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A federal appeals court on Friday (April 26) upheld R. Kelly’s conviction on child pornography and enticement charges, rejecting his argument that the case against him was filed too late.
Eighteen months after a federal jury in Chicago found Kelly (Robert Sylvester Kelly) guilty, the U.S. Court of Appeals for the Seventh Circuit affirmed the 2022 guilty verdict, saying that he had been convicted by “an even-handed jury” and that “no statute of limitations saves him.”
“For years, Robert Sylvester Kelly abused underage girls. By employing a complex scheme to keep victims quiet, he long evaded consequences,” Judge Amy St. Eve wrote for a three-judge panel. “In recent years, though, those crimes caught up with him at last. But Kelly — interposing a statute-of-limitations defense — thinks he delayed the charges long enough to elude them entirely. The statute says otherwise, so we affirm his conviction.”
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Friday’s ruling affirms one of Kelly’s two felony sex abuse convictions. The other one — a September 2021 guilty verdict on racketeering charges brought by federal prosecutors in New York — is currently pending on appeal.
In the wake of Friday’s decision, Kelly can now appeal the verdict to the U.S. Supreme Court. But such appeals face extremely long odds, as the high court hears only a tiny fraction of the petitions it receives.
In a statement to Billboard on Friday, Kelly’s attorney, Jennifer Bonjean, said: “We are disappointed in the ruling but our fight is far from over. We will seek review from the Supreme Court and continue to pursue all of his appellate remedies until we Free R. Kelly. You can bet on that.”
After decades of accusations of sexual misconduct, Kelly was indicted in 2019 by federal prosecutors in both New York and Illinois. By the end of 2022, he had been convicted in both cases.
In Brooklyn, the feds accused Kelly of violating the federal RICO statute (Racketeer Influenced and Corrupt Organizations Act) by orchestrating a long-running scheme to recruit and abuse women and underage girls. After being convicted in September 2021, Kelly was sentenced to 30 years in prison.
In Chicago, a different team of federal prosecutors accused Kelly of violating child pornography laws, enticing minors for sex and obstructing justice by upending a 2008 criminal trial. Though he was acquitted on certain counts, Kelly was convicted in September 2022. The judge later sentenced him to 20 years in prison, but the vast majority of that sentence will be served concurrently with the New York sentence.
In appealing the Chicago verdict, Kelly’s attorneys argued that the case — over crimes that allegedly occurred in the late 1990s and early 2000s — had been filed well past the statute of limitations that existed at the time, which barred child sex abuse charges after a victim’s 25th birthday.
But in Friday’s ruling, the judges chose instead to apply the modern statute of limitations, which extends through the life of the victim.
“Kelly maintains that the old, pre-2003 statute of limitations should control,” Judge St. Eve wrote. “All the inducement of minors in this case, he points out, took place when he could expect a more generous statute of limitations. The law does not support Kelly’s position.”
The appeals court also rejected several other arguments from Kelly, including one challenging the procedural fairness of his trial and another against the propriety of his sentence.
With Kelly’s Chicago verdict affirmed, attention now turns to the U.S. Court of Appeals for the Second Circuit, which is currently weighing his Brooklyn conviction. That case was argued in court last month, when Bonjean told the judges that the RICO case against Kelly had stretched federal racketeering laws “to the point of absurdity.”
A day after Tupac Shakur‘s estate threatened to sue over the use of AI-generated vocals from the late rapper, Drake has pulled his “Taylor Made Freestyle” down from social media. Last Friday, Drake posted the Kendrick Lamar diss track — which also includes AI Snoop Dogg vocals — to his social accounts. The song made […]
A superfan accused of hacking Kelsea Ballerini and leaking her unreleased music has reached an agreement with the star’s lawyers not to share her songs with anyone else — and to name any people he’s already sent them to.
Just a week after Ballerini sued Bo Ewing over accusations that he illegally accessed her unfinished album and shared it with members of a fan club, attorneys for both sides said Wednesday (April 24) that they have agreed on a preliminary injunction against Ewing that will remain in place as the case plays out.
Under the terms of the injunction to which his lawyers agreed, Ewing is not only banned from disseminating any of Ballerini’s materials, he’s required to divulge who he has already shared them with and how he came into possession of her music.
