Legal
Page: 30
Cher has won her lawsuit against Sonny Bono’s widow over royalties to “I Got You Babe” and other hits after a federal judge ruled that Mary Bono must continue paying the superstar her cut under the couple’s decades-old divorce settlement.
More than 20 years after Sonny’s death, Mary argued that she no longer needed to pay royalties to Cher thanks to copyright law’s so-called termination right — a provision of federal law that allows songwriters and their heirs to win back control of their intellectual property rights decades after they gave them away.
But in a decision issued Wednesday (May 29), Judge John A. Kronstadt ruled that the federal termination rules do not trump Sonny and Cher’s 1978 divorce settlement, which gave the singer a permanent 50% cut of the publishing revenue from songs written before the couple split up.
Trending on Billboard
The ruling means that Cher will continue to receive publishing royalties for her catalog of songs created with Sonny, including “The Beat Goes On” and “Baby Don’t Go.” According to Wednesday’s ruling, more than $400,000 in royalties owed to Cher have piled up since the dispute began.
Neither side’s attorneys immediately returned requests for comment.
Sonny and Cher started performing together in 1964 and married in 1967, rising to fame with major hits like “I Got You Babe,” “The Beat Goes On” and “Baby Don’t Go.” But the pair split up in 1974, finalizing their divorce with a settlement in 1978. Under that deal, Sonny retained ownership of their music rights, but Cher was granted a half-share of all publishing royalties in perpetuity.
That agreement stayed in effect for years, including after Bono died in a 1998 skiing accident. But in 2016, Mary and other heirs invoked the termination right, seeking to take back control of Sonny’s copyrights from his publishers. And in 2021, they informed Cher that they would soon stop paying royalties under the earlier agreement.
Cher quickly sued, seeking a ruling that she was still owed her 50% cut regardless of who owns the copyrights since a federal copyright provision had no bearing on a state-law asset settlement. Mary fired back a few months later, claiming that termination rights could not be waived by contract and that Cher’s arguments would “subvert” the purpose of the law.
In Wednesday’s ruling, Judge Kronstadt sided with Cher’s arguments. He ruled that the divorce settlement with Sonny gave Cher a “contractual right to receive financial compensation,” rather than the kind of control over his copyrights that could be voided using the termination right: “A right to receive royalties is distinct from a grant of copyright,” the judge wrote.
Ryan Castro won a multimillion-dollar lawsuit in an arbitration process against King Records, owned by fellow Colombian artist Kevin Roldán, for breach of contract. According to a resolution by a Colombian judge, the arbitration tribunal ruled that King Records must pay Castro an amount exceeding $2 million. In addition to this, the ruling grants the […]
Sean Kingston signed papers in California on Tuesday (May 28) waiving his right to fight extradition to Florida, where he and his mother are charged with committing more than $1 million worth of fraud. According to the Associated Press, the “Beautiful Girls” singer/rapper, 34, did not make a public court appearance, but representatives from the San Bernardino courts and sheriff’s office confirmed to AP that Kingston signed papers in which he agreed to skip extradition.
In singing the papers, Kingston agreed to be turned over to authorities in Florida, though as of Tuesday afternoon he reportedly remained in a Southern California jail while sheriff’s officials coordinate his transfer to Florida. Kingston was arrested last Thursday on the Army training base in Fort Irwin, Calif. in the Mojave Desert, where he was booked to perform. His mother, 61-year-old Janice Turner, was also arrested on Thursday during a SWAT raid at Kingston’s rented mansion in Fort Lauderdale, Fla.
Trending on Billboard
According to warrants from the Broward County Sheriff’s Office, both son (born Kisean Paul Anderson) and mother have been charged with 10 counts, including conducting an organized scheme to defraud, grand theft, identity theft, issuing faulty checks, probation violation and related crimes alleging that the pair stole money, jewelry, a Cadillac Escalade and furniture; Kingston was already on two years’ probation for trafficking stolen property.
