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Since its 2022 debut at Barclays Center, MetaMoon Music Festival has built itself up as a New York City stalwart for Asian entertainment and talent worldwide with concerts, industry panels, block parties, and more. At the top of 2025, MetaMoon is officially going global with its first overseas iteration.
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Billboard can exclusively reveal that MetaMoon in Dubai will take place this February in the United Arab Emiratesâ Al Wasl Plaza â Expo City Dubai. Singer-songwriter-actor Henry Lau and Koreaâs viral singer-rapper Lee Young Ji will headline the inaugural UAE fest. The festival rounds out its lineup with rising Japanese-American singer-songwriter mikah, 2024âs Red Bull Dance Your Style champion MT Pop of Vietnam, and DJ and radio veteran Poon from New York. Rapper and comedian MC Jin, who participated in the 2022 and 2023 MetaMoon events, will host the event.
Lau was last yearâs MetaMoon headliner, where the former Super Junior member not only delivered his mix of pop and classical music but sat down for a career-focused fireside chat with SiriusXMâs Michael Tam as part of The Summit, which MetaMoon launched in partnership with the Roc Nation School of Music, Sports and Entertainment. âIâm just excited to share what Iâve learned,â the Berklee College of Music graduate told Billboard ahead of the fest. âIâve gotten to an age where there are a lot of aspiring musicians, and I hope that my experiences can help give them a good idea of what to expect and what they need to work on in certain aspects.â
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Live Nation Middle East is promoting and producing MetaMoon in Dubai.
âLive Nation Middle East is proud to partner with MetaMoon to bring this unique celebration of Asian pop culture to Dubai,â said James Craven, President of Live Nation Middle East. âThe UAE is a vibrant and diverse region and this event is a perfect reflection of the incredible cultural exchange we aim to foster through music and entertainment. We are thrilled to debut such an exceptional lineup of talent, and we look forward to creating unforgettable memories for fans in the Middle East.â
After showcasing nearly two dozen different API stars, MetaMoon founder Grace Chen sees the overseas expansion as a considerable way to help spread Asian pop culture at large.
âOur partnership with Live Nation Middle East to bring MetaMoon to Dubai signifies our commitment to introducing Asian artists and pop culture to new fans while giving existing fans a chance to see their favorite artists live,â Chen said in a statement. âWe are excited to be debuting an incredible lineup of Asian talent for their first appearances ever in the region and for what will be an entertaining evening for fans.â
Citing a growing Asian diaspora in the Middle East as well as increased interest in Asian pop culture in the region, MetaMoon in Dubai says it hopes to âbring a full fan experience to audiences in the Middle East in the coming yearsâ in a press release.
Tickets for MetaMoon in Dubai go on sale Jan. 8, 2025, at 10:00 a.m. Dubai time exclusively through LiveNationâs Middle East site and United Arab Emiratesâ Ticketmaster site.
After BABYMONSTER spent 2024 solidifying their position as one the yearâs standout K-pop rookie acts, the girl group is looking to extend their reach with fans worldwide during their first-ever world tour that the septet is preparing with a dynamic production to distinguish itself from other K-pop acts and showcase what truly makes them unique.
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Hot off the groupâs Billboard 200 debut with their first full-length [Drip] splashed onto the charts in November, the stars tease a âvibrant setlistâ featuring never-before-performed tracks from the LP alongside individual solo stages by members RUKA, PHARITA, ASA, AHYEON, RAMI, RORA, and CHIQUITA. Accompanied by a live band, the tour will rock major arenas like Los Angelesâ Kia Forum and the Prudential Center in Newark, NJ, to help cement their reputation as rising live-performance powerhouses. So far, BABYMONSTER has already wowed live audiences with standout appearances at K-pop award shows (a highlight of the year for RORA) and as special guests during dates of 2NE1âs highly anticipated reunion tour across Asia (which âfelt like a dream,â according to youngest member CHIQUITA).
Billboard caught up with the monster rookies to learn about the creative process behind their tour, the groupâs favorite moments and tracks from last year, and New Yearâs greetings and messages for their loyal fans â adorably known as MONSTIEZ.
Congratulations on announcing your first-ever world tour! What does it mean to you as a group that your first U.S. shows will be at iconic arenas like the Kia Forum and Prudential Center?Â
RUKA: We are honored and thrilled to be able to hold our first U.S. shows at such iconic arenas. We promise to deliver amazing, unforgettable performances that youâll cherish for a lifetime, so please look forward to them!Â
The name is really fun, how did you decide on the name for your world tour? Is there a message you wanted to convey?
RAMI: was chosen with the idea of our first meeting with our fans in mind and the very first greeting we will share when we meet in person. We would like to extend a heartfelt first greeting through our music and performances. First meetings are always so exciting, which is why we are especially looking forward to the upcoming shows! This tour will be a chance for us to share our story with all of you and create special, unforgettable moments that will be cherished for years to come.
CHIQUITA: For the first time ever, weâre unveiling performances from our first full-length album, [DRIP], including solo stages and a vibrant setlist. We canât wait to showcase not only the unique charms of our seven members but also the incredible synergy we share together. Â
The tour begins in Seoul in late January. What songs are you looking forward to performing for the most? And what should U.S. fans expect from your shows?
PHARITA: Iâm so excited to perform songs weâve never shared with our fans before! However, the song I always enjoy performing the most on stage is âBATTER UP (Remix)!â
ASA: Our U.S. fans will get to experience our vibrant performances and high-energy stages. We hope to create special moments with music and performances that showcase our unique style. Additionally, we look forward to connecting more closely with MONSTIEZ and sharing unforgettable moments together!
BABYMONSTER gained a lot of attention for the live âbandâ performances of your songs like âSHEESHâ and âFOREVER.â I hope that means youâll be touring with a live band in the U.S.?Â
AHYEON: We believe that a live band is the best way to capture the energy and atmosphere of the moment, so weâve decided to perform every song with one! The rearrangements in each track will bring a fresh, new vibe while adding elements we hope youâll find exciting and enjoyable.
