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Jennifer Lopez strikes a fierce stance in the new posters for her upcoming Netflix drama The Mother. In the two images for the film slated to premiere on May 12 â the trailer drops on Tuesday (April 11) â Lopez stares into the distance with icy eyes while wearing a fur coat in a snowstorm, a cache of weapons slung over her left shoulder.
The intense images were shot by famed photographer Annie Leibovitz to promote the film in which Lopez plays an assassin who comes out of retirement to protect the daughter sheâs never met from murderous criminal bent on revenge. The action adventure is the follow-up to last yearâs Super Bowl halftime doc Halftime, as well as the singerâs return to rom-coms, Shotgun Wedding.
The filmâs trailer finds a jacked Lopez doing pull-ups in a frigid climate in a sports bra and beanie cap and toting a long gun around while hunting. âShe needs protection right now,â a steely-eyed JLo says amid a montage in which she speaks to her teary daughter in a diner, rips through town in a high-speed chase and pulls off a variety of action sequences on motorcycles and snowmobiles.
âIf thereâs trouble⌠come find me,â she says ominously. The rest of the cast for the film directed by Niki Caro (live-action Mulan) includes Joseph Finnes, Lucy Paez, Omari Hardwick, Paul Raci and Gael Garcia Bernal.
Not much else is known about the movie, but if Lopezâs husband, Oscar-winner Ben Affleck, is to be believed it is likely to be another one of her signature hits. âHereâs this incredible actress and this incredible performer. And then weâre sitting in the car, you know, and Iâm humming along, like I will, you know, to the radio. And then a professional singer goes ahead and sings along and you kind of feel like, âWell thatâs embarrassing,’â he told the hosts of the Smartless podcast last week about his awe about his wifeâs talents and the songs sheâs written about him over the years.
That high praise came a week after the couple walked the red carpet for the premiere of the dramatic origin story of Nikeâs Air Jordan sneakers, Air, which Affleck stars in and also directed. At the time, he had more kind words for J.Lo for standing by his side during the filmâs production, saying, âI love you. You mean the world to me. Youâre fabulous, youâre amazing, youâre wonderful, good, kind, magnificent and I love you.â
Check out the poster and trailer for The Mother below.
La Usurpadora is hitting theaters in a new musical adaptation presented by Pantelion Films â 25 years after the Mexican telenovela starring Gabriela Spanic and Fernando Colunga aired.
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Directed by Santiago LimĂłn and produced by Matt Walden and Paul Presburger, La Usurpadora: The Musical, similar to the famed 1998 novela, revolves around identical twin sisters Valeria and Victoria who were separated at birth and 28 years later meet and switch lives. The former is humble and kind, the latter is rich and cruel.Â
A 13-track soundtrack, executive produced by Grammy- and Latin Grammy-winning producer Sebastian Krys, accompanies the original film.
âMatt Walden called me and said he was turning a telenovela into a musical and I said âThatâs insane, count me in!ââ Krys said during a press screening in Miami on Wednesday night. âIt makes sense because the way he would point it is that telenovelas are already over-the-top, so the next logical step is to have everyone singing and dancing.â
Though the film is based in the modern day, its soundtrack pays tribute to some of the biggest Latin hits of the â90s, including Celia Cruzâs âLa Vida Es Un Carnaval,â Gloria Estefanâs âMi Tierra,â Selena Quintanillaâs âBidi Bidi Bom Bom,â Ricky Martinâs âVuelve,â Cristian Castroâs âNo PodrĂĄsâ and many more.Â
âWeâd go back and forth in finding the right fit musically, lyrically, and then getting the rights,â Krys explains of his soundtrack debut that took more than four years to create. âIâve worked with a lot of those artists in a lot of their records, like with Ricky Martin and Franco De Vita. Iâve worked with Gloria for 12 years, so doing this soundtrack was a little daunting because I didnât want to screw the original songs up.âÂ
âOne of the things that I love the most while recording the songs is that he gave us total freedom of feeling the songs our own way,â adds Isabela Castillo, who portrays Valeria and Victoria in the musical. âIt was a process of about four months where he gave us the liberty of playing around and experimenting with the harmony and melodies. Thatâs what youâre going to see here. We have song mashups, different ingredients, and new musical arrangements that these songs didnât have back in the day. Itâs really mind-blowing.âÂ
Bringing the â90s hits to life for La Usurpadora: The Musical was an overall joy for the cast, which also includes Alan Estrada, who portrays Carlos Daniel, the love interest of the twins.
