Legal
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Tory Lanez will remain in prison pending appeal after a Los Angeles court judge denied his motion for bond on Thursday (Sept. 14). The ruling, reported by Meghann Cuniff who was in person at the hearing, was handed down by Judge David Herriford, who last month sentenced Lanez to 10 years in prison for shooting […]
In the latest of many lawsuits against Kanye West, a singer who moonlights in security and construction has sued the rapper over back payments and dangerous conditions stemming from a late-2021 attempt to turn the hip-hop star’s Malibu home into an “open-concept, industrial-brutalist, art-style dwelling that’s also a bomb shelter-bunker,” according to the complaint.
In a Los Angeles Superior Court lawsuit filed Wednesday (Sept. 13), Tony Saxon alleges he injured his back while working on the project and had to spend days at the property with no food or bedding. Accusing West, who legally changed his name to Ye, of disability discrimination, labor-code violations and unlawful wage withholding, Saxon claims the rapper promised him $20,000 a week, but after a month on the job, he received just $20,000 total, plus $120,000 for reimbursement of construction costs.
According to the lawsuit, which is requesting unspecified “monetary relief,” Saxon complained to Ye that he was “ill due to his severe injury on his back and that he needs to rest.” However, “Defendant disregarded Plaintiff’s concerns and instead responded by asking to discuss the next phase of the project.”
In an interview from his attorney’s Los Angeles office, Saxon says he requested a meeting with Ye and the project leader, then wound up in a room with them as well as “50 random people.” Ye mentioned his desire to install generators inside the building, which Saxon suggested would be unsafe, and the rapper became angry. “He told me I was a Clinton, a Kardashian, an enemy, and I was not going to be his friend anymore,” Saxon says. “So that’s how that ended.”
Saxon, 32, who describes himself as a recording artist, DJ and soul singer, says his music-business connections led him to a fashion photographer who put him in touch with the head of Ye’s construction project. In September 2021, Ye had reportedly purchased a Malibu house built by renowned Japanese architect Tadao Ando for more than $57 million. Soon after that, Saxon worked on the house for three straight days without knowing the owner’s identity. Ye then showed up and requested to “rip out the finest marble and all these crazy fixtures that wired the house.”
Says Saxon: “It was just absurd.”
Ron Zambrano, Saxon’s attorney, also represents a gym teacher at Ye’s Donda Academy who filed suit in July over unsafe conditions. Among other things, the school did not contain windows, because, according to the teacher’s lawsuit, Ye “did not like glass.”
“What we’re seeing are the symptoms of Kanye’s inability to respect people’s time and pay for them,” Zambrano says. “He goes into people’s lives: ‘I have an idea, I have lots of money, you have to drop everything in the world and I promise to pay you.’ Then he gets bored and goes somewhere else and normal people get left in the lurch.” Zambrano adds that if you “do the math,” potential damages could add up to “seven figures.”
Attorneys for Ye did not respond to Billboard‘s requests for comment.
The Harlem Festival of Culture was supposed to be a celebration of music and coming together, inspired by the Academy Award-winning documentary Summer of Soul directed by Ahmir “Questlove” Thompson — but a recent lawsuit filed in New York paints a picture of an event plagued by in-fighting and mistrust between the event’s three founding members.
On Thursday (Sept. 8), two of the members of the Harlem Festival of Culture LLC — editor and activist Musa Jackson (who appeared in Summer of Soul) and culture and lifestyle entrepreneur Nikoa Evans filed suit against partner and co-founder Yvonne McNair, accusing her of mounting “a hostile takeover” of the festival, scheduled to take place July 28, 29 and 30 on Randall’s Island in New York.
McNair plans to fight the lawsuit, telling Billboard, “I have worked tirelessly over the past several years to bring the Harlem Festival of Culture to life. I am relying upon my legal team to guide this process and I will be in touch with factual updates in the future.”
The festival was to be hosted by MC Lyte and feature performances by Adam Blackstone, Eric Bellinger, Jozzy, MAJOR., Ma$e, Remy Ma, Ro James, Tink and Wyclef Jean — with a special concert series leading up to the festival to be held at Harlem’s famed Apollo Theater. The event was canceled hours before it was set to open on July 28 due to President Joe Biden’s heat advisory for the weekend, which was the first-ever national hazard alert for heat issued by the White House.