Beyond the concerts, what are you looking forward to doing or experiencing in the LA or NY areas?Â
RAMI: I want to stroll, shop, and enjoy delicious food at my leisure while soaking up the sun on the streets of LA. In NY, I definitely want to visit Times Square!
Taking a step back, 2024 has been a monumental year for the group; what stands out as most memorable?
RORA: Itâs definitely hard to choose just one, as there have been so many memorable moments! However, the most unforgettable moment for me was performing at the year-end annual music festival. It is both the most recent and the most memorable. It was my first time performing on such a big stage, and everything â from the newly arranged songs and choreography, to the stage and outfits â was perfect, making it such a fun performance.Â
One of my personal highlights was seeing BABYMONSTER perform as guests on 2NE1âs comeback concerts. What was your experience alongside such icons?Â
CHIQUITA: It was such an honor and felt like a dream to perform on stage at the 2NE1 concerts â seniors Iâve admired since I was young! Watching their amazing performances inspired me to improve and strive to do even better on our own stages in the future.Â
BABYMONSTER won several new-artist awards this year and was named K-Pop Rookie of the Month at Billboard. What do these titles mean to you and what more would you like to show moving forward?Â
RUKA: As weâve been given the âMonster Rookieâ title, weâll continue to work hard, strive to show our growth, and always present new and different sides of ourselves.Â
The start of the year is often a time for goal setting. What dreams do you have for 2025, whether as a group or as individuals?
PHARITA: 2024 was filled with amazing opportunities and achievements. Iâm so proud of all our members and I hope we continue to grow and stay healthy throughout our 2025 tour.Â
ASA: As a group, we hope to connect with more fans and share our music and performances with a wider audience on stages around the world. We also aim to continue challenging ourselves with new music styles and to showcase our growth. In 2025, weâll work even harder to ensure we can share amazing moments together.
Billboard always shares its staff picks for the best songs of the year. What were each of your favorite songs from 2024?
RUKA: âDie With a Smileâ by Lady Gaga and Bruno MarsÂ
PHARITA: âGood Gracesâ by Sabrina CarpenterÂ
ASA: âPOWERâ by G-DRAGONÂ
AHYEON: âSoft Spotâ by keshiÂ
RAMI: It would have to be âtoxic till the endâ by ROSĂ! Itâs one of the songs I listen to every single day because I love the melody and style so much!Â
RORA: âBIRDS OF A FEATHERâ by Billie EilishÂ
CHIQUITA: âBILLIONAIREâ by BABYMONSTERÂ
Any other messages youâd like to share with international fans and Billboard readers?
AHYEON: I hope everyone stays healthy and happy in the new year. Weâll work hard to make sure 2025 is a year where we can take another step forward and show even better versions of ourselves. Thank you, and wishing you all a happy new year.
RORA: First of all, kudos to everyone for all the hard work and dedication youâve shown throughout 2024 â youâve all been amazing! 2024 has been especially meaningful for BABYMONSTER, as it marked the beginning of our journey. Weâve worked incredibly hard, given it our all, and gained so many valuable experiences. Iâm truly grateful to everyone who has supported us, and as the years go by, we promise to become stronger and even more incredible artists. Last but not least, weâd like to express our deepest gratitude to all the Billboard readers who love and support BABYMONSTER. Thank you so much!
While her October performance at Londonâs Royal Albert Hall was a one-night-only affair, Dua Lipa wants to make sure that her performance doesnât go âHoudini.â On Tuesday (Nov. 19), the pop star announced the release date for her first-ever live album, Dua Lipa Live From The Royal Albert Hall. Recorded during her Oct. 17 performance […]
David Foster spent his 75th birthday how he has undoubtedly spent many before it: working. Sunday night (Nov. 3), Foster celebrated his milestone at a sold-out Hollywood Bowl show (to be fair, his actual birthday was Nov. 1) with many of the artists who he has worked with as a songwriter, arranger or producer. According to a sign flashed on the giant screens at the Bowl, the music he has helped create has sold more than half a billion records. Â
From Whitney Houston and Celine Dion to Michael BublĂŠ, Josh Groban, Andrea Bocelli, Toni Braxton, Barbra Streisand and so many more, Foster is practically responsible for his own lush, romantic  adult contemporary genre. Or as he put it, âI write songs you make babies to.â
The evening, which he said, âsort of feels like my funeral while Iâm alive,â featured many of those bold-type names (sorry, no Dion or Streisand), but it was Fosterâs birthday, and he could do whatever he wanted. And what he wanted to do was spend some of the first hour of the nearly three-hour show focusing on new talent (he did discover Groban when Groban was still a teenager, after all). That included Britainâs Got Talent 2024 winner Sydnie Christmas performing âMy Way,â which she sang on the seriesâ semi-finals (the songâs writer, Paul Anka, was on the poster as a guest, but wasnât there. Same with Kenny G), as well as an 18-year old pianist Brandon Goldberg, who performed a jazzy version of Chaka Khanâs âThrough the Fireâ with trumpeter Chris Botti, and Jasmine Rogers, who will play Betty Boop in Fosterâs forthcoming Broadway musical, Boop!, previewing a spirited number from the show.
While those are for sure names to watch given Fosterâs pedigree for working with young talent, it was the established names that provided the fireworks and really showed over and over that among all his many, many talents, first and foremost may be Fosterâs gift for working with great singers. Â
Below are some of the highlights of the evening.
 Music Hath Charms to Soothe the Savage Breast
After much fun and many late nights, the 2024 Ibiza season has come to a close. Some tracks commanded the dance floor more than others, with the 40 most-played songs over the summer at island clubbing mecca Pacha counted down below.
While the list includes a few global hits, like Tylaâs âWater,â and a few classic capital-B bangers (see: BeyoncĂŠâs âCrazy in Loveâ), the list is largely composed of underground dance music made by known stars and emerging producers alike.