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“Defendant shall, within thirty days of entry of this order, provide plaintiffs with the names and contact information for all people to whom defendant disseminated the recordings,” the agreement reads. “Defendant shall use his best efforts to disclose to Plaintiffs from whom and by what means he obtained the recordings.”
The agreement avoids a court battle over such an injunction, which Ballerini’s attorneys were asking a federal judge to impose regardless of Ewing’s cooperation. In doing so, they warned that the hack had caused “immediate and ongoing harm” that would get far worse if Ewing was allowed to widely release the allegedly leaked songs online.
“The most critical time for an album’s success is its initial release date,” Ballerini’s attorneys wrote in a motion demanding such an injunction. “Hacks like this substantially diminish both performers’ and labels’ ability to realize the full benefits of the release because the work is already available for download, for free, at the time of the official release.”
Ballerini sued last week, claiming that Ewing — allegedly a former fan who had become disillusioned with the star — had gained illegal “back-door access” to a device holding recordings of 12 songs still in production. Her lawyers say he then shared them with members of an online fan club.
“Because the recordings are not the completed master, the songs are not final and are subject to revision,” her lawyers wrote. “Ms. Ballerini and her team are the only people who can say when the recordings are complete. Defendant’s actions have stripped plaintiffs of that right and caused the distribution of unfinished work that may not yet be up to plaintiffs’ high professional standards.”
Almost immediately, the federal judge overseeing the case issued a so-called temporary restraining order — an emergency order that banned Ewing from sharing any of Ballerini’s materials. That order set the stage for a longer-term preliminary injunction, which both sides were set to debate at a hearing on Thursday (April 25).
Instead, Ewing’s attorneys struck Wednesday’s deal accepting such an injunction. Judge Waverly D. Crenshaw Jr. signed off on the agreement on Thursday. Neither side’s lawyers immediately returned requests for comment.
A Houston judge has denied Travis Scott’s motion to be dismissed from sprawling litigation over the 2021 disaster at the Astroworld music festival ahead of a looming jury trial next month.
Scott’s attorneys had argued that the star himself could not be held legally liable for the deadly crowd crush during his the November 2021 performance, which killed 10 and injured hundreds. They argued that safety and security at live events is “not the job of performing artists.”
But in a ruling made public on Wednesday, Judge Kristen Hawkins denied that motion, leaving Scott on the hook to face the first jury trial in the case, set to kick off next month. She offered no written rationale for her ruling, and attorneys for Scott did not return a request for comment.
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More than 2,500 people have sued over Astroworld – a popular festival headlined and marketed by the Houston-native Scott that turned deadly in 2021. Collectively seeking billions in potential damages, the victims claim that Scott (real name Jacques Bermon Webster II), Live Nation and other organizers were legally negligent in how they planned the event.
The lawsuits, combined into one single large action in Texas state court in Houston, have spent much of the last two years in discovery, as the two sides exchange information and take depositions of key figures. Scott was deposed in October, facing questioning from plaintiffs attorneys for roughly eight hours, according to the Associated Press.
The first trial in the massive litigation – a wrongful death case filed by family of Madison Dubiski, a 23-year-old who died at Astroworld – is set to start on May 6.
With that trial date looming, many of the defendants have pushed to be dismissed from the case. Drake (Aubrey Graham), who was named in many of the lawsuits because he appeared on stage as a guest performer during Scott’s deadly show, was dismissed earlier this month.
Scott’s attorneys argued last month that he too should not be held liable for the tragic incident. Even though the event was promoted under Scott’s name and branding, his lawyers said that he was merely an onstage performer who was not responsible for ensuring audience safety.
“Like any other adrenaline-inducing diversion, music festivals must balance exhilaration with safety and security—but that balance is not the job of performing artists, even those involved in promoting and marketing performances,” wrote Scott’s attorney Daniel Petrocelli. “Which only makes sense: Performing artists, even those who engage in certain promotional activities, have no inherent expertise or specialized knowledge in concert safety measures, venue security protocols, or site-design.”
At a hearing over that motion last week, attorneys for Dubiski’s family pushed back on Scott’s arguments, saying he had a “conscious disregard for safety.”
As reported by the Associated Press, the victim’s attorneys argued that Scott had encouraged fans to break into the concert without a ticket, citing a tweet on the day of the concert in which he said “we still sneaking the wild ones in.” They also said he had create unsafe crowd flow conditions by insisting that Scott be the only musical act to use the main stage on the festival’s first day, and then ignored orders from festival organizers to stop the concert when conditions turned dangerous.