On Tuesday, Kingston’s attorney, Robert Rosenblatt, told NBC News that the singer was in the process of returning to Florida after his gig on the base. “We want him back asap so we can show this is merely a civil case and not criminal. We look forward to challenging this case in court,” said Rosenblatt.
The charges and arrests stem from a lawsuit reportedly filed by attorney Dennis Card, whose suit alleges that Kingston has allegedly displayed a pattern of not paying for items. “My client has a $150,000 television sound system that’s in there, there’s also about $1 million worth of watches that are in there, there’s a $80,000 custom bed that was ordered. This is an organized systematic fraud,” Card told NBC Miami. He added, that Kingston has “basically a script. He says that he works with Justin Bieber, and that he obviously puts on a big show here, this is a rental house, he doesn’t own it, and he lures people using his celebrity into having them release things without him paying for it and then he simply never pays.”
According to the AP, warrants in the case say that from October to March, Kingston and his mother allegedly stole nearly $500,000 in jewelry, more than $200,00 from Bank of America, $160,000 from an Escalade dealer, more than $100,000 from First Republic Bank and $86,000 from the maker of customized beds.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: The federal government files an antitrust lawsuit against Live Nation and Ticketmaster aimed at breaking up the concert giant; Beyoncé faces a copyright lawsuit over a sample featured in “Break My Soul”; Elvis Presley’s heirs win a bizarre battle over Graceland; and much more.
THE BIG STORY: “It Is Time To Break It Up”
Fourteen years after federal regulators allowed Live Nation and Ticketmaster to merge into a concert behemoth, the U.S. Department of Justice and dozens of states filed a long-awaited antitrust lawsuit last week that aims to effectively reverse that decision.“Live Nation has illegally monopolized markets across the live concert industry in the United States for far too long,” said Attorney General Merrick Garland at a press conference announcing the case. “It is time to break it up.”Ever since the merger was approved in 2010, Live Nation has faced criticism over its huge market share. But scrutiny increased dramatically following the disastrous 2022 rollout of Taylor Swift’s Eras Tour, which saw widespread service delays and website crashes. While the DOJ had already launched its probe prior to the Swift incident, the debacle sparked widespread public anger that led to Congressional hearings, private antitrust lawsuits, and repeated calls to break up the company.In a lawsuit aimed at doing just that, the DOJ focused on what it called Live Nation’s “flywheel model” — an alleged cycle of reaping revenue from ticketbuyers, using it to sign artists into promotion deals, and then leveraging that repertoire to lock venues into exclusive ticketing contracts. To bolster that model, the feds say Live Nation engaged in a wide range of anticompetitive conduct, including acquiring rivals and retaliating against venues that didn’t use Ticketmaster. In particular, the DOJ focused on emails between Live Nation chief executive Michael Rapino and venue management firm Oak View Group, a “potential competitor-turned-partner” that allegedly helped Live Nation stifle competition.For all the details, go read our full coverage on the Live Nation lawsuit — including our news story on the filing of the case (featuring the actual complaint filed by the DOJ) as well as a deep dive from Dave Brooks into those emails from Rapino. And stay tuned for more coverage from Billboard as the big case moves forward…
Trending on Billboard
Other top stories this week…
BEYONCÉ COPYRIGHT CASE – The superstar was hit with an infringement lawsuit over her chart-topping 2024 hit “Break My Soul,” filed by a little-known group that claims one of the song’s prominent samples — a clip taken from the New Orleans rapper Big Freedia — had itself illegally lifted lyrics from their earlier song.GRACELAND SNAFU ENDS – A bizarre legal battle over “fraudulent” efforts to sell Elvis Presley’s Graceland mansion came to close after a Tennessee judge granted his granddaughter Riley Keough a court order blocking the looming foreclosure before the mysterious loan company that orchestrated the event reportedly withdrew its filings. But the story isn’t over, as Tennessee