âPacha Ibiza has its own singular sounds, driven by the worldâs best DJs, and is where music lovers first discover new artists and new, previously unheard of, tracksâ Aloki Batra, FIVE Hospitality and The Pacha Group CEO, tells Billboard. Â
The data that created this list was collected by KUVO in partnership with DJ Monitor, which installs technology in clubs like Pacha that functions much like Shazam, identifying tracks within its library. This library is comprised of a database of nearly 80Â million songs submitted to DJ Monitor by PROs, which allows DJ Monitor to create setlists with 93% accuracy, the company reports.
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FIVE Holdings acquired the Pacha Group in 2023 in a deal worth approximately $330 million. The deal encompassed the Ibiza flagship club, which opened in 1973, along with two hotel island hotel properties, Toy Room Club, which has multiple locations in Europe, India and the Middle East and WooMoon Storytellers, a party that happens primarily in Ibiza and Tulum.Â
2024 resident DJS at Pacha included Solomun, Marco Carola, Bedouin and many more. This year the club was also graced with the presence of stars including Katy Perry, Rita Ora, Jason Statham, Naomi Campbell, Spanish tennis player Carlos Alcaraz and many others, the club reports.
âPacha Ibiza believes in the universal language of music uniting a global community of music lovers for over 50 years. The central ethos of Pacha Ibiza remains the same as we move into a new chapter of our time tested values of love, joy, connection, celebration, inclusiveness and diversity. This is evident in Pacha Ibizaâs legendary Flower Power party that is reimagined for a new era in 2024 while preserving its core essence. Evolving from its roots, todayâs Flower Power celebrations blend nostalgia with contemporary happy house sounds, offering an immersive experience that transcends generations.âÂ
The Top 40 Songs Played at Pacha Ibiza in 2024
âMoveâ â Samm (BE)
âPick Up the Phoneâ â Pawsa Feat. Nate Dogg
âLast Nightâ â Serite
âNocturnalâ â Joezi
âSee You Sweat (Extended Mix)â â Genesi & Max Styler
âSweet Momentâ â Snirco
âWalk In Amsterdamâ â Ugo Banchi
âItâs That Time (FISHER Remix)â â Marlon Hoffstadt
âSing It Backâ â Moloko
âFuma Ernestoâ â Carrera (ve)
âLove Desireâ â Cassimm
âMiss Youâ â DJ Agos
âUmbrellaâ â Oppaacha
âWe Are The Peopleâ â Empire Of The Sun
âDance With Ibizaâ â Ugo Banchi
âFamaxâ â Raffa Guido
âFreddieâs Warmupâ â Vlado
âHopeâ â Camelphat Feat. Max Milner
âOn My Mindâ â Ajna (BE)
âPakitâ â Ban Marian
âSomebody That I Used To Knowâ â James Cole
âSpektrumâ â Camelphat
âStill Pushin’â â Youniverse
âWaterâ â Tyla
âAt Nightâ â Shakedown
âIf You Want My Lovingâ â Prospa
âKill The Vibeâ â David Guetta, Mason & Princess Superstar
âLast Night (Anyma x Layton Giordani Remix)â â Loofy
âSe Acaboâ â Cid & Guz
âShook Part 3â â Nick Morgan
â4Realâ â Piem
âAsaâ â Ăme
âCrazy In Loveâ â BeyoncĂŠ
âMiriam (Extended)â â Robin M
âNo Guest List Sanâ â Pacho
âThe Rhythm Of Dancingâ â &lez
âWorkâ â Chris Lorenzo
âBlack Dress (Anyma Remix)â â 070 Shake & Anyma
âChase The 80âsâ â Ugo Banchi
âHouse Anthemâ â ClĂźb De Combat
The thing about Portola thatâs emerged over the festivalâs three years of existence is that if youâre there, you feel like youâre in on the joke. And everyone likes being in on the joke.
Through its stylish and legit funny social channels and wry on-site messaging (âwe know that music feeds your soul or whatever, but please remember to eat some actual foodâ implored signage), the event has developed a trait that can often feel scarce at big festivals: actual personality. Portola is your dryly funny and sort of silly, but also extremely intelligent friend with low-key style and impeccable taste in music.
âThis is a festival where itâs not about spectacle, itâs about vibe,â Portola founder Danny Bell told Billboard onsite at the fest.
This appealing amalgamation of traits brought roughly 45,000 attendees a day and a motherlode of artists to third edition of Portola, which took over San Franciscoâs Pier 80 this past weekend, Sept 28-29. Primarily presenting the styles of electronic music commonly grouped together as indie or alt or just non-EDM, the lineup gathered some of the sceneâs biggest, buzziest and most respected artists for a show that also, like in years past, featured a powdered sugar sprinkling of pop (in the form of Rebecca Black, Natasaha Bedingfield, etc.) and a bit of hip hop.
But the emphasis was dance music, with the stature the Goldenvoice-produced festival has gained over its three years of existence emphasized by the fact that people are now flying in for it from across the U.S., Australia and Europe. RĂźfĂźs du Sol played their only set of the year, debuting new music from their comign album and playing the hits for one of the weekendâs biggest crowds. On the mainstage, Disclosure reminded everyone that theyâre simply, consistently the best, playing many of their biggest songs, bringing out a brass section for the feel-good âTondo,â closing with the classic Flume remix of âYou & Meâ and giving each other a big old brotherly hug at the end. Two more of the many (many) Brits on the lineup, Chase & Status played a satisfying, tough as nails set that included their new hits (âDisconnect,â âBaddadanâ) and classics like their 2008 âEastern Jam.â (âThis is for my original Chase & Status fans,â the pairâs Will Kennard announced before dropping the track.)
While often overlooked on the global circuit, San Francisco has a rich and mighty electronic history, and certainly the many locals in attendance demonstrated that the Bay Area parties hard, and also well: the crowd was loose but from our vantage point never out of control, stylish in mostly non-clichĂŠ ways and generally friendly, with none of the too cool (or too self aware) atmosphere that elsewhere can, and does, stifle the dancing.
