have less episodes,” says Justin Kamps, music supervisor for Grey’s Anatomy and Bridgerton. “That is rough for everyone involved.”
At least to some extent, any decrease in production would hurt the music business at least somewhat. “If there are fewer shows, there will be fewer places to place music,” says Lindsay Wolfington, a veteran music supervisor whose current shows include Netflix’ Virgin River and Starz’ The Venery of Samantha Bird: “That’s just a fact.”
David Byrne is getting the enormous suit out of storage. The Talking Heads frontman stars in a new promo video from studio A24 revealing that director Jonathan Demme’s landmark 1994 concert film, Stop Making Sense, is getting a reboot via 4K technology.
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In the trailer, Byrne, 70, visits his neighborhood dry cleaners with a wrinkled ticket — number A24, naturally — to see if they still have his signature gigantic outfit from the film that many consider to be one of the most eye-catching and important concert movies of all time.
“Hi, I’m picking up. It’s been here for a while,” he tells the cleaner’s owner. “Yeah that’s it!” Byrne enthuses when the plastic-wrapped outfit is pulled from the back. After riding his bike through the New York streets to get his prize home, Byrne slips back into the enormous suit originally built by costume designer Gail Blacker and practices some bendy choreography in a mirror to the strains of “This Must Be the Place (Naive Melody)” from the band’s 1983 Speaking in Tongues album.
The scene then splits to the original, in which the singer does some of his patented herky-jerky dance moves on stage before the camera seamlessly pans back to his well-lit apartment and the screen reads, “Stop Making Sense 2023.” The original was shot over three nights during four shows at the Pantages Theater in Los Angeles in December 1983 and has since been added to the National Film Registry by the Library of Congress.
It features the group — including bassist Tina Weymouth, drummer Chris Frantz and guitarist/keyboardist Jerry Harrison — performing such now-classics as “Psycho Killer,” “Slippery People,” “Burning Down the House,” “Life During Wartime” and “Once in a Lifetime,” as well as Frantz/Weymouth side project Tom Tom Club’s oft-sampled “Genius of Love” on a spare stage.
A24 celebrated the success of its multiverse dramedy Everything Everywhere All At Once at last weekend’s Academy Awards.
Check out the Stop Making Sense 2023 trailer below.
While (G)I-DLE wowed K-pop listeners with provocative singles like “Tomboy” and “Nxde” in 2022, two of its members are bringing a “Sweet Dream” early in 2023.
(G)I-DLE’s Miyeon and Yuqi teamed up to sing the new song, “Sweet Dream,” as one of the official singles for Netflix’s upcoming Korean drama series Love to Hate You. With all the markings of a modern-day power ballad, the track lets Miyeon showcase her well-known sweet and strong vocal prowess (previously heard in her excellent solo single “Drive” last year). At the same time, Yuqi switches up her signature husky timbre for the song’s soothing melodies.
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The special music video mixes scenes of Miyeon and Yuqi singing in a recording studio with clips from the upcoming K-drama to preview a messy, entertaining romantic comedy between acclaimed actress Kim Ok-vin and singer-actor Yoo Teo.
Kim and Yoo play opposite one another as an attorney and A-list actor, respectively, to whom “love means nothing – until they’re forced to date each other,” as teased by Netflix. The forthcoming series is Kim Ok-vin’s second venture with Netflix after starring in 2019’s fantasy drama Arthdal Chronicles that included BLACKPINK‘s Jisoo in the show’s cast.
The accompanying soundtrack singles to Love to Hate You will also include new songs from other top K-pop stars, including NCT‘s Taeil, rapper-singer BIG Naughty, plus NMIXX‘s Lily and Sullyoon, that will be released before and after the series premiere. Love to Hate You begins streaming on Netflix on Friday, Feb. 10.
Watch Miyeon and Yuqi’s “Sweet Dream” video below:
Brad Pitt has a shelf full of awards and enough big screen highlights to spread across four careers. So when Shania Twain took away a tiny little bragging right embedded in her 1998 single “That Don’t Impress Me Much” during her performance at December’s 2022 People Choice Awards, well, that didn’t impact him much.