Attorney General Jonathan Skrmetti launched an investigation into potential “misconduct” by the shadowy creditors behind the incident: “My office has fought fraud against homeowners for decades and there is no home in Tennessee more beloved than Graceland.”DIDDY SUED FACES 7TH ACCUSER – Sean “Diddy” Combs is facing yet another sexual abuse lawsuit, this time filed by a woman named April Lampros who claims that he drugged and sexually assaulted her 30 years ago while she was a college student in New York City. Lampros is the seventh alleged victim to file a lawsuit accusing Combs of sexual abuse over the past six months, including one filed just days prior. He’s also facing an apparent federal criminal investigation.EARTH, WIND & DAMAGES – A tribute act that called itself “Earth, Wind & Fire Legacy Reunion” will pay the legendary R&B group $750,000 in damages for using its trademarked name in ways that a federal judge called “deceptive and misleading,” according to court documents filed last week. ASTROWORLD LITIGATION UPDATE – Attorneys for Travis Scott, Live Nation and others reached a settlement to resolve the last remaining wrongful death lawsuit stemming from the deadly crowd crush at the 2021 Astroworld music festival, which left 10 fans dead. But thousands of claims from injured fans remain pending, with a potential first trial set for October.APPLE APPEALS HUGE EU FINE – Apple launched a legal challenge in European Union court against the 1.8 billion euro ($1.95 billion) fine assessed by the European Commission earlier this year over allegations that the tech giant broke competition laws by unfairly favoring its own music streaming service over rivals like Spotify.KELLY CLARKSON SETTLES WITH EX – The singer reached a settlement to end her sprawling legal battle with ex-husband Brandon Blackstock over management commissions. The divorce itself was finalized in 2022, but the pair had continued to battle in court over tricky business entanglements with Blackstock’s father’s firm Starstruck Entertainment, which managed her career for years.
Darius Rucker is speaking out about his February arrest, which found the country star facing two misdemeanor charges related to an instance of alleged drug possession more than a year ago. While promoting his new memoir Life’s Too Short on TODAY Tuesday (May 28), Rucker recounted how he was initially pulled over in Tennessee in […]
Nicki Minaj was seemingly arrested in Amsterdam on Saturday (May 25) while on her way to perform a concert in the United Kingdom.
The “Super Bass” rapper captured the incident in an Instagram Live video that was later reposted by her fans on social media. In the clip, an Amsterdam official is heard saying he wants to take Minaj into custody for “carrying drugs,” despite her claim that she was not holding any contraband.
“I’m not going in there. I need a lawyer present,” Minaj, 41, replies to the authorities, who repeatedly ask her to step into a vehicle and stop recording.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Minaj was scheduled to perform at Manchester’s Co-Op Live on Saturday night as part of her Pink Friday 2 Tour. Another officer in the video is heard referencing the concert, saying officials would “try to get [her] there” as soon as possible.
Trending on Billboard
“Oh, so I’m under arrest?” she asks as the officials, who responds with, “Yes.” He didn’t offer any further explanation.
The clip ends with Minaj voluntarily getting into the police van.
It was not clear at press time if Minaj had been booked at a police station. A spokesperson for Royal Netherlands Marechaussee military police told TMZ that an American woman had been arrested for possessing “soft drugs,” but declined to identify the individual by name or the specific type of alleged drugs.
Billboard has reached out to Minaj’s representatives for comment.
The “Super Freaky Girl” rapper shared another video on Saturday that appears to be an airport official telling her that authorities need to search her bags.
“Now they said they found weed & that another group of ppl have to come here to weigh the pre-rolls,” Minaj wrote on X (formerly Twitter), later noting that her plane was being delayed a couple hours.
“Keep in mind they took my bags without consent,” she added, pointing out that marijuana is legal in Amsterdam. “My security has already advised them those pre-rolls belong to him. Oh yea & the pilot wants me to take my ig post down.”