âItâs a work hard play hard town,â says Bell. âWhen people here come to play, theyâre out just to have a good time; thereâs no agenda.â
The weather was also classically San Franciscan, with each dayâs morning fog burning off for sunshine daydream afternoons that maintained enough of a chill that many attendees who didnât bring layers were spotted buying hoodies from the merch stand. The site, an actual working shipping pier, created a built-in industrial aesthetic, with the looming crane and hulking naval ship doing a lot of the heavy lifting in terms of decor. The vessel even blew its horn daily, to wide applause.
These are ten of the best things we saw over the weekend.
Jesse Ware Takes a Victory Lap
Image Credit: Courtesy of Goldenvoice
With a breakout hit across international charts this summer, KISS OF LIFE is ready to take an explosive year to the next level with their first-ever world tour.
The girl groupâs forthcoming Kiss Road World Tour continues the momentum Julie, Natty, Belle and Haneul gained on the global stage with the infectious single âSticky,â helping the K-pop act debut onto multiple Billboard charts: The Afrobeat-inspired summer single peaked at No. 7 on the South Korean Songs chart so far, entered the U.S.-based World Digital Song Sales chart at No. 10 in July, while also spending a solid six weeks on the Billboard Global 200 after hitting No. 87, and 10 weeks on the Billboard Glocal Excl. U.S. chart after a No. 47 peak.
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With promising results early just over a year into their career alongside the quartetâs international makeup and range of industry experiences, KISS OF LIFE is proving theyâre more than just a rising K-pop rookieâtheyâre becoming a global-pop force all their own.
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âWe love the song âSticky,â so it was really an honor for it to get into the charts,â says Julie, the groupâs dynamic leader who was born in Hawaii, speaking to Billboard for their first-ever interview with an international outlet. âWe really put a lot of effort into the choreography and also the music itself, so itâs exciting to see our hard work paying off. All of us were just hugging each other when we found out the news.â
Seattle-raised Belle, who previously worked as a songwriter for other top K-pop groups, believes their authenticity plays a massive role in why global fans connect to them: âWe honestly try to be ourselves in all the music we release. By being authentic, I think our fans and listeners are able to resonate more with the excitement we feel when we sing and perform.â
Youngest member Haneul, born and raised in Korea, adds that the KIOF membersâ diverse backgrounds fuel their artistry. âWe just respect each other,â the 19-year-old says. âWe acknowledge our differences and the path we went through to get here, so that makes us learn from each other and grow.â
The upcoming Kiss Road tour kicks off in Seoul with two concerts on Oct. 26 and 27 before coming to North America for an extensive, 18-date trek beginning in Minneapolis, Minn. on Nov. 10. âWe are pretty confident in our performing ability,â teases Thailand-born Natty, whom K-pop fans have watched grow up on K-pop competition shows like Sixteen and Idol School before officially debuting onto the K-pop scene as an artist. âFans can expect a show with high energy and weâre excited to bring our best to the stage.â
Get to know KISS OF LIFEâs Julie, Natty, Belle, and Haneul as the members share more about their process, viewpoint, world tour plans and messages to their fans affectionately known as Kissys, alongside exclusive photos below.
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I want to begin by congratulating you on earning your first Billboard chart entries with âSticky.â What were your reactions?!
Julie: We couldnât believe it! We love the song âStickyâ so it was really an honor for it to get into the charts. We were so happy that people were liking it as much as us and we felt so grateful! We really put a lot of effort into the choreography and also the music itself, so itâs exciting to see our hard work paying off. All of us were just hugging each other when we found out the news; as hard as we worked, we also know that we really couldnât have done it without the support of our fansâlove you, Kissys!
KISS OF LIFE
Courtesy of S2 Entertainment
KISS OF LIFE has been rising since your debut last July, but âStickyâ has been a real breakout: Top 10 in Korea, charting in the U.S., your biggest hits on Billboardâs Global charts. What do you think are some factors that made this such a hit?
Belle: I think we honestly try to be ourselves in all the music we release. By being authentic, I think our fans and listeners are able to resonate more with the excitement we feel when we sing and perform as well. I feel like this song, in particular, really suited all the members, and you could feel that all the members were just having fun and enjoying themselves while recording and performing the song. Also, in regards to the visuals and performance, we focused on just feeling ourselves and being confident which fits well with summer. I mean, it is summer, why not have a little fun with it?!
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I also love your latest B-side, âTe Quiero,â co-written by Belle. What did you want to show with âStickyâ and âTe Quieroâ that you hadnât shown previously in KISS OF LIFE?
Natty: We wanted to show everyone our translation of summer! The cool and refreshing side as well as the hot! We just wanted to send good vibes and make sure everyone could enjoy the summer with us. Both âStickyâ and âTe Quieroâ are actually our interpretations of summer: âStickyâ would be the exciting, fun aspect of summer where you enjoy yourself to the fullest; âTe Quieroâ would be the cooler, more chill and relaxing version of summer that is equally enjoyable. I donât think we had some mastermind plan of what we wanted to show with these tracks. We just genuinely wanted everyone to enjoy the music while enjoying their summer. You work hard, you play harder!
KISS OF LIFE
Courtesy of S2 Entertainment
âTe Quieroâ is also significant as another English B-side track, just like âNobodyâ with âMidas Touch.â Is there a more prominent reason to include these tracks, and even the English version of âBad News,â in your larger plans as a group?
Julie: Of course! We always want to keep our international fans a big part of our music. For the Kissys all around the world, we want to continue to make music that everyone can enjoy and listen to. We are adamant in making sure our international fans know that they play a big role in our music. Again, we donât have a master plan on how or a larger picture that we are strategizing for. We really just want everyone to feel included with our music, wherever they are and whoever they are. We just want to make music that everyone can enjoy and listen to without overcomplicating things.Â
Have you begun preparations and rehearsals for your Kiss Road World Tour? What are you looking forward to the most?