The lawsuit paints a picture of a festival in constant turmoil beginning in February of this year as McNair began courting sponsors for the event, booking talent and contracting production companies to produce it. Jackson and Evans accuse McNair of diverting festival funds to accounts McNair controlled while McNair accuses Jackson and Evans of misappropriating funds and claims that a charitable donation of $125,000 had gone unaccounted for.
Jackson and Evans eventually informed McNair that their combined votes gave them majority control, demanding McNair get their approval for any sponsorship or booking agreements she negotiated. On April 19, Jackson and Evans ordered McNair to postpone the launch of ticket sales for the Harlem Festival of Culture. With the event suspended, McNair allegedly attempted to rename the event “Uptown Fest” and move forward with the festival. Eventually, the NYC Parks Department, AMC and Ticketmaster staged an intervention and demanded the three partners resolve their disagreement, leading to a settlement on May 22.
The truce didn’t last long, and within a few days, disagreements over vendors, sponsors and how much artists were being paid to perform at the festival reignited the feud and led to new complaints from Jackson and Evans over how McNair was advising vendors to prepare for the event. The pair even criticized McNair for waiting too long to cancel the festival after learning of the heat advisory.
Jackson and Evans, through their lawyer Kenneth Sternberg of Sternberg Law, are suing McNair on 15 civil counts including breach of contract and breach of fiduciary duty. They are also seeking “a judgment declaring that McNair is solely responsible for any liability” linked to any transactions or contracts that Jackson or Evans didn’t personally approve of, “regardless of the name in which the contract was signed.” Sternberg is also asking that McNair be forced to pay $2 million for punitive and compensatory damage, plus interest.
Sean “Diddy” Combs just scored a significant win in his case against alcohol giant Diageo after a judge denied two crucial motions filed by the liquor maker, according to court documents filed Thursday.
Combs himself was present in court for the ruling, during which New York state judge Joel M. Cohen rejected Diageo’s motions for the case to be dismissed or, alternatively, sent to private arbitration. The case will now move forward in state court, with the trial open to the public.
The lawsuit, brought by Combs in May, claims Diageo breached its partnership deal with the artist and entrepreneur for its DeLeón Tequila by failing to properly support the brand, thereby harming its sales. Combs’ lawsuit also leveled accusations of racism against the alcohol company, accusing it of treating his product line “worse than others because he is Black.”
In June, Diageo fired back by calling Combs’ racism accusations “false and reckless” and part of an effort to “extract additional billions” from the company while concurrently filing motions for dismissal or arbitration. At the same time, a spokeswoman for Diageo noted the company had permanently severed its business relationship with Combs, claiming the rapper had “repeatedly undermined our partnerships and threatened to publicly defame Diageo if we did not meet his unreasonable financial demands.” The company additionally painted Combs as “an unreliable and untrustworthy business partner” who failed in his obligations to support DeLeón.
In asking Cohen to keep the case out of court, the company argued that the “garden variety” business dispute should have been decided under a binding arbitration agreement previously signed by both parties. But the judge clearly disagreed, striking down Diageo’s motions after hearing oral arguments from attorneys on both sides of the case for more than 90 minutes on Thursday.
“This case has always been about getting fair and equal treatment,” said Combs’ lawyer John Hueston in a statement. “Today’s decision is an important step in the right direction. Diageo tried to end this action. Today the judge soundly rejected that effort.”
Combs added, “I’m fighting for fair and equal treatment for everyone. This isn’t just about me. I look forward to continuing this fight in court. We all deserve the same 24 hours.”
A spokesperson for Diageo sent the following statement: “While we are disappointed with yesterday’s procedural decision, it is important to underscore that this is not a ruling on the merits of the claims, which we maintain are false and baseless. We are currently considering all legal options.”
After his arrest on Thursday evening (Sept. 7) in Oklahoma for obstruction of an investigation, Zach Bryan posted a video on Friday morning (Sept. 8) further explaining what happened during the incident in which he said he got “too lippy” with officers.