Tupac Shakur’s estate is threatening to sue Drake over a recent diss track against Kendrick Lamar that featured an AI-generated version of the late rapper’s voice, calling it a “a flagrant violation” of the law and a “blatant abuse” of his legacy.
In a Wednesday cease-and-desist letter obtained exclusively by Billboard, litigator Howard King told Drake (Aubrey Drake Graham) that he must confirm that he will pull down his “Taylor Made Freestyle” in less than 24 hours or the estate would “pursue all of its legal remedies” against him.
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“The Estate is deeply dismayed and disappointed by your unauthorized use of Tupac’s voice and personality,” King wrote in the letter. “Not only is the record a flagrant violation of Tupac’s publicity and the estate’s legal rights, it is also a blatant abuse of the legacy of one of the greatest hip-hop artists of all time. The Estate would never have given its approval for this use.”
Drake released “Taylor Made” on Friday, marking the latest chapter in a back-and-forth war of words between the Canadian rapper and Lamar. Beyond taking shots at both Kendrick and Taylor Swift, the track made headlines because of its prominent use of artificial intelligence technology to create fake verses from Tupac and Snoop Dogg – two West Coast legends idolized by the LA-based Lamar.
“Kendrick, we need ya, the West Coast savior/ Engraving your name in some hip-hop history,” the AI-generated Tupac raps in Drake’s song. “If you deal with this viciously/ You seem a little nervous about all the publicity.”
In Tuesday’s letter, Tupac’s estate warned Drake that the use of his voice clearly violated Tupac’s so-called publicity rights – the legal power to control how your image or likeness is used by others. And they took particular exception the use of his voice to take shots at Lamar.
“The unauthorized, equally dismaying use of Tupac’s voice against Kendrick Lamar, a good friend to the Estate who has given nothing but respect to Tupac and his legacy publicly and privately, compounds the insult,” King wrote.
A rep for Drake declined to comment on the demands of the Shakur estate.
It’s unclear if Snoop Dogg, whose voice was also featured on “Taylor Made,” is planning to raise similar legal objections to Drake’s track. On Saturday, he posted a video to social media in which he seemed to be learning of the song for the first time: “They did what? When? How? Are you sure?” A rep for Snoop Dogg did not return a request for comment.
The unauthorized use of voice cloning technology has become one of the music industry’s thorniest legal subjects, as AI-powered tools have made easier than ever to convincingly mimic real artists.
The issue exploded onto the scene last year, when an unknown artist named Ghostwriter released a track called “Heart On My Sleeve” that featured – ironically – fake verses from Drake’s voice. Since then, as voice-cloning has proliferated on the internet, industry groups, legal experts and lawmakers have wrangled over how best to crack down on it.
It’s not as simple as it might seem. Federal copyrights are difficult to directly apply, since cloned vocals usually feature new words and music that are distinct from existing copyrighted songs. The publicity rights cited by the estate are a better fit because they protect someone’s likeness itself, but they have historically been used to sue over advertisements, rather than over creative works like songs.
Faced with that legal uncertainty, the recording industry and top artists have pushed for new legislation to address the problem. Last month, Tennessee passed a statute called the ELVIS Act that aims to crack down on voice cloning by expanding the state’s publicity right laws beyond just advertisements. Lawmakers in Washington DC are also considering similar bills that would create new, broader publicity rights at a federal level.
In Wednesday’s letter, however, the estate said that California’s existing publicity right laws clearly outlaw something as blatant as Drake’s use of Tupac’s voice in “Taylor Made.” King argued that the song had caused “substantial economic and reputational harm” by creating the “false impression that the estate and Tupac promote or endorse the lyrics for the sound-alike.”
The estate also argued that the song was likely created using an AI model that violated the estate’s copyrights by “training” on existing recordings of Tupac’s music. The legality of using copyrighted “inputs” is another difficult legal issue that’s currently being tested in several closely-watched lawsuits against AI developers, including one filed by major music publishers.
“It is hard to believe that [Tupac’s record label]’s intellectual property was not scraped to create the fake Tupac AI on the Record,” King wrote, before demanding that Drake also provide “a detailed explanation for how the sound-alike was created and the persons or company that created it, including all recordings and other data ‘scraped’ or used.”