Haneul: We are super excited for the tour. Absolutely, canât wait to meet our Kissys, who have been supporting us throughout our journey. Weâve been working hard with our team in designing the show so that we are able to give all of our fans an amazing experience. Thereâs a little bit of pressure to show our fans the best version of ourselves but we promise we wonât let you down. I think the most exciting part about touring is really feeling everyoneâs positive energy!
Natty: Well, we are actually pretty confident in our performing ability so fans can expect a show with high energy. We love what we do and we are blessed with so many people supporting us while we do what we love. In return, we want to give them the best version of us, so I hope they will all look forward to it.Â
Something I always respected about KISS OF LIFE is that you shared yourselves via solo songs from your debut album. Will we get to see more solo stages on tour?Â
Belle: Donât want to give too many spoilers soâŚI think we can say, âmaybe?!â Weâve prepared some new stages so make sure you stay tuned for it.
KISS OF LIFE
Courtesy of S2 Entertainment
With that, KISS OF LIFE has also become known for your covers. Your Brown Eyed Girls âSixth Senseâ cover was even officially released, and youâve done songs by 2NE1, Ciara, Ariana Grande, Nicki Minaj, BLACKPINK, Doja Cat, the list goes onâŚany special or new covers for tour?
Julie: We always sing, rap, and dance to so many different artists on a daily [basis], so hopefully, we get the opportunity to showcase it to everyone on tour. We just love all different styles and categories of music. For us right now itâs being versatile enough to explore many different types of music and to experiment with sounds so we [can] create our own specific style. There are days we focus on singing, other days we rap, and days we only dance, but we are always working to improve ourselves, so I hope we have the opportunity to showcase it for the world to see!Â
The four of you came from very different backgrounds and debuted as adults. Sometimes, it can be difficult for adults to pursue their dreams or even make new friends. How did you all connect and learn from each other to make KISS OF LIFE work as cohesively as it is?
Haneul: We just respect each other. We acknowledge our differences and the path we went through to get here so that makes us learn from each other and grow! A key point in any relationship is trust and respect. The respect comes from acknowledging each otherâs past experiences that led them on the path for us to be here. I believe that because we are able to share our respective experiences with each other, we are able to learn from each other and grow as a group, not just individually. We all have something to learn from each other and we respect where that knowledge came from.Â
KISS OF LIFE
Courtesy of S2 Entertainment
Do you have any other messages for international fans waiting to meet you?
Julie: We always want to say thank you so much for sending your love and support. Although we may be far distances, our hearts are always near! We canât wait to meet everyone in person and I hope the time comes fast. Love you guys so much and see you soon!!!
Courtesy of S2 Entertainment
In Koreaâs pop culture scene, Lee Youngji is a name now synonymous with vibrant and unfiltered entertainment, best seen through her viral Nothing Much Prepared YouTube series, where she shares drinks with members of K-pop supergroups like BTS, BLACKPINK and SEVENTEEN. However, 2024 marks a significant year for the 21-year-old as she looks to return to her roots in music and spotlight her talent as a performer and musician. Even if many fans might recognize her first as the comedic force behind some of K-popâs most unforgettable interviews, Youngjiâs journey in entertainment began with music â and sheâs determined to remind everyone of that on her ongoing world tour that hits the U.S. at the end of August.
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The release of her debut album, Juneâs 16 Fantasy, marked a bold statement of her artistic identity and the promise shown for her musical future. The lead single, âSmall Girlâ featuring EXOâs D.O., not only topped the charts in South Korea but also broke into the Top 40 of the Billboard Global 200. Meanwhile, b-side cuts like Leeâs âADHD Girl,â plus her hit collaborations with top acts like Dynamicduo and BSS, all display her versatility and abilities to step up and level up for each new song release.
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âThis year is really important for me musically,â Youngji reflects during an evening FaceTime call from Seoul ahead of the U.S. leg of her tour. âIâve had a lot of collaborations and I have a variety show on my YouTube channel, so many people know me through lots of jobsâŚbut I want to spotlight my musician mode this year.â
As she embarks on the U.S. leg of her All or Nothing World Tour, Lee Youngji is eager to connect with fans in a more intimate setting, bringing not just her music to the stage but the unique personal energy thatâs made her such a breakout star among the next generation of Korean-pop entertainers.
âI tend to try to really communicate with the audience, ask them questions, just try to talk to them and I think that U. S. fans are going to like that a lot,â she says, hinting at the interactive and personal nature of her stage setup. The All or Nothing Tour is more of an invitation for fans to experience Lee Youngji in her purest form as a musician and entertainer. And while she might not be able to indulge in her famous on-camera drinking with her audience â even though she tells Billboard that she really wants to â sheâs ready to bring that same spontaneous and genuine connection to every show.
Read on for more with Lee Youngji sharing about her Stateside tour, her big year in music, memories with some top K-pop stars and whatâs coming next.
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Congratulations on all the recent successes, Youngji. Thereâs a lot to discuss, but itâs been a really important year for you as a musician. Is this why youâre going on your first U.S. tour?
Like you said, this year is really important for me musically. Iâve had a lot of collaborations, and I have a variety show on my YouTube channel, so many people know me through lots of jobs. First, they knew me as a YouTuber; then they might have known me as a celebrity friend; they knew me as all different types of things, but I want to spotlight my musician mode this year. And gratefully, âSmall Girlâ had a great response and boom, even in the U.S., so I thought that this was a great opportunity for me to be more confident on what Iâm doing right now as a musician.
You do so much, and people know you for many different reasons, but where does music align with your overall world?
In my childhood era, I would always believe, âI think Iâm gonna be a famous person, but I donât think that I could be a musician.â But the first time people got to know me was in the survival show High School Rapper 3 [in 2019]. At that time, rap was the only thing I was competent in any type of musical talent, but I didnât necessarily want to be only a rapper.