âFor me, the last 20 minutes of the movie was my favorite to perform,â he says. âI find the mash-up of âVuelveâ and âCosas del Amorâ very exciting and youâll see many things unfold in that scene. It brings me happiness. At the Los Angeles screening, everyone clapped as if they were watching a play. Iâve never seen that happen in a movie, and I really liked that reaction. As an actor, we want our work to become memorable in some way.â
La Usurpadora: The Musical, whose cast also includes Susana Zabaleta, JesĂşs Ochoa, Alejandra GuzmĂĄn and Spanic, the OG Usurpadora actress, to name a few, premieres Friday in the U.S. and April 12 in Mexico.
KISS may be winding down their touring years, but that doesnât mean youâve seen the last of Gene Simmons and Paul Stanley. Not by a long-shot. The long-running greasepaint rockers will revisit their early years in an upcoming biopic slated to hit Netflix in 2024 according to longtime manager Doc McGhee.
McGhee discussed the project recently on The Rock Experience With Mike Brunn show, revealing, âItâs a biopic about the first four years of KISS. Weâre just starting it now. Weâve already sold it, itâs already done, we have a director, McG. Thatâs moving along and thatâll come in â24.â It appeared that McGhee was referring to Charlieâs Angels: Full Throttle director and veteran music video helmer McG, who most recently worked with Jennifer Garner on the Netflix body swap comedy Family Leave; at press time a spokesperson for McG had not returned Billboardâs request for confirmation on his role in the film.
Singer and co-founder Paul Stanley had earlier let the cat out of the bag in April 2021, when he tweeted out a link to a Deadline story with details on the project. That story revealed that the doc, Shout It Out Loud, will be directed by Joachim Rønning, whose credits include Kon-Tiki and Pirates of the Caribbean: Dead Men Tell No Tales and will be written by Ole Sanders. At press time no information was available on casting for the film.
Stanley and bassist/singer and fellow co-founder Gene Simmons are cooperating on the project, which will chronicle their more than half-century friendship and the formation of the group in Queens, New York in the early 1970s with former founding members drummer Peter Criss and lead guitarist Ace Frehley.
Simmons and Stanley recently confirmed what they said are their final run of concerts ever, two shows at New Yorkâs Madison Square Garden slated for Dec. 1 and 2. Ahead of the back-to-back nights at the iconic New York City venue, KISS will play 17 other shows across the U.S. and Canada as part of its End of the Road World Tour, including stops in Los Angeles, Seattle, Calgary, Montreal, Toronto and Baltimore.
In the interview with Brunn, McGhee said that while the Gene and Paul era of KISS is ending later this year, he doesnât see it as the end of the brand, which he compared to the Marvel universe. âWill there be other forms of KISS maybe in the future after Iâm gone and after theyâre gone?â he teased. âI donât see that KISS goes away,â he added, suggesting that the brand could continue in different forms into the future and that a deal to potentially sell their likenesses isnât out of the question.
Check out the McGhee interview below.
If you missed out on BTSâ Oct. 15 show at Busanâs World Expo 2030 bid on Oct. 15 then youâll have another chance to re-live the magic in early 2023. The on-hiatus K-pop superstars will release BTS: Yet to Come in Cinemas in movie theaters worldwide on Feb. 1.
According to a release announcing the movie the footage from the concert has been fashioned into a âspecial cinematic cut, re-edited and remixed for the big screen,â complete with new close-ups and a âwhole new viewâ of the entire show. The concert in front of a huge crowd in Busan, South Korea featured the bandâs members â Jin, RM, Jimin, V, J-Hope, Suga and Jung Kook â playing some of their most beloved hits, including âDynamite,â âButterâ and âIdol,â as well as the first concert performance of âRun BTSâ from Juneâs Proof album.
The movie presented by HYBE, Trafalgar Releasing and CJ 4DPlex will hit screens for a limited run in more than 110 countries and territories, with a special Feb. 4 event dedicated to âlight stick screenings,â during which ARMY members can light up the theaters with the groupâs signature glow devices. In addition to standard formatting, Yet to Come will also be released in a number of special versions, including immersive 270-degree field of view ScreenX, 4DX, which mimics the effects of the concertâs live atmosphere and 4DX Screen, which combines both formats.