Wednesday’s letter also pointedly highlighted that Drake himself has made previous objections to the use of his own likeness by others. In addition to last year’s incident surrounding “Heart on My Sleeve” — which was quickly pulled down from the internet — King pointed to a lesser-known federal lawsuit in which Drake’s attorneys accused a website of using his image without authorization.
“The [“Taylor Made Freestyle”] has generated well more than one million streams at this point and has been widely reported in the general national press and popular entertainment websites and publications,” the estate wrote. “Without question, it is exponentially more serious and damaging than a picture of you with some other people on a low volume website.”
In its closing paragraphs, the letter demanded written confirmation by noon Pacific on Thursday that Drake’s representatives were “expeditiously taking all steps necessary to have it removed.”
“If you comply, the estate will consider whether an informal negotiation to resolve this matter makes sense,” King wrote. “If you do not comply, our client has authorized this firm to pursue all of its legal remedies including, but not limited to, an action for violation of … the estate’s copyright, publicity and personality rights and the resulting damages, injunctive relief, and punitive damages and attorneys’ fees.”
Megan Thee Stallion and Roc Nation are facing a lawsuit from a cameraman who claims he was forced to watch her have sex with a woman inside a moving vehicle while she was on tour in Spain.
In a complaint filed Tuesday (April 23) in Los Angeles court, Emilio Garcia accused the superstar of subjecting him to a hostile work environment due to the alleged incident, which he says amounted to harassment that left him “embarrassed, mortified and offended.”
“After a night out, plaintiff Stallion and three other women were riding in a SUV together,” Garcia’s lawyers write in the lawsuit, obtained by Billboard. “Suddenly, Stallion and one of the other women start having sex right beside plaintiff. Plaintiff could not get out of the car as it was both moving and he was in the middle of nowhere in a foreign country.”
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Garcia claims that the day after the incident — which allegedly occurred in June 2022 near Ibiza, Spain — Megan told him, “Don’t ever discuss what you saw.” He says she then “berated him” and made “fat-shaming comments” towards him.
In the months following the alleged incident, Garcia claims that Roc Nation switched him from a monthly rate to a per-assignment arrangement. He says he also “noticed a change in how he was treated and saw a decrease in the number of bookings he received from Stallion.” In June 2023, he claims he was told that he was told that “his services would no longer be required.”
Beyond the allegations of a hostile workplace, Garcia also claims that Megan and Roc Nation violated California wage-and-hour laws by failing to fully pay him for the “myriad” tasks he performed for the superstar as her personal cameraman: “More than once, Stallion interrupted plaintiff during dinner and demanded that he immediately shift his focus to assist with her TikTok creative ideas.”
Despite his status as an independent contractor, Garcia claims that Megan effectively treated him like an employee. He says she repeatedly told him explicitly that he was “not allowed to service any other client other than herself.”
Notably, Garcia is represented by the same attorneys (Neama Rahmani and Ronald Zambrano) who filed a high-profile hostile workplace case against Lizzo on behalf of three of her backup dancers. Like the new case, that earlier lawsuit also features allegations that employees were forced to watch sex acts in a European country during an overseas tour.
A rep for Megan and Roc Nation did not immediately return a request for comment on Tuesday.
This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.
This week: Pharrell faces another trademark dispute, this time filed by Pink over the term “P.Inc”; Madonna is sued again by fans angry about delayed starts to her concerts; YoungBoy Never Broke Again is arrested again on new drug and gun charges; and much more.
THE BIG STORY: Pink v. P.Inc
Another week, another trademark dispute for Pharrell Williams.Less than a month after his longtime friend and musical collaborator Chad Hugo accused him of wrongly trying to secure trademarks to their shared “Neptunes” name, the superstar was hit with a similar action from the singer Pink.The disputed trademark? The term “P.Inc,” which Pharrell’s lawyers applied to register last year as a federal trademark covering a wide range of advertising and business services. Pink’s lawyers say the term is so similar to her own stage name that it would confuse consumers who see it.Strangely enough, Pink is actually not the first trademark owner to complain about Pharrell’s trademark application. Last month, the application drew another opposition filing from a retail giant that’s used the term PINK for decades. For more, go read our full story here.