Bryan is sitting in his car in the nearly five-minute clip, speaking directly to fans while driving to New York with his dog Jack in the passenger seat. “I just wanted to be completely transparent with everyone who listens to my music about what happened yesterday with me getting arrested,” said the singer who just scored his first Billboard 200 No. 1 album with his new self-titled project and his first Billboard Hot 100 No. 1 song with “I Remember Everything,” featuring Kacey Musgraves.
Prefacing his story by saying that he will have to deal with the “legalities” of the arrest, that he did go to jail and that police did not play any favorites with him, Bryan bluntly said, “I was an idiot today. My decisions did not reflect who I was as a person… I should have been smarter about it”; in an earlier social media post, Bryan said he’d had an “incident” with the Oklahoma Highway Patrol and that “emotions got the best of me, and I was out of line in the things I said.”
He then laid out what he said was the full timeline of events, which Bryan explained began three days ago when he was driving through a small town in Oklahoma, where he was pulled over by a police office for going “4-5 [miles] over” the speed limit. The singer said after being asked for his license, registration and address, he explained to the officer that he was not comfortable giving out his address because of his notoriety as a musician.
Bryan said the officer informed him that if he did not give his address he would go to jail. “I’m like, ‘man, I’m not gonna give you my address,’” Bryan said he told the cop, who then allegedly asked him to step out of the vehicle, at which point the singer said he was handcuffed. “I’m like, ‘man, what the hell is going on? Why are you doing this?’” he recalled saying.
After Bryan discussed it with the officer, he agreed to give his address and the cuffs were taken off, but the encounter “frustrated me a lot because I didn’t know if I had a right to refuse giving him my address,” he said. Fast forward to Thursday, when Bryan tells his security guard that he’s driving to Boston to see his favorite team, the Philadelphia Eagles, play the New England Patriots in Foxborough on Sunday.
The pair begin driving and Bryan said they were 40 minutes from his Tulsa house — with his security guard trailing him in another car — when he saw his security get pulled over. Bryan said he pulled around the block and parked his car near his security guard’s and waited for the traffic stop to conclude. After 15 minutes Bryan said he wondered why it was taking so long, so he got out of his car. “I was gonna smoke a cigarette [and] the cop comes up to me and he’s like, ‘sir, get back in your vehicle.’ And I’m like, ‘I’m not the one getting pulled over,’” Bryan said he told the officer.
When told he would go to jail if he didn’t get back in his car, “like a dumbass I said, ‘take me to f—ing jail? What do you mean?’” Bryan said he replied, admitting that he got “too lippy” with the cop, who then brought him over to his cruiser. “I didn’t help my situation at all,” Bryan said of his confrontation with the patrolman. “I felt like a child, it was ridiculous, it was immature. And I just pray everyone knows I don’t think I’m above the law. I was just being disrespectful and I shouldn’t have been and it was my mistake.”
After getting cuffed for the second time in three days — Bryan noted that the restraints were tight on his wrists — the singer was placed in the front seat of the cruiser, where he engaged in some back-and-forth about how the handcuffs hurt. He said the officer told him, “they’re not supposed to be comfortable.” Bryan said he began getting “more angry and angry” about the situation, “which is the worst thing you can do.”
After 15 minutes Bryan said he was released from the police cruiser, at which point he said he was just “mouthing off, like an idiot. Like an actual child. I’m like, ‘man, someone’s gotta get a hold of you guys. Why are you using your authority like this? This is so wrong.’ When in reality they were just doing their jobs. I was upset.”
He said the officer then explained that he was going to talk to Bryan and he didn’t want to be interrupted, after which Bryan said he would listen, but then he wanted to respond. “He started talking, I interrupted him. Naturally, because I was just angry,” Bryan said. The officer then informed the singer that he was taking him to jail, where he spent several hours, during which Bryan said he “cooled off a little bit.”
He said everyone in booking at the Vinita, OK jail was very kind to him and that he and the arresting officer ended up shaking hands, after which he posted his online apology note. “I was just an idiot and I’ll take the fall for it,” Bryan said. “I’m a grown man and I shouldn’t have behaved like that. And it won’t happen again.”