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Did you find your confidence to pursue music through rapping?
Yes, but I donât think that itâs my only talent. Rapping definitely requires talent, but I donât think thatâs all I have. So, when I won the rap survival show, I was always thinking, âOh, so is ârapperâ my job now?â I didnât want to start my career as a rapper. I said, âOh, I got [to show] more than rapping.â But it was my best talent, so I was always curiousâŚ
Is that why we only got your first album five years after High School Rapper? You share a lot of different sides and styles on the record. Whatâs your favorite song?
Yep, yep. And not because that song got so much fame, but I eventually really loved âSmall Girl.â Itâs an honest, honest, honest song; a real story about myself. I love those kinds of songs. There are some tall, tall girlsâŚah, how should I say this? Everyone has a part of themselves that they lack confidence in, but this song can honestly melt that complex. I thought that âSmall Girlâ was a song I could make for everyone to be more confident. So, I really cherish âSmall Girlâ as a song that I made for everyone who might have lower or might not have self-confidence.
One of my favorites is âADHD Girlâ because I actually have ADHD. What inspired this song?
Ever since childhood, Iâve been hearing a lot of people, like my teachers and my parents, saying that I have ADHD â and that was before many people became really aware of it. But I have a lot of friends around me who do have ADHD and take medication for it. Itâs a song I wrote based on my experiences as well as my friendsâ experiences, some of them who are really struggling with ADHD.
What is your songwriting or creative process?
Well, there is a lot of great technology and stuff for music these days, you know? But I love iPhone and iPhone memos. Iâm always recording on my iPhone: a little gibberish, little unknown sounds, guides for songs. I always write keywords with my iPhone. Actually, that was the exact process for the song âNot Sorry.â When I went through the competition show, Show Me the Money, I suffered a lot from this hate train. So, I wrote on my iPhone that said, âNot sorry, not sorry at all,â and I asked my producers â Jay Park, Zion.T and Slom â I asked them, âWhat about this subject for the title of this songâ and they were like, âOh, thatâs dope and thatâs something you can do right now.â My music-making process is always, always like that. I write a title on my phone and I do a gibberish recording.
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And âNot Sorryâ was a hit!
[Laughs] Yeah!
Iâve always appreciated your attitude. Iâm sure itâs not easy for you, or anyone, but you have a refreshing attitude about criticism and âhate comments.â We even saw your âlikingâ tweets that have criticized you. How do you keep this strong mindset?
When I get hate, I try to understand them. âWhy do you hate me?â âOh, because of that point?â âOkay, I understand that â but I do not agree at all.â I can understand you, but I donât have to agree with you. I always think about how nobody knows me better than me. So, you know when I âlikeâ [hate comments] â I really donât know how the internet system works â but I donât care unless I do something thatâs really a bad thing or crosses the line legally. I also reply [to] them when they send me DMs that say, âI hate you, go kill yourselfâ or something. I always reply to them and always like their messages because they never think that if they send me a message, I can see them; they donât know that I can see them. So I want to let them know that I see everything.
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So, what are you preparing for the U.S. leg of your All or Nothing Tour?
I always hoped that if I had a chance, I want to meet everyone in the world and music is my chance. So, yes, I wanted to use this as my opportunity. Iâve already toured Asia, but you know what? The mood is kind of different compared to America. My performance [style] is usually to get people crazy. On this tour, I especially want to have more direct communication with the audience and to introduce who I am, that I make this kind of music, and that I introduce myself as an artist to the U.S. audiences. Compared to Asia, thereâs more participation in the U.S., whereas direct communication is lower in other countries. I made a lot of changes to my songs. Iâm planning to bring the audience up to the stage actually, and maybe dance or perform together; Iâm trying to plan those kind of things.
Like you said, youâre not just known for music but for your personality too. Are you preparing funw ways to share that side of yourself too?
I think that my personality shows up while Iâm talking with another person. So, I tend to try to really communicate with the audience, ask them questions, just try to talk to them. And I think that U. S. fans are going to like that a lot. I really want to drink with them. I mean, I really want to get drunk with them, but I canât. [Laughs]
Maybe we can take a secret shot together since the tourâs last show is in New YorkâŚ
HA ha. I hope so! [Laughs]
But I do want to highlight how, in your five years since High School Rapper, youâve done a ton of collaborations across many genres: K-pop idols, rappers, indie musicians, R&B, older generation artists, chart-topping artists. How do you connect with so many different sounds and styles?
Iâm so thankful that they always reach [out] to me and ask me to feature with them or collaborate. Iâve been really active with video and media contents in Korea for four, five years now and, thankfully, thatâs shown my personality and skills in Korea and to audiences. So, I think a lot of artists feel like Iâm someone whoâs familiar and for them to reach out and connect with me to do other projects. But anytime when I get asked for a feature, I always think, âHow can I beat them in this song? How can I do better in this song?â [Laughs] But features and collaborating really force me to go to the next level of myself.
I think thatâs what Nicki Minaj said. She needs a âsparring partnerâ to level herself up.
Sheâs my goal.
Are there any last messages for fans or what to expect on the U.S. tour? And with Nothing Much Preparedâs return, can you share some spoilers?
Well, yes, I can give you a lot of spoilers, but the first episode is with Lisa and sheâs so smart, pretty, young, rich, and a hilarious person. I love her. As of mid-August, I already recorded, like, six or seven episodes so weâre going to see a lot of idols and a lot of actors.
But what else should I say? I think U.S. fans are not prepared for whatâs coming to them! I want to promise to the U.S. fans that I will be working hard to be able to see them more often. I actually have a lot of songs ready to be released, and I want to watch U.S. fans react. Iâve got a long way to go. This tour is not even the first step. I have big ambitions.