âWe look forward to collaborating once again with the teams at CJ 4DPlex, and HYBE to bring BTSâ awe-inspiring Busan concert to the big screen in this special cinematic cut,â said Trafalgar Releasing CEO Marc Allenby in a statement. âThe groupâs engagement with audiences has always been perfectly suited to the cinema, and we are excited to welcome fans from all corners of the globe to this must-see celebration.â
Tickets for the screenings will go on sale here beginning Jan. 10 at 7 p.m. ET.
âWe are thrilled to announce our second ScreenX collaboration and first 4DX, 4DXScreeen collaboration with BTS,â added Jong Ryeol Kim, CEO of CJ 4DPLEX. âThis film is made for both special formats, which fans can experience our movie completely through enlarged screens with 3 different angles and moving motion seats aligning to BTSâs music.â
Yet to Come is Trafalgarâs fifth release with BTS, following on the heels of this yearâs BTS Permission to Dance on Stage â Seoul: Live Viewing, as well as 2020âs Break the Silence: The Movie, 2019âs Bring the Soul: The Movie and 2018âs Burn the Stage: The Movie. The one-off concert in Busan was BTSâ final performance together for the immediate future as the elder members of the group are facing enlistment for South Koreaâs mandatory military service: oldest member Jin enlisted for active duty earlier this month.
Barbie was a giant part of the childhoods of millions of boys and girls. But in the bonkers first trailer for the big screen adaptation of the eternally popular Mattel doll directed and co-written by Greta Gerwig that dropped on Thursday (Dec. 15), the iconic pink panthress of womanhood literally looms very large in a 75-second tribute to Stanley Kubrickâs iconic 1968 outer space psychological drama 2001: A Space Odyssey.
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From the brief photographic glimpses that have leaked out so far of the film starring Margot Robbie as Barbie and Ryan Gosling as her super-smooth forever boyfriend Ken, Gerwig (and co-writer filmmaker Noah Baumbach) appear to be leaning heavily into kitsch and visual overload. And the trailer is proof that they are going for it in a major way.
âSince the beginning of time, since the first little girl ever existed, there have been⌠dolls,â says a narrator over sunrise scenes in the desert. Then, as Kubrickâs haunting 2001 theme, Straussâ âAlso sprach Zarathustraâ bubbles up in the background, we see a group of girls playing with their baby dolls in the dusty expanse. Our narrator intones darkly, âBut the dolls were always and forever baby dolls⌠until,â at which point Straussâ horn stabs crescendo and we see the first glimpse of the towering, monolith-like Barbie posing in white sunglasses and a striped one-piece bathing suit, tilting her shades down to give the girls a cheeky wink.
Cue the smashing on the boring babies (shades of Kubrickâs apes bashing apart human bones) as one of the toys is tossed into space and a disco soundtrack explodes into Barbieâs technicolor. We then get the first moving look at Goslingâs Ken in his ab-baring, fringed green jacket, chilling with his equally buff pals in Barbieâs all-pink-everything dream universe.
The film slated to open on July 21 also features America Ferrara, Simu Liu, Kate McKinnon, Alexandra Shipp, Kingsley Ben-Adir, Issa Rae, Rhea Perlman and Will Ferrrell as Mattelâs CEO.
Check out the Barbie trailer below.

Itâs hard to imagine a more apt title for a film about one of the most beloved recording studios of all time: If These Walls Could Sing. The first trailer for director Mary McCartneyâs upcoming documentary about Abbey Road Studios dropped on Monday (Nov. 14) and it is packed with fond remembrances from rock all-stars, including her dad, Sir Paul McCartney, as his former bandmate, Ringo Starr, Elton John, Noel Gallagher, Nile Rodgers and Star Wars creator George Lucas, among others.
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âWhen you enter a place with so much history around it, itâs kind of sacred in a way,â John says at the top of the two-minute trailer. âPeople want to come here. They want the sound of Abbey Road.â The Disney+ doc will drop on Dec. 16, in time to commemorate the studioâs 90th anniversary. In the preview, Mary McCartney says Abbey Road has been part of her life âfor as long as I can remember,â as attested to by snaps of a baby Mary â now 53 â laying on the studio floor on a blanket.