Watch Bryan’s video below.
Zach Bryan was arrested Thursday evening (Sept. 7) in Oklahoma for obstruction of investigation, according to the Craig County Sheriff’s Office. There are currently no other details on the country/rock star’s arrest, which was first reported by TMZ. Bryan was born in Oologah, Oklahoma, and lives in nearby Tulsa, while the sheriff’s office where he […]
Kanye West filed a lawsuit in California on Wednesday (Sept. 6) against the individual or entities responsible for taking and distributing copies of his music that have ended up on social media.
In the complaint, the artist, who now goes by Ye, alleges trade secret misappropriation and breach of contract due to the unauthorized leaks of copyrighted works on both Instagram and X (formerly Twitter), arguing they have caused “substantial harm” to his reputation.
Ye’s lawyers claim that starting on Mar. 3, 2023, the owner of the @daunreleasedgod_ handle on Instagram went on a leaking spree of unreleased tracks, including “We Did it Kid,” “Shy Can’t Look,” “NASDAQ” and “Mr. Miyagi,” as well as collaborations with artists including DJ Khaled and unauthorized video footage of a Donda listening party.
The rapper’s complaint goes on to cite the @daunreleasedgod_ account on X for similarly posting unauthorized leaks on dates ranging from mid-June to late August. “Ye has suffered significant financial losses and damages as a direct result of the Defendants’ actions,” the suit alleges.
The lawsuit does not name @daunreleasedgod_ or any of its other variations as a defendant in the case, only that it was the main distribution vehicle for the leaks.
Ye’s lawsuit indicates that he “does not know the true names or capacities” of the defendants who leaked the tracks to the Instagram or X user(s), but believes that those individuals were required to sign confidentiality agreements with him before they were given access to the compositions. By leaking and distributing the tracks, the defendants breached their contract with the artist and owe him damages and any profits generated, the complaint adds.
The filing continues that the “distinctive arrangement and unique elements” found in Ye’s music amount to a trade secret “due to its economic value, secrecy, and the efforts taken to safeguard it” and that the defendants violated their contract with Ye when they “knowingly and unlawfully acquired, disclosed, and distributed” those unique works.
The case, filed by Gregory K. Nelson of Weeks Nelson, seeks to restrain the defendants and “those acting in concert with them or at their direction” from further exploitation of Ye’s compositions and demands damages, fees and other costs. While the identities of the defendants are not yet public, “Ye will amend its Complaint to set forth the true names and capacities of these defendants when they have been ascertained.”
The head of a powerful Japanese talent agency resigned Thursday (Sept. 7) and made an apology punctuated by repeated, lengthy bows, nine days after an internal investigation concluded that its founder had sexually abused hundreds of young performers over decades.
Julie Keiko Fujishima announced she was stepping down as president of Johnny & Associates, the agency founded by her late uncle Johnny Kitagawa, and promised to contribute to a compensation fund from her own fortune.
“This is what my uncle committed, and as a niece, I want to take responsibility,” Fujishima said solemnly. Fujishima said the alleged sex abuse had really happened and that she would stay on the company’s board to see through a victim compensation program.
A group of men who accused Kitagawa of raping them as children said they were pleased the company apologized, but some had reservations.
“The wounds in my heart will not heal,” Yukihiro Oshima told reporters. “But I feel a little better.”
Fujishima remains the sole owner of Johnny’s, and her replacement faces his own allegations of mistreating young performers.
Rumors that Kitagawa had abused children followed his career for decades, but his power allowed him to silence almost all allegations until his death in 2019. The company agreed to investigate earlier this year, after the BBC aired a documentary that spoke with several accusers and others began to come forward by name.
The three-month probe concluded that Johnny Kitagawa sexually assaulted and abused boys as far back as the 1950s and targeted at least several hundred people.
The company named a 56-year-old performer as its new leader. Noriyuki Higashiyama said he was retiring as an actor and singer to take the job, a role that will include overseeing compensation for men who were assaulted as children.