On Instagram, the rapper suggested that her Pink Friday 2 tour was being “sabotaged.” “They’ve been trying to stop me from coming to every show,” she wrote. “They took my bags before I could see them. Put it on the plane. Now saying they’re waiting on customs. This is what it looks like when ppl are paid big money to try to sabotage a tour after all else failed. Everything they’ve done is illegal.”
The incident prompted the Barbz to share their displeasure on social media, resulting in the hashtag “#FREENICKI” trending on X.
See Minaj’s post on Instagram below.
Sean Kingston was arrested on fraud charges in California on Thursday (May 23). A spokesperson for the Broward Sheriff’s Office confirmed to Billboard on Friday morning (May 24) that the “Beautiful Girls” rapper — born Kisean Anderson — was apprehended without incident on a warrant from Florida in Fort Irwin, Calif., which is about 150 miles northeast of Los Angeles.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Kingston’s arrest came mere hours after his South Florida mansion rental was raided by Davie Police SWAT team members on Thursday, with officers taking his mother, Janice Turner, into custody and hitting the 61-year-old with fraud and theft charges.
The raid allegedly came in response to a lawsuit filed by attorney Dennis Card, who claimed that Kingston demands items and doesn’t end up paying for them, says NBC Miami.
Trending on Billboard
“He’s got basically a script, he says that he works with Justin Bieber, and that he obviously puts on a big show here, this is a rental house, he doesn’t own it, and he lures people using his celebrity into having them release things without him paying for it and then he simply never pays,” Card claimed of the 34-year-old singer.
“This evening, police in Fort Irwin, CA, arrested Kisean Anderson, aka Sean Kingston (2/3/1990) without incident on a Broward Sheriff’s Office arrest warrant for numerous fraud and theft charges,” read a statement from the Broward Sheriff’s office, which noted that, according to investigators, the singer was slated to be booked into jail in San Bernardino, Calif.
Reporters on the scene at the Southwest Ranches residence in Florida noticed officers loading vans with various items from the artist’s rental home following his mother’s arrest. Kingston attempted to calm fans’ worries in a since-deleted post to his Instagram Story on Thursday. “People love negative energy! I am good, and so is my mother! … My lawyers are handling everything as we speak,” he wrote.
Sean Kingston stormed onto the music scene as a teenager when his “Beautiful Girls” single topped the Billboard Hot 100 in 2007. His most recent project arrived in 2022 with Road to Deliverance. At press time a spokesperson for Kingston had not returned Billboard‘s request for comment.
Sean “Diddy” Combs is facing yet another sexual abuse lawsuit, this time filed by a woman who claims that he drugged and sexually assaulted her 30 years ago while she was a college student in New York City.
In a complaint filed Thursday in Manhattan court, April Lampros alleges that the rapper subjected her to “an aggressive, coercive, and abusive relationship based on sex,” including four instances of sexual assault.
In one such allegation, she says Combs forced her to take ecstasy and have sex with his former girlfriend Kim Porter. Though she “vocally opposed” the idea, she said she feared that Combs “blacklist her in the industry.”
“Ms. Lampros knew that she had to comply because she had witnessed what happens when someone defies Mr. Combs,” her lawyers write. “She had also been threatened and victimized by Mr. Combs and did not want to cause a problem because she feared him.”
Thursday’s lawsuit also names Sony Music Entertainment as a defendant, claiming the company “enabled” Combs’ conduct. She claims that she worked for Sony’s Arista Records when at least one of the attacks occurred, and that Sony “knew or should have known that Combs was not fit to be in a position of authority.”
Representatives for both Combs and Sony did not immediately return requests for comment.
Lampros is the seventh alleged victim to file a lawsuit accusing Combs of sexual abuse over the past six months, including one filed just days ago by a model named Crystal McKinney who claims the hip-hop mogul forced her to perform oral sex on him following a Men’s Fashion Week event in 2003. The rapper is also reportedly facing a federal criminal investigation over abuse accusations.