There is, of course, ample footage of Sir Paul attesting to the special alchemy of those rooms in St. Johnâs Wood, including him popping up to play a beloved piano just over his shoulder as Mary ticks off the many genres of music that have been laid down in those four walls, from classical to pop, Afrobeat, blues and more.
Former Oasis guitarist/co-vocalist Noel Gallagher notes that âa huge partâ of his record collection was recorded at Abbey Road before Lucas and composer John Williams speak of the studio as a âgift to music,â which explains why they recorded some of the most iconic Star Wars music at the London landmark during a time when it was struggling to attract patrons.
Mary McCartney spoke to Rolling Stone about the film, telling the mag, âHearing it was the anniversary of Abbey Road Studios brought back so many memories to me. I have grown up visiting Abbey Road, it feels like family to me. In directing this feature-length documentary, it felt natural to explore the wealth of stories, and unearth so many unheard gems that I had not known about.â The film will also feature interviews with Oasis singer Liam Gallagher, Williams, Celeste and Pink Floydâs Roger Waters, among others.
Watch the If These Walls Could Sing trailer below.

Joe Jonas and Khalid are honoring members of the military on Veterans Day (Nov. 11) with the premiere of the video for their ballad âNot Alone.â The sweeping song appears on the soundtrack to the upcoming Korean war drama Devotion (Nov. 23), which stars Jonathan Majors, Glen Powell and Jonas.
In a sneak peek of the Quran Squire-directed visual posted by People, the director explains that the shoot took place at Hangar 21 in Fullerton, California, where the singers lip synched their bits from the dramatic song co-written by Ryan Tedder and Harv in front of the actual vintage war plane used in the film.
âWe definitely spoke about the idea of shooting this video as a separation of my two passions from music and acting,â Jonas told People. âIâm not playing a character in this video, Iâm myself. But we wanted the video to speak to the raw emotion of the song, so everything from the clothing to actually having one of the planes we used in the film.â
âAnother step on your own/ Another mile that youâve flown/ And Iâve been right by your side/ Thereâs so much more than you see/ Like the wind that blows through the trees,â Jonas sings on the first verse, which swells into the sweeping chorus: âYou are not alone/ I watch over you, ooh/ Wonât let you go, you gotta know, youâre not alone/ You are not alone.â
Jonas told the magazine that he was eager to collaborate with his friend Khalid on the song, explaining, âHaving him part of this co-write and also his beautiful voice [being] part of this brought it to a whole new level.â Khalid said he felt the same way about being part of the credit sequence track from the biographical drama based on the 2017 book Devotion: An Epic Story of Heroism, Friendship and Sacrifice about two pilots who were among the most celebrated wingmen during the Korean War.
âIâm very thankful that Joe reached out to me to be a part of this. I think that the message is really special,â Khalid said. âThe movie, he tells me, is incredible. I canât wait to see it for myself. And this is just a beautiful experience all around. Good vibes, good people, good energy. And I canât wait for you guys to hear the song and see the movie.â
Check out previews of the âNot Aloneâ video below.

If you caught a glimpse of Ryan Reynolds and Will Ferrellâs promo clip for their upcoming holiday movie musical Spirited on Monday (Nov. 1) and something seemed a bit off with their voices thereâs a very good reason. âIâm excited for you to see our movie musical, Spirited,â Reynolds says in a halting, foreign-sounding voice as he lounges by a roaring fire with his co-star.
âNow, we want to dispel the rumors that we didnât do all the singing ourselves. This is 100% pure Ryan and Will here,â Ferrell explains for the doubters out there who wonder how two comedic geniuses not known for their vocal abilities were tapped to topline the Apple TV+ original film that turns the beloved Charles Dickens holiday tale A Christmas Carol on its head.
Reynolds asks for a brief break just a few second in, during which he hops on his walkie talkie to speak with someone in the recording studio. âGet your act together, your lip synching is for sât,â the Deadpool star berates the heavily accented voice-over artist who is clearly doing all the talking for the two actors. The camera then cuts to none other than Milli Vanilli singer Fabrice Morvan, who, along with late partner Rob Pilatus is best known for the lip synching scandal that resulted in the duo being forced to return their best new artist Grammy in 1990 after it was revealed that they didnât sing in concert or on their hit records.