Other top stories this week…
MADONNA SUED AGAIN – Madonna and Live Nation were hit with another federal class action lawsuit over late starts to her concerts, this time filed by spurned Washington D.C. ticket buyers who are accusing her of showing “total disrespect for her fans” by forcing them to wait “hours for her performance in a hot, uncomfortable arena.” The case comes three months after Madonna was hit with a similar case in New York – a case that she is currently seeking to have tossed out of court.YOUNGBOY ARRESTED – YoungBoy Never Broke Again (aka NBA YoungBoy) was arrested on new drug and weapons charges amid a years-long house arrest in Utah as he awaits trial on separate federal gun charges. Local police say he ran a “large scale prescription fraud ring” aimed at purchasing codeine from area drug stores, using associates to illicitly buy the pharmaceuticals under a real doctor’s name. Federal prosecutors, who had already accused the rapper of breaking the terms of his house arrest, quickly moved to revoke his pre-trial release altogether.MOTOWN LEGEND FIRES BACK – Motown Records founder Berry Gordy Jr. fired back after being named as a defendant in an ugly legal battle pitting his son against a former business advisor and romantic partner, calling it a “craven, desperate, and disgusting attempt” to “shake down” his family.
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Motown Records founder Berry Gordy Jr. is caught up in an ugly legal battle pitting his son against a former business advisor and romantic partner – a lawsuit he says is a “craven, desperate, and disgusting attempt” to “shake down” his family.
In a filing Monday in Los Angeles court, attorneys for Gordy demanded that he be dismissed from the case, arguing that the legendary record executive had been unfairly dragged into the litigation to distract from “wanton acts of embezzlement” committed by his son’s accuser.
“Extortion—though illegal and highly unethical—is a powerful weapon,” wrote Gordy’s lawyers Christopher Frost and John D. Maatta. “Nowhere is that more true than here.”
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Gordy founded Motown in 1959, paving the way for the influential soul music sound that came to bear the same name. He eventually signed the Supremes, Marvin Gaye, the Temptations and Stevie Wonder and many others to the label, before selling it off to MCA in 1988.
His strongly-worded response on Monday came amid a back-and-forth legal dispute between his son, Kennedy Gordy (better known by his stage name Rockwell), and Anita Hawker Thompson, who previously served as the CEO of Kennedy’s company, Rockwell Entertainment Enterprises.
Kennedy’s company sued Thompson last year, claiming that he suffers from “psychological impairments” and that Thompson had abused her power over him to steal $1.7 million in royalty payments that had been paid to the company.
Last week, Thompson responded by filing her own scathing countersuit, accusing Kennedy of subjecting her to “physical, sexual, and psychological abuse” during a years-long romantic relationship. In it, she also named the elder Gordy as a defendant, claiming he knew about his son’s abusive conduct and “tried to cover it up.”
But in Monday’s filing, Gordy’s attorneys blasted Thompson’s allegations as “a falsified, unverified narrative” that was aimed at distracting from the fact that she had “illegally abused her position of trust over Kennedy.”
“The response of Ms. Thompson [is] a craven, desperate, and disgusting attempt to further shake-down the Gordy family and to attempt to manufacture a fabricated claim to conveniently offset the claim for theft and conversion that she is facing — to which she has no legitimate legal or factual defense,” Berry’s attorneys write.
In her lawsuit last week, Thompson’s attorneys included pages of disturbing allegations of “intimate partner violence,” including that Kennedy “beat, kicked, punched, and raped” her and then used “threats of violence and deportation to secure her silence.” But in his response Monday, the attorneys for the elder Gordy say that those “fabricated events” could only have plausibly taken place in the 1980s – well past the statute of limitations for bringing them to court.
“Ms. Thompson and her counsel, well-aware that the fabrications complained of occurred over thirty years ago, do not mention any dates when the fabricated wrongs are alleged to have taken place,” Gordy’s lawyers write.
Attorneys for both Thompson and Kennedy did not immediately return requests for comment on Tuesday.
Pink has filed a legal action against Pharrell Williams over his efforts to secure a trademark on the term “P.Inc” – a case that comes just weeks after Pharrell was hit with a similar branding dispute case by a longtime friend.
In an action filed Thursday at a federal tribunal, lawyers for Pink (real name Alecia Moore) claim that the trademark Pharrell is trying to register is so similar to her stage name that it’s “likely to cause confusion, mistake and/or deception” among consumers who see it.