In previous statements, Combs has strongly denied any wrongdoing. But after a video surfaced last week showing Combs attacking one of those accusers – then-girlfriend Cassie Ventura – he said he took “full responsibility” for that incident and was “truly sorry.”
In her complaint, Lampros claims that she met Combs in 1994 while she was a college student at New York City’s Fashion Institute of Technology. After she told him about her “dreams of working in the fashion industry,” Lampros says Combs promised to mentor her and help her find work in the industry.
But she says the relationship quickly turned sexual, including “four terrifying sexual encounters” and threats of physical violence. One such incident occurred after a night out in 1995, when she claims that she began to feel unwell after taking just “a few sips of one drink.”
“Ms. Lampros pleaded with Mr. Combs to stop, and he ignored her,” her attorneys write. “Ms. Lampros could not process why this was occurring and felt a loss of control. Ms. Lampros was being raped by Mr. Combs, and she soon passed out.”
Thoughout the relationship, Lampros claims that Combs exercised power over her due to his fame and influence: “She felt that if she disobeyed him, he would take away her dreams of pursuing a career in his world.”
Lampros also claims that Combs surreptitiously filmed one of their sexual encounters and then shared the video with others. She says she learned of the tape in 2023, when an unnamed man told her boyfriend that “he should reconsider dating her because he personally saw a video of her and Sean Combs having sex.”
The lawsuit alleges that all of the defendants violated New York City’s Victims of Gender-Motivated Violence Protection Law. The case also includes counts of civil battery, sexual assault and negligent infliction of emotional distress against Combs.
Read the entire complaint here:
The Department of Justice dropped a wide-ranging antitrust complaint against Live Nation on Thursday (May 23), highlighting more than a dozen examples of the company’s “anticompetitive and exclusionary” behavior in accusing it of operating live music’s largest monopoly.
The evidence looks particularly bad for Live Nation chief executive Michael Rapino, whose own emails are being used against him to document alleged threats made against competitors while the company was operating under a federal consent decree tied to its 2010 merger with Live Nation.
Under the arrangement, regulators with the government had the right to obtain company documents, including communications, without a subpoena. The most damaging evidence is an email exchange involving Oak View Group’s Tim Leiweke and mega music manager Irving Azoff, who co-founded the arena development and management company together.
Trending on Billboard
Leiweke was the CEO of AEG, Live Nation’s main rival in the concert business, until 2012, when he was fired by company owner Phil Anschutz. After a brief stint running the Toronto Maple Leafs and its sports and entertainment interests in Canada, he returned to the United States and eventually founded Oak View Group (OVG) in 2015.
The government claims Rapino tried to leverage his company’s partnership with OVG to pressure private equity firm Silver Lake to kill off a rival ticketing company that Rapino allegedly believed represented a major threat to Ticketmaster.
If true, the story could be a major problem for Rapino, underscoring the government narrative that despite Live Nation’s massive market share, the CEO operates the company like a paranoid pugilist, willing to cross ethical and legal boundaries to eliminate tiny threats.
Silver Lake has been OVG’s strategic investment partner since the company’s founding, investing $100 million to launch it. Today, it has more than $2.5 billion tied up in OVG development projects. Silver Lake also owns TEG, an Australian concert promotion company that operates Ticketek, a large Australian ticket provider with more than 130 clients.
According to the 120-page complaint filed Thursday in federal court, “In 2021, Live Nation’s CEO complained to Oak View Group’s co-founder that TEG was ‘[f]ull on competitors.’ Oak View Group, in turn, conveyed to Silver Lake that Live Nation was ‘not happy.’” The complaint adds that Rapino then escalated his complaints to Silver Lake directly, stating: “I am all in on [Oak View Group] where the big play lies with venues – why insult me with this investment in ticketing/promotions etc.’”