“A horrendous crime has been committed,” Higashiyama told reporters at a Tokyo hotel, bowing deeply with Fujishima.
“It will take time to win back trust, and I am putting my life on the line for this effort.”
Higashiyama immediately fielded questions about allegations that he had engaged in bullying or sexually abusing other Johnny’s boys.
“I don’t remember clearly; maybe it happened, maybe it didn’t,” he said.
He acknowledged he tended to be strict with younger performers, and that he may have done things as a teen or in his 20s that he would not do now. A new company structure, which will include an outside compliance officer, will be announced next month, Fujishima said.
At one point, she choked down tears, stressing the achievements of the company’s singers and dancers. “I only feel deep gratitude to all the fans,” she said. Kitagawa had been so powerful that she, and many others, had kept silent, she added.
The men who have come forward say Kitagawa raped, fondled and abused them while they were working for his company as dancers and singers.
Many of the victims were members of a backup group called Johnny’s Jr., who danced and sang behind bigger stars. One man who came forward recently said he was routinely molested when Kitagawa had yet to found his company. He was just 8 years old.
Higashiyama denied he was a victim. He said Kitagawa had been like a father to him, while denouncing his acts as “the most pathetic in the history of humankind.” When he found out what Kitagawa had done, he felt as though he had lost everything, Higashiyama recalled.
“Whether I am qualified to take on this job, you be the judge,” he said.
Separately, Guinness World Records said it had stripped Kitagawa of all the records he had held, such as No. 1 hits, according to its policy toward “criminals.”
B.G., a founding member of the popular ’90s rap group Hot Boys, was released from prison Tuesday (Sept. 6) after serving 12 years for gun possession and witness tampering, a Cash Money rep confirmed to Billboard. Cash Money founder Birdman was on Instagram Live when he greeted his New Orleans comrade with a big hug, welcoming […]
A group of men who say they were sexually abused by a Japanese boy band producer expressed hope Monday (Sept. 4) that the company will provide financial compensation and introduce measures to prevent a recurrence.
They say producer Johnny Kitagawa sexually preyed on young dancers and singers for decades, having them stay at his luxury home, handing them cash and leveraging promises of potential fame. The company, Johnny & Associates, is a powerful force in Japan’s entertainment industry.
The men said at a news conference Monday that they have been ignored for decades by the company, Japanese society and mainstream media.
Company Chief Executive Julie Keiko Fujishima released a brief statement on YouTube in May about the accusations but has not appeared before reporters. The company has set a news conference for Thursday.
“We want Julie to apologize, as the chief executive and company owner,” said Shimon Ishimaru, one of nine men who have formed a group demanding an apology and compensation from the company. “For a company behind this big a crime to do nothing is unimaginable.”
Johnny’s, as the company is known, is family-run and not publicly listed. Kitagawa, Fujishima’s uncle, died in 2019 and was never charged.
A special team set up by the Tokyo-based company recently spoke to 23 accusers, but has said the total will likely balloon to at least several hundred people. The team also recommended Fujishima resign.
Junya Hiramoto, another member of Ishimaru’s group, said they hope to set an example for others who have suffered.
“Our wounds never fade,” Hiramoto said. “Do you think we aren’t still hurting? Do you think we can forget? Do you know what it’s like for us to come forward like this, filled with shame?”
Over the years, persistent allegations against Kitagawa have generally been dismissed as malicious rumors. Mainstream media stayed silent.
The U.N. Working Group on Business and Human Rights has urged the Japanese government to act to make sure that Johnny’s provides an apology and compensation and that government oversight of businesses be improved. The government has yet to take action.
Japan tends to be behind the West on issues of gender equality, children’s rights and awareness about sexuality.
It was only after a BBC documentary about Kitagawa aired this year that the scandal again became a topic of scrutiny.
Another accuser, Kauan Okamoto, spoke at the Foreign Correspondents Club in April, saying he trusted foreign media more than Japanese media. Okamoto, like many others who have come forward, was part of a backup boys’ group called Johnny’s Jr.
The Associated Press does not usually identify people who say they were sexually assaulted, but Kitagawa’s recent accusers decided to be named publicly in news accounts.