The case was filed by Pink’s company, Lefty Paw Print, which owns numerous trademark registrations to her name, against Pharrell’s company, PW IP Holdings. Reps for Pharrell did not immediately return a request for comment.
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The new legal battle comes less than a month after Pharrell was hit with the same type of trademark action by Chad Hugo, his longtime producing partner and childhood friend. Hugo claims that Pharrell is “fraudulently” seeking sole control over the trademarks to “The Neptunes” – the name of their prolific 2000s songwriting partnership – even though they have always split the group’s assets.
At the time, Pharrell’s reps said he had been “surprised” by Hugo’s accusations, and that his “Neptunes” trademark applications had been solely designed to “make sure a third party doesn’t get a hold of the trademark.” Hugo’s lawyers rejected that explanation, calling the trademark applications “a land grab in a long simmering dispute.”
At issue in the new case is an application to register “P.Inc” as a federal trademark, which his lawyers say he intends to use for a wide range of services, including “promotional marketing services in the field of music.” A trademark registration is what allows brands to place the (R) symbol next to their name, and makes it easier to sue people who use it without permission.
The application was filed last year by PW IP Holdings LLC, Pharrell’s company that also owns such trademark registrations for his band N.E.R.D., his Miami-based Goodtime Hotel, and numerous other brand names connected to the superstar.
Pink’s attorneys did not immediately return a request for comment on the dispute.
Even before Pink filed her case on Thursday, Pharrell’s application for the “P. Inc” trademark had already drawn legal opposition from another entity that has prominently used the name “Pink” for its goods.
That would be Victoria’s Secret, which since 2002 has sold a line of PINK lingerie and apparel. The retail giant filed its own case against Pharrell’s company last month, making similar arguments that Pharrell’s trademark would be confusingly similar to its own name.
“Opposer’s use of its ‘Victoria’s Secret PINK’ and ‘PINK’ marks predates applicant’s filing date,” the company’s lawyers wrote in a March 21 filing. “Applicant’s mark is highly similar to, and is the phonetic equivalent of, opposer’s ‘PINK’ marks.”
Ye has been named as a suspect in a battery case in Los Angeles, according to multiple reports.
TMZ first reported Wednesday night (April 17) that the rapper, formerly known as Kanye West, is being accused of punching another man in the face after he allegedly “grabbed” Ye’s wife, Bianca Censori. According to TMZ, West allegedly responded by striking the man.
Yeezy’s chief of staff Milo Yiannopoulos claimed in a statement to FOX 11 that Censori was “physically assaulted” and “sexually assaulted” by the man accusing West.
“‘Grabbed’ is grossly inadequate as a description of what happened. Bianca was physically assaulted,” Yiannopoulos said. “The assailant didn’t merely collide into her. He put his hands under her dress, directly on her body, he grabbed her waist, he spun her around and then he blew her kisses. She was battered and sexually assaulted.”
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Yeezy and his wife reportedly left the scene of the alleged altercation before the police arrived. The victim did not need treatment for his injuries suffered, according to TMZ.
LAPD officer Drake Madison confirmed to Billboard that officers arrived at a hotel on Sunset Boulevard in West Hollywood on April 17 around 12:30 a.m. PT for a battery investigation and that a battery report was then completed. However, Madison did not confirm whether Ye is a suspect. As of press time, no charges have been levied against Ye.
Billboard has reached out to West’s reps for further comment.
FOX 11‘s Matthew Seedorff shared on X that he saw detectives investigating outside a Los Angeles hotel possibly tied to the alleged altercation.
BREAKING: Kanye West is being investigated by Los Angeles Police as a suspect in a battery case. We saw LAPD detectives outside the hotel today. TMZ confirms West is accused of punching a man in the face late Tuesday night that allegedly “grabbed or pushed his wife”. pic.twitter.com/tbNFs0d08X— Matthew Seedorff (@MattSeedorff) April 18, 2024
Last year, the rapper was sued by a paparazzo over a phone-throwing incident. Photographer Nichol Lechmanik filed a lawsuit against West for assault, battery, negligence and interference with the exercise of her civil rights following the alleged altercation. She claims in her complaint that on Jan. 27, 2023, the musician threw her phone into traffic outside Sports Academy in Newbury Park, Calif.
On the music side, West is coming off the release of his Billboard 200-topping Vultures album alongside Ty Dolla $ign in February. The Vultures 2 sequel is rumored to be released in May.