According to the lawsuit, “Rapino threatened to pull its support from Oak View Group and instead back an Oak View Group competitor unless TEG stopped competing with Live Nation in the United States,” the complaint alleges.
“I can assure you the OVG investment is a much bigger win then T[E]G,” Rapino wrote in an email to an unnamed Silver Lake executive that’s included in the lawsuit. “It’s been a huge win for both sides– we have over 20 global arenas in development that neither could do without the other … do you really want LN backing [AEG’s venue development and management company]…? Seems like a dumb trade off??”
To aid in the pressure campaign, Azoff “reportedly refused to allow TEG to promote any of his large roster of artist clients,” the complaint alleges. It further states that Azoff told Rapino “that he was going to demand that Silver Lake sell TEG. [To which] Live Nation’s CEO replied ‘Love ya.’”
“Silver Lake now seems ‘intent on dumping teg’ and has asked, through the founder of Oak View Group, whether Live Nation would be interested in purchasing TEG,” the complaint reads in describing the back-and-forth.
Live Nation did not purchase TEG, but in early 2023, a deal was brokered for Silver Lake to sell the company to investment companies Blackstone and KKR. That deal collapsed in October over disagreements over the valuation of the company, which is now being readied for an IPO in Australia.
Live Nation issued a statement on this allegation, stating that the “claim reveals not only a disregard for the facts, but also deep hypocrisy.”
“The current DOJ and FTC have been vocal critics of private equity companies making multiple investments in the same industry because of competitive ‘entanglements,’” the statement continues. “So was Live Nation CEO Michael Rapino when, after it had already made an investment in OVG, Silver Lake Partners decided to invest in the Australian live entertainment company, TEG. Rapino’s complaint was fundamentally the same as the DOJ/FTC concern with private equity rollups: it created a conflict between OVG, which had become a close partner to Live Nation, and TEG. So, in December 2021 when a TEG employee wrote to say that it did not intend to compete with Live Nation in the U.S., Rapino replied to Silver Lake’s management that he did not care about TEG, but still had a problem with Silver Lake’s decision to make multiple conflicting investments in the industry.”
The statement also claims that “there is no truth that this brief exchange had anything to do with Silver Lake’s decision to sell its stake in TEG.”
In addition to the allegations around TEG, the government’s complaint further alleges that OVG, when it was first founded in 2015, was “particularly well-suited to be a real competitor to Live Nation in the United States concert promotion business” but changed its model to avoid competing with Live Nation.
The evidence from the time, however, shows that OVG and Live Nation had long billed themselves as partners. A November 2015 press release announcing OVG’s launch includes a quote from Rapino endorsing Leiweke’s business model, stating, “Both Tim and Irving are friends of Live Nation as well as personal friends. The concept of creating an economic model for both arena’s and touring artists that creates new revenue streams and develops an ‘anchor’ type of platform for music is one we share.”
The DOJ claims that Live Nation initially identified OVG as one of its “Biggest Competitor Threats” but that over time, the two firms morphed “from competitors into partners who found it easier and mutually beneficial to work together rather than compete.”
According to the government, OVG in fact operates as “a self-described ‘pimp’ and ‘hammer’ for Live Nation, with Leiweke once telling Rapino ‘[j]ust like I tell our folks we 100% always protect you and LN on your lanes.’”
In 2016, “after learning that Oak View Group offered to promote an artist Live Nation had previously promoted, Live Nation’s CEO immediately emailed Oak View Group, warning that such competition would only lead to artists demanding more compensation,” reads the complaint. It further includes an email in which Rapino wrote of the artist: “Whats up? We have done his [touring] and vegas[.] Let’s make sure we don’t let [the artist agency] now start playing us off.”
As outlined in the complaint, Leiweke immediately responded, “Our guys got a bit ahead. All know we don’t promote and we only do tours with Live Nation.”
Azoff later chimed in, writing “Growing pains,” subsequently noting that OVG executives “should never discuss comp [for artists],” and that OVG’s talent buyers would work for Live Nation.