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One of the highlights of her performance — which included her breakthrough 1995 Billboard Hot 100 hit “Any Man of Mine,” her crossover late-’90s pop smashes “Man! I Feel Like a Woman!” and “Impress,” as well as her latest single “Waking Up Dreaming” — was when the pink-haired singer swapped the famous spoken-word “Brad Pitt” line from “Impress” for a fellow Canadian star.
“OK, so you’re Ryan Reynolds!/ That don’t impress me much,” she said sassily as the cameras cut to the surprised Deadpool star, who was on hand to accept the People’s Icon award later in the evening. Reynolds mouthed, “Oh my God, me?!” from the audience.
During a new interview to promote his new film Babylon with the Movie Dweeb site, host Daniel Merrifield complimented director Damien Chazelle on the all-star film that tells the story of debauchery in the transition from silent to talkie films in the 1920s. He also jokingly said the only thing that would have made the soundtrack better is if it had featured Twain’s Pitt/Reynolds-hyping tune.
Pitt, 59, had a laugh about the celebrity crush swap during the chat when asked if he’d seen the moment and was then asked to look at a screenshot of Reynolds’ shocked reaction from the broadcast. “And I want you to tell him how you think he stole your thunder,” Merrifield said to Pitt.
“He didn’t steal it,” Pitt said confidently. “I think we can share the wealth there. Yeah, Ryan’s a good egg, too. He deserves some love.” In fact, Pitt helpfully suggested that next time Twain should update it again and swap in Golden Globe-winning Elvis star Austin Butler. “Maybe Leo [DiCaprio] in between, and then Austin Butler,” he added, shouting out his pal and Once Upon a Time in Hollywood co-star. Sadly, though, despite Merrifield’s suggestion, Pitt said the host and Chazelle aren’t likely to get in the mix anytime soon.
Check out Merrifield’s TikTok below.
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Jennifer Lopez, Josh Duhamel, Jennifer Coolidge, Cheech Marin and Lenny Kravitz are inviting you to attend the ultimate destination wedding in Shotgun Wedding. The romantic comedy will premiere on Prime Video on Friday (Jan. 27).
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In the film, Darcy (Lopez) and Tom (Duhamel) gather their loved ones for an unforgettable destination wedding — just as the couple start to get cold feet.
Apprehension isn’t the only thing threatening their happy celebration. The entire wedding party is taken hostage tasking Darcy and Tom with saving their loved ones.
The cast of Shotgun Wedding includes: Sonia Braga, Selena Tan, D’Arcy Carden, Callie Hernandez, Desmin Borges and Steve Coulter are included in the cast.
Todd Lieberman, David Hoberman, Alexander Young, Lopez, Elaine Goldsmith-Thomas and Benny Medina are executive producers.
How to Stream Shotgun Wedding on Prime Video
Shotgun Wedding is an Amazon exclusive, which means that it’s only available for Prime members and Prime Video subscribers. If you’re not a Prime member, join with a free 30-day trial to stream Shotgun Wedding and other content in the mega-library free of charge.
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Stream Harlem, The Lord of the Rings: Rings of Power, The Boys, Making the Cut, Invincible, Tom Clancy’s Jack Ryan, The People We Hate at the Wedding, Argentina, 1985 and other Prime Video exclusives.
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Watch the trailer for Shotgun Wedding below.
As the granddaughter of Elvis Presley, Riley Keough has rock in her DNA. The Terminal List star proves it in the first trailer for the upcoming Amazon Prime Video show Daisy Jones & The Six, a limited series in which Keough plays Jones alongside the rest of the Six — Sam Claflin, Suki Waterhouse, Will Harrison, Josh Whitehouse and Sebastian Chacon — in a story about a fictional 1970s band whose meteoric rise to fame crashed and burned after a sold-out show at Chicago’s Soldier Field.