âSorry Ryan, itâs been a long time since Iâve done this,â Morvan sighs. The full trailer for the film that also stars Octavia Spencer dropped on Wednesday morning (Nov. 2); Spirited hits theaters on Nov. 11 and premieres on Apple TV+ on Nov. 18. In the re-imagining, Reynolds plays Clint Briggs, who turns the tables on the Ghost of Christmas Present (Ferrell) in a remix of the Dickens tale of hope and regret that, for the first time, tells the story from the three ghostsâ perspective.
Spirited was directed by Sean Anders (Daddyâs Home) and features original songs by Oscar-winners Benj Pasek and Justin Paul (La La Land).
Check out the Morvan bit and the full movie trailer below.
Members of Duran Duran teased a 2023 tour, saying they would return to the U.S. and Europe, and lead singer Simon Le Bon revealed his favorite U.S. venue of all time.
In an onstage chat at Hollywoodâs Dolby Theatre on Thursday (Oct. 27), before premiering their docu-concert film, A Hollywood High, the British new wave legends â Le Bon, keyboard player Nick Rhodes, bassist John Taylor and drummer Roger Taylor â confirmed they will be back on the road next year.
âWe are going to be touring again next year,â John Taylor said. âNothing is confirmed yet, but we will be coming back to the Los Angeles area. We are going to be in Europe, we are going to be in the U.K.â
Roger Taylor added that the band will hit âall the cities that we didnât do in the U.S.â
Duran Duran has kept up a busy touring schedule in 2022, playing 35 dates including Midsummer at Skansen near Stockholm and Sommerstemning Lillestrøm near Olso and headliner performances at Tuscanyâs famed La Prima Estate Festival near Lido di Camaiore and a special one-night engagement at Caledonian Stadium in Inverness, Scotland.Â
The band spent August touring U.S. arenas, including a stop at Madison Square Garden in New York on Aug. 25, and an epic three-night run at the Hollywood Bowl for the release of their fifteenth studio album, Future Past.
The band is slated to perform a Halloween show on Monday at the Wynn Las Vegasâ Encore Theatre but would not reveal their costumes â though they did rule out dressing as Santa Claus (Rhodes), an M&M (John Taylor) or a jelly fish (Le Bon). Rhodes said his recent trip to a costume store left him âquite crossâ because it was dominated with Christmas wear. âAll the fabulous creatures were gone,â Rhodes said.Â
Responding to an audience member question, Rhodes said the band may also release their next album, Reportage, in 2023. âIt needs a little work, but itâs possible,â he said.
On Thursday, Duran Duran celebrated Le Bonâs birthday (which is also his fatherâs) with the movie premiere audience â which sang happy birthday to him before the 75-minute film screened in Dolby Vision-Atomos. The film delves into the bandâs early history and connection with Los Angeles to set up a performance earlier this year on the rooftop of the Aster, a private members club in Hollywood. While the group performs at sunset a drone captures sweeping shots in the background of the Hollywood sign and the Capitol Building, which at one point during the show was lit up in the yellow and light blue of Ukraineâs flag in a show of support for the nationâs effort to repel an invading Russia.
The band confirmed that in its four-decade history it had never performed a show on a rooftop, but that it made more sense during pandemic. âWe kind of had to be talked into it,â John Taylor said, noting that the band initially planned to perform on a flatbed truck driving along Sunset Boulevard to promote their three-date Los Angeles swing. But that âstarted getting problematic,â Taylor said. âThere was a point where there was a slope. And we were like, âHow are we going to keep the drums on this?ââ
Duran Duran said that the rooftop gig wasnât intended initially to be turned into a film. âWe document a lot of what we do, and it generally just goes into the archive and nobody every sees it,â John Taylor said. The show âwas essentially a showcase to launch the American tour. And the fact that we didnât know we were making a movie, you get an authenticity that you wouldnât get if we knew we were making a film.â
Roger Taylor said that co-director Gavin Elder âkind of snuck up on us with this film. He didnâtâ really tell us he was making a movie ⌠and [as a result] itâs very real.â
The film hits theaters in the U.S. and around the world on Nov. 3.