The government argues that this discussion is an example of Leiweke and Azoff colluding with Rapino to limit the competitive bids sent to an artist in order to keep artists fees low. In another example cited in the complaint from 2022, Rapino admonished Leweike for making a direct offer to an artist to play an OVG venue instead of asking Live Nation to promote the show for OVG.
“Who would be so stupid to do this and play into [the artist agent’s] arms”? Rapino asked Leiweke in the email. Leiweke responded, “We have never promoted without you. Won’t,” before later writing, “[m]ore than happy to do these deals thru LN as I have always been aligned,” and that “I never want to be competitors.”
The complaint also alleges that Live Nation “exploits its long-term relationship with Oak View Group to flip venues to Ticketmaster, further cementing Ticketmaster’s power.”
According to the DOJ, in 2022, Live Nation and OVG signed an unspecified agreement that resulted in OVG recognizing “it has a significant financial interest in maintaining existing Ticketmaster contracts at its venues and converting other venues to Ticketmaster.”
At some point, according to the lawsuit, Leiweke told Rapino that the deal “allows us to tie up all owned and operated facilities to 10 year deals, develop a standard A and B market deal for all future projects and to convert all OVG 360 deals to TM now or as they expire for 10 years… Appreciate the consideration and partnership and all of us will work diligently on this so we are always aligned with TM.”
Live Nation responded to this claim in a statement: “The theory is that the contract gave Ticketmaster an unfair advantage in securing the business of independent venues that were managed by OVG because it creates financial incentives for OVG to ‘advocate for’ Ticketmaster. But there is nothing remotely anticompetitive about that. Commercial arrangements that involve incentive or marketing payments are common throughout this industry (and many others).” The statement adds, “Ticketmaster competed and won the contract on the merits because OVG determined it was the best ticketing system available.”
Kelly Clarkson has settled a lawsuit against her ex-husband Brandon Blackstock over commissions he was paid during his time as her manager, according to a new report in Rolling Stone.
Explore
Explore
See latest videos, charts and news
See latest videos, charts and news
Clarkson requested a dismissal of the case on Tuesday (May 21), while Blackstock and his father’s management firm, Starstruck Entertainment, requested to dismiss the case on Wednesday (May 22), according to court documents reviewed by Billboard — though the documents do not mention a settlement.
Billboard has reached out to Clarkson and Blackstock’s reps for more information but did not receive a response at the time of publication.
Trending on Billboard
The reported settlement comes two months after Clarkson filed a case in Los Angeles courton March 14 seeking a ruling that Starstruck Entertainment had been violating state labor rules stemming from the start of their relationship. The lawsuit sought the return of “any and all commissions, fees, profits, advances, producing fees or other monies” she paid to Starstruck Entertainment dating all the way back to 2007.
Clarkson filed for divorce from Blackstock in June 2020 after seven years of marriage. The case was finalized in 2022, and the singer agreed to pay her ex-husband monthly child support of $45,601 for their two children — nine-year-old daughter River Rose and eight-year-old son Remy Alexander — plus a one-time payment of $1.3 million.
Shortly after Clarkson filed for divorce, Starstruck sued her for alleged unpaid fees, claiming the company had “invested a great deal of time, money, energy, and dedication” into her and had “developed Clarkson into a mega superstar.”
In response, Clarkson filed a complaint with California’s Labor Commissioner, claiming that Blackstock and Starstruck had violated California’s Talent Agencies Act by serving as her managers as well as unlicensed talent agents who booked her business deals. In November, a Labor Commissioner ruled in Clarkson’s favor and Blackstock was ordered to repay Clarkson more than $2.6 million in commissions she paid him for handling a number of deals, including her role as a coach on The Voice. A month later, Blackstock and Starstruck challenged the ruling in court, asking for a Los Angeles judge to rule rather than the Labor Commissioner.