Attending Burning Man is an investment. Thereâs the $575-plus needed for a ticket; more for the flight or long drive to Nevadaâs remote Black Rock Desert, where the event takes place each August. Thereâs the money for food, outfits, a bike and the many other supplies needed to survive in the barren setting. Most attendees take time off from work, including a few days on the back end to get home and recover. Itâs hot, dusty and often mentally, emotionally and physically draining. A lot of people love it; others say theyâd never go, and some simply donât have the resources to make it happen.
But while the Burning Man Projectâs famous mothership event is happening this week (Aug. 26-Sept. 2), another 85 official global Burning Man events, called âRegionals,â have long offered people around the world a chance to Burn more locally. In 2023, 93,000 people attended these global Regionals. Thereâs Kentuckyâs Singe City; Michiganâs Lakes of Fire; and events in Arkansas, Utah, Virginia and approximately 70 other U.S. sites. The biggest Regional, AfrikaBurn, draws roughly 10,000 to Cape Town, South Africa every April. Taiwanâs Turtle Burn launched in 2019. Each July, roughly 400 people gather in the Romanian forest for RoBurn.
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Burning Man 2024 has made headlines for not selling out for the first time in years, with tickets usually very difficult to get. (Sources close to the event estimate that roughly 10,000 tickets went unsold this year, bringing the attendance number down to approximately 70,000.) But while many Burners say the extreme heat of 2022 â when daytime temperatures reached 106 degrees â and the headline-making rain of 2023 are reasons many veteran Burners are taking this year off, Burning Man CEO Marian Goodell also points to the generally soft festival market, and to the Regionals.
âThe goal has always been to decentralize this, because Black Rock City was never going to have the capacity,â Goodell says. âAnd with travel challenges, the cost, the heat â it isnât for everybody. But when I meet people that tell me, âAre you fâking kidding me?â [in regard to going to Black Rock City], Iâm like, âWell, where do you live?ââ
Goodell and Burning Man Project â the San Francisco-based 501(c)(3) nonprofit that produces Burning Man and supports the global Burning Man community â has been directing Burners to Regionals since 2007, when the first official offshoot launched. Regionals had been germinating since 1997, when representatives for Pershing County, where Burning Man is held, sent organizers a huge bill for county services at the end of the event. Groups of Burners offered to fundraise, including one based in Austin, Texas. The internet had just come online, so Goodell created austin@burningman.com to help facilitate the fundraiser, and the first Regional group was born.
âThen I did New York, Canada and Seattle,â she says. âThe internet allowed people to leave Burning Man and say, âWhere are the other Burners?ââ
As it turned out, with the global Burning Man network growing in tandem with the growth of the main event, they were everywhere. Soon, groups of Burners were meeting up across the country, placing glowsticks on bar tables to identify themselves and, in doing so, living out the Burner philosophy that itâs not just an event, but a culture that can exist anywhere.
Argentinaâs Fuego Astral
Courtesy of Ignacio Roizman
Ignacio Roizman has traveled to Black Rock City from his home in Buenos Aires, Argentina many times over the years. Wanting to help bring Burner culture back home, he co-organized Argentinaâs Regional, Fuego Austral, in 2016, when two groups of Argentinian Burners whoâd been gathering for meetups joined forces to put on a multi-day campout.
âItâs very expensive to get from Argentina to the U.S.; you need a visa, you need the supplies,â Roizman says. âItâs basically an economic and logistical challenge.â
The most recent edition of Fuego Austral, in February, brought roughly 1,000 people to a swath of verdant farmland four hours outside of Buenos Aires. Like in Black Rock City, there was art, music and the ritualistic burning of a man made from wood. (In the past, Israelâs Midburn has set fire to both a man and a woman.)
âThe biggest difference between Regionals and Black Rock City,â Roizman continues, âis the intimacy you can create in a space where you have 1,000 people instead of 80,000. By the end of the week, everybody knows each other.â Most Fuego Austral attendees have never been to Black Rock City, although Burners from countries like Brazil, Israel and the U.S. have flown in to attend.
Representees from The Org (as Burning Man Project is called in Burner parlance) advise Regionals on how to organize, with a few primary requirements. One is that events start small, with Goodell saying that even 1,000 people is too big for an inaugural year. Organizers need to have gone to Black Rock City at least once. Like Black Rock City, Regionals must allow children.
âWe have a team that decides if the intention is in the right direction and if the people are skilled enough to do it,â says Goodell. âWeâve taken permission away when events looked more like a rave.â
Aspiring Regionals must also abide by Burning Manâs 10 Principles, the social guidelines for existing at a Burning Man event; these rules were in fact created in 2004 as a response to the Regionals. When the Regional network was taking shape in the late â90s and early â00s, Goodell put groups on an email thread with late Burning Man co-founder Larry Harvey, who answered their questions. Over time, the Principles â which include radical self-reliance and leaving no trace â developed as, Goodell says, âa direct response as to what kind of guidelines would help facilitate a Burning Man event.â
âOne of the first questions was, âWhy canât we do vending? We want to be a Burning Man event, but we want to sell hot dogs or whatever,ââ Goodell recalls. Harveyâs response spurred a discussion that ultimately created the âgiftingâ and âdecommodificationâ Principles, the latter of which states that âour community seeks to create social environments that are unmediated by commercial sponsorships, transactions, or advertising.â
The Org also offers practical support, helping Regionals write press releases or find an attorney if legal advice is needed. They step in if a death happens at a Regional (which has happened a handful of times over the years), provide advice on creating a business entity like an LLC and, Goodell says, âsometimes go in to help with drama.
âDifferent cultures deal with different problems differently,â she adds. âThe folks in Sweden, for instance, lean towards more socialist solutions when making decisions. Parts of the United States might be more hierarchical.â
Argentinaâs Fuego Astral
Courtesy of Ignacio Roizman
In a more obvious way, most Regionals look very different than Black Rock City, which is famous for its barren environment. For many, this singular landscape is what makes Burning Man Burning Man.
âWeâve asked ourselves that a lot,â Goodell says of whether the intensity of the desert defines the event. âWhen I first joined the organization, I asked Larry, âWhy the Black Rock Desert?â He said it was a practical thing; that when youâre in nature and forced to reflect on yourself and your role in nature, you can see how small you are. Plus [the environment] makes you band with others for your own survival.âÂ
The philosophy here is thus that Burning Man is not defined by being caked with a layer of dust, but being in the middle of nowhere. (To wit, Spainâs Regional, which takes place in the Monegros Desert, is called Nowhere.)
âThrough the evolution of the Regionals, weâve discovered you really should be as remote as you can, but it can be green rolling hills,â Goodell says. âYou should not be walking to a store or gas station. To me, thatâs more important than the weather being hard.â
A Las Vegas Regional she attended was visible from the road, which, she says, âwas a negative.â Miamiâs Love Burn, which takes place on the cityâs Virginia Key, also has âa lot of challengesâ given that attendees can Uber there and stay for a day. Goodell says these shorter experiences are âjust not as transformativeâ as a multi-night event.
But Regional organizers do find ways to build in challenges. Fuego Astral requires attendees to be dropped off at the front gate and then walk across the sprawling site to get to their camp, which makes it so, Roizman says, people âhave experienced that sense of overcoming a challenge.â
But while Black Rock City is remote, given that tens of thousands of people arrive there and build a bustling and often very noisy city, itâs not an ideal setting for those who prefer country life.
âBlack Rock City has a culture thatâs sometimes very urban,â Goodell says. âA lot of people will tell you theyâd rather go to Michiganâs Lake of Fire that has 2,500 people instead of 80,000, because they live rural.â
A young Burning Man staffer recently attended Lake of Fire, which happens in Rothbury, Michigan, to help The Org figure out why young people arenât going to Black Rock City in high numbers. âShe feels like the cost is one of the reasons,â says Goodell, who teared up when seeing photos of lights reflecting on a lake at Lakes of Fire in a way that reminded her of Black Rock City. âYou donât have to go to Black Rock City to be touched, create new community, collaborate on art and be together.â
Goodell says for her itâs especially satisfying to see Regionals develop in places like the former Eastern Bloc, where creativity has often been stifled by socio-political circumstances. She says while the Russian and Ukrainian groups are both currently âa bit stuntedâ because of the war, people from these countries are in attendance this week at Black Rock City. Israelâs Midburn, the second largest Regional after South Africa, typically brings 10,000 people to the desert, but scaled down to about 1,500 this year due to the war. The Thai and South Korean Regionals are produced largely by expats, although Goodell says that âwe really would prefer locals produce the Burning Man culture and not the traveling expats.â
The goal with the Regionals is simply to keep growing them. This past April, the European Leadership Summit Gathering happened in Talinn, Estonia and brought 30 staffers and 200 Burners from Europe and beyond together for panels and networking. Estonian Burner and Summit attendee Pille Heido says the experience provided the education and inspiration to âmake sure people donât just focus on that one event in the desert in August, which is great, but make sure thereâs other things you can do outside of it as well.â
Goodell says additional funding for Burning Man Project would help spur the Regionals network, with South America and Asia being regions âthat could use more encouragement.â
But where this money will come from is, she says, âthe 10-million-dollar question.â While Burning Man Project raised $8 million in 2023 through ticket sales and philanthropy, âWeâre absolutely at a point where weâre going to need to have a conversation about the longer-term method.â Goodell says a donation model âis the next bridge. Someone who doesnât go to Back Rock City might still give $250.â
But while that evolution of that issue is yet to be seen, Goodell says Black Rock City being down in population this year is, in a way, a sign of health. âWeâre proud of the fact that people are like, âI went to my Regional this year, so Iâm taking a year or two off.âÂ
Modestly titled The Girls Aloud Show, the reunion tour for Girls Aloud has been one of the most anticipated music events of the year for pop fans worldwide, marking a powerful and emotional return to the stage for the beloved U.K. girl group. The outing is the bandâs first since disbanding in 2013 and their first time together since the tragic loss of bandmate Sarah Harding, who died from breast cancer in 2021.
With multiple Guinness World Records for chart dominance on The Official U.K. Singles Chart, Girls Aloud has solidified their place in British pop music history. Yet, the years following their breakup allowed personal feuds, mainly between Cheryl, Kimberly Walsh and Nicola Roberts on one side against Nadine Coyle on the other. However, Hardingâs death served as a catalyst for reconciliation, with one of her final wishes to bring the women back together as bandmates and friends willing to put the past behind them.
Following the reconciliation and subsequent tour announced at the end of 2023, The Girls Aloud Show tour has grossed $19.1 million from 200,000 fans filling arenas across the 20 dates reported so far to Billboard Boxscore. But beyond the numbers, the real impact of The Girls Aloud Show lies in the heartfelt moments that have defined this reunion.
From emotional tributes to Harding in the show, where the group paused to honor their late friend with tearful speeches and a poignant video montage, to a reimagined Pride concert in August that celebrated the LGBTQ+ community with vibrancy and love, the tour has been a testament to the enduring bond between these women, their fans and the critically acclaimed music from their seven LPs together.
Beyond the celebration, the tour also helped bring awareness and donations to the Sarah Harding Breast Cancer Appeal created by her bandmates in April 2023. As one of Sarahâs parting wishes, the foundation developed the Breast Cancer Risk Assessment in Young Women to find new ways to spot the disease. With its second phase of research funded by initiatives in place during the tour, the show also marked a way to honor Harding beyond the stage.
As Girls Aloud take their final bow this month, the members leave behind a legacy not just of chart-topping hits, but of resilience, forgiveness and the power of friendship. The Girls Aloud reunion felt like more than a comeback; it was a celebration of life, great pop music and the memory of a superstar friend who will never be forgotten.
Read on for the best moments from the reunion.
The Ethereal, ‘Untouchable’ Tour Opener
Image Credit: Courtesy Photo