The show catches up with the group decades later as they finally agree to sit for interviews to tell the real story of what caused their blow-up. The trailer opens with Keough’s Jones slowly walking to the stage as an unseen crowd shouts her name, intercut with images of hordes of fans mobbing the group at the airport and Jones doing a dramatic spin on stage in a gauzy, butterfly-like top that will give viewers some serious Stevie Nicks vibes.
“Look, I know that I said I would tell you everything, but how much of everything do you really wanna know,” Jones says to an interviewer years later. With the urgent first single, “Regret Me,” swelling up, the trailer then cuts to a montage of the group on their way to the top, touring in an old 1970s microbus, playing a gig in the desert, laying down tracks in the recording studio and then falling apart in slow motion.
The limited series from Amazon Studios and Reese Witherspoon’s Hello Sunshine is based on the 2019 New York Times bestselling novel that was optioned by the actresses’ media company a year before it even hit shelves. According to a description, “the group became a band both on-screen and off – with some of the multi-hyphenates learning their character’s instrument for the very first time during production, and Keough and Claflin lending their vocals to each track.”
The series was directed by Grammy-winning songwriter/producer Blake Mills (Bob Dylan, Fiona Apple) and it features songs co-written by Marcus Mumford, Phoebe Bridgers and Jackson Browne, with additional production from producer Tony Berg and instrumental help from performers in Rilo Kiley, The Who, Nine Inch Nails, Pearl Jam, David Bowie, Elton John, Jeff Beck, The Wallflowers, and others.
“Creating the library of music for Daisy Jones and The Six was an experience I’ll never forget,” said Mills in a statement. “I am grateful that, among other things, it afforded me an opportunity to collaborate with so many of my peers, and also some of my heroes.”
Atlantic Records will release the 11-track debut album from the group, Aurora, on March 3 (the same day the show premieres), including the roaring country rock lead single, “Regret Me.” The song sung by Keough’s Jones and her bandmate Billy Dunne (Claflin) was “written” by the star-crossed pair in the 1970s for Aurora and released on their fictional record label, Ellemar Records.
Watch the trailer and listen to “Regret Me” below.
During the memorial service for Lisa Marie Presley at Graceland over the weekend, Riley Keough’s husband revealed that Presley had become a first-time grandmother last year. According to People magazine, Ben Smith-Petersen — who is married to Presley’s eldest child, 33-year-old actress Keough — revealed during the ceremony at Elvis’ Memphis estate Graceland for the first time in public that the couple are parents.
“I hope I can love my daughter the way you loved me, the way you loved my brother and my sisters. Thank you for giving me strength, my heart, my empathy, my courage, my sense of humor, my manners, my temper, my wildness, my tenacity,” Smith-Petersen said while reading a tribute to Presley on behalf of Keough, who was seated in the front row. “I’m a product of your heart, my sisters are a product of your heart, my brother is a product of your heart.”
The magazine reported that Smith-Peteresen did not give any further details on when the couple’s daughter was born or her name; People said a rep for Keough confirmed the couple’s baby girl was born in 2022.
Lisa Marie Presley died on Jan. 12 at age 54 after being rushed to a Los Angeles hospital after suffering from a possible cardiac arrest. She was also honored at the public memorial service on Sunday by reclusive Guns N’ Roses singer Axl Rose, who shared some heartfelt words about his good friend before playing a solo version of the GNR classic “November Rain.”
“With Lisa’s passing, I knew if I was invited I needed to come to these ceremonies,” Rose began his emotional statement, reading from a cell phone. “I hadn’t planned on speaking, and when I was put on the spot, I really didn’t know what to say. I was tongue-tied and nervous, and I didn’t really know what I said. But I, as I’m sure many of you, are still in shock, as I feel I will continue to be for quite some time. I never in a million years imagined being here, singing under these circumstances.”
In addition to Rose, the memorial service also included musical tributes from Billy Corgan, who performed an acoustic rendition of the Smashing Pumpkins song “To Sheila,” and Alanis Morissette, who sang her 2017 song about mental health “Rest.” Other speakers included Lisa Marie’s mother, Priscilla Presley; Sarah Ferguson, the Duchess of York; music industry veteran Jerry Schilling; and Smith-Petersen; among others.