While the rooftop was a new special memory for the band, when asked by an audience member what was their favorite U.S. venue of all time, Le Bon enthusiastically endorsed Denverâs Red Rocks Amphitheatre. âYou go there, and you look at it and it looks like some ancient alien, space-faring race had just dumped this spaceship there a million years ago,â he said, âand we turned it into a music venue.â
Additional Reporting by Dave Brooks

Four long years after the culture-shifting debut of Black Panther, its sequel, Black Panther: Wakanda Forever, took over Hollywood on Wednesday night (Oct. 26) for its world premiere. There was one major piece missing, though, in Chadwick Bosemanâs absence, as the cast and crew talked about moving forward without him.
Ryan Coogler, who returned to co-write and direct the sequel, rewrote his original premise following Bosemanâs death in August 2020, noting that âthe best way I got through was leaning on my collaborators.â
âChadwick had people who were in his life creatively, as well as family, and we were in close contact with those people, very close specifically with his wife, Simone, and his creative partner Logan Coles,â Coogler â who wore a gold chain featuring Bosemanâs image on the carpet â told The Hollywood Reporter of consulting the late starâs loved ones during that rewrite. âWe were staying tapped in with them as much as we could, and it gave us the space to create, but obviously we were seeking out their opinion all the time. Weâre looking forward to sharing it with everybody.â
The cast also came together to support each other on set, as star Danai Gurira noted that the grief particularly hit her when walking into TâChallaâs throne room, where Boseman sat in the first film. âI hadnât seen that throne since we had lost him, so the last time I had seen that throne he had been sitting in it,â she said.
Angela Bassett, who plays TâChallaâs mother, Queen Ramonda, had to be the one to âsit on that throne and fill it. It was very daunting, it was very important. We all held it in great reverence,â she said, while also revealing that the cast visited Bosemanâs resting place before they started shooting.
âWe were able to do that to give love and feel his spirit and stand there with him before we did one frame of anything,â Bassett said. âThat was such an important grounding for us because, as you can imagine, emotion was all over the place. People are on the verge â his [onscreen] sister, his love, his general, all of us. Iâm getting goosebumps now. We were on the verge of tears, of âHow are we going to do this, go on without him?ââ
âWe did with our full hearts, our full effort and really seeking to honor our brother,â Gurira added. âWe can just hope and pray that itâs received that way and that people have an experience with it as a result of that.â
Another major story surrounding the film is that Rihanna will debut new music on its soundtrack, marking her first recording since 2016 with single âLift Me Up.â Coogler said for this film they were âlooking for artists who would embody it thematically,â similar to the success he had with Kendrick Lamar on the first Black Panther. Rihanna, who will be headlining the Super Bowl Halftime Show next year, was at the top of the list.
âRihanna, man, we knew she was at a point in her life as well where she was focusing on different things â focused on business, motherhood, which is a big theme in our film. We were holding out hope that maybe it could work out and boy did it for this song,â Coogler teased. âI canât wait for people to hear it.â
Black Panther: Wakanda Forever sees the return of stars Letitia Wright, Lupita Nyongâo and Winston Duke, in a story of Wakanda following the death of King TâChalla and the crowning of a new Black Panther. Michaela Coel and Tenoch Huerta join as newcomers to the world, with Huerta as Marvel mutant Namor.
With a character who spends much of his time underwater, Huerta had to learn to swim for the role and has been flattered to see the internetâs (frequently thirsty) reaction to his shirtless appearance. âIt feels so good. The people are giving their love and their passion,â he said. âAll of them are embracing the character and are embracing all the narratives behind it.â
And while Black Panther broke box office records and made history with a best picture Oscar nomination, Bassett and husband Courtney B. Vance have some bold predictions for the sequel.
âHe says the second is going to be better than the first, itâs going to be greater than the first,â Bassett said of Vance, though he hadnât yet seen the film. âReading the script, the attention to detail that Ryan as director and co-writer with Joe Robert Cole put into this and just trying to get it right â What is the story that we want to tell? Where do we want to go? Who is carrying this world on when your heart is destroyed? The mothers. I think they did an excellent job.â
Black Panther: Wakanda Forever hits theaters Nov. 11.Â
See some of the red carpet interviews below.
This article originally appeared on The Hollywood